{"id":10202,"date":"2024-02-22T11:33:57","date_gmt":"2024-02-22T11:33:57","guid":{"rendered":"https:\/\/www.dispatchbox.net\/?p=10202"},"modified":"2024-02-23T09:41:36","modified_gmt":"2024-02-23T09:41:36","slug":"jean-albany","status":"publish","type":"post","link":"https:\/\/www.dispatchbox.net\/index.php\/2024\/02\/22\/jean-albany\/","title":{"rendered":"Jean Albany"},"content":{"rendered":"\n

Jean Alba\u00adny<\/a> (1917\u200a\u2013\u200a1984) \u00e9tait un po\u00e8te et peintre r\u00e9union\u00adnais. On lui doit l\u2019in\u00adven\u00adtion de la notion de \u201ccr\u00e9o\u00adlie\u201d. Apr\u00e8s de brillantes \u00e9tudes en France m\u00e9tro\u00adpo\u00adli\u00adtaine \u00e0 par\u00adtir de 1937 (Doc\u00adteur en droit, puis m\u00e9de\u00adcine et chi\u00adrur\u00adgie den\u00adtaire) et une mobi\u00adli\u00adsa\u00adtion en 1942, il revien\u00addra sur son \u00eele de La R\u00e9union natale, o\u00f9 il s\u2019en\u00adnuie\u00adra. L\u2019homme let\u00adtr\u00e9 aime Paris et son bouillon\u00adne\u00adment artis\u00adtique. Il rejoin\u00addra La R\u00e9union pour de courts s\u00e9jours de vacances, au cours des\u00adquels na\u00ee\u00adtront des col\u00adla\u00adbo\u00adra\u00adtions qui le tire\u00adront d\u2019un cer\u00adtain ano\u00adny\u00admat (avec l\u2019as\u00adso\u00adcia\u00adtion des \u00e9cri\u00advains r\u00e9union\u00adnais \u2013 l\u2019A\u00adDER, le po\u00e8te Pier\u00adrot Vidot, le musi\u00adcien et com\u00adpo\u00adsi\u00adteur Alain P\u00e9ters).<\/p>\n\n\n\n

<\/a>
De gauche \u00e0 droite : Pier\u00adrot Vidot, Car\u00adpa\u00adnin Mari\u00admou\u00adtou, Ren\u00e9 Lacaille, Jean Alba\u00adny et Alain P\u00e9ters. \u00a9 Col\u00adlec\u00adtion Vil\u00adlage Titan, fonds Takamba<\/figcaption><\/figure>\n\n\n\n

Alors qu\u2019il pra\u00adtique la chi\u00adrur\u00adgie den\u00adtaire rue Lepic \u00e0 Paris (18e arron\u00addis\u00adse\u00adment), il \u00e9crit des recueils de po\u00e8mes d\u2019a\u00adbord en fran\u00ad\u00e7ais, puis \u00e0 par\u00adtir des ann\u00e9es 1970, sen\u00adtant l\u2019ur\u00adgence de reve\u00adnir \u00e0 la langue mater\u00adnelle cr\u00e9ole, en cr\u00e9ole r\u00e9union\u00adnais (avec notam\u00adment Bleu Mas\u00adca\u00adrin<\/em> en 1969, qui inau\u00adgure cette tran\u00adsi\u00adtion vers l\u2019\u00e9\u00adcri\u00adture en cr\u00e9ole). Quelques pho\u00adto\u00adgra\u00adphies de 1978<\/a> montrent la com\u00adpli\u00adci\u00adt\u00e9 d\u2019Al\u00adba\u00adny et Vidot, \u201cpilant\u201d un maloya dans son appar\u00adte\u00adment pari\u00adsien du 7 rue du Dra\u00adgon, dans le quar\u00adtier de Saint-Ger\u00admain-des-Pr\u00e9s. La com\u00admu\u00adnion de la cr\u00e9o\u00adli\u00adt\u00e9 r\u00e9siste aux tra\u00adver\u00ads\u00e9es de l\u2019oc\u00e9an.<\/p>\n\n\n\n

