{"id":1918,"date":"2011-02-28T22:43:25","date_gmt":"2011-02-28T22:43:25","guid":{"rendered":"http:\/\/www.dispatchbox.net\/?p=1918"},"modified":"2019-10-03T13:39:24","modified_gmt":"2019-10-03T13:39:24","slug":"willie-weeks-yall","status":"publish","type":"post","link":"https:\/\/www.dispatchbox.net\/index.php\/2011\/02\/28\/willie-weeks-yall\/","title":{"rendered":"\u201cWillie Weeks Y\u2019all!\u201d"},"content":{"rendered":"

The Badest bass player in the coun\u00adtry, Willie Weeks y\u2019<\/em>all<\/em> !<\/em><\/p><\/blockquote>\n

C\u2019est de cette mani\u00e8re enthou\u00adsiaste (avant m\u00eame de com\u00admen\u00adcer \u00e0 par\u00adler, il l\u00e2che un \u201cHa<\/em> !\u201d appro\u00adba\u00adteur) et sans \u00e9qui\u00advoque que le l\u00e9gen\u00addaire Don\u00adny Hatha\u00adway (non pas l\u00e9gen\u00addaire parce que mort trop t\u00f4t et bru\u00adta\u00adle\u00adment, mais parce que tou\u00adch\u00e9 par la gr\u00e2ce, CQFD) fait l\u2019\u00e9\u00adloge de ce jeune bas\u00adsiste pro\u00addige venu de Salem\u00adburg, North Carolina.<\/p>\n

Willie Weeks n\u2019a que 25 ans lors\u00adqu\u2019il accom\u00adpagne, en bas\u00adsiste dis\u00adcret mais d\u2019une soli\u00addi\u00adt\u00e9 h\u00e9ri\u00adt\u00e9e tout droit de Jamer\u00adson, le trou\u00adblant et trou\u00adbl\u00e9 Don\u00adny Hatha\u00adway. Il l\u2019a racon\u00adt\u00e9 lui-m\u00eame, cette invi\u00adta\u00adtion de l\u2019im\u00adp\u00e9\u00adtueux Don\u00adny Hatha\u00adway le pr\u00e9\u00adsen\u00adtant comme le bas\u00adsiste \u201cle plus chan\u00adm\u00e9\u201d du pays, lui a col\u00adl\u00e9 un sacr\u00e9 d\u00e9fi cette nuit-l\u00e0. Don\u00adny a lan\u00adc\u00e9 le th\u00e8me du mor\u00adceau Voices inside (Eve\u00adry\u00adthing is Eve\u00adry\u00adthing)<\/em>, qu\u2019il va d\u00e9cou\u00adper en quatre par\u00adties. Avant lui, Don\u00adny, apr\u00e8s un pre\u00admier mou\u00adve\u00adment intro\u00adduc\u00adtif (au cours duquel il impro\u00advise un cho\u00adrus de Fen\u00adder Rhodes m\u00e9mo\u00adrable), a d\u00e9j\u00e0 don\u00adn\u00e9 voix au cha\u00adpitre aux excel\u00adlen\u00adtis\u00adsimes gui\u00adta\u00adristes Mike Howe et Cor\u00adnell Dupree (qui offi\u00adciait \u00e9ga\u00adle\u00adment aupr\u00e8s de Cur\u00adtis King, comme indis\u00adpen\u00adsable ingr\u00e9\u00addient de son Mem\u00adphis Soul Stew<\/em>, Dupree \u00e9tant une sym\u00adpa\u00adthique syn\u00adth\u00e8se du g\u00e9nie m\u00e9lo\u00addique de Grant Green, de l\u2019\u00e9ner\u00adgie de Steve Crop\u00adper et de l\u2019in\u00adtr\u00e9\u00adpi\u00addi\u00adt\u00e9 rac\u00e9e d\u2019Al\u00adbert King).<\/p>\n

Willie Weeks<\/p>\n\" data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/wweeks.jpg\" class=\"size-full wp-image-1923\" title=\"wweeks\" src=\"http:\/\/www.dispatchbox.net\/wp-content\/wweeks.jpg\" alt width=\"412\" height=\"600\" srcset=\"https:\/\/www.dispatchbox.net\/wp-content\/wweeks.jpg 412w, https:\/\/www.dispatchbox.net\/wp-content\/wweeks-206x300.jpg 206w\" sizes=\"(max-width: 412px) 100vw, 412px\"><\/a>
