{"id":1662,"date":"2010-05-31T21:16:21","date_gmt":"2010-05-31T21:16:21","guid":{"rendered":"http:\/\/www.dispatchbox.net\/?p=1662"},"modified":"2012-09-15T19:42:09","modified_gmt":"2012-09-15T19:42:09","slug":"joe-osborn-to-be-wild","status":"publish","type":"post","link":"https:\/\/www.dispatchbox.net\/index.php\/2010\/05\/31\/joe-osborn-to-be-wild\/","title":{"rendered":"Joe Osborn"},"content":{"rendered":"

OK, vous connais\u00adsez le par\u00adti-pris de ce lieu d\u2019ex\u00adpres\u00adsion : par\u00adler de bas\u00adsistes qui parlent peu ! Plu\u00adt\u00f4t que de l\u2019a\u00adgi\u00adt\u00e9 des har\u00admo\u00adniques, par\u00adler du bas\u00adsiste assis au fond de la cabane qui sert de stu\u00addio, l\u00e0-bas vau\u00adtr\u00e9 sur la chaise, un cen\u00addar\u2019 \u00e0 ses pieds ! Bref, le bas\u00adsiste au ser\u00advice de la musique, pas de son ego\u2026<\/p>\n

Pour notre homme du jour, le quart de disque qui lui revient, part certes rela\u00adtive, est cepen\u00addant \u00e0 \u00e9le\u00adver \u00e0 l\u2019ex\u00adpo\u00adsant de son talent (moi qui ai tou\u00adjours \u00e9t\u00e9 un d\u00e9sastre math\u00e9\u00adma\u00adtique). Joe Osborn, je ne peux m\u00eame pas en dire plus. C\u2019est un jeu qui ne se com\u00admente pas, il se go\u00fbte. \u00c0 l\u2019\u00e9\u00adpoque, il est dans les star\u00adting-blocks<\/em> des bas\u00adsistes pr\u00eats \u00e0 encha\u00ee\u00adner ses\u00adsion sur ses\u00adsion pour des dol\u00adlars. Son style, qui vint agr\u00e9\u00admen\u00adter notam\u00adment les m\u00e9lo\u00addies pop-folk de Simon & Gar\u00adfun\u00adkel (Bridge over Trou\u00adbeld Water<\/em>, 1970), n\u2019est pas si \u00e9loi\u00adgn\u00e9 de celui de Carol Kaye : grosse basse Fen\u00adder (une Jazz Bass \u201csta\u00adcked knob\u201d<\/a> comme Fen\u00adder les fabri\u00adquait entre 1960 \u2013 les pro\u00adto\u00adtypes, voir Her\u00adbie Flo\u00adwers et son mod\u00e8le de 1959 sur le site de Cur\u00adtis Novak<\/a> \u2013, c\u2019est-\u00e0-dire avec deux poten\u00adtio\u00adm\u00e8tres \u00e9ta\u00adg\u00e9s, pr\u00e9\u00adsen\u00adtant cha\u00adcun volume et tona\u00adli\u00adt\u00e9 par micro magn\u00e9\u00adtique ; cette basse est celle de la pho\u00adto ci-des\u00adsous), et attaque puis\u00adsante au m\u00e9dia\u00adtor sur des cordes \u00e0 filet plat (comme Jamer\u00adson, il pr\u00e9\u00adtend ne jamais les avoir chan\u00adg\u00e9es en vingt ans !), tel un boxeur dans les cordes du ring musical.<\/p>\n

En voi\u00adci un por\u00adtrait suc\u00adcinct en vid\u00e9o.<\/p>\n

httpv:\/\/www.youtube.com\/watch?v=FCQx3R_V0p0&feature=related<\/p>\n

Le c\u00f4t\u00e9 plus brut de d\u00e9cof\u00adfrage peut \u00eatre ana\u00adly\u00ads\u00e9 \u00e0 tra\u00advers le back\u00adground<\/em> musi\u00adcal de l\u2019homme-basse, la coun\u00adtry (il accom\u00adpa\u00adgna notam\u00adment James Bur\u00adton) en fait un bas\u00adsiste plus franc et sans chi\u00adchis, com\u00adpa\u00adr\u00e9 \u00e0 une Kaye volon\u00adtiers plus jaz\u00adzy<\/em> et \u00e0 une James Jamer\u00adson auquel per\u00adsonne ne se mesure (\u201cil pou\u00advait entendre une autre pul\u00adsa\u00adtion dans sa t\u00eate !\u201d<\/em> s\u2019ex\u00adclame Nate Watts, bas\u00adsiste \u00e9m\u00e9\u00adrite de Ste\u00advie Won\u00adder dans le film Stan\u00adding in the Sha\u00addows of Motown<\/em>).<\/p>\n

