{"id":1536,"date":"2010-03-14T14:46:23","date_gmt":"2010-03-14T14:46:23","guid":{"rendered":"http:\/\/www.dispatchbox.net\/?p=1536"},"modified":"2014-07-27T10:21:04","modified_gmt":"2014-07-27T10:21:04","slug":"point-dorgue-lhammond","status":"publish","type":"post","link":"https:\/\/www.dispatchbox.net\/index.php\/2010\/03\/14\/point-dorgue-lhammond\/","title":{"rendered":"Point d\u2019orgue&nbsp;: l\u2019Hammond"},"content":{"rendered":"<p>httpv:\/\/www.youtube.com\/watch?v=rAzRddkDsHI<\/p>\n<p>Ce petit docu\u00admen\u00adtaire r\u00e9a\u00adli\u00ads\u00e9 \u00e0 l\u2019oc\u00adca\u00adsion des 70 ans de l\u2019orgue Ham\u00admond est cap\u00adti\u00advant. On y red\u00e9\u00adcouvre les usages inat\u00adten\u00addus d\u2019un ins\u00adtru\u00adments pri\u00ads\u00e9 en pre\u00admier lieu par les pia\u00adnistes de jazz (dont Jim\u00admy Smith, \u00e0 l\u2019o\u00adri\u00adgine de l\u2019en\u00adgoue\u00adment) et les prin\u00adcipes m\u00e9ca\u00adniques et \u00e9lec\u00adtriques de son fonc\u00adtion\u00adne\u00adment, ax\u00e9 sur la \u201c<a href=\"http:\/\/fr.wikipedia.org\/wiki\/Telharmonium#La_roue_phonique\">roue pho\u00adnique<\/a>\u201d.<\/p>\n<p>L\u2019ins\u00adtru\u00adment s\u2019illus\u00adtre\u00adra par\u00adti\u00adcu\u00adli\u00e8\u00adre\u00adment dans les envo\u00adl\u00e9es lyriques et hyp\u00adno\u00adtiques du rock psy\u00adch\u00e9\u00add\u00e9\u00adlique (d\u00e9ri\u00adv\u00e9 cer\u00adtain du rhythm n\u2019 blues, de la soul \u2013 Boo\u00adker T. l\u2019u\u00adti\u00adli\u00adsait d\u00e9j\u00e0 chez Stax, r\u00e9\u00e9cou\u00adter les <em>Green Onions<\/em> qui inau\u00adgurent en 1962 l\u2019\u00e8re blues de l\u2019orgue et pr\u00e9\u00adparent le glis\u00adse\u00adment sau\u00advage \u00e0 venir<em>)<\/em>\u2013 mais aus\u00adsi du gos\u00adpel, genre o\u00f9 l\u2019orgue excel\u00adlait notam\u00adment dans les com\u00admu\u00adnau\u00adt\u00e9s \u00e9van\u00adg\u00e9\u00adlistes des \u00c9tats-Unis, rejoint \u00e0 la m\u00eame p\u00e9riode par la basse Fen\u00adder). Ici, des acteurs de l\u2019orgue Ham\u00admond rock inter\u00adviennent, comme les anglais (inva\u00adsion <em>bri\u00adtish<\/em> oblige) Steve Win\u00adwood, Keith Emer\u00adson (je vous laisse d\u00e9cou\u00advrir quelle inven\u00adtion lui sug\u00adg\u00e9\u00adra Lem\u00admy Kil\u00admis\u00adter, le futur braillard de Mot\u00f6rhead).<\/p>\n<p>\u00c0 ces quelques noms on ajou\u00adte\u00adra les grands archi\u00adtectes sonores de l\u2019orgue Ham\u00admond (dif\u00adfi\u00adcile de citer tous les plus influents).