Willie Weeks<\/figcaption><\/figure>\n

D\u00e8s lors, le jeune Weeks a conscience qu\u2019il ne peut pas se trom\u00adper. \u00c0 la hui\u00adti\u00e8me minute du th\u00e8me, il doit d\u00e9mar\u00adrer l\u00e9ger un solo qui va s\u2019\u00e9\u00adti\u00adrer lan\u00adgou\u00adreu\u00adse\u00adment jus\u00adqu\u2019\u00e0 la dou\u00adzi\u00e8me minute . Son ins\u00adtru\u00adment, selon toute source vrai\u00adsem\u00adblable, serait une Fen\u00adder Pre\u00adci\u00adsion Bass de 1962 : des basses pro\u00adfondes, au \u201cclic\u201d carac\u00adt\u00e9\u00adris\u00adtique des cordes fil\u00e9es plat rehaus\u00ads\u00e9 par le petit \u201ctruc\u201d du bout de mousse glis\u00ads\u00e9 sous les cordes. Une tech\u00adnique qui per\u00admet de faire res\u00adsor\u00adtir la fon\u00adda\u00admen\u00adtale des notes, \u00e0 une \u00e9poque o\u00f9 les moyens de faire entendre la basse (\u201ccou\u00adper le mix\u201d, dit-on) \u00e9taient rudi\u00admen\u00adtaires. Weeks est tout le contraire de Pas\u00adto\u00adrius (bas\u00adsiste super\u00adstar qui r\u00e9vo\u00adlu\u00adtion\u00adne\u00adra la basse moderne, qui aspi\u00adre\u00adra \u00e0 lui seul toute l\u2019at\u00adten\u00adtion por\u00adt\u00e9e \u00e0 l\u2019ins\u00adtru\u00adment)  : humble, timide, en retrait, un son tout en rete\u00adnue et \u00e0 la fois lourd, bref, le side\u00adman<\/em> id\u00e9al. Weeks pr\u00e9\u00adf\u00e8re op\u00e9\u00adrer en pla\u00ad\u00e7ant des syn\u00adcopes secr\u00e8tes dignes des plus grands stra\u00adt\u00e8ges, plu\u00adt\u00f4t que sau\u00adter \u00e0 pieds-joints sur sa basse. Arr\u00ea\u00adtons l\u00e0 la com\u00adpa\u00adrai\u00adson inaprop\u00adpri\u00e9e entre un bas\u00adsiste de ses\u00adsion funk\/soul et un bas\u00adsiste-arran\u00adgeur de fusion superstar.<\/p>\n

Willie Weeks se rem\u00e9more :<\/p>\n

\u201cIt\u2019s incre\u00addible. Eve\u00adryw\u00adhere I go some\u00adbo\u00addy knows my name. It\u2019s not like with Michael Jack\u00adson\u200a\u2014\u200aI don\u2019t get mob\u00adbed\u200a\u2014\u200abut I am famous, and I like it. It\u2019s as incre\u00addible as that night Don\u00adny said, \u201cOn bass, ladies and gent\u00adle\u00admen, the bad\u00addest bass player in the coun\u00adtry\u200a\u2014\u200aWillie Weeks, y\u2019all!\u201d I\u2019m like, Oh, my God ! What did he say ? What am I going to do ? I thought, I\u2019d bet\u00adter build slow!\u201d<\/p>\n

(C\u2019est incroyable. Par\u00adtout o\u00f9 je vais, quel\u00adqu\u2019un conna\u00eet mon nom. Ce n\u2019est pas com\u00adpa\u00adrable \u00e0 Michael Jack\u00adson\u200a\u2014\u200aon ne m\u2019as\u00adsaille pas\u200a\u2014\u200amais je suis c\u00e9l\u00e8bre, et j\u2019aime cela. C\u2019est d\u2019au\u00adtant plus incroyable que ce soir-l\u00e0, Don\u00adny dit \u201cA la basse, mes\u00addames, mes\u00adsieurs, le bas\u00adsiste le plus ter\u00adrible du pays\u200a\u2014\u200aWillie Weeks !\u201d Et l\u00e0, je suis l\u00e0, Oh mon Dieu ! Qu\u2019est-ce qu\u2019il raconte ? Qu\u2019est-ce que je vais faire ? J\u2019ai pen\u00ads\u00e9 qu\u2019il valait mieux construire len\u00adte\u00adment<\/em>)<\/p><\/blockquote>\n