Joe Osborne en studio<\/p>\n\" data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/wreckingcrew.joeosborne.jpg\" class=\"size-full wp-image-1663 \" title=\"joeosborne\" src=\"http:\/\/www.dispatchbox.net\/wp-content\/wreckingcrew.joeosborne.jpg\" alt width=\"480\" height=\"750\"><\/a>
Joe Osborne en studio<\/figcaption><\/figure>\n

Joe Osborn, si peu connu soit-il du grand public, pr\u00eate son nom \u00e0 une ligne d\u2019ins\u00adtru\u00adments de la marque Lak\u00adland<\/a>, tr\u00e8s ins\u00adpi\u00adr\u00e9e de la Fen\u00adder Jazz Bass. Curio\u00adsi\u00adt\u00e9 : alors qu\u2019on n\u2019a jamais vu l\u2019homme avec une basse \u00e0 cinq cordes (tes\u00adsi\u00adture \u00e9lar\u00adgie au Si grave), un mod\u00e8le de ce genre porte sa signature !<\/p>\n

Allez, je me tais. Musique !<\/p>\n

httpv:\/\/www.youtube.com\/watch?v=SBEomCtCujw<\/p>\n","protected":false},"excerpt":{"rendered":"

OK, vous connais\u00adsez le par\u00ad\u00adti-pris de ce lieu d\u2019ex\u00adpres\u00adsion : par\u00adler de bas\u00adsistes qui parlent peu ! Plu\u00adt\u00f4t que de l\u2019a\u00adgi\u00adt\u00e9 des har\u00admo\u00adniques, par\u00adler du bas\u00adsiste assis au fond de la cabane qui sert de stu\u00addio, l\u00e0-bas vau\u00adtr\u00e9 sur la chaise, un cen\u00addar\u2019 \u00e0 ses pieds ! Bref, le bas\u00adsiste au ser\u00advice de la musique, pas de son ego\u2026 Pour notre homme du jour, le quart de disque qui lui revient, part certes rela\u00adtive, est cepen\u00addant \u00e0 \u00e9le\u00adver \u00e0 l\u2019ex\u00adpo\u00adsant de son talent (moi qui ai tou\u00adjours \u00e9t\u00e9 un d\u00e9sastre math\u00e9\u00adma\u00adtique). Joe Osborn, je ne peux m\u00eame pas en dire plus. C\u2019est un jeu qui ne se com\u00admente pas, il se go\u00fbte. \u00c0 l\u2019\u00e9\u00adpoque, il est dans les star\u00ad\u00adting-blocks des bas\u00adsistes pr\u00eats \u00e0 encha\u00ee\u00adner ses\u00adsion sur ses\u00adsion pour des dol\u00adlars. Son style, qui vint agr\u00e9\u00admen\u00adter notam\u00adment les m\u00e9lo\u00addies pop-folk de Simon & Gar\u00adfun\u00adkel (Bridge over Trou\u00adbeld Water, 1970), n\u2019est pas si \u00e9loi\u00adgn\u00e9 de celui de Carol Kaye : grosse basse Fen\u00adder (une Jazz Bass \u201csta\u00adcked knob\u201d comme Fen\u00adder les fabri\u00adquait entre 1960 \u2013 les pro\u00adto\u00adtypes, voir Her\u00adbie Flo\u00adwers et son mod\u00e8le de 1959 sur le site de Cur\u00adtis Novak \u2013, c\u2019est-\u00e0-dire avec deux poten\u00adtio\u00adm\u00e8tres \u00e9ta\u00adg\u00e9s, pr\u00e9\u00adsen\u00adtant cha\u00adcun volume et tona\u00adli\u00adt\u00e9 par micro magn\u00e9\u00adtique ; cette basse est celle de la pho\u00adto ci-des\u00ad\u00adsous), et attaque puis\u00adsante au m\u00e9dia\u00adtor sur des cordes \u00e0 filet plat (comme Jamer\u00adson, il pr\u00e9\u00adtend ne jamais les avoir chan\u00adg\u00e9es en vingt ans !), tel un boxeur dans les cordes du ring musi\u00adcal. En voi\u00adci un por\u00adtrait suc\u00adcinct en vid\u00e9o. httpv:\/\/www.youtube.com\/watch?v=FCQx3R_V0p0&feature=related Le c\u00f4t\u00e9 plus brut de d\u00e9cof\u00adfrage peut \u00eatre ana\u00adly\u00ads\u00e9 \u00e0 tra\u00advers le back\u00adground musi\u00adcal de l\u2019homme-basse, la coun\u00adtry (il accom\u00adpa\u00adgna notam\u00adment James Bur\u00adton) en fait un bas\u00adsiste plus franc et sans chi\u00adchis, com\u00adpa\u00adr\u00e9 \u00e0 une Kaye volon\u00adtiers plus jaz\u00adzy et \u00e0 une James Jamer\u00adson auquel per\u00adsonne ne se mesure (\u201cil pou\u00advait entendre une autre pul\u00adsa\u00adtion dans sa t\u00eate !