Il recr\u00e9e tout l\u2019i\u00adma\u00adgi\u00adnaire po\u00e9\u00adtique exo\u00adtique et mani\u00adfeste ain\u00adsi son atta\u00adche\u00adment \u00e0 la cr\u00e9o\u00adlie<\/em> dans cet exil choi\u00adsi, depuis son appar\u00adte\u00adment de la rue du Dra\u00adgon, en plein quar\u00adtier Saint-Ger\u00admain-de-Pr\u00e8s. Ses \u0153uvres po\u00e9\u00adtiques sont en tr\u00e8s grande par\u00adtie publi\u00e9es \u00e0 compte d\u2019au\u00adteur, dans cette m\u00eame rue. Cette \u0153uvre, encore confi\u00adden\u00adtielle mais qui gagne \u00e0 \u00eatre davan\u00adtage connue et \u00e9tu\u00addi\u00e9e, nour\u00adri\u00adra cer\u00adtai\u00adne\u00adment une his\u00adtoire lit\u00adt\u00e9\u00adraire et cultu\u00adrelle de la R\u00e9union \u00e0 la fin du XXe si\u00e8cle.<\/p>\n\n\n\n

<\/a>
Droits r\u00e9ser\u00adv\u00e9s \u2013 ayants-droit de l\u2019au\u00adteur Jean Albany<\/figcaption><\/figure>\n\n\n\n

En 1993, \u00e0 la veille du 10e anni\u00adver\u00adsaire de sa mort, ses docu\u00adments pri\u00adv\u00e9s ain\u00adsi que sa biblio\u00adth\u00e8que per\u00adson\u00adnelle sont \u201crapa\u00adtri\u00e9s\u201d \u00e0 La R\u00e9union. Alors que l\u2019Ar\u00adto\u00adth\u00e8que de Saint-Denis lui consacre une expo\u00adsi\u00adtion du 15 d\u00e9cembre 1994 au 15 f\u00e9vrier 1995, ce fonds est d\u00e9po\u00ads\u00e9 \u00e0 l\u2019\u00ab Espace Oc\u00e9an Indien \u00bb de la biblio\u00adth\u00e8que uni\u00adver\u00adsi\u00adtaire, qui est char\u00adg\u00e9e de le conser\u00adver et de le com\u00admu\u00adni\u00adquer au public qui sou\u00adhaite le consul\u00adter. Il a \u00e9t\u00e9 clas\u00ads\u00e9, inven\u00adto\u00adri\u00e9 pen\u00addant plus de deux ann\u00e9es par Jac\u00adque\u00adline Ric\u00adque\u00adbourg et Syl\u00advie Alba\u00adny. A noter que la consul\u00adta\u00adtion doit faire l\u2019ob\u00adjet d\u2019une auto\u00adri\u00adsa\u00adtion \u00e9crite aupr\u00e8s des ayants-droit. Cer\u00adtaines archives de publi\u00adca\u00adtions \u00e0 titre post\u00adhumes n\u2019ont pas \u00e9t\u00e9 retenues.<\/p>\n\n\n\n

Le pro\u00adfes\u00adseur Serge Mei\u00adtin\u00adger a publi\u00e9 en 2016 une ana\u00adlyse g\u00e9n\u00e9\u00adtique tex\u00adtuelle<\/a> de deux po\u00e8mes de Jean Alba\u00adny, pr\u00e9\u00adc\u00e9\u00add\u00e9e d\u2019un inven\u00adtaire du fonds. Une des\u00adcrip\u00adtion nor\u00adma\u00adli\u00ads\u00e9e du fonds est \u00e9ga\u00adle\u00adment dis\u00adpo\u00adnible sur Calames<\/a>, le cata\u00adlogue en ligne des archives et des manus\u00adcrits de l\u2019en\u00adsei\u00adgne\u00adment sup\u00e9rieur.<\/p>\n\n\n\n

Chaque ouvrage a fait l\u2019ob\u00adjet d\u2019un dos\u00adsier struc\u00adtu\u00adr\u00e9 sp\u00e9\u00adci\u00adfique, tou\u00adjours com\u00adpo\u00ads\u00e9 de six parties :<\/strong><\/p>\n\n\n\n

    \n
  1. Manus\u00adcrits et tapuscrits<\/li>\n\n\n\n
  2. Maquette<\/li>\n\n\n\n
  3. Presse<\/li>\n\n\n\n
  4. \u00c9di\u00adtion et distribution<\/li>\n\n\n\n
  5. Cor\u00adres\u00adpon\u00addance au sujet de l\u2019ouvrage<\/li>\n\n\n\n