Enfin, Weeks d\u00e9montre une chose. On peut pla\u00adcer tr\u00e8s peu de notes, mais rude\u00adment effi\u00adcaces sur un mi majeur 7e<\/sup> sta\u00adtique. La coh\u00e9\u00adsion d\u2019en\u00adsemble du groupe, excep\u00adtion\u00adnelle ce soir-l\u00e0, ouvre la voie au mythe qu\u2019est deve\u00adnu ce LP.<\/p>\n

<\/a><\/p>\n

R\u00e9f\u00e9\u00adrence dis\u00adco\u00adgra\u00adphique : Don\u00adny Hatha\u00adway \u2013 Live (1972 ; Atco Records)<\/em><\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

The Badest bass player in the coun\u00adtry, Willie Weeks y\u2019all ! C\u2019est de cette mani\u00e8re enthou\u00adsiaste (avant m\u00eame de com\u00admen\u00adcer \u00e0 par\u00adler, il l\u00e2che un \u201cHa !\u201d appro\u00adba\u00adteur) et sans \u00e9qui\u00advoque que le l\u00e9gen\u00addaire Don\u00adny Hatha\u00adway (non pas l\u00e9gen\u00addaire parce que mort trop t\u00f4t et bru\u00adta\u00adle\u00adment, mais parce que tou\u00adch\u00e9 par la gr\u00e2ce, CQFD) fait l\u2019\u00e9\u00adloge de ce jeune bas\u00adsiste pro\u00addige venu de Salem\u00adburg, North Caro\u00adli\u00adna. Willie Weeks n\u2019a que 25 ans lors\u00adqu\u2019il accom\u00adpagne, en bas\u00adsiste dis\u00adcret mais d\u2019une soli\u00addi\u00adt\u00e9 h\u00e9ri\u00adt\u00e9e tout droit de Jamer\u00adson, le trou\u00adblant et trou\u00adbl\u00e9 Don\u00adny Hatha\u00adway. Il l\u2019a racon\u00adt\u00e9 lui-m\u00eame, cette invi\u00adta\u00adtion de l\u2019im\u00adp\u00e9\u00adtueux Don\u00adny Hatha\u00adway le pr\u00e9\u00adsen\u00adtant comme le bas\u00adsiste \u201cle plus chan\u00adm\u00e9\u201d du pays, lui a col\u00adl\u00e9 un sacr\u00e9 d\u00e9fi cette nuit-l\u00e0. Don\u00adny a lan\u00adc\u00e9 le th\u00e8me du mor\u00adceau Voices inside (Eve\u00adry\u00adthing is Eve\u00adry\u00adthing), qu\u2019il va d\u00e9cou\u00adper en quatre par\u00adties. Avant lui, Don\u00adny, apr\u00e8s un pre\u00admier mou\u00adve\u00adment intro\u00adduc\u00adtif (au cours duquel il impro\u00advise un cho\u00adrus de Fen\u00adder Rhodes m\u00e9mo\u00adrable), a d\u00e9j\u00e0 don\u00adn\u00e9 voix au cha\u00adpitre aux excel\u00adlen\u00adtis\u00adsimes gui\u00adta\u00adristes Mike Howe et Cor\u00adnell Dupree (qui offi\u00adciait \u00e9ga\u00adle\u00adment aupr\u00e8s de Cur\u00adtis King, comme indis\u00adpen\u00adsable ingr\u00e9\u00addient de son Mem\u00adphis Soul Stew, Dupree \u00e9tant une sym\u00adpa\u00adthique syn\u00adth\u00e8se du g\u00e9nie m\u00e9lo\u00addique de Grant Green, de l\u2019\u00e9ner\u00adgie de Steve Crop\u00adper et de l\u2019in\u00adtr\u00e9\u00adpi\u00addi\u00adt\u00e9 rac\u00e9e d\u2019Al\u00adbert King). D\u00e8s lors, le jeune Weeks a conscience qu\u2019il ne peut pas se trom\u00adper. \u00c0 la hui\u00adti\u00e8me minute du th\u00e8me, il doit d\u00e9mar\u00adrer l\u00e9ger un solo qui va s\u2019\u00e9\u00adti\u00adrer lan\u00adgou\u00adreu\u00adse\u00adment jus\u00adqu\u2019\u00e0 la dou\u00adzi\u00e8me minute . Son