\u201d s\u2019ex\u00adclame Nate Watts, bas\u00adsiste \u00e9m\u00e9\u00adrite de Ste\u00advie Won\u00adder dans le film Stan\u00adding in the Sha\u00addows of Motown). Joe Osborn, si peu connu soit-il du grand public, pr\u00eate son nom \u00e0 une ligne d\u2019ins\u00adtru\u00adments de la marque Lak\u00adland, tr\u00e8s ins\u00adpi\u00adr\u00e9e de la Fen\u00adder Jazz Bass. Curio\u00adsi\u00adt\u00e9 : alors qu\u2019on n\u2019a jamais vu l\u2019homme avec une basse \u00e0 cinq cordes (tes\u00adsi\u00adture \u00e9lar\u00adgie au Si grave), un mod\u00e8le de ce genre porte sa signa\u00adture ! Allez, je me tais. Musique ! httpv:\/\/www.youtube.com\/watch?v=SBEomCtCujw<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_s2mail":"yes","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4,34,145,25,3,31,19],"tags":[],"class_list":["post-1662","post","type-post","status-publish","format-standard","hentry","category-basse","category-contrebasse","category-folk","category-motown","category-musique","category-psychedelique","category-rock"],"yoast_head":"\nJoe Osborn - Dispatch\/Box<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.dispatchbox.net\/index.php\/2010\/05\/31\/joe-osborn-to-be-wild\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Joe Osborn - Dispatch\/Box\" \/>\n<meta property=\"og:description\" content=\"OK, vous connais\u00adsez le par\u00adti-pris de ce lieu d\u2019ex\u00adpres\u00adsion : par\u00adler de bas\u00adsistes qui parlent peu ! Plu\u00adt\u00f4t que de l\u2019a\u00adgi\u00adt\u00e9 des har\u00admo\u00adniques, par\u00adler du bas\u00adsiste assis au fond de la cabane qui sert de stu\u00addio, l\u00e0-bas vau\u00adtr\u00e9 sur la chaise, un cen\u00addar\u2019 \u00e0 ses pieds ! Bref, le bas\u00adsiste au ser\u00advice de la musique, pas de son ego\u2026 Pour notre homme du jour, le quart de disque qui lui revient, part certes rela\u00adtive, est cepen\u00addant \u00e0 \u00e9le\u00adver \u00e0 l\u2019ex\u00adpo\u00adsant de son talent (moi qui ai tou\u00adjours \u00e9t\u00e9 un d\u00e9sastre math\u00e9\u00adma\u00adtique). Joe Osborn, je ne peux m\u00eame pas en dire plus. C\u2019est un jeu qui ne se com\u00admente pas, il se go\u00fbte. \u00c0 l\u2019\u00e9\u00adpoque, il est dans les star\u00adting-blocks des bas\u00adsistes pr\u00eats \u00e0 encha\u00ee\u00adner ses\u00adsion sur ses\u00adsion pour des dol\u00adlars. Son style, qui vint agr\u00e9\u00admen\u00adter notam\u00adment les m\u00e9lo\u00addies pop-folk de Simon & Gar\u00adfun\u00adkel (Bridge over Trou\u00adbeld Water, 1970), n\u2019est pas si \u00e9loi\u00adgn\u00e9 de celui de Carol Kaye : grosse basse Fen\u00adder (une Jazz Bass \u201csta\u00adcked knob\u201d comme Fen\u00adder les fabri\u00adquait entre 1960 \u2013 les pro\u00adto\u00adtypes, voir Her\u00adbie Flo\u00adwers et son mod\u00e8le de 1959 sur le site de Cur\u00adtis Novak \u2013, c\u2019est-\u00e0-dire avec deux poten\u00adtio\u00adm\u00e8tres \u00e9ta\u00adg\u00e9s, pr\u00e9\u00adsen\u00adtant cha\u00adcun volume et tona\u00adli\u00adt\u00e9 par micro magn\u00e9\u00adtique ; cette basse est celle de la pho\u00adto ci-des\u00adsous), et attaque puis\u00adsante au m\u00e9dia\u00adtor sur des cordes \u00e0 filet plat (comme Jamer\u00adson, il pr\u00e9\u00adtend ne jamais les avoir chan\u00adg\u00e9es en vingt ans !), tel un boxeur dans les cordes du ring musical. En voi\u00adci