{"id":1888,"date":"2011-01-12T23:41:14","date_gmt":"2011-01-12T23:41:14","guid":{"rendered":"http:\/\/www.dispatchbox.net\/?p=1888"},"modified":"2012-04-04T16:46:45","modified_gmt":"2012-04-04T16:46:45","slug":"larry-the-mole-canned-bass","status":"publish","type":"post","link":"https:\/\/www.dispatchbox.net\/index.php\/2011\/01\/12\/larry-the-mole-canned-bass\/","title":{"rendered":"Larry the Mole \u2013 Canned Bass"},"content":{"rendered":"

Lar\u00adry the Mole Tay\u00adlor. Lar\u00adry la taupe, vision\u00adnaire bas\u00adsiste, \u00e9ner\u00adgie lib\u00e9\u00adr\u00e9e dans un blues-rock aus\u00adsi exquis que som\u00adnolent, celui du com\u00adbo Can\u00adned Heat. Lar\u00adry Tay\u00adlor fut bas\u00adsiste du groupe de sa for\u00adma\u00adtion en 1965 \u00e0 1970, ce qui lui lais\u00adsa le temps de gra\u00adver d\u2019ex\u00adcel\u00adlents albums et de faire une d\u00e9mons\u00adtra\u00adtion de transe bas\u00adsis\u00adtique en 1969 \u00e0 Woodstock.<\/p>\n

<\/a><\/p>\n

L\u2019un de ses deux chan\u00adteurs et gui\u00adta\u00adriste au bot\u00adtle\u00adneck, inter\u00adpr\u00e8te de On the Road Again<\/em> et Going up the Coun\u00adtry <\/em>(entre autres), Alan Wil\u00adson,\u2013 sur\u00adnom\u00adm\u00e9 \u201cla chouette aveugle\u201d en rai\u00adson d\u2019une forte myo\u00adpie dont on peut pr\u00e9\u00adsup\u00adpo\u00adser qu\u2019elle \u00e9tait fort inva\u00adli\u00addante \u2013 d\u00e9c\u00e8de d\u2019ex\u00adc\u00e8s d\u2019h\u00e9\u00adro\u00efne en pleine gloire. \u00c0 ces m\u00eames mau\u00addits 27 ans, somme d\u2019an\u00adn\u00e9es \u00e0 laquelle suc\u00adcom\u00adb\u00e8rent Jim Mor\u00adri\u00adson, Jimi Hen\u00addrix, Janis Joplin la m\u00eame ann\u00e9e. Moins extra\u00adva\u00adgant, moins extra\u00adver\u00adti, on n\u2019a jamais don\u00adn\u00e9 ce que l\u2019on devait au g\u00e9nie d\u2019A\u00adlan Wilson.<\/p>\n

C\u2019est aus\u00adsi \u00e0 ce moment que, mal\u00adgr\u00e9 la pr\u00e9\u00adsence de l\u2019autre chan\u00adteur, l\u2019ours Bob Hite, Lar\u00adry Tay\u00adlor jette l\u2019\u00e9\u00adponge. Il pour\u00adsui\u00advra une car\u00adri\u00e8re musi\u00adcale sur la route du blues, entre contre\u00adbasse et basse.<\/p>\n

Pour don\u00adner toute la mesure du talent de bas\u00adsiste de Lar\u00adry \u201cThe Mole\u201d Tay\u00adlor, il faut se d\u00e9lec\u00adter d\u2019une ligne de basse jou\u00e9e avec une grande sub\u00adti\u00adli\u00adt\u00e9 et \u00e0 la fois une \u00e9ner\u00adgie, un groove rare dans le blues.<\/p>\n

<\/a>
Can\u00adned Heat, \u201cHal\u00adle\u00adlu\u00adjah\u201d, 1969<\/figcaption><\/figure>\n

 <\/p>\n

C\u2019est que \u2013 \u00e0 l\u2019ins\u00adtar de Ron Car\u00adter et James Jamer\u00adson \u2013 Lar\u00adry Tay\u00adlor exploi\u00adtait sa basse avec les tech\u00adniques tr\u00e8s \u201cphy\u00adsiques\u201d impor\u00adt\u00e9es du jeu de la contre\u00adbasse (syn\u00adcopes, wal\u00adkings, silences, notes fan\u00adt\u00f4mes et notes \u00e9touf\u00adf\u00e9es, fa\u00e7on de \u201ccro\u00adche\u00adter\u201d l\u2019in\u00addex pour atta\u00adquer fort des cordes tr\u00e8s tendues).<\/p>\n