  6. Divers<\/li>\n<\/ol>\n\n\n\n

    Voi\u00adci les recueils docu\u00admen\u00adt\u00e9s dans cette archive litt\u00e9raire :<\/strong><\/p>\n\n\n\n

      \n
    • Zamal<\/em> (1951, 1980),<\/li>\n\n\n\n
    • Miel vert<\/em> (1963, 1966),<\/li>\n\n\n\n
    • Bleu Mas\u00adca\u00adrin <\/em>(1969),<\/li>\n\n\n\n
    • Bal Indi\u00adgo<\/em> (1976),<\/li>\n\n\n\n
    • Aux belles cr\u00e9oles<\/em> (1977),<\/li>\n\n\n\n
    • Fare Fare<\/em> (1978),<\/li>\n\n\n\n
    • Per\u00adcale<\/em> (1979),<\/li>\n\n\n\n
    • Indiennes<\/em> (1981),<\/li>\n\n\n\n
    • Amour Oiseau Fou<\/em> (post\u00adhume, 1985)<\/li>\n\n\n\n
    • Outre\u00admer<\/em> (1966),<\/li>\n\n\n\n
    • Archi\u00adpels<\/em> (1967),<\/li>\n\n\n\n
    • Vavangue<\/em> (1972)<\/li>\n\n\n\n
    • P\u2019tit glos\u00adsaire : le piment des mots cr\u00e9oles <\/em>(1974)<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"

      Jean Alba\u00adny (1917 \u2013 1984) \u00e9tait un po\u00e8te et peintre r\u00e9union\u00adnais. On lui doit l\u2019in\u00adven\u00adtion de la notion de \u201ccr\u00e9o\u00adlie\u201d. Apr\u00e8s de brillantes \u00e9tudes en France m\u00e9tro\u00adpo\u00adli\u00adtaine \u00e0 par\u00adtir de 1937 (Doc\u00adteur en droit, puis m\u00e9de\u00adcine et chi\u00adrur\u00adgie den\u00adtaire) et une mobi\u00adli\u00adsa\u00adtion en 1942, il revien\u00addra sur son \u00eele de La R\u00e9union natale, o\u00f9 il s\u2019en\u00adnuie\u00adra. L\u2019homme let\u00adtr\u00e9 aime Paris et son bouillon\u00adne\u00adment artis\u00adtique. Il rejoin\u00addra La R\u00e9union pour de courts s\u00e9jours de vacances, au cours des\u00adquels na\u00ee\u00adtront des col\u00adla\u00adbo\u00adra\u00adtions qui le tire\u00adront d\u2019un cer\u00adtain ano\u00adny\u00admat (avec l\u2019as\u00adso\u00adcia\u00adtion des \u00e9cri\u00advains r\u00e9union\u00adnais \u2013 l\u2019A\u00adDER, le po\u00e8te Pier\u00adrot Vidot, le musi\u00adcien et com\u00adpo\u00adsi\u00adteur Alain P\u00e9ters). Alors qu\u2019il pra\u00adtique la chi\u00adrur\u00adgie den\u00adtaire rue Lepic \u00e0 Paris (18e arron\u00addis\u00adse\u00adment), il \u00e9crit des recueils de po\u00e8mes d\u2019a\u00adbord en fran\u00ad\u00e7ais, puis \u00e0 par\u00adtir des ann\u00e9es 1970, sen\u00adtant l\u2019ur\u00adgence de reve\u00adnir \u00e0 la langue mater\u00adnelle cr\u00e9ole, en cr\u00e9ole r\u00e9union\u00adnais (avec notam\u00adment Bleu Mas\u00adca\u00adrin en 1969, qui inau\u00adgure cette tran\u00adsi\u00adtion vers l\u2019\u00e9\u00adcri\u00adture en cr\u00e9ole). Quelques pho\u00adto\u00adgra\u00adphies de 1978 montrent la com\u00adpli\u00adci\u00adt\u00e9 d\u2019Al\u00adba\u00adny et Vidot, \u201cpilant\u201d un maloya dans son appar\u00adte\u00adment pari\u00adsien du 7 rue du Dra\u00adgon, dans le quar\u00adtier de Saint-Ger\u00ad\u00admain-des-Pr\u00e9s. La com\u00admu\u00adnion de la