<\/p>\n<figure id=\"attachment_2603\" aria-describedby=\"caption-attachment-2603\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.dispatchbox.net\/wp-content\/A_Date_with_Jimmy_Smith.jpg\"><img fetchpriority=\"high\" decoding=\"async\" data-attachment-id=\"2603\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2010\/03\/14\/point-dorgue-lhammond\/a_date_with_jimmy_smith\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/A_Date_with_Jimmy_Smith.jpg\" data-orig-size=\"700,700\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"A_Date_with_Jimmy_Smith\" data-image-description data-image-caption data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/A_Date_with_Jimmy_Smith.jpg\" class=\"wp-image-2603 size-medium\" src=\"http:\/\/www.dispatchbox.net\/wp-content\/A_Date_with_Jimmy_Smith-300x300.jpg\" alt=\"A_Date_with_Jimmy_Smith\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.dispatchbox.net\/wp-content\/A_Date_with_Jimmy_Smith-300x300.jpg 300w, https:\/\/www.dispatchbox.net\/wp-content\/A_Date_with_Jimmy_Smith-150x150.jpg 150w, https:\/\/www.dispatchbox.net\/wp-content\/A_Date_with_Jimmy_Smith.jpg 700w\" sizes=\"(max-width: 300px) 100vw, 300px\"><\/a><figcaption id=\"caption-attachment-2603\" class=\"wp-caption-text\">Jim\u00admy Smith, \u201cA Date With Jim\u00admy Smith\u201d, 1957<\/figcaption><\/figure>\n<p>\u00c0 la fin des ann\u00e9es 1960, si Jim\u00admy Smith excelle depuis long\u00adtemps dans un jazz blues d\u2019ex\u00adcel\u00adlente fac\u00adture (<em>The Cat<\/em>, 1964) qui se mue\u00adra en jazz fun\u00adky sur <em>Roots Down<\/em> (un live fabu\u00adleux empreint de la basse dan\u00adsante de Wil\u00adton Fel\u00adder), on trouve chez les bri\u00adtan\u00adniques le c\u00e9r\u00e9\u00adbral John Paul Jones avec Led Zep\u00adpe\u00adlin, son pen\u00addant vis\u00adc\u00e9\u00adral \u00e9tant John Lord avec Deep Purple, tan\u00addis que Rick Wright contri\u00adbue \u00e0 subli\u00admer la musique du Pink&nbsp;Floyd.<\/p>\n<figure id=\"attachment_2604\" aria-describedby=\"caption-attachment-2604\" style=\"width: 347px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.dispatchbox.net\/wp-content\/Jimmy_Smith-Root_Down_b.jpg\"><img decoding=\"async\" data-attachment-id=\"2604\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2010\/03\/14\/point-dorgue-lhammond\/jimmy_smith-root_down_b\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/Jimmy_Smith-Root_Down_b.jpg\" data-orig-size=\"347,354\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"Jimmy_Smith-Root_Down_b\" data-image-description data-image-caption=\"<p>Jimmy Smith, &quot;Root Down&quot;, 1972 (Verve Records)<\/p>\n\" data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/Jimmy_Smith-Root_Down_b.jpg\" class=\"size-full wp-image-2604\" src=\"http:\/\/www.dispatchbox.net\/wp-content\/Jimmy_Smith-Root_Down_b.jpg\" alt=\"Jimmy Smith, &quot;Root Down&quot;, 1972 (Verve Records)\" width=\"347\" height=\"354\" srcset=\"https:\/\/www.dispatchbox.net\/wp-content\/Jimmy_Smith-Root_Down_b.jpg 347w, https:\/\/www.dispatchbox.net\/wp-content\/Jimmy_Smith-Root_Down_b-294x300.jpg 294w\" sizes=\"(max-width: 347px) 100vw, 347px\"><\/a><figcaption id=\"caption-attachment-2604\" class=\"wp-caption-text\">Jim\u00admy Smith, \u201cRoot Down\u201d, 1972 (Verve Records)<\/figcaption><\/figure>\n<p>C\u00f4t\u00e9 am\u00e9\u00adri\u00adcain, Mark Stein avec Vanilla Fudge, Ray Man\u00adza\u00adrek avec les Doors mais aus\u00adsi Billy Pres\u00adton qui dresse un pont entre le rhythm and blues des \u00c9tats-Unis et le rock bri\u00adtan\u00adnique en rejoi\u00adgnant les Beatles en qua\u00adli\u00adt\u00e9 de membre non-offi\u00adciel du groupe.