ins\u00adtru\u00adment, selon toute source vrai\u00adsem\u00adblable, serait une Fen\u00adder Pre\u00adci\u00adsion Bass de 1962 : des basses pro\u00adfondes, au \u201cclic\u201d carac\u00adt\u00e9\u00adris\u00adtique des cordes fil\u00e9es plat rehaus\u00ads\u00e9 par le petit \u201ctruc\u201d du bout de mousse glis\u00ads\u00e9 sous les cordes. Une tech\u00adnique qui per\u00admet de faire res\u00adsor\u00adtir la fon\u00adda\u00admen\u00adtale des notes, \u00e0 une \u00e9poque o\u00f9 les moyens de faire entendre la basse (\u201ccou\u00adper le mix\u201d, dit-on) \u00e9taient rudi\u00admen\u00adtaires. Weeks est tout le contraire de Pas\u00adto\u00adrius (bas\u00adsiste super\u00adstar qui r\u00e9vo\u00adlu\u00adtion\u00adne\u00adra la basse moderne, qui aspi\u00adre\u00adra \u00e0 lui seul toute l\u2019at\u00adten\u00adtion por\u00adt\u00e9e \u00e0 l\u2019ins\u00adtru\u00adment)  : humble, timide, en retrait, un son tout en rete\u00adnue et \u00e0 la fois lourd, bref, le side\u00adman id\u00e9al. Weeks pr\u00e9\u00adf\u00e8re op\u00e9\u00adrer en pla\u00ad\u00e7ant des syn\u00adcopes secr\u00e8tes dignes des plus grands stra\u00adt\u00e8ges, plu\u00adt\u00f4t que sau\u00adter \u00e0 pieds-joints sur sa basse. Arr\u00ea\u00adtons l\u00e0 la com\u00adpa\u00adrai\u00adson inaprop\u00adpri\u00e9e entre un bas\u00adsiste de ses\u00adsion funk\/soul et un bas\u00ad\u00adsiste-arran\u00ad\u00adgeur de fusion super\u00adstar. Willie Weeks se rem\u00e9\u00admore : \u201cIt\u2019s incre\u00addible. Eve\u00adryw\u00adhere I go some\u00adbo\u00addy knows my name. It\u2019s not like with Michael Jack\u00adson\u200a\u2014\u200aI don\u2019t get mob\u00adbed\u200a\u2014\u200abut I am famous, and I like it. It\u2019s as incre\u00addible as that night Don\u00adny said, \u201cOn bass, ladies and gent\u00adle\u00admen, the bad\u00addest bass player in the coun\u00adtry\u200a\u2014\u200aWillie Weeks, y\u2019all!\u201d I\u2019m like, Oh, my God ! What did he say ? What am I going to do ? I thought, I\u2019d bet\u00adter build slow!\u201d (C\u2019est incroyable. Par\u00adtout o\u00f9 je vais, quel\u00adqu\u2019un conna\u00eet mon nom. Ce n\u2019est pas com\u00adpa\u00adrable \u00e0 Michael Jack\u00adson\u200a\u2014\u200aon ne m\u2019as\u00adsaille pas\u200a\u2014\u200amais je suis c\u00e9l\u00e8bre, et j\u2019aime cela. C\u2019est d\u2019au\u00adtant plus incroyable que ce soir-l\u00e0, Don\u00adny dit \u201cA la basse, mes\u00addames, mes\u00adsieurs, le bas\u00adsiste le plus ter\u00adrible du pays\u200a\u2014\u200aWillie Weeks !\u201d Et l\u00e0, je suis l\u00e0, Oh mon Dieu ! Qu\u2019est-ce qu\u2019il raconte ? Qu\u2019est-ce que je vais faire ? J\u2019ai pen\u00ads\u00e9 qu\u2019il valait mieux construire len\u00adte\u00adment) Enfin, Weeks d\u00e9montre une chose. On peut pla\u00adcer tr\u00e8s peu de notes, mais rude\u00adment effi\u00adcaces sur un mi majeur 7e sta\u00adtique. La coh\u00e9\u00adsion d\u2019en\u00adsemble du groupe, excep\u00adtion\u00adnelle ce soir-l\u00e0, ouvre la voie au mythe qu\u2019est deve\u00adnu ce LP. R\u00e9f\u00e9\u00adrence