cr\u00e9o\u00adli\u00adt\u00e9 r\u00e9siste aux tra\u00adver\u00ads\u00e9es de l\u2019oc\u00e9an. Il recr\u00e9e tout l\u2019i\u00adma\u00adgi\u00adnaire po\u00e9\u00adtique exo\u00adtique et mani\u00adfeste ain\u00adsi son atta\u00adche\u00adment \u00e0 la cr\u00e9o\u00adlie dans cet exil choi\u00adsi, depuis son appar\u00adte\u00adment de la rue du Dra\u00adgon, en plein quar\u00adtier Saint-Ger\u00ad\u00admain-de-Pr\u00e8s. Ses \u0153uvres po\u00e9\u00adtiques sont en tr\u00e8s grande par\u00adtie publi\u00e9es \u00e0 compte d\u2019au\u00adteur, dans cette m\u00eame rue. Cette \u0153uvre, encore confi\u00adden\u00adtielle mais qui gagne \u00e0 \u00eatre davan\u00adtage connue et \u00e9tu\u00addi\u00e9e, nour\u00adri\u00adra cer\u00adtai\u00adne\u00adment une his\u00adtoire lit\u00adt\u00e9\u00adraire et cultu\u00adrelle de la R\u00e9union \u00e0 la fin du XXe si\u00e8cle. En 1993, \u00e0 la veille du 10e anni\u00adver\u00adsaire de sa mort, ses docu\u00adments pri\u00adv\u00e9s ain\u00adsi que sa biblio\u00adth\u00e8que per\u00adson\u00adnelle sont \u201crapa\u00adtri\u00e9s\u201d \u00e0 La R\u00e9union. Alors que l\u2019Ar\u00adto\u00adth\u00e8que de Saint-Denis lui consacre une expo\u00adsi\u00adtion du 15 d\u00e9cembre 1994 au 15 f\u00e9vrier 1995, ce fonds est d\u00e9po\u00ads\u00e9 \u00e0 l\u2019\u00ab Espace Oc\u00e9an Indien \u00bb de la biblio\u00adth\u00e8que uni\u00adver\u00adsi\u00adtaire, qui est char\u00adg\u00e9e de le conser\u00adver et de le com\u00admu\u00adni\u00adquer au public qui sou\u00adhaite le consul\u00adter. Il a \u00e9t\u00e9 clas\u00ads\u00e9, inven\u00adto\u00adri\u00e9 pen\u00addant plus de deux ann\u00e9es par Jac\u00adque\u00adline Ric\u00adque\u00adbourg et Syl\u00advie Alba\u00adny. A noter que la consul\u00adta\u00adtion doit faire l\u2019ob\u00adjet d\u2019une auto\u00adri\u00adsa\u00adtion \u00e9crite aupr\u00e8s des ayants-droit. Cer\u00adtaines archives de publi\u00adca\u00adtions \u00e0 titre post\u00adhumes n\u2019ont pas \u00e9t\u00e9 rete\u00adnues. Le pro\u00adfes\u00adseur Serge Mei\u00adtin\u00adger a publi\u00e9 en 2016 une ana\u00adlyse g\u00e9n\u00e9\u00adtique tex\u00adtuelle de deux po\u00e8mes de Jean Alba\u00adny, pr\u00e9\u00adc\u00e9\u00add\u00e9e d\u2019un inven\u00adtaire du fonds. Une des\u00adcrip\u00adtion nor\u00adma\u00adli\u00ads\u00e9e du fonds est \u00e9ga\u00adle\u00adment dis\u00adpo\u00adnible sur Calames, le cata\u00adlogue en ligne des archives et des manus\u00adcrits de l\u2019en\u00adsei\u00adgne\u00adment sup\u00e9\u00adrieur. Chaque ouvrage a fait l\u2019ob\u00adjet d\u2019un dos\u00adsier struc\u00adtu\u00adr\u00e9 sp\u00e9\u00adci\u00adfique, tou\u00adjours com\u00adpo\u00ads\u00e9 de six par\u00adties : Voi\u00adci les recueils docu\u00admen\u00adt\u00e9s dans cette archive litt\u00e9raire :<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_s2mail":"yes","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[],"class_list":["post-10202","post","type-post","status-publish","format-standard","hentry","category-musique"],"yoast_head":"\nJean Albany - Dispatch\/Box<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.dispatchbox.net\/index.php\/2024\/02\/22\/jean-albany\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jean Albany - Dispatch\/Box\" \/>\n<meta property=\"og:description\" content=\"Jean Alba\u00adny (1917\u200a\u2013\u200a1984) \u00e9tait un po\u00e8te et peintre r\u00e9union\u00adnais. On lui doit l\u2019in\u00adven\u00adtion de la notion de \u201ccr\u00e9o\u00adlie\u201d. Apr\u00e8s de brillantes \u00e9tudes en France m\u00e9tro\u00adpo\u00adli\u00adtaine \u00e0 par\u00adtir de 1937 (Doc\u00adteur en droit, puis m\u00e9de\u00adcine et chi\u00adrur\u00adgie den\u00adtaire) et une mobi\u00adli\u00adsa\u00adtion en 1942, il revien\u00addra sur son \u00eele de La R\u00e9union natale, o\u00f9 il s\u2019en\u00adnuie\u00adra. L\u2019homme let\u00adtr\u00e9 aime Paris et son bouillon\u00adne\u00adment artis\u00adtique. Il rejoin\u00addra La R\u00e9union pour de courts s\u00e9jours de vacances, au cours des\u00adquels na\u00ee\u00adtront des col\u00adla\u00adbo\u00adra\u00adtions qui le tire\u00adront d\u2019un cer\u00adtain ano\u00adny\u00admat (avec l\u2019as\u00adso\u00adcia\u00adtion des \u00e9cri\u00advains r\u00e9union\u00adnais \u2013 l\u2019A\u00adDER, le po\u00e8te Pier\u00adrot Vidot, le musi\u00adcien et com\u00adpo\u00adsi\u00adteur Alain P\u00e9ters). Alors qu\u2019il pra\u00adtique la chi\u00adrur\u00adgie den\u00adtaire rue Lepic \u00e0 Paris (18e arron\u00addis\u00adse\u00adment), il \u00e9crit des recueils de po\u00e8mes d\u2019a\u00adbord en fran\u00ad\u00e7ais, puis \u00e0 par\u00adtir des ann\u00e9es 1970, sen\u00adtant l\u2019ur\u00adgence de reve\u00adnir \u00e0 la langue mater\u00adnelle cr\u00e9ole, en cr\u00e9ole r\u00e9union\u00adnais (avec notam\u00adment Bleu Mas\u00adca\u00adrin en 1969, qui inau\u00adgure cette tran\u00adsi\u00adtion vers l\u2019\u00e9\u00adcri\u00adture en cr\u00e9ole). Quelques pho\u00adto\u00adgra\u00adphies de 1978 montrent la com\u00adpli\u00adci\u00adt\u00e9 d\u2019Al\u00adba\u00adny et Vidot, \u201cpilant\u201d un maloya dans son appar\u00adte\u00adment pari\u00adsien du 7 rue du Dra\u00adgon, dans le quar\u00adtier de Saint-Ger\u00admain-des-Pr\u00e9s. La com\u00admu\u00adnion de la cr\u00e9o\u00adli\u00adt\u00e9 r\u00e9siste aux tra\u00adver\u00ads\u00e9es de l\u2019oc\u00e9an. Il recr\u00e9e tout l\u2019i\u00adma\u00adgi\u00adnaire po\u00e9\u00adtique exo\u00adtique et mani\u00adfeste ain\u00adsi son atta\u00adche\u00adment \u00e0 la cr\u00e9o\u00adlie dans cet exil choi\u00adsi, depuis son appar\u00adte\u00adment de la rue du Dra\u00adgon, en plein quar\u00adtier Saint-Ger\u00admain-de-Pr\u00e8s. Ses \u0153uvres po\u00e9\u00adtiques sont en tr\u00e8s grande par\u00adtie publi\u00e9es \u00e0 compte