<\/p>\n<p><a href=\"http:\/\/www.dispatchbox.org\/wp-content\/hammond.jpg\"><img decoding=\"async\" data-attachment-id=\"1538\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2010\/03\/14\/point-dorgue-lhammond\/hammond\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/hammond.jpg\" data-orig-size=\"300,319\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"Orgue Hammond\" data-image-description data-image-caption data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/hammond.jpg\" class=\"aligncenter size-full wp-image-1538\" title=\"Orgue Hammond\" src=\"http:\/\/www.dispatchbox.net\/wp-content\/hammond.jpg\" alt width=\"300\" height=\"319\" srcset=\"https:\/\/www.dispatchbox.net\/wp-content\/hammond.jpg 300w, https:\/\/www.dispatchbox.net\/wp-content\/hammond-282x300.jpg 282w\" sizes=\"(max-width: 300px) 100vw, 300px\"><\/a><\/p>\n<p>L\u2019orgue Ham\u00admond (il en va sou\u00advent de m\u00eame pour ses clones) est en g\u00e9n\u00e9\u00adral com\u00adpo\u00ads\u00e9 de deux \u00e9tages de cla\u00adviers, aux\u00adquels s\u2019a\u00adjoutent un p\u00e9da\u00adlier qui per\u00admet de jouer les basses. Cette der\u00adni\u00e8re fonc\u00adtion\u00adna\u00adli\u00adt\u00e9 \u00e0 inci\u00adt\u00e9 les Doors \u00e0 se pas\u00adser des ser\u00advices d\u2019un bas\u00adsiste sur sc\u00e8ne (Carole Kaye et Jer\u00adry Scheff ayant ex\u00e9\u00adcu\u00adt\u00e9 avec maes\u00adtria les par\u00adties de basse \u00e9lec\u00adtrique de cer\u00adtains titres). Il est tr\u00e8s fr\u00e9\u00adquem\u00adment agr\u00e9\u00admen\u00adt\u00e9 d\u2019un haut-par\u00adleur Les\u00adlie, effet m\u00e9ca\u00adnique <a href=\"http:\/\/www.dispatchbox.org\/index.php\/2008\/07\/27\/fin-du-jazz-festival-au-parc-floral-de-paris-vincennes\/\">que j\u2019a\u00advais \u00e9vo\u00adqu\u00e9<\/a> \u00e0 pro\u00adpos de Bap\u00adtiste Tro\u00adti\u00adgnon en concert avec Ste\u00adfa\u00adno di Batista.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>httpv:\/\/www.youtube.com\/watch?v=rAzRddkDsHI Ce petit docu\u00admen\u00adtaire r\u00e9a\u00adli\u00ads\u00e9 \u00e0 l\u2019oc\u00adca\u00adsion des 70 ans de l\u2019orgue Ham\u00admond est cap\u00adti\u00advant. On y red\u00e9\u00adcouvre les usages inat\u00adten\u00addus d\u2019un ins\u00adtru\u00adments pri\u00ads\u00e9 en pre\u00admier lieu par les pia\u00adnistes de jazz (dont Jim\u00admy Smith, \u00e0 l\u2019o\u00adri\u00adgine de l\u2019en\u00adgoue\u00adment) et les prin\u00adcipes m\u00e9ca\u00adniques et \u00e9lec\u00adtriques de son