{"version":"1.0","provider_name":"Dispatch\/Box","provider_url":"https:\/\/www.dispatchbox.net","author_name":"Jeremy Jeanguenin","author_url":"https:\/\/www.dispatchbox.net\/index.php\/author\/admin-2\/","title":"Charles Wright &amp; the Watts 103rd Street Rhythm Band - Dispatch\/Box","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"a9LAvj4oHu\"><a href=\"https:\/\/www.dispatchbox.net\/index.php\/2024\/06\/19\/charles-wright-the-watts-103rd-street-rhythm-band\/\">Charles Wright &amp; the Watts 103rd Street Rhythm Band<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.dispatchbox.net\/index.php\/2024\/06\/19\/charles-wright-the-watts-103rd-street-rhythm-band\/embed\/#?secret=a9LAvj4oHu\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Charles Wright &amp; the Watts 103rd Street Rhythm Band\u00a0\u00bb &#8212; Dispatch\/Box\" data-secret=\"a9LAvj4oHu\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.dispatchbox.net\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"\u201cExprime-toi !\u201d Tel est l\u2019hymne de ce groupe rela\u00adti\u00adve\u00adment \u00e9ph\u00e9\u00adm\u00e8re, puis\u00adqu\u2019il ne pro\u00addui\u00adra que trois albums entre 1967 et 1969. Charles Wright, natif du Mis\u00adsis\u00adsip\u00adpi qui migra en Cali\u00adfor\u00adnie \u00e0 l\u2019\u00e2ge de 12 ans, pour\u00adsui\u00advra sa car\u00adri\u00e8re de chan\u00adteur en solo. Pour\u00adtant, le groupe qui l\u2019ac\u00adcom\u00adpagne, le Watts 103rd Street Rhythm Band (en r\u00e9f\u00e9\u00adrence au c\u00e9l\u00e8bre quar\u00adtier afro-am\u00e9\u00adri\u00adcain qui entra en r\u00e9bel\u00adlion en ao\u00fbt 1965), laisse une empreinte par\u00adti\u00adcu\u00adli\u00e8\u00adre\u00adment forte sur la musique du d\u00e9but des ann\u00e9es 1970. Le noyau du groupe, com\u00adpo\u00ads\u00e9 de Benorce Bla\u00adck\u00admon \u00e0 la gui\u00adtare, Mel\u00advin Dun\u00adlop \u00e0 la basse et James Gad\u00adson \u00e0 la bat\u00adte\u00adrie, se fait remar\u00adquer&nbsp;: ils \u00e9pau\u00adle\u00adront Bill Withers lors de son concert mythique au Car\u00adne\u00adgie Hall de New York le 6 octobre 1972. Le film du concert donne un aper\u00ad\u00e7u tr\u00e8s sin\u00adgu\u00adlier, par son cadrage et la focale orien\u00adt\u00e9e sur les musi\u00adciens, de l\u2019al\u00adchi\u00admie du groupe. C\u2019est \u00e0 ce moment \u00e9ga\u00adle\u00adment que James Gad\u00adson devint un des bat\u00adteurs les plus deman\u00add\u00e9s en stu\u00addio, de Los Angeles \u00e0 Detroit, et bien\u00adt\u00f4t jus\u00adqu\u2019en Europe, o\u00f9 m\u00eame Paul McCart\u00adney l\u2019exige. Plus qu\u2019un bat\u00adteur qu\u2019on r\u00e9su\u00adme\u00adrait \u00e0 sa tech\u00adnique (notam\u00adment ses grooves \u00e0 la croche sur la cym\u00adbale char\u00adles\u00adton, le \u201c16th-note groove\u201d, qui consti\u00adtuent sa v\u00e9ri\u00adtable signa\u00adture), James Gad\u00adson est un musi\u00adcien entier, mul\u00adti-ins\u00adtru\u00admen\u00adtiste, rod\u00e9 au tra\u00advail de stu\u00addio. Il est aus\u00adsi un excellent chan\u00adteur, t\u00e2che dont il s\u2019ac\u00adquitte admi\u00adra\u00adble\u00adment. Preuve en est lors\u00adqu\u2019il assure la voix lead sur Love Land, en&nbsp;1970. &nbsp; &nbsp;","thumbnail_url":"https:\/\/www.dispatchbox.net\/wp-content\/51YJTk8NWGL-300x295.jpg"}