Cette m\u00e9lo\u00addie qui op\u00e8re la syn\u00adth\u00e8se du blues et du groove<\/em>, c\u2019est Time Was<\/em>, titre nos\u00adtal\u00adgique qui n\u2019au\u00adrait d\u2019\u00e9\u00adgal que le Good Times Bad Times<\/em> de Led Zep\u00adpe\u00adlin sor\u00adti la m\u00eame ann\u00e9e (quel cru ! 1969, ana\u00adlo\u00adgie de sujet et d\u2019ex\u00adcel\u00adlence bas\u00adsis\u00adtique !), et elle r\u00e9unit Alan Wil\u00adson au chant et Lar\u00adry Tay\u00adlor \u00e0 la basse Fender.<\/p>\n

httpv:\/\/www.youtube.com\/watch?v=blhBcjuOUAM<\/p>\n","protected":false},"excerpt":{"rendered":"

Lar\u00adry the Mole Tay\u00adlor. Lar\u00adry la taupe, vision\u00adnaire bas\u00adsiste, \u00e9ner\u00adgie lib\u00e9\u00adr\u00e9e dans un blues-rock aus\u00adsi exquis que som\u00adnolent, celui du com\u00adbo Can\u00adned Heat. Lar\u00adry Tay\u00adlor fut bas\u00adsiste du groupe de sa for\u00adma\u00adtion en 1965 \u00e0 1970, ce qui lui lais\u00adsa le temps de gra\u00adver d\u2019ex\u00adcel\u00adlents albums et de faire une d\u00e9mons\u00adtra\u00adtion de transe bas\u00adsis\u00adtique en 1969 \u00e0 Wood\u00adstock. L\u2019un de ses deux chan\u00adteurs et gui\u00adta\u00adriste au bot\u00adtle\u00adneck, inter\u00adpr\u00e8te de On the Road Again et Going up the Coun\u00adtry (entre autres), Alan Wil\u00adson,\u2013 sur\u00adnom\u00adm\u00e9 \u201cla chouette aveugle\u201d en rai\u00adson d\u2019une forte myo\u00adpie dont on peut pr\u00e9\u00adsup\u00adpo\u00adser qu\u2019elle \u00e9tait fort inva\u00adli\u00addante \u2013 d\u00e9c\u00e8de d\u2019ex\u00adc\u00e8s d\u2019h\u00e9\u00adro\u00efne en pleine gloire. \u00c0 ces m\u00eames mau\u00addits 27 ans, somme d\u2019an\u00adn\u00e9es \u00e0 laquelle suc\u00adcom\u00adb\u00e8rent Jim Mor\u00adri\u00adson, Jimi Hen\u00addrix, Janis Joplin la m\u00eame ann\u00e9e. Moins extra\u00adva\u00adgant, moins extra\u00adver\u00adti, on n\u2019a jamais don\u00adn\u00e9 ce que l\u2019on devait au g\u00e9nie d\u2019A\u00adlan Wil\u00adson. C\u2019est aus\u00adsi \u00e0 ce moment que, mal\u00adgr\u00e9 la pr\u00e9\u00adsence de l\u2019autre chan\u00adteur, l\u2019ours Bob Hite, Lar\u00adry Tay\u00adlor jette l\u2019\u00e9\u00adponge. Il pour\u00adsui\u00advra une car\u00adri\u00e8re musi\u00adcale sur la route du blues, entre contre\u00adbasse et basse. Pour don\u00adner toute la mesure du talent de bas\u00adsiste de Lar\u00adry \u201cThe Mole\u201d Tay\u00adlor, il faut se d\u00e9lec\u00adter d\u2019une ligne de basse jou\u00e9e avec une grande sub\u00adti\u00adli\u00adt\u00e9 et \u00e0 la fois une \u00e9ner\u00adgie, un groove rare dans le blues.   C\u2019est que \u2013 \u00e0 l\u2019ins\u00adtar de Ron Car\u00adter et James Jamer\u00adson \u2013 Lar\u00adry Tay\u00adlor exploi\u00adtait sa basse avec les tech\u00adniques tr\u00e8s \u201cphy\u00adsiques\u201d impor\u00adt\u00e9es du jeu de la contre\u00adbasse (syn\u00adcopes, wal\u00adkings, silences, notes fan\u00adt\u00f4mes et notes \u00e9touf\u00adf\u00e9es, fa\u00e7on de \u201ccro\u00adche\u00adter\u201d l\u2019in\u00addex pour atta\u00adquer fort des cordes tr\u00e8s ten\u00addues). Cette m\u00e9lo\u00addie qui op\u00e8re la syn\u00adth\u00e8se du blues et du groove, c\u2019est Time Was, titre nos\u00adtal\u00adgique qui n\u2019au\u00adrait d\u2019\u00e9\u00adgal que le Good Times Bad Times de Led Zep\u00adpe\u00adlin sor\u00adti la m\u00eame ann\u00e9e (quel cru ! 