dis\u00adco\u00adgra\u00adphique : Don\u00adny Hatha\u00adway \u2013 Live (1972 ; Atco Records)<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_s2mail":"yes","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4,34,50,96,2,25,3,32],"tags":[336,325,168,376,584,337,386,381,385,384,382,380,322,387,383,370,379],"class_list":["post-1918","post","type-post","status-publish","format-standard","hentry","category-basse","category-contrebasse","category-disques","category-fender","category-figures-de-la-soul","category-motown","category-musique","category-pianiste","tag-ampeg","tag-bassist","tag-blues","tag-concert","tag-fender","tag-flatwound","tag-gospel","tag-hathaway","tag-jam-session","tag-legend","tag-live","tag-myth","tag-p-bass","tag-performance","tag-phil-upchurch","tag-rhythm-and-blues","tag-willie-weeks"],"yoast_head":"\n"Willie Weeks Y'all!" - Dispatch\/Box<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.dispatchbox.net\/index.php\/2011\/02\/28\/willie-weeks-yall\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""Willie Weeks Y'all!" - Dispatch\/Box\" \/>\n<meta property=\"og:description\" content=\"The Badest bass player in the coun\u00adtry, Willie Weeks y\u2019all ! C\u2019est de cette mani\u00e8re enthou\u00adsiaste (avant m\u00eame de com\u00admen\u00adcer \u00e0 par\u00adler, il l\u00e2che un \u201cHa !\u201d appro\u00adba\u00adteur) et sans \u00e9qui\u00advoque que le l\u00e9gen\u00addaire Don\u00adny Hatha\u00adway (non pas l\u00e9gen\u00addaire parce que mort trop t\u00f4t et bru\u00adta\u00adle\u00adment, mais parce que tou\u00adch\u00e9 par la gr\u00e2ce, CQFD) fait l\u2019\u00e9\u00adloge de ce jeune bas\u00adsiste pro\u00addige venu de Salem\u00adburg, North Carolina. Willie Weeks n\u2019a que 25 ans lors\u00adqu\u2019il accom\u00adpagne, en bas\u00adsiste dis\u00adcret mais d\u2019une soli\u00addi\u00adt\u00e9 h\u00e9ri\u00adt\u00e9e tout droit de Jamer\u00adson, le trou\u00adblant et trou\u00adbl\u00e9 Don\u00adny Hatha\u00adway. Il l\u2019a racon\u00adt\u00e9 lui-m\u00eame, cette invi\u00adta\u00adtion de l\u2019im\u00adp\u00e9\u00adtueux Don\u00adny Hatha\u00adway le pr\u00e9\u00adsen\u00adtant comme le bas\u00adsiste \u201cle plus chan\u00adm\u00e9\u201d du pays, lui a col\u00adl\u00e9 un sacr\u00e9 d\u00e9fi cette nuit-l\u00e0. Don\u00adny a lan\u00adc\u00e9 le th\u00e8me du mor\u00adceau Voices inside (Eve\u00adry\u00adthing is Eve\u00adry\u00adthing), qu\u2019il va d\u00e9cou\u00adper en quatre par\u00adties. Avant lui, Don\u00adny, apr\u00e8s un pre\u00admier mou\u00adve\u00adment intro\u00adduc\u00adtif (au cours duquel il impro\u00advise un cho\u00adrus de Fen\u00adder Rhodes m\u00e9mo\u00adrable), a d\u00e9j\u00e0 don\u00adn\u00e9 voix au cha\u00adpitre aux excel\u00adlen\u00adtis\u00adsimes gui\u00adta\u00adristes Mike Howe et Cor\u00adnell Dupree (qui offi\u00adciait \u00e9ga\u00adle\u00adment aupr\u00e8s de Cur\u00adtis King, comme indis\u00adpen\u00adsable ingr\u00e9\u00addient de son Mem\u00adphis Soul Stew, Dupree \u00e9tant une sym\u00adpa\u00adthique syn\u00adth\u00e8se