un por\u00adtrait suc\u00adcinct en vid\u00e9o. httpv:\/\/www.youtube.com\/watch?v=FCQx3R_V0p0&feature=related Le c\u00f4t\u00e9 plus brut de d\u00e9cof\u00adfrage peut \u00eatre ana\u00adly\u00ads\u00e9 \u00e0 tra\u00advers le back\u00adground musi\u00adcal de l\u2019homme-basse, la coun\u00adtry (il accom\u00adpa\u00adgna notam\u00adment James Bur\u00adton) en fait un bas\u00adsiste plus franc et sans chi\u00adchis, com\u00adpa\u00adr\u00e9 \u00e0 une Kaye volon\u00adtiers plus jaz\u00adzy et \u00e0 une James Jamer\u00adson auquel per\u00adsonne ne se mesure (\u201cil pou\u00advait entendre une autre pul\u00adsa\u00adtion dans sa t\u00eate !\u201d s\u2019ex\u00adclame Nate Watts, bas\u00adsiste \u00e9m\u00e9\u00adrite de Ste\u00advie Won\u00adder dans le film Stan\u00adding in the Sha\u00addows of Motown). Joe Osborn, si peu connu soit-il du grand public, pr\u00eate son nom \u00e0 une ligne d\u2019ins\u00adtru\u00adments de la marque Lak\u00adland, tr\u00e8s ins\u00adpi\u00adr\u00e9e de la Fen\u00adder Jazz Bass. Curio\u00adsi\u00adt\u00e9 : alors qu\u2019on n\u2019a jamais vu l\u2019homme avec une basse \u00e0 cinq cordes (tes\u00adsi\u00adture \u00e9lar\u00adgie au Si grave), un mod\u00e8le de ce genre porte sa signature ! Allez, je me tais. Musique ! httpv:\/\/www.youtube.com\/watch?v=SBEomCtCujw\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.dispatchbox.net\/index.php\/2010\/05\/31\/joe-osborn-to-be-wild\/\" \/>\n<meta property=\"og:site_name\" content=\"Dispatch\/Box\" \/>\n<meta property=\"article:published_time\" content=\"2010-05-31T21:16:21+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2012-09-15T19:42:09+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.dispatchbox.net\/wp-content\/wreckingcrew.joeosborne.jpg\" \/>\n<meta name=\"author\" content=\"Jeremy Jeanguenin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:site\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jeremy Jeanguenin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2010\\\/05\\\/31\\\/joe-osborn-to-be-wild\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2010\\\/05\\\/31\\\/joe-osborn-to-be-wild\\\/\"},\"author\":{\"name\":\"Jeremy Jeanguenin\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/#\\\/schema\\\/person\\\/9db7c9c41e0594fa08428d8b7007e253\"},\"headline\":\"Joe Osborn\",\"datePublished\":\"2010-05-31T21:16:21+00:00\",\"dateModified\":\"2012-09-15T19:42:09+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2010\\\/05\\\/31\\\/joe-osborn-to-be-wild\\\/\"},\"wordCount\":437,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2010\\\/05\\\/31\\\/joe-osborn-to-be-wild\\\/#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/www.dispatchbox.net\\\/wp-content\\\/wreckingcrew.joeosborne.jpg\",\"articleSection\":[\"Basse\",\"Contrebasse\",\"Folk\",\"Motown\",\"Musique\",\"Psych\u00e9d\u00e9lique\",\"Rock\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2010\\\/05\\\/31\\\/joe-osborn-to-be-wild\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2010\\\/05\\\/31\\\/joe-osborn-to-be-wild\\\/\",\"url\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2010\\\/05\\\/31\\\/joe-osborn-to-be-wild\\\/\",\"name\":\"Joe Osborn - 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Dispatch\/Box","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.dispatchbox.net\/index.php\/2010\/05\/31\/joe-osborn-to-be-wild\/","og_locale":"fr_FR","og_type":"article","og_title":"Joe Osborn - Dispatch\/Box","og_description":"OK, vous connais\u00adsez le par\u00adti-pris de ce lieu d\u2019ex\u00adpres\u00adsion : par\u00adler de bas\u00adsistes qui parlent peu ! Plu\u00adt\u00f4t que de l\u2019a\u00adgi\u00adt\u00e9 des har\u00admo\u00adniques, par\u00adler du bas\u00adsiste assis au fond de la cabane qui sert de stu\u00addio, l\u00e0-bas vau\u00adtr\u00e9 sur la chaise, un cen\u00addar\u2019 \u00e0 ses pieds ! Bref, le bas\u00adsiste au ser\u00advice de la musique, pas de son ego\u2026 Pour notre homme du jour, le quart de disque qui lui revient, part certes rela\u00adtive, est cepen\u00addant \u00e0 \u00e9le\u00adver \u00e0 l\u2019ex\u00adpo\u00adsant de son talent (moi qui ai tou\u00adjours \u00e9t\u00e9 un d\u00e9sastre math\u00e9\u00adma\u00adtique). Joe Osborn, je ne peux m\u00eame pas en dire plus. C\u2019est un jeu qui ne se com\u00admente pas, il se go\u00fbte. \u00c0 l\u2019\u00e9\u00adpoque, il est dans les star\u00adting-blocks des bas\u00adsistes pr\u00eats \u00e0 encha\u00ee\u00adner ses\u00adsion sur ses\u00adsion pour des dol\u00adlars. Son style, qui vint agr\u00e9\u00admen\u00adter notam\u00adment les m\u00e9lo\u00addies pop-folk de Simon & Gar\u00adfun\u00adkel (Bridge over Trou\u00adbeld Water, 1970), n\u2019est pas si \u00e9loi\u00adgn\u00e9 de celui de Carol Kaye : grosse basse Fen\u00adder (une Jazz Bass \u201csta\u00adcked knob\u201d comme Fen\u00adder les fabri\u00adquait entre 1960 \u2013 les pro\u00adto\u00adtypes, voir Her\u00adbie Flo\u00adwers et son mod\u00e8le de 1959 sur le site de Cur\u00adtis Novak \u2013, c\u2019est-\u00e0-dire avec deux poten\u00adtio\u00adm\u00e8tres \u00e9ta\u00adg\u00e9s, pr\u00e9\u00adsen\u00adtant cha\u00adcun volume et tona\u00adli\u00adt\u00e9 par micro magn\u00e9\u00adtique ; cette basse est celle de la pho\u00adto ci-des\u00adsous), et attaque puis\u00adsante au m\u00e9dia\u00adtor sur des cordes \u00e0 filet plat (comme Jamer\u00adson, il pr\u00e9\u00adtend ne jamais les avoir chan\u00adg\u00e9es en vingt ans !), tel un boxeur dans les cordes du ring musical. En voi\u00adci un por\u00adtrait suc\u00adcinct en vid\u00e9o. httpv:\/\/www.youtube.com\/watch?v=FCQx3R_V0p0&feature=related Le c\u00f4t\u00e9 plus brut de d\u00e9cof\u00adfrage peut \u00eatre ana\u00adly\u00ads\u00e9 \u00e0 tra\u00advers le back\u00adground musi\u00adcal de l\u2019homme-basse, la coun\u00adtry (il accom\u00adpa\u00adgna notam\u00adment James Bur\u00adton) en fait un bas\u00adsiste plus franc et sans chi\u00adchis, com\u00adpa\u00adr\u00e9 \u00e0 une Kaye volon\u00adtiers plus jaz\u00adzy et \u00e0 une James Jamer\u00adson auquel per\u00adsonne ne se mesure (\u201cil pou\u00advait entendre une autre pul\u00adsa\u00adtion dans sa t\u00eate !\u201d s\u2019ex\u00adclame Nate Watts, bas\u00adsiste \u00e9m\u00e9\u00adrite de Ste\u00advie Won\u00adder dans le film Stan\u00adding in the Sha\u00addows of Motown). Joe Osborn, si peu connu soit-il du grand public, pr\u00eate son nom \u00e0 une ligne d\u2019ins\u00adtru\u00adments de la marque Lak\u00adland, tr\u00e8s ins\u00adpi\u00adr\u00e9e de la Fen\u00adder Jazz Bass. Curio\u00adsi\u00adt\u00e9 : alors qu\u2019on n\u2019a jamais vu l\u2019homme avec une basse \u00e0 cinq cordes (tes\u00adsi\u00adture \u00e9lar\u00adgie au Si grave), un mod\u00e8le de ce genre porte sa signature ! Allez, je me tais. Musique ! httpv:\/\/www.youtube.com\/watch?v=SBEomCtCujw","og_url":"https:\/\/www.dispatchbox.net\/index.php\/2010\/05\/31\/joe-osborn-to-be-wild\/","og_site_name":"Dispatch\/Box","article_published_time":"2010-05-31T21:16:21+00:00","article_modified_time":"2012-09-15T19:42:09+00:00","og_image":[{"url":"http:\/\/www.dispatchbox.net\/wp-content\/wreckingcrew.joeosborne.jpg","type":"","width":"","height":""}],"author":"Jeremy Jeanguenin","twitter_card":"summary_large_image","twitter_creator":"@dispatch_box","twitter_site":"@dispatch_box","twitter_misc":{"\u00c9crit par":"Jeremy Jeanguenin","Dur\u00e9e de lecture estim\u00e9e":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.dispatchbox.net\/index.php\/2010\/05\/31\/joe-osborn-to-be-wild\/#article","isPartOf":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2010\/05\/31\/joe-osborn-to-be-wild\/"},"author":{"name":"Jeremy Jeanguenin","@id":"https:\/\/www.dispatchbox.net\/#\/schema\/person\/9db7c9c41e0594fa08428d8b7007e253"},"headline":"Joe Osborn","datePublished":"2010-05-31T21:16:21+00:00","dateModified":"2012-09-15T19:42:09+00:00","mainEntityOfPage":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2010\/05\/31\/joe-osborn-to-be-wild\/"},"wordCount":437,"commentCount":0,"image":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2010\/05\/31\/joe-osborn-to-be-wild\/#primaryimage"},"thumbnailUrl":"http:\/\/www.dispatchbox.net\/wp-content\/wreckingcrew.joeosborne.jpg","articleSection":["Basse","Contrebasse","Folk","Motown","Musique","Psych\u00e9d\u00e9lique","Rock"],"inLanguage":"fr-FR","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.dispatchbox.net\/index.php\/2010\/05\/31\/joe-osborn-to-be-wild\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.dispatchbox.net\/index.php\/2010\/05\/31\/joe-osborn-to-be-wild\/","url":"https:\/\/www.dispatchbox.net\/index.php\/2010\/05\/31\/joe-osborn-to-be-wild\/","name":"Joe Osborn - 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Larry la taupe, visionnaire bassiste, \u00e9nergie lib\u00e9r\u00e9e dans un blues-rock aussi exquis que somnolent, celui du combo Canned Heat. Larry Taylor fut bassiste du groupe de sa formation en 1965 \u00e0 1970, ce qui lui laissa le temps de graver d'excellents albums et de faire une\u2026","rel":"","context":"Dans "Basse"","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/61343_1282864731266_1819557130_534880_6347966_n.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1918,"url":"https:\/\/www.dispatchbox.net\/index.php\/2011\/02\/28\/willie-weeks-yall\/","url_meta":{"origin":1662,"position":1},"title":"\u201cWillie Weeks Y\u2019all!\u201d","author":"Jeremy Jeanguenin","date":"28\/02\/2011","format":false,"excerpt":"The Badest bass player in the country, Willie Weeks y'all! C'est de cette mani\u00e8re enthousiaste (avant m\u00eame de commencer \u00e0 parler, il l\u00e2che un \"Ha !\" approbateur) et sans \u00e9quivoque que le l\u00e9gendaire Donny Hathaway (non pas l\u00e9gendaire parce que mort trop t\u00f4t et brutalement, mais parce que touch\u00e9 par\u2026","rel":"","context":"Dans "Basse"","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/wweeks.