1969, ana\u00adlo\u00adgie de sujet et d\u2019ex\u00adcel\u00adlence bas\u00adsis\u00adtique !), et elle r\u00e9unit Alan Wil\u00adson au chant et Lar\u00adry Tay\u00adlor \u00e0 la basse Fen\u00adder. httpv:\/\/www.youtube.com\/watch?v=blhBcjuOUAM<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_s2mail":"yes","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4,34,50,96,38,145,142,95,97,76,94,25,3,31,19,141,81,105],"tags":[348,572,168,390,584,321,337,322,370,389,388],"class_list":["post-1888","post","type-post","status-publish","format-standard","hentry","category-basse","category-contrebasse","category-disques","category-fender","category-festival","category-folk","category-folk-rock","category-gibson","category-guitare","category-led-zeppelin","category-les-paul","category-motown","category-musique","category-psychedelique","category-rock","category-rock-critic","category-rolling-stones","category-violin-bass","tag-bass","tag-basse","tag-blues","tag-canned-heat","tag-fender","tag-fender-bass","tag-flatwound","tag-p-bass","tag-rhythm-and-blues","tag-the-mole","tag-woodstock"],"yoast_head":"\nLarry the Mole - Canned Bass - Dispatch\/Box<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.dispatchbox.net\/index.php\/2011\/01\/12\/larry-the-mole-canned-bass\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Larry the Mole - Canned Bass - Dispatch\/Box\" \/>\n<meta property=\"og:description\" content=\"Lar\u00adry the Mole Tay\u00adlor. Lar\u00adry la taupe, vision\u00adnaire bas\u00adsiste, \u00e9ner\u00adgie lib\u00e9\u00adr\u00e9e dans un blues-rock aus\u00adsi exquis que som\u00adnolent, celui du com\u00adbo Can\u00adned Heat. Lar\u00adry Tay\u00adlor fut bas\u00adsiste du groupe de sa for\u00adma\u00adtion en 1965 \u00e0 1970, ce qui lui lais\u00adsa le temps de gra\u00adver d\u2019ex\u00adcel\u00adlents albums et de faire une d\u00e9mons\u00adtra\u00adtion de transe bas\u00adsis\u00adtique en 1969 \u00e0 Woodstock. L\u2019un de ses deux chan\u00adteurs et gui\u00adta\u00adriste au bot\u00adtle\u00adneck, inter\u00adpr\u00e8te de On the Road Again et Going up the Coun\u00adtry (entre autres), Alan Wil\u00adson,\u2013 sur\u00adnom\u00adm\u00e9 \u201cla chouette aveugle\u201d en rai\u00adson d\u2019une forte myo\u00adpie dont on peut pr\u00e9\u00adsup\u00adpo\u00adser qu\u2019elle \u00e9tait fort inva\u00adli\u00addante \u2013 d\u00e9c\u00e8de d\u2019ex\u00adc\u00e8s d\u2019h\u00e9\u00adro\u00efne en pleine gloire. \u00c0 ces m\u00eames mau\u00addits 27 ans, somme d\u2019an\u00adn\u00e9es \u00e0 laquelle suc\u00adcom\u00adb\u00e8rent Jim Mor\u00adri\u00adson, Jimi Hen\u00addrix, Janis Joplin la m\u00eame ann\u00e9e. Moins extra\u00adva\u00adgant, moins extra\u00adver\u00adti, on n\u2019a jamais don\u00adn\u00e9 ce que l\u2019on devait au g\u00e9nie d\u2019A\u00adlan Wilson. C\u2019est aus\u00adsi \u00e0 ce moment que, mal\u00adgr\u00e9 la pr\u00e9\u00adsence de l\u2019autre chan\u00adteur, l\u2019ours Bob Hite, Lar\u00adry Tay\u00adlor jette l\u2019\u00e9\u00adponge. Il pour\u00adsui\u00advra une car\u00adri\u00e8re musi\u00adcale sur la route du blues, entre contre\u00adbasse et basse. Pour don\u00adner toute la mesure du talent de bas\u00adsiste de Lar\u00adry \u201cThe Mole\u201d Tay\u00adlor, il faut se d\u00e9lec\u00adter d\u2019une ligne de basse jou\u00e9e avec une grande sub\u00adti\u00adli\u00adt\u00e9 et \u00e0 la fois une \u00e9ner\u00adgie, un groove rare dans le blues.   