du g\u00e9nie m\u00e9lo\u00addique de Grant Green, de l\u2019\u00e9ner\u00adgie de Steve Crop\u00adper et de l\u2019in\u00adtr\u00e9\u00adpi\u00addi\u00adt\u00e9 rac\u00e9e d\u2019Al\u00adbert King). D\u00e8s lors, le jeune Weeks a conscience qu\u2019il ne peut pas se trom\u00adper. \u00c0 la hui\u00adti\u00e8me minute du th\u00e8me, il doit d\u00e9mar\u00adrer l\u00e9ger un solo qui va s\u2019\u00e9\u00adti\u00adrer lan\u00adgou\u00adreu\u00adse\u00adment jus\u00adqu\u2019\u00e0 la dou\u00adzi\u00e8me minute . Son ins\u00adtru\u00adment, selon toute source vrai\u00adsem\u00adblable, serait une Fen\u00adder Pre\u00adci\u00adsion Bass de 1962 : des basses pro\u00adfondes, au \u201cclic\u201d carac\u00adt\u00e9\u00adris\u00adtique des cordes fil\u00e9es plat rehaus\u00ads\u00e9 par le petit \u201ctruc\u201d du bout de mousse glis\u00ads\u00e9 sous les cordes. Une tech\u00adnique qui per\u00admet de faire res\u00adsor\u00adtir la fon\u00adda\u00admen\u00adtale des notes, \u00e0 une \u00e9poque o\u00f9 les moyens de faire entendre la basse (\u201ccou\u00adper le mix\u201d, dit-on) \u00e9taient rudi\u00admen\u00adtaires. Weeks est tout le contraire de Pas\u00adto\u00adrius (bas\u00adsiste super\u00adstar qui r\u00e9vo\u00adlu\u00adtion\u00adne\u00adra la basse moderne, qui aspi\u00adre\u00adra \u00e0 lui seul toute l\u2019at\u00adten\u00adtion por\u00adt\u00e9e \u00e0 l\u2019ins\u00adtru\u00adment)  : humble, timide, en retrait, un son tout en rete\u00adnue et \u00e0 la fois lourd, bref, le side\u00adman id\u00e9al. Weeks pr\u00e9\u00adf\u00e8re op\u00e9\u00adrer en pla\u00ad\u00e7ant des syn\u00adcopes secr\u00e8tes dignes des plus grands stra\u00adt\u00e8ges, plu\u00adt\u00f4t que sau\u00adter \u00e0 pieds-joints sur sa basse. Arr\u00ea\u00adtons l\u00e0 la com\u00adpa\u00adrai\u00adson inaprop\u00adpri\u00e9e entre un bas\u00adsiste de ses\u00adsion funk\/soul et un bas\u00adsiste-arran\u00adgeur de fusion superstar. Willie Weeks se rem\u00e9more : \u201cIt\u2019s incre\u00addible. Eve\u00adryw\u00adhere I go some\u00adbo\u00addy knows my name. It\u2019s not like with Michael Jack\u00adson\u200a\u2014\u200aI don\u2019t get mob\u00adbed\u200a\u2014\u200abut I am famous, and I like it. It\u2019s as incre\u00addible as that night Don\u00adny said, \u201cOn bass, ladies and gent\u00adle\u00admen, the bad\u00addest bass player in the coun\u00adtry\u200a\u2014\u200aWillie Weeks, y\u2019all!\u201d I\u2019m like, Oh, my God ! What did he say ? What am I going to do ? I thought, I\u2019d bet\u00adter build slow!\u201d (C\u2019est incroyable. Par\u00adtout o\u00f9 je vais, quel\u00adqu\u2019un conna\u00eet mon nom. Ce n\u2019est pas com\u00adpa\u00adrable \u00e0 Michael Jack\u00adson\u200a\u2014\u200aon ne m\u2019as\u00adsaille pas\u200a\u2014\u200amais je suis c\u00e9l\u00e8bre, et j\u2019aime cela. C\u2019est d\u2019au\u00adtant plus incroyable que ce soir-l\u00e0, Don\u00adny dit \u201cA la basse, mes\u00addames, mes\u00adsieurs, le bas\u00adsiste le plus ter\u00adrible du pays\u200a\u2014\u200aWillie Weeks !