fonc\u00adtion\u00adne\u00adment, ax\u00e9 sur la \u201croue pho\u00adnique\u201d. L\u2019ins\u00adtru\u00adment s\u2019illus\u00adtre\u00adra par\u00adti\u00adcu\u00adli\u00e8\u00adre\u00adment dans les envo\u00adl\u00e9es lyriques et hyp\u00adno\u00adtiques du rock psy\u00adch\u00e9\u00add\u00e9\u00adlique (d\u00e9ri\u00adv\u00e9 cer\u00adtain du rhythm n\u2019 blues, de la soul \u2013 Boo\u00adker T. l\u2019u\u00adti\u00adli\u00adsait d\u00e9j\u00e0 chez Stax, r\u00e9\u00e9cou\u00adter les Green Onions qui inau\u00adgurent en 1962 l\u2019\u00e8re blues de l\u2019orgue et pr\u00e9\u00adparent le glis\u00adse\u00adment sau\u00advage \u00e0 venir)\u2013 mais aus\u00adsi du gos\u00adpel, genre o\u00f9 l\u2019orgue excel\u00adlait notam\u00adment dans les com\u00admu\u00adnau\u00adt\u00e9s \u00e9van\u00adg\u00e9\u00adlistes des \u00c9tats-Unis, rejoint \u00e0 la m\u00eame p\u00e9riode par la basse Fen\u00adder). Ici, des acteurs de l\u2019orgue Ham\u00admond rock inter\u00adviennent, comme les anglais (inva\u00adsion bri\u00adtish oblige) Steve Win\u00adwood, Keith Emer\u00adson (je vous laisse d\u00e9cou\u00advrir quelle inven\u00adtion lui sug\u00adg\u00e9\u00adra Lem\u00admy Kil\u00admis\u00adter, le futur braillard de Mot\u00f6\u00adrhead). \u00c0 ces quelques noms on ajou\u00adte\u00adra les grands archi\u00adtectes sonores de l\u2019orgue Ham\u00admond (dif\u00adfi\u00adcile de citer tous les plus influents). \u00c0 la fin des ann\u00e9es 1960, si Jim\u00admy Smith excelle depuis long\u00adtemps dans un jazz blues d\u2019ex\u00adcel\u00adlente fac\u00adture (The Cat, 1964) qui se mue\u00adra en jazz fun\u00adky sur Roots Down (un live fabu\u00adleux empreint de la basse dan\u00adsante de Wil\u00adton Fel\u00adder), on trouve chez les bri\u00adtan\u00adniques le c\u00e9r\u00e9\u00adbral John Paul Jones avec Led Zep\u00adpe\u00adlin, son pen\u00addant vis\u00adc\u00e9\u00adral \u00e9tant John Lord avec Deep Purple, tan\u00addis que Rick Wright contri\u00adbue \u00e0 subli\u00admer la musique du Pink&nbsp;Floyd. C\u00f4t\u00e9 am\u00e9\u00adri\u00adcain, Mark Stein avec Vanilla Fudge, Ray Man\u00adza\u00adrek avec les Doors mais aus\u00adsi Billy Pres\u00adton qui dresse un pont entre le rhythm and blues des \u00c9tats-Unis et le rock bri\u00adtan\u00adnique en rejoi\u00adgnant les Beatles en qua\u00adli\u00adt\u00e9 de membre non-offi\u00ad\u00adciel du groupe. L\u2019orgue Ham\u00admond (il en va sou\u00advent de m\u00eame pour ses clones) est en g\u00e9n\u00e9\u00adral com\u00adpo\u00ads\u00e9 de deux \u00e9tages de cla\u00adviers, aux\u00adquels s\u2019a\u00adjoutent un p\u00e9da\u00adlier qui per\u00admet de jouer les basses. Cette der\u00adni\u00e8re fonc\u00adtion\u00adna\u00adli\u00adt\u00e9 \u00e0 inci\u00adt\u00e9 les Doors \u00e0 se pas\u00adser des ser\u00advices d\u2019un bas\u00adsiste sur sc\u00e8ne (Carole Kaye et Jer\u00adry Scheff ayant ex\u00e9\u00adcu\u00adt\u00e9 avec maes\u00adtria les par\u00adties de basse \u00e9lec\u00adtrique de cer\u00adtains titres). Il est tr\u00e8s fr\u00e9\u00adquem\u00adment agr\u00e9\u00admen\u00adt\u00e9 d\u2019un haut-par\u00ad\u00adleur Les\u00adlie, effet m\u00e9ca\u00adnique que j\u2019a\u00advais \u00e9vo\u00adqu\u00e9 \u00e0 pro\u00adpos de Bap\u00adtiste Tro\u00adti\u00adgnon en concert avec Ste\u00adfa\u00adno di Batista.