C\u2019est que \u2013 \u00e0 l\u2019ins\u00adtar de Ron Car\u00adter et James Jamer\u00adson \u2013 Lar\u00adry Tay\u00adlor exploi\u00adtait sa basse avec les tech\u00adniques tr\u00e8s \u201cphy\u00adsiques\u201d impor\u00adt\u00e9es du jeu de la contre\u00adbasse (syn\u00adcopes, wal\u00adkings, silences, notes fan\u00adt\u00f4mes et notes \u00e9touf\u00adf\u00e9es, fa\u00e7on de \u201ccro\u00adche\u00adter\u201d l\u2019in\u00addex pour atta\u00adquer fort des cordes tr\u00e8s tendues). Cette m\u00e9lo\u00addie qui op\u00e8re la syn\u00adth\u00e8se du blues et du groove, c\u2019est Time Was, titre nos\u00adtal\u00adgique qui n\u2019au\u00adrait d\u2019\u00e9\u00adgal que le Good Times Bad Times de Led Zep\u00adpe\u00adlin sor\u00adti la m\u00eame ann\u00e9e (quel cru ! 1969, ana\u00adlo\u00adgie de sujet et d\u2019ex\u00adcel\u00adlence bas\u00adsis\u00adtique !), et elle r\u00e9unit Alan Wil\u00adson au chant et Lar\u00adry Tay\u00adlor \u00e0 la basse Fender. httpv:\/\/www.youtube.com\/watch?v=blhBcjuOUAM\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.dispatchbox.net\/index.php\/2011\/01\/12\/larry-the-mole-canned-bass\/\" \/>\n<meta property=\"og:site_name\" content=\"Dispatch\/Box\" \/>\n<meta property=\"article:published_time\" content=\"2011-01-12T23:41:14+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2012-04-04T16:46:45+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.dispatchbox.net\/wp-content\/61343_1282864731266_1819557130_534880_6347966_n.jpg\" \/>\n<meta name=\"author\" content=\"Jeremy Jeanguenin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:site\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jeremy Jeanguenin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2011\\\/01\\\/12\\\/larry-the-mole-canned-bass\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2011\\\/01\\\/12\\\/larry-the-mole-canned-bass\\\/\"},\"author\":{\"name\":\"Jeremy Jeanguenin\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/#\\\/schema\\\/person\\\/9db7c9c41e0594fa08428d8b7007e253\"},\"headline\":\"Larry the Mole \u2013 Canned Bass\",\"datePublished\":\"2011-01-12T23:41:14+00:00\",\"dateModified\":\"2012-04-04T16:46:45+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2011\\\/01\\\/12\\\/larry-the-mole-canned-bass\\\/\"},\"wordCount\":381,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2011\\\/01\\\/12\\\/larry-the-mole-canned-bass\\\/#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/www.dispatchbox.net\\\/wp-content\\\/61343_1282864731266_1819557130_534880_6347966_n.jpg\",\"keywords\":[\"bass\",\"Basse\",\"blues\",\"Canned Heat\",\"Fender\",\"Fender Bass\",\"flatwound\",\"P-Bass\",\"Rhythm and Blues\",\"The