d\u2019au\u00adteur, dans cette m\u00eame rue. Cette \u0153uvre, encore confi\u00adden\u00adtielle mais qui gagne \u00e0 \u00eatre davan\u00adtage connue et \u00e9tu\u00addi\u00e9e, nour\u00adri\u00adra cer\u00adtai\u00adne\u00adment une his\u00adtoire lit\u00adt\u00e9\u00adraire et cultu\u00adrelle de la R\u00e9union \u00e0 la fin du XXe si\u00e8cle. En 1993, \u00e0 la veille du 10e anni\u00adver\u00adsaire de sa mort, ses docu\u00adments pri\u00adv\u00e9s ain\u00adsi que sa biblio\u00adth\u00e8que per\u00adson\u00adnelle sont \u201crapa\u00adtri\u00e9s\u201d \u00e0 La R\u00e9union. Alors que l\u2019Ar\u00adto\u00adth\u00e8que de Saint-Denis lui consacre une expo\u00adsi\u00adtion du 15 d\u00e9cembre 1994 au 15 f\u00e9vrier 1995, ce fonds est d\u00e9po\u00ads\u00e9 \u00e0 l\u2019\u00ab Espace Oc\u00e9an Indien \u00bb de la biblio\u00adth\u00e8que uni\u00adver\u00adsi\u00adtaire, qui est char\u00adg\u00e9e de le conser\u00adver et de le com\u00admu\u00adni\u00adquer au public qui sou\u00adhaite le consul\u00adter. Il a \u00e9t\u00e9 clas\u00ads\u00e9, inven\u00adto\u00adri\u00e9 pen\u00addant plus de deux ann\u00e9es par Jac\u00adque\u00adline Ric\u00adque\u00adbourg et Syl\u00advie Alba\u00adny. A noter que la consul\u00adta\u00adtion doit faire l\u2019ob\u00adjet d\u2019une auto\u00adri\u00adsa\u00adtion \u00e9crite aupr\u00e8s des ayants-droit. Cer\u00adtaines archives de publi\u00adca\u00adtions \u00e0 titre post\u00adhumes n\u2019ont pas \u00e9t\u00e9 retenues. Le pro\u00adfes\u00adseur Serge Mei\u00adtin\u00adger a publi\u00e9 en 2016 une ana\u00adlyse g\u00e9n\u00e9\u00adtique tex\u00adtuelle de deux po\u00e8mes de Jean Alba\u00adny, pr\u00e9\u00adc\u00e9\u00add\u00e9e d\u2019un inven\u00adtaire du fonds. Une des\u00adcrip\u00adtion nor\u00adma\u00adli\u00ads\u00e9e du fonds est \u00e9ga\u00adle\u00adment dis\u00adpo\u00adnible sur Calames, le cata\u00adlogue en ligne des archives et des manus\u00adcrits de l\u2019en\u00adsei\u00adgne\u00adment sup\u00e9rieur. Chaque ouvrage a fait l\u2019ob\u00adjet d\u2019un dos\u00adsier struc\u00adtu\u00adr\u00e9 sp\u00e9\u00adci\u00adfique, tou\u00adjours com\u00adpo\u00ads\u00e9 de six parties : Voi\u00adci les recueils docu\u00admen\u00adt\u00e9s dans cette archive litt\u00e9raire :\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.dispatchbox.net\/index.php\/2024\/02\/22\/jean-albany\/\" \/>\n<meta property=\"og:site_name\" content=\"Dispatch\/Box\" \/>\n<meta property=\"article:published_time\" content=\"2024-02-22T11:33:57+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-02-23T09:41:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/blog.univ-reunion.fr\/blogpapang\/files\/2017\/11\/542.jpg\" \/>\n<meta name=\"author\" content=\"Jeremy Jeanguenin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:site\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jeremy