<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_s2mail":"yes","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4,50,2,14,76,3,32,31,19,81,73],"tags":[],"class_list":["post-1536","post","type-post","status-publish","format-standard","hentry","category-basse","category-disques","category-figures-de-la-soul","category-jazz","category-led-zeppelin","category-musique","category-pianiste","category-psychedelique","category-rock","category-rolling-stones","category-stax"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Point d&#039;orgue : l&#039;Hammond - Dispatch\/Box<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.dispatchbox.net\/index.php\/2010\/03\/14\/point-dorgue-lhammond\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Point d&#039;orgue : l&#039;Hammond - Dispatch\/Box\" \/>\n<meta property=\"og:description\" content=\"httpv:\/\/www.youtube.com\/watch?v=rAzRddkDsHI Ce petit docu\u00admen\u00adtaire r\u00e9a\u00adli\u00ads\u00e9 \u00e0 l\u2019oc\u00adca\u00adsion des 70 ans de l\u2019orgue Ham\u00admond est cap\u00adti\u00advant. On y red\u00e9\u00adcouvre les usages inat\u00adten\u00addus d\u2019un ins\u00adtru\u00adments pri\u00ads\u00e9 en pre\u00admier lieu par les pia\u00adnistes de jazz (dont Jim\u00admy Smith, \u00e0 l\u2019o\u00adri\u00adgine de l\u2019en\u00adgoue\u00adment) et les prin\u00adcipes m\u00e9ca\u00adniques et \u00e9lec\u00adtriques de son fonc\u00adtion\u00adne\u00adment, ax\u00e9 sur la \u201croue pho\u00adnique\u201d. L\u2019ins\u00adtru\u00adment s\u2019illus\u00adtre\u00adra par\u00adti\u00adcu\u00adli\u00e8\u00adre\u00adment dans les envo\u00adl\u00e9es lyriques et hyp\u00adno\u00adtiques du rock psy\u00adch\u00e9\u00add\u00e9\u00adlique (d\u00e9ri\u00adv\u00e9 cer\u00adtain du rhythm n\u2019 blues, de la soul \u2013 Boo\u00adker T. l\u2019u\u00adti\u00adli\u00adsait d\u00e9j\u00e0 chez Stax, r\u00e9\u00e9cou\u00adter les Green Onions qui inau\u00adgurent en 1962 l\u2019\u00e8re blues de l\u2019orgue et pr\u00e9\u00adparent le glis\u00adse\u00adment sau\u00advage \u00e0 venir)\u2013 mais aus\u00adsi du gos\u00adpel, genre o\u00f9 l\u2019orgue excel\u00adlait notam\u00adment dans les com\u00admu\u00adnau\u00adt\u00e9s \u00e9van\u00adg\u00e9\u00adlistes des \u00c9tats-Unis, rejoint \u00e0 la m\u00eame p\u00e9riode par la basse Fen\u00adder). Ici, des acteurs de l\u2019orgue Ham\u00admond rock inter\u00adviennent, comme les anglais (inva\u00adsion bri\u00adtish oblige) Steve Win\u00adwood, Keith Emer\u00adson (je