{"id":1570,"date":"2010-05-07T15:33:06","date_gmt":"2010-05-07T15:33:06","guid":{"rendered":"http:\/\/www.dispatchbox.net\/?p=1570"},"modified":"2010-09-13T19:37:52","modified_gmt":"2010-09-13T19:37:52","slug":"the-first-lady-of-bass","status":"publish","type":"post","link":"https:\/\/www.dispatchbox.net\/index.php\/2010\/05\/07\/the-first-lady-of-bass\/","title":{"rendered":"The First Lady of Bass"},"content":{"rendered":"

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Le troisi\u00e8me fr\u00e8re, le benjamin, Buddy Montgomery, vibraphoniste (\u00e0 noter qu'on le trouve au piano sur des sessions tardives des ann\u00e9es 1990, alors que Roy Ayers tient les mailloches !), a\u2026","rel":"","context":"Dans "Bar-Kays"","block_context":{"text":"Bar-Kays","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/figures-de-la-soul\/bar-kays\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/monk.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2102,"url":"https:\/\/www.dispatchbox.net\/index.php\/2011\/12\/09\/bassmen\/","url_meta":{"origin":1570,"position":2},"title":"Bassmen !","author":"Jeremy Jeanguenin","date":"09\/12\/2011","format":false,"excerpt":"La Fender Precision Bass 1951 (publicit\u00e9 Fender dat\u00e9e de 1952) \"Bassistes ! Jouez une basse Fender Precision originale et son amplificateur Bassman\" Excellent son de basse Volume exceptionnel Manche frett\u00e9 Toucher facile Moins difficile qu'une vieille contrebasse Facilement transportable Poids plume Tonalit\u00e9 et volume pour toutes les exigences de jeu\u2026","rel":"","context":"Dans "Basse"","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/1952-ad1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2078,"url":"https:\/\/www.dispatchbox.net\/index.php\/2011\/11\/17\/basse-et-tuba-alliage-supreme\/","url_meta":{"origin":1570,"position":3},"title":"Basse et tuba, alliage supr\u00eame","author":"Jeremy Jeanguenin","date":"17\/11\/2011","format":false,"excerpt":"\u00a0 Les orchestrations o\u00f9 le tuba vient \u00e9pauler la basse \u00e9lectrique, \u00e0 l'unisson, ne sont pas l\u00e9gion. Ce m\u00e9lange explosif et rare qui dope le rhythm and blues m\u00e9rite que l'on s'y attarde. Au cours de cette ann\u00e9e pass\u00e9e, j'ai mis en relation quatre compositions, dont il faut souligner que\u2026","rel":"","context":"Dans "Basse"","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/tuba.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2547,"url":"https:\/\/www.dispatchbox.net\/index.php\/2013\/10\/24\/edgar-willis-barry-rillera-et-ray-charles-jouent-fender\/","url_meta":{"origin":1570,"position":4},"title":"Edgar Willis, Barry Rillera et Ray Charles jouent Fender","author":"Jeremy Jeanguenin","date":"24\/10\/2013","format":false,"excerpt":"C'est une publicit\u00e9 d'\u00e9poque de Fender, Edgar Willis est l'un des premiers bassistes de rhythm and blues \u00e0 adopter la basse Fender en compl\u00e9ment de sa traditionnelle contrebasse. 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J'ai assez longtemps cherch\u00e9 l'origine de l'\u00e9trange basse qui a longtemps accompagn\u00e9 Raphael Saadiq sur sc\u00e8ne (jou\u00e9e \u00e9galement par \"Danny McKaye\" sur sc\u00e8ne - il s'agit de Daniel Aged de Inc.), avant qu'il ne soit \"endors\u00e9\" par la marque Performance.\u2026","rel":"","context":"Dans "Basse"","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"pbass","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/pbass.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/pbass.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/pbass.jpg?resize=525%2C300 1.5x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts\/1570","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/comments?post=1570"}],"version-history":[{"count":0,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts\/1570\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/media?parent=1570"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/categories?post=1570"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/tags?post=1570"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}