Jeanguenin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2024\\\/02\\\/22\\\/jean-albany\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2024\\\/02\\\/22\\\/jean-albany\\\/\"},\"author\":{\"name\":\"Jeremy Jeanguenin\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/#\\\/schema\\\/person\\\/9db7c9c41e0594fa08428d8b7007e253\"},\"headline\":\"Jean Albany\",\"datePublished\":\"2024-02-22T11:33:57+00:00\",\"dateModified\":\"2024-02-23T09:41:36+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2024\\\/02\\\/22\\\/jean-albany\\\/\"},\"wordCount\":583,\"image\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2024\\\/02\\\/22\\\/jean-albany\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/blog.univ-reunion.fr\\\/blogpapang\\\/files\\\/2017\\\/11\\\/542.jpg\",\"articleSection\":[\"Musique\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2024\\\/02\\\/22\\\/jean-albany\\\/\",\"url\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2024\\\/02\\\/22\\\/jean-albany\\\/\",\"name\":\"Jean Albany - 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Dispatch\/Box","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.dispatchbox.net\/index.php\/2024\/02\/22\/jean-albany\/","og_locale":"fr_FR","og_type":"article","og_title":"Jean Albany - Dispatch\/Box","og_description":"Jean Alba\u00adny (1917\u200a\u2013\u200a1984) \u00e9tait un po\u00e8te et peintre r\u00e9union\u00adnais. On lui doit l\u2019in\u00adven\u00adtion de la notion de \u201ccr\u00e9o\u00adlie\u201d. Apr\u00e8s de brillantes \u00e9tudes en France m\u00e9tro\u00adpo\u00adli\u00adtaine \u00e0 par\u00adtir de 1937 (Doc\u00adteur en droit, puis m\u00e9de\u00adcine et chi\u00adrur\u00adgie den\u00adtaire) et une mobi\u00adli\u00adsa\u00adtion en 1942, il revien\u00addra sur son \u00eele de La R\u00e9union natale, o\u00f9 il s\u2019en\u00adnuie\u00adra. L\u2019homme let\u00adtr\u00e9 aime Paris et son bouillon\u00adne\u00adment artis\u00adtique. Il rejoin\u00addra La R\u00e9union pour de courts s\u00e9jours de vacances, au cours des\u00adquels na\u00ee\u00adtront des col\u00adla\u00adbo\u00adra\u00adtions qui le tire\u00adront d\u2019un cer\u00adtain ano\u00adny\u00admat (avec l\u2019as\u00adso\u00adcia\u00adtion des \u00e9cri\u00advains r\u00e9union\u00adnais \u2013 l\u2019A\u00adDER, le po\u00e8te Pier\u00adrot Vidot, le musi\u00adcien et com\u00adpo\u00adsi\u00adteur Alain P\u00e9ters). Alors qu\u2019il pra\u00adtique la chi\u00adrur\u00adgie den\u00adtaire rue Lepic \u00e0 Paris (18e arron\u00addis\u00adse\u00adment), il \u00e9crit des recueils de po\u00e8mes d\u2019a\u00adbord en fran\u00ad\u00e7ais, puis \u00e0 par\u00adtir des ann\u00e9es 1970, sen\u00adtant l\u2019ur\u00adgence de reve\u00adnir \u00e0 la langue mater\u00adnelle cr\u00e9ole, en cr\u00e9ole r\u00e9union\u00adnais (avec notam\u00adment Bleu Mas\u00adca\u00adrin en 1969, qui inau\u00adgure cette tran\u00adsi\u00adtion vers l\u2019\u00e9\u00adcri\u00adture en