vous laisse d\u00e9cou\u00advrir quelle inven\u00adtion lui sug\u00adg\u00e9\u00adra Lem\u00admy Kil\u00admis\u00adter, le futur braillard de Mot\u00f6rhead). \u00c0 ces quelques noms on ajou\u00adte\u00adra les grands archi\u00adtectes sonores de l\u2019orgue Ham\u00admond (dif\u00adfi\u00adcile de citer tous les plus influents). \u00c0 la fin des ann\u00e9es 1960, si Jim\u00admy Smith excelle depuis long\u00adtemps dans un jazz blues d\u2019ex\u00adcel\u00adlente fac\u00adture (The Cat, 1964) qui se mue\u00adra en jazz fun\u00adky sur Roots Down (un live fabu\u00adleux empreint de la basse dan\u00adsante de Wil\u00adton Fel\u00adder), on trouve chez les bri\u00adtan\u00adniques le c\u00e9r\u00e9\u00adbral John Paul Jones avec Led Zep\u00adpe\u00adlin, son pen\u00addant vis\u00adc\u00e9\u00adral \u00e9tant John Lord avec Deep Purple, tan\u00addis que Rick Wright contri\u00adbue \u00e0 subli\u00admer la musique du Pink&nbsp;Floyd. C\u00f4t\u00e9 am\u00e9\u00adri\u00adcain, Mark Stein avec Vanilla Fudge, Ray Man\u00adza\u00adrek avec les Doors mais aus\u00adsi Billy Pres\u00adton qui dresse un pont entre le rhythm and blues des \u00c9tats-Unis et le rock bri\u00adtan\u00adnique en rejoi\u00adgnant les Beatles en qua\u00adli\u00adt\u00e9 de membre non-offi\u00adciel du groupe. L\u2019orgue Ham\u00admond (il en va sou\u00advent de m\u00eame pour ses clones) est en g\u00e9n\u00e9\u00adral com\u00adpo\u00ads\u00e9 de deux \u00e9tages de cla\u00adviers, aux\u00adquels s\u2019a\u00adjoutent un p\u00e9da\u00adlier qui per\u00admet de jouer les basses. Cette der\u00adni\u00e8re fonc\u00adtion\u00adna\u00adli\u00adt\u00e9 \u00e0 inci\u00adt\u00e9 les Doors \u00e0 se pas\u00adser des ser\u00advices d\u2019un bas\u00adsiste sur sc\u00e8ne (Carole Kaye et Jer\u00adry Scheff ayant ex\u00e9\u00adcu\u00adt\u00e9 avec maes\u00adtria les par\u00adties de basse \u00e9lec\u00adtrique de cer\u00adtains titres). 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Dispatch\/Box","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.dispatchbox.net\/index.php\/2010\/03\/14\/point-dorgue-lhammond\/","og_locale":"fr_FR","og_type":"article","og_title":"Point d'orgue : l'Hammond - Dispatch\/Box","og_description":"httpv:\/\/www.youtube.com\/watch?v=rAzRddkDsHI Ce petit docu\u00admen\u00adtaire r\u00e9a\u00adli\u00ads\u00e9 \u00e0 l\u2019oc\u00adca\u00adsion des 70 ans de l\u2019orgue Ham\u00admond est cap\u00adti\u00advant. On y red\u00e9\u00adcouvre les usages inat\u00adten\u00addus d\u2019un ins\u00adtru\u00adments pri\u00ads\u00e9 en pre\u00admier lieu par les pia\u00adnistes de jazz (dont Jim\u00admy Smith, \u00e0 l\u2019o\u00adri\u00adgine de l\u2019en\u00adgoue\u00adment) et les prin\u00adcipes m\u00e9ca\u00adniques et \u00e9lec\u00adtriques de son fonc\u00adtion\u00adne\u00adment, ax\u00e9 sur la \u201croue pho\u00adnique\u201d. L\u2019ins\u00adtru\u00adment s\u2019illus\u00adtre\u00adra