{"version":"1.0","provider_name":"Dispatch\/Box","provider_url":"https:\/\/www.dispatchbox.net","author_name":"Jeremy Jeanguenin","author_url":"https:\/\/www.dispatchbox.net\/index.php\/author\/admin-2\/","title":"Larry the Mole - Canned Bass - Dispatch\/Box","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"wbKygpqPJp\"><a href=\"https:\/\/www.dispatchbox.net\/index.php\/2011\/01\/12\/larry-the-mole-canned-bass\/\">Larry the Mole \u2013 Canned Bass<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.dispatchbox.net\/index.php\/2011\/01\/12\/larry-the-mole-canned-bass\/embed\/#?secret=wbKygpqPJp\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Larry the Mole \u2013 Canned Bass\u00a0\u00bb &#8212; Dispatch\/Box\" data-secret=\"wbKygpqPJp\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.dispatchbox.net\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"Lar\u00adry the Mole Tay\u00adlor. Lar\u00adry la taupe, vision\u00adnaire bas\u00adsiste, \u00e9ner\u00adgie lib\u00e9\u00adr\u00e9e dans un blues-rock aus\u00adsi exquis que som\u00adnolent, celui du com\u00adbo Can\u00adned Heat. Lar\u00adry Tay\u00adlor fut bas\u00adsiste du groupe de sa for\u00adma\u00adtion en 1965 \u00e0 1970, ce qui lui lais\u00adsa le temps de gra\u00adver d\u2019ex\u00adcel\u00adlents albums et de faire une d\u00e9mons\u00adtra\u00adtion de transe bas\u00adsis\u00adtique en 1969 \u00e0 Woodstock. L\u2019un de ses deux chan\u00adteurs et gui\u00adta\u00adriste au bot\u00adtle\u00adneck, inter\u00adpr\u00e8te de On the Road Again et Going up the Coun\u00adtry (entre autres), Alan Wil\u00adson,\u2013 sur\u00adnom\u00adm\u00e9 \u201cla chouette aveugle\u201d en rai\u00adson d\u2019une forte myo\u00adpie dont on peut pr\u00e9\u00adsup\u00adpo\u00adser qu\u2019elle \u00e9tait fort inva\u00adli\u00addante \u2013 d\u00e9c\u00e8de d\u2019ex\u00adc\u00e8s d\u2019h\u00e9\u00adro\u00efne en pleine gloire. \u00c0 ces m\u00eames mau\u00addits 27 ans, somme d\u2019an\u00adn\u00e9es \u00e0 laquelle suc\u00adcom\u00adb\u00e8rent Jim Mor\u00adri\u00adson, Jimi Hen\u00addrix, Janis Joplin la m\u00eame ann\u00e9e. Moins extra\u00adva\u00adgant, moins extra\u00adver\u00adti, on n\u2019a jamais don\u00adn\u00e9 ce que l\u2019on devait au g\u00e9nie d\u2019A\u00adlan Wilson. C\u2019est aus\u00adsi \u00e0 ce moment que, mal\u00adgr\u00e9 la pr\u00e9\u00adsence de l\u2019autre chan\u00adteur, l\u2019ours Bob Hite, Lar\u00adry Tay\u00adlor jette l\u2019\u00e9\u00adponge. Il pour\u00adsui\u00advra une car\u00adri\u00e8re musi\u00adcale sur la route du blues, entre contre\u00adbasse et&nbsp;basse. Pour don\u00adner toute la mesure du talent de bas\u00adsiste de Lar\u00adry \u201cThe Mole\u201d Tay\u00adlor, il faut se d\u00e9lec\u00adter d\u2019une ligne de basse jou\u00e9e avec une grande sub\u00adti\u00adli\u00adt\u00e9 et \u00e0 la fois une \u00e9ner\u00adgie, un groove rare dans le&nbsp;blues. &nbsp; C\u2019est que \u2013 \u00e0 l\u2019ins\u00adtar de Ron Car\u00adter et James Jamer\u00adson \u2013 Lar\u00adry Tay\u00adlor exploi\u00adtait sa basse avec les tech\u00adniques tr\u00e8s \u201cphy\u00adsiques\u201d impor\u00adt\u00e9es du jeu de la contre\u00adbasse (syn\u00adcopes, wal\u00adkings, silences, notes fan\u00adt\u00f4mes et notes \u00e9touf\u00adf\u00e9es, fa\u00e7on de \u201ccro\u00adche\u00adter\u201d l\u2019in\u00addex pour atta\u00adquer fort des cordes tr\u00e8s tendues). Cette m\u00e9lo\u00addie qui op\u00e8re la syn\u00adth\u00e8se du blues et du groove, c\u2019est Time Was, titre nos\u00adtal\u00adgique qui n\u2019au\u00adrait d\u2019\u00e9\u00adgal que le Good Times Bad Times de Led Zep\u00adpe\u00adlin sor\u00adti la m\u00eame ann\u00e9e (quel cru&nbsp;! 1969, ana\u00adlo\u00adgie de sujet et d\u2019ex\u00adcel\u00adlence bas\u00adsis\u00adtique !), et elle r\u00e9unit Alan Wil\u00adson au chant et Lar\u00adry Tay\u00adlor \u00e0 la basse Fender. httpv:\/\/www.youtube.com\/watch?v=blhBcjuOUAM","thumbnail_url":"http:\/\/www.dispatchbox.net\/wp-content\/61343_1282864731266_1819557130_534880_6347966_n.jpg"}