Mole\",\"Woodstock\"],\"articleSection\":[\"Basse\",\"Contrebasse\",\"Disques\",\"Fender\",\"Festival\",\"Folk\",\"Folk Rock\",\"Gibson\",\"Guitare\",\"Led Zeppelin\",\"Les Paul\",\"Motown\",\"Musique\",\"Psych\u00e9d\u00e9lique\",\"Rock\",\"Rock critic\",\"Rolling Stones\",\"Violin Bass\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2011\\\/01\\\/12\\\/larry-the-mole-canned-bass\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2011\\\/01\\\/12\\\/larry-the-mole-canned-bass\\\/\",\"url\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2011\\\/01\\\/12\\\/larry-the-mole-canned-bass\\\/\",\"name\":\"Larry the Mole - 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Canned Bass - Dispatch\/Box","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.dispatchbox.net\/index.php\/2011\/01\/12\/larry-the-mole-canned-bass\/","og_locale":"fr_FR","og_type":"article","og_title":"Larry the Mole - Canned Bass - Dispatch\/Box","og_description":"Lar\u00adry the Mole Tay\u00adlor. Lar\u00adry la taupe, vision\u00adnaire bas\u00adsiste, \u00e9ner\u00adgie lib\u00e9\u00adr\u00e9e dans un blues-rock aus\u00adsi exquis que som\u00adnolent, celui du com\u00adbo Can\u00adned Heat. Lar\u00adry Tay\u00adlor fut bas\u00adsiste du groupe de sa for\u00adma\u00adtion en 1965 \u00e0 1970, ce qui lui lais\u00adsa le temps de gra\u00adver d\u2019ex\u00adcel\u00adlents albums et de faire une d\u00e9mons\u00adtra\u00adtion de transe bas\u00adsis\u00adtique en 1969 \u00e0 Woodstock. L\u2019un de ses deux chan\u00adteurs et gui\u00adta\u00adriste au bot\u00adtle\u00adneck, inter\u00adpr\u00e8te de On the Road Again et Going up the Coun\u00adtry (entre autres), Alan Wil\u00adson,\u2013 sur\u00adnom\u00adm\u00e9 \u201cla chouette aveugle\u201d en rai\u00adson d\u2019une forte myo\u00adpie dont on peut pr\u00e9\u00adsup\u00adpo\u00adser qu\u2019elle \u00e9tait fort inva\u00adli\u00addante \u2013 d\u00e9c\u00e8de d\u2019ex\u00adc\u00e8s d\u2019h\u00e9\u00adro\u00efne en pleine gloire. \u00c0 ces m\u00eames mau\u00addits 27 ans, somme d\u2019an\u00adn\u00e9es \u00e0 laquelle suc\u00adcom\u00adb\u00e8rent Jim Mor\u00adri\u00adson, Jimi Hen\u00addrix, Janis Joplin la m\u00eame ann\u00e9e. Moins extra\u00adva\u00adgant, moins extra\u00adver\u00adti, on n\u2019a jamais don\u00adn\u00e9 ce que l\u2019on devait au g\u00e9nie d\u2019A\u00adlan Wilson. C\u2019est aus\u00adsi \u00e0 ce moment que, mal\u00adgr\u00e9 la pr\u00e9\u00adsence de l\u2019autre chan\u00adteur, l\u2019ours Bob Hite, Lar\u00adry Tay\u00adlor jette l\u2019\u00e9\u00adponge. Il pour\u00adsui\u00advra une car\u00adri\u00e8re musi\u00adcale sur la route du blues, entre contre\u00adbasse et basse. Pour don\u00adner toute la mesure du talent de bas\u00adsiste de Lar\u00adry \u201cThe Mole\u201d Tay\u00adlor, il faut se d\u00e9lec\u00adter d\u2019une ligne de basse jou\u00e9e avec une grande sub\u00adti\u00adli\u00adt\u00e9 et \u00e0 la fois une \u00e9ner\u00adgie, un groove rare dans le blues.   