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3211,"url":"https:\/\/www.dispatchbox.net\/index.php\/2018\/02\/09\/dave-richmond-bassiste-de-histoire-de-melody-nelson-de-gainsbourg\/","url_meta":{"origin":1662,"position":2},"title":"Dave Richmond, bassiste de Histoire de Melody Nelson de Gainsbourg","author":"Jeremy Jeanguenin","date":"09\/02\/2018","format":false,"excerpt":"\u00a0 J'ai creus\u00e9 cette affaire pendant plus de dix ann\u00e9es. En l'absence totale de cr\u00e9dits d'interpr\u00e9tation (le livret est mutique), de nombreuses hypoth\u00e8ses ont circul\u00e9 sur l'identit\u00e9 des musiciens assurant la rythmique de Histoire de Melody Nelson, ce flop commercial pass\u00e9 inaper\u00e7u en 1971 mais port\u00e9 aux nues d\u00e8s les\u2026","rel":"","context":"Dans "Basse"","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/b1f7d557d6de8bd5e64345a3a32c15cb-178x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2313,"url":"https:\/\/www.dispatchbox.net\/index.php\/2012\/09\/16\/tony-newton-et-la-motown-revue\/","url_meta":{"origin":1662,"position":3},"title":"Tony Newton et la Motown Revue","author":"Jeremy Jeanguenin","date":"16\/09\/2012","format":false,"excerpt":"Les ann\u00e9es passent et, s'il on a fait sortir il y a une vingtaine d'ann\u00e9es James Jamerson de l'ombre, ainsi que Bob Babbitt, les autres bassistes - leur r\u00f4le est central dans le \"son\" du snakepit - demeurent n\u00e9glig\u00e9s, sinon oubli\u00e9s. Certes, Wilton Felder est avant toute chose consid\u00e9r\u00e9 pour\u2026","rel":"","context":"Dans "Basse"","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/gear-2-pBass63.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2756,"url":"https:\/\/www.dispatchbox.net\/index.php\/2015\/06\/23\/un-entretien-avec-james-jamerson-1979\/","url_meta":{"origin":1662,"position":4},"title":"Un entretien avec James Jamerson (1979)","author":"Jeremy Jeanguenin","date":"23\/06\/2015","format":false,"excerpt":"On a souvent exag\u00e9r\u00e9 les propos de James Jamerson (1936-1983), tant il existe actuellement peu de sources et par cons\u00e9quent, une recrudescence d'affabulations, aussi fantaisistes les unes que les autres. Pour les dissiper un peu, je vous propose une traduction de l'interview de 1979 accord\u00e9e au magazine Guitar Player, qui\u2026","rel":"","context":"Dans "Basse"","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"James Jamerson en concert, circa 1975","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/Jamerson_and_B-15.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2800,"url":"https:\/\/www.dispatchbox.net\/index.php\/2015\/08\/12\/gimme-five\/","url_meta":{"origin":1662,"position":5},"title":"Gimme Five","author":"Jeremy Jeanguenin","date":"12\/08\/2015","format":false,"excerpt":"Je remercie Bernard Vigui\u00e9, bassiste (Les Innocents, Thomas Fersen et tant d'autres) qui a r\u00e9pondu \u00e0 mes questions avec sympathie. Ce site refl\u00e9tant mes go\u00fbt musicaux toujours en \u00e9volution mais suffisamment ancr\u00e9s sur la p\u00e9riode 1960\/1970, il en r\u00e9sulte que les allusions \u00e0 la basse reviennent quasiment toujours \u00e0 la\u2026","rel":"","context":"Dans "Basse"","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"John Paul Jones, en tourn\u00e9e avec Led Zeppelin","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/johnpauljonesbassV.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts\/1662","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/comments?post=1662"}],"version-history":[{"count":0,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts\/1662\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/media?parent=1662"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/categories?post=1662"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/tags?post=1662"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}