{"version":"1.0","provider_name":"Dispatch\/Box","provider_url":"https:\/\/www.dispatchbox.net","author_name":"Jeremy Jeanguenin","author_url":"https:\/\/www.dispatchbox.net\/index.php\/author\/admin-2\/","title":"Sir Joe Quarterman \u00e0 Paris - Dispatch\/Box","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"ovV0gWn1rC\"><a href=\"https:\/\/www.dispatchbox.net\/index.php\/2011\/03\/04\/sir-joe-quarterman-a-paris\/\">Sir Joe Quarterman \u00e0&nbsp;Paris<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.dispatchbox.net\/index.php\/2011\/03\/04\/sir-joe-quarterman-a-paris\/embed\/#?secret=ovV0gWn1rC\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Sir Joe Quarterman \u00e0&nbsp;Paris\u00a0\u00bb &#8212; Dispatch\/Box\" data-secret=\"ovV0gWn1rC\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.dispatchbox.net\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","description":"Le v\u00e9t\u00e9\u00adran du funk pion\u00adnier \u00e9tait de pas\u00adsage en r\u00e9gion pari\u00adsienne (Bobi\u00adgny le 17\/02\/2011 puis Ivry le 18\/02\/2011), fait assez extra\u00ador\u00addi\u00adnaire pour \u00eatre signa\u00adl\u00e9 quand on sait que l\u2019homme, Sir Joe Quar\u00adter\u00adman, s\u2019est reti\u00adr\u00e9 de l\u2019in\u00addus\u00adtrie musi\u00adcale apr\u00e8s un LP mythique sor\u00adti chez GSF Records en 1973 (avant qu\u2019il ne bouge chez Mer\u00adcu\u00adry), accom\u00adpa\u00adgn\u00e9 de singles EP excep\u00adtion\u00adnels, tels que le joyau Get Down Baby, \u00e9pique titre en deux par\u00adties s\u2019il en&nbsp;est. Las, si notre Sir Joe affiche une p\u00eache stu\u00adp\u00e9\u00adfiante pour son \u00e2ge, le groupe qu\u2019il se targue d\u2019a\u00advoir tri\u00e9 sur le volet, \u201cThe Jeze\u00adbel Sex\u00adtet\u201d (cen\u00ads\u00e9 rem\u00adpla\u00adcer les Spee\u00addo\u00adme\u00adters qui semblent occu\u00adp\u00e9s ou cong\u00e9\u00addi\u00e9s ?)&nbsp; se montre d\u2019une ti\u00e9\u00addeur par\u00adti\u00adcu\u00adli\u00e8re, sinon d\u2019une m\u00e9dio\u00adcri\u00adt\u00e9 qui infl\u00e9\u00adchit cons\u00e9\u00adquem\u00adment la set\u00adlist. Il s\u2019a\u00adgit de six bri\u00adtan\u00adniques de Londres, dont seul le trom\u00adpet\u00adtiste fait preuve d\u2019un fee\u00adling \u00e0 la hau\u00adteur du grand Joe. Le reste du groupe sonne r\u00e9so\u00adlu\u00adment trop pop et manque de cette crasse sac\u00adca\u00add\u00e9e qui est la marque d\u2019un backing band de qua\u00adli\u00adt\u00e9. La frappe du bat\u00adteur, sauf \u00e0 de rares moments, est d\u00e9ses\u00adp\u00e9\u00adr\u00e9\u00adment ordi\u00adnaire, le gui\u00adta\u00adriste sem\u00adble\u00adrait plus \u00e0 l\u2019aise dans une for\u00adma\u00adtion de blues rock, le bas\u00adsiste suf\u00adfit \u00e0 peine, quant au cla\u00advier, on se demande encore ce qu\u2019il a jou\u00e9 ce soir-l\u00e0. Mais Sir Joe \u00e9tait chaud comme un lapin, v\u00eatu d\u2019un pan\u00adta\u00adlon blanc et d\u2019une che\u00admise bleue, encha\u00ee\u00adnant pos\u00adtures \u00e9vo\u00adca\u00adtrices pen\u00addant ces ad lib inter\u00adac\u00adtifs