C\u2019est que \u2013 \u00e0 l\u2019ins\u00adtar de Ron Car\u00adter et James Jamer\u00adson \u2013 Lar\u00adry Tay\u00adlor exploi\u00adtait sa basse avec les tech\u00adniques tr\u00e8s \u201cphy\u00adsiques\u201d impor\u00adt\u00e9es du jeu de la contre\u00adbasse (syn\u00adcopes, wal\u00adkings, silences, notes fan\u00adt\u00f4mes et notes \u00e9touf\u00adf\u00e9es, fa\u00e7on de \u201ccro\u00adche\u00adter\u201d l\u2019in\u00addex pour atta\u00adquer fort des cordes tr\u00e8s tendues). Cette m\u00e9lo\u00addie qui op\u00e8re la syn\u00adth\u00e8se du blues et du groove, c\u2019est Time Was, titre nos\u00adtal\u00adgique qui n\u2019au\u00adrait d\u2019\u00e9\u00adgal que le Good Times Bad Times de Led Zep\u00adpe\u00adlin sor\u00adti la m\u00eame ann\u00e9e (quel cru ! 1969, ana\u00adlo\u00adgie de sujet et d\u2019ex\u00adcel\u00adlence bas\u00adsis\u00adtique !), et elle r\u00e9unit Alan Wil\u00adson au chant et Lar\u00adry Tay\u00adlor \u00e0 la basse Fender. httpv:\/\/www.youtube.com\/watch?v=blhBcjuOUAM","og_url":"https:\/\/www.dispatchbox.net\/index.php\/2011\/01\/12\/larry-the-mole-canned-bass\/","og_site_name":"Dispatch\/Box","article_published_time":"2011-01-12T23:41:14+00:00","article_modified_time":"2012-04-04T16:46:45+00:00","og_image":[{"url":"http:\/\/www.dispatchbox.net\/wp-content\/61343_1282864731266_1819557130_534880_6347966_n.jpg","type":"","width":"","height":""}],"author":"Jeremy Jeanguenin","twitter_card":"summary_large_image","twitter_creator":"@dispatch_box","twitter_site":"@dispatch_box","twitter_misc":{"\u00c9crit par":"Jeremy Jeanguenin","Dur\u00e9e de lecture estim\u00e9e":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.dispatchbox.net\/index.php\/2011\/01\/12\/larry-the-mole-canned-bass\/#article","isPartOf":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2011\/01\/12\/larry-the-mole-canned-bass\/"},"author":{"name":"Jeremy Jeanguenin","@id":"https:\/\/www.dispatchbox.net\/#\/schema\/person\/9db7c9c41e0594fa08428d8b7007e253"},"headline":"Larry the Mole \u2013 Canned Bass","datePublished":"2011-01-12T23:41:14+00:00","dateModified":"2012-04-04T16:46:45+00:00","mainEntityOfPage":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2011\/01\/12\/larry-the-mole-canned-bass\/"},"wordCount":381,"commentCount":0,"image":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2011\/01\/12\/larry-the-mole-canned-bass\/#primaryimage"},"thumbnailUrl":"http:\/\/www.dispatchbox.net\/wp-content\/61343_1282864731266_1819557130_534880_6347966_n.jpg","keywords":["bass","Basse","blues","Canned Heat","Fender","Fender Bass","flatwound","P-Bass","Rhythm and Blues","The Mole","Woodstock"],"articleSection":["Basse","Contrebasse","Disques","Fender","Festival","Folk","Folk Rock","Gibson","Guitare","Led Zeppelin","Les Paul","Motown","Musique","Psych\u00e9d\u00e9lique","Rock","Rock critic","Rolling Stones","Violin Bass"],"inLanguage":"fr-FR","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.dispatchbox.net\/index.php\/2011\/01\/12\/larry-the-mole-canned-bass\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.dispatchbox.net\/index.php\/2011\/01\/12\/larry-the-mole-canned-bass\/","url":"https:\/\/www.dispatchbox.net\/index.php\/2011\/01\/12\/larry-the-mole-canned-bass\/","name":"Larry the Mole - 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Contrebassiste natif de Pittsburgh, il int\u00e8gre l'orchestre de Ray Charles, l'\u00e9volution des instruments amplifi\u00e9s dans la musique afro-am\u00e9ricaine le poussant \u00e0 cette\u2026","rel":"","context":"Dans "Basse"","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"Ad - Fender, Edgar Willis, Barry Rillera, Ray Charles - 1967","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/Ad-Fender-Edgar-Willis-Barry-Rillera-Ray-Charles-1967.