cr\u00e9ole). Quelques pho\u00adto\u00adgra\u00adphies de 1978 montrent la com\u00adpli\u00adci\u00adt\u00e9 d\u2019Al\u00adba\u00adny et Vidot, \u201cpilant\u201d un maloya dans son appar\u00adte\u00adment pari\u00adsien du 7 rue du Dra\u00adgon, dans le quar\u00adtier de Saint-Ger\u00admain-des-Pr\u00e9s. La com\u00admu\u00adnion de la cr\u00e9o\u00adli\u00adt\u00e9 r\u00e9siste aux tra\u00adver\u00ads\u00e9es de l\u2019oc\u00e9an. Il recr\u00e9e tout l\u2019i\u00adma\u00adgi\u00adnaire po\u00e9\u00adtique exo\u00adtique et mani\u00adfeste ain\u00adsi son atta\u00adche\u00adment \u00e0 la cr\u00e9o\u00adlie dans cet exil choi\u00adsi, depuis son appar\u00adte\u00adment de la rue du Dra\u00adgon, en plein quar\u00adtier Saint-Ger\u00admain-de-Pr\u00e8s. Ses \u0153uvres po\u00e9\u00adtiques sont en tr\u00e8s grande par\u00adtie publi\u00e9es \u00e0 compte d\u2019au\u00adteur, dans cette m\u00eame rue. Cette \u0153uvre, encore confi\u00adden\u00adtielle mais qui gagne \u00e0 \u00eatre davan\u00adtage connue et \u00e9tu\u00addi\u00e9e, nour\u00adri\u00adra cer\u00adtai\u00adne\u00adment une his\u00adtoire lit\u00adt\u00e9\u00adraire et cultu\u00adrelle de la R\u00e9union \u00e0 la fin du XXe si\u00e8cle. En 1993, \u00e0 la veille du 10e anni\u00adver\u00adsaire de sa mort, ses docu\u00adments pri\u00adv\u00e9s ain\u00adsi que sa biblio\u00adth\u00e8que per\u00adson\u00adnelle sont \u201crapa\u00adtri\u00e9s\u201d \u00e0 La R\u00e9union. Alors que l\u2019Ar\u00adto\u00adth\u00e8que de Saint-Denis lui consacre une expo\u00adsi\u00adtion du 15 d\u00e9cembre 1994 au 15 f\u00e9vrier 1995, ce fonds est d\u00e9po\u00ads\u00e9 \u00e0 l\u2019\u00ab Espace Oc\u00e9an Indien \u00bb de la biblio\u00adth\u00e8que uni\u00adver\u00adsi\u00adtaire, qui est char\u00adg\u00e9e de le conser\u00adver et de le com\u00admu\u00adni\u00adquer au public qui sou\u00adhaite le consul\u00adter. Il a \u00e9t\u00e9 clas\u00ads\u00e9, inven\u00adto\u00adri\u00e9 pen\u00addant plus de deux ann\u00e9es par Jac\u00adque\u00adline Ric\u00adque\u00adbourg et Syl\u00advie Alba\u00adny. A noter que la consul\u00adta\u00adtion doit faire l\u2019ob\u00adjet d\u2019une auto\u00adri\u00adsa\u00adtion \u00e9crite aupr\u00e8s des ayants-droit. Cer\u00adtaines archives de publi\u00adca\u00adtions \u00e0 titre post\u00adhumes n\u2019ont pas \u00e9t\u00e9 retenues. Le pro\u00adfes\u00adseur Serge Mei\u00adtin\u00adger a publi\u00e9 en 2016 une ana\u00adlyse g\u00e9n\u00e9\u00adtique tex\u00adtuelle de deux po\u00e8mes de Jean Alba\u00adny, pr\u00e9\u00adc\u00e9\u00add\u00e9e d\u2019un inven\u00adtaire du fonds. Une des\u00adcrip\u00adtion nor\u00adma\u00adli\u00ads\u00e9e du fonds est \u00e9ga\u00adle\u00adment dis\u00adpo\u00adnible sur Calames, le cata\u00adlogue en ligne des archives et des manus\u00adcrits de l\u2019en\u00adsei\u00adgne\u00adment sup\u00e9rieur. 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