avec l\u2019au\u00addi\u00adtoire. Le fait est, second grief, que Sir Joe laisse beau\u00adcoup trop de place \u00e0 son groupe, qui joue seul pen\u00addant la moi\u00adti\u00e9 de la soi\u00adr\u00e9e. Seul le cha\u00adrisme du ma\u00eetre aura per\u00admis \u00e0 ce concert d\u2019I\u00advry (Le Han\u00adgar) de ne pas faire com\u00adpl\u00e8\u00adte\u00adment naufrage. Il aura eu au moins le m\u00e9rite de remettre en t\u00eate \u00e0 un audi\u00adtoire a prio\u00adri sen\u00adsible \u00e0 sa musique, les titres les plus cise\u00adl\u00e9s de funk des ann\u00e9es 1973\u200a\u2013\u200a1974 (ann\u00e9es pro\u00adli\u00adfiques, o\u00f9 com\u00admen\u00adc\u00e8rent \u00e0 s\u00e9vir s\u00e9rieu\u00adse\u00adment, dans cette veine mi-voca\u00adle\/\u00admi-ins\u00adtru\u00admen\u00adtale,&nbsp; Kool &amp; The Gang, Rufus, The Meters, The Bar-Kays). Des mixages d\u2019une pro\u00adfon\u00addeur rare, avec cette cha\u00adleur typique de ce funk qui brasse ryth\u00admique dos\u00e9e (alliage sub\u00adtil d\u2019une bat\u00adte\u00adrie mini\u00admale mais puis\u00adsante, laid\u00adback, d\u2019une basse lourde \u00e0 sou\u00adhait, et de congas, cloches, vibras\u00adlap), cuivres suin\u00adtant, et d\u2019une voix exer\u00adc\u00e9e toute une vie au gos\u00adpel, qui consti\u00adtue sou\u00advent une ana\u00adlo\u00adgie de l\u2019ins\u00adtru\u00adment de Sir Joe&nbsp;: la trompette. httpv:\/\/www.youtube.com\/watch?v=O7BGS5NNDLk&amp;feature=related Un album fon\u00adda\u00adteur et sym\u00adbo\u00adlique du funk-soul de la c\u00f4te Est de la pre\u00admi\u00e8re par\u00adtie des ann\u00e9es 1970, r\u00e9\u00e9di\u00adt\u00e9 en CD r\u00e9cem\u00adment, mais \u00e0 ces 9 titres s\u2019a\u00adjoutent d\u2019ex\u00adquis singles por\u00adtant cette ver\u00adsion \u00e0 17 titres&nbsp;: Thanks Dad, Pts. 1\u200a\u2013\u200a2, This Girl of Mine (She\u2019s Good to Me), No, Get Down Baby, Pts. 1\u200a\u2013\u200a2, I\u2019m a Young Man, How High, Let Me Be What I Am, You Know It\u2019s&nbsp;True. R\u00e9f\u00e9\u00adrences et his\u00adto\u00adrique des \u00e9ditions&nbsp;: Sir Joe Quar\u00adter\u00adman &amp; Free Soul (LP) GSF Records GSF-S-1009 US&nbsp;1973 Sir Joe Quar\u00adter\u00adman &amp; Free Soul (LP) GSF Records GSI-1009 Ita\u00adly&nbsp;1973 Sir Joe Quar\u00adter\u00adman &amp; Free Soul (LP) GSF Records GS 504 UK&nbsp;1973 Sir Joe Quar\u00adter\u00adman &amp; Free Soul (LP, Album) GSF Records, Path\u00e9 Mar\u00adco\u00adni EMI 2C 064\u200a\u2013\u200a94.244 France 1973 Sir Joe Quar\u00adter\u00adman &amp; Free Soul (CD) Char\u00adly Records Ltd. CPCD 8079 UK&nbsp;1995 Sir Joe Quar\u00adter\u00adman &amp; Free Soul (LP, RE) Char\u00adly Records Ltd. CPLP 8079 US&nbsp;1995 Sir Joe Quar\u00adter\u00adman &amp; Free Soul (2xVinyl, RE) Soul Bro\u00adther Records (3) LP SBCS 27 UK&nbsp;2007 Sir Joe Quar\u00adter\u00adman &amp; Free Soul (CD, Album, RE) Soul Bro\u00adther Records (3) CD SBCS 27 UK&nbsp;2007 Visi\u00adtez aus\u00adsi le Mys\u00adpace de Joe Quarterman.","thumbnail_url":"http:\/\/www.dispatchbox.net\/wp-content\/iris8954256367178257652.jpg"}