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/Ad-Fender-Edgar-Willis-Barry-Rillera-Ray-Charles-1967.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/Ad-Fender-Edgar-Willis-Barry-Rillera-Ray-Charles-1967.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":2078,"url":"https:\/\/www.dispatchbox.net\/index.php\/2011\/11\/17\/basse-et-tuba-alliage-supreme\/","url_meta":{"origin":1888,"position":2},"title":"Basse et tuba, alliage supr\u00eame","author":"Jeremy Jeanguenin","date":"17\/11\/2011","format":false,"excerpt":"\u00a0 Les orchestrations o\u00f9 le tuba vient \u00e9pauler la basse \u00e9lectrique, \u00e0 l'unisson, ne sont pas l\u00e9gion. 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Au cours de cette ann\u00e9e pass\u00e9e, j'ai mis en relation quatre compositions, dont il faut souligner que\u2026","rel":"","context":"Dans "Basse"","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/tuba.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1977,"url":"https:\/\/www.dispatchbox.net\/index.php\/2011\/07\/04\/bob-babbitt\/","url_meta":{"origin":1888,"position":3},"title":"Bob Babbitt","author":"Jeremy Jeanguenin","date":"04\/07\/2011","format":false,"excerpt":"Il est n\u00e9 Robert Kreinar \u00e0 Pittsburgh (Pennsylvanie), on dit de lui qu'il f\u00fbt un ancien catcheur. \u00a0Apr\u00e8s une adolescence pass\u00e9e \u00e0 \u00e9tudier la musique classique, Bob Babbitt apprend la contrebasse du haut de ses 15 ans (il est d\u00e9j\u00e0, \u00e0 cette \u00e9poque, d'une corpulence impressionnante) et joue dans l'orchestre\u2026","rel":"","context":"Dans "Basse"","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/BobBabbitt64.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1662,"url":"https:\/\/www.dispatchbox.net\/index.php\/2010\/05\/31\/joe-osborn-to-be-wild\/","url_meta":{"origin":1888,"position":4},"title":"Joe Osborn","author":"Jeremy Jeanguenin","date":"31\/05\/2010","format":false,"excerpt":"OK, vous connaissez le parti-pris de ce lieu d'expression : parler de bassistes qui parlent peu ! Plut\u00f4t que de l'agit\u00e9 des harmoniques, parler du bassiste assis au fond de la cabane qui sert de studio, l\u00e0-bas vautr\u00e9 sur la chaise, un cendar' \u00e0 ses pieds ! Bref, le bassiste\u2026","rel":"","context":"Dans "Basse"","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/wreckingcrew.joeosborne.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1351,"url":"https:\/\/www.dispatchbox.net\/index.php\/2009\/12\/01\/rick-danko\/","url_meta":{"origin":1888,"position":5},"title":"Rick Danko","author":"Jeremy Jeanguenin","date":"01\/12\/2009","format":false,"excerpt":"Pour Laurent Raspaud Richard Clare \"Rick\" Danko 29 d\u00e9cembre 1942 \u2013 10 d\u00e9cembre 1999 Rick Danko s'est \u00e9teint il y a bient\u00f4t dix ans. 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