par\u00adti\u00adcu\u00adli\u00e8\u00adre\u00adment dans les envo\u00adl\u00e9es lyriques et hyp\u00adno\u00adtiques du rock psy\u00adch\u00e9\u00add\u00e9\u00adlique (d\u00e9ri\u00adv\u00e9 cer\u00adtain du rhythm n\u2019 blues, de la soul \u2013 Boo\u00adker T. l\u2019u\u00adti\u00adli\u00adsait d\u00e9j\u00e0 chez Stax, r\u00e9\u00e9cou\u00adter les Green Onions qui inau\u00adgurent en 1962 l\u2019\u00e8re blues de l\u2019orgue et pr\u00e9\u00adparent le glis\u00adse\u00adment sau\u00advage \u00e0 venir)\u2013 mais aus\u00adsi du gos\u00adpel, genre o\u00f9 l\u2019orgue excel\u00adlait notam\u00adment dans les com\u00admu\u00adnau\u00adt\u00e9s \u00e9van\u00adg\u00e9\u00adlistes des \u00c9tats-Unis, rejoint \u00e0 la m\u00eame p\u00e9riode par la basse Fen\u00adder). Ici, des acteurs de l\u2019orgue Ham\u00admond rock inter\u00adviennent, comme les anglais (inva\u00adsion bri\u00adtish oblige) Steve Win\u00adwood, Keith Emer\u00adson (je vous laisse d\u00e9cou\u00advrir quelle inven\u00adtion lui sug\u00adg\u00e9\u00adra Lem\u00admy Kil\u00admis\u00adter, le futur braillard de Mot\u00f6rhead). \u00c0 ces quelques noms on ajou\u00adte\u00adra les grands archi\u00adtectes sonores de l\u2019orgue Ham\u00admond (dif\u00adfi\u00adcile de citer tous les plus influents). \u00c0 la fin des ann\u00e9es 1960, si Jim\u00admy Smith excelle depuis long\u00adtemps dans un jazz blues d\u2019ex\u00adcel\u00adlente fac\u00adture (The Cat, 1964) qui se mue\u00adra en jazz fun\u00adky sur Roots Down (un live fabu\u00adleux empreint de la basse dan\u00adsante de Wil\u00adton Fel\u00adder), on trouve chez les bri\u00adtan\u00adniques le c\u00e9r\u00e9\u00adbral John Paul Jones avec Led Zep\u00adpe\u00adlin, son pen\u00addant vis\u00adc\u00e9\u00adral \u00e9tant John Lord avec Deep Purple, tan\u00addis que Rick Wright contri\u00adbue \u00e0 subli\u00admer la musique du Pink&nbsp;Floyd. C\u00f4t\u00e9 am\u00e9\u00adri\u00adcain, Mark Stein avec Vanilla Fudge, Ray Man\u00adza\u00adrek avec les Doors mais aus\u00adsi Billy Pres\u00adton qui dresse un pont entre le rhythm and blues des \u00c9tats-Unis et le rock bri\u00adtan\u00adnique en rejoi\u00adgnant les Beatles en qua\u00adli\u00adt\u00e9 de membre non-offi\u00adciel du groupe. L\u2019orgue Ham\u00admond (il en va sou\u00advent de m\u00eame pour ses clones) est en g\u00e9n\u00e9\u00adral com\u00adpo\u00ads\u00e9 de deux \u00e9tages de cla\u00adviers, aux\u00adquels s\u2019a\u00adjoutent un p\u00e9da\u00adlier qui per\u00admet de jouer les basses. Cette der\u00adni\u00e8re fonc\u00adtion\u00adna\u00adli\u00adt\u00e9 \u00e0 inci\u00adt\u00e9 les Doors \u00e0 se pas\u00adser des ser\u00advices d\u2019un bas\u00adsiste sur sc\u00e8ne (Carole Kaye et Jer\u00adry Scheff ayant ex\u00e9\u00adcu\u00adt\u00e9 avec maes\u00adtria les par\u00adties de basse \u00e9lec\u00adtrique de cer\u00adtains titres). 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