\u201d Et l\u00e0, je suis l\u00e0, Oh mon Dieu ! Qu\u2019est-ce qu\u2019il raconte ? Qu\u2019est-ce que je vais faire ? J\u2019ai pen\u00ads\u00e9 qu\u2019il valait mieux construire len\u00adte\u00adment) Enfin, Weeks d\u00e9montre une chose. On peut pla\u00adcer tr\u00e8s peu de notes, mais rude\u00adment effi\u00adcaces sur un mi majeur 7e sta\u00adtique. La coh\u00e9\u00adsion d\u2019en\u00adsemble du groupe, excep\u00adtion\u00adnelle ce soir-l\u00e0, ouvre la voie au mythe qu\u2019est deve\u00adnu ce LP. R\u00e9f\u00e9\u00adrence dis\u00adco\u00adgra\u00adphique : Don\u00adny Hatha\u00adway \u2013 Live (1972 ; Atco Records)\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.dispatchbox.net\/index.php\/2011\/02\/28\/willie-weeks-yall\/\" \/>\n<meta property=\"og:site_name\" content=\"Dispatch\/Box\" \/>\n<meta property=\"article:published_time\" content=\"2011-02-28T22:43:25+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-10-03T13:39:24+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.dispatchbox.net\/wp-content\/wweeks.jpg\" \/>\n<meta name=\"author\" content=\"Jeremy Jeanguenin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:site\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jeremy Jeanguenin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2011\\\/02\\\/28\\\/willie-weeks-yall\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2011\\\/02\\\/28\\\/willie-weeks-yall\\\/\"},\"author\":{\"name\":\"Jeremy Jeanguenin\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/#\\\/schema\\\/person\\\/9db7c9c41e0594fa08428d8b7007e253\"},\"headline\":\"\u201cWillie Weeks Y\u2019all!\u201d\",\"datePublished\":\"2011-02-28T22:43:25+00:00\",\"dateModified\":\"2019-10-03T13:39:24+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2011\\\/02\\\/28\\\/willie-weeks-yall\\\/\"},\"wordCount\":672,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2011\\\/02\\\/28\\\/willie-weeks-yall\\\/#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/www.dispatchbox.net\\\/wp-content\\\/wweeks.jpg\",\"keywords\":[\"Ampeg\",\"bassist\",\"blues\",\"concert\",\"Fender\",\"flatwound\",\"Gospel\",\"Hathaway\",\"jam session\",\"legend\",\"live\",\"myth\",\"P-Bass\",\"performance\",\"Phil Upchurch\",\"Rhythm and Blues\",\"Willie Weeks\"],\"articleSection\":[\"Basse\",\"Contrebasse\",\"Disques\",\"Fender\",\"Figures De La Soul\",\"Motown\",\"Musique\",\"Pianiste\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2011\\\/02\\\/28\\\/willie-weeks-yall\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2011\\\/02\\\/28\\\/willie-weeks-yall\\\/\",\"url\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2011\\\/02\\\/28\\\/willie-weeks-yall\\\/\",\"name\":\"\\\"Willie Weeks Y'all!\\\" - 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Dispatch\/Box","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.dispatchbox.net\/index.php\/2011\/02\/28\/willie-weeks-yall\/","og_locale":"fr_FR","og_type":"article","og_title":"\"Willie Weeks Y'all!\" - Dispatch\/Box","og_description":"The Badest bass player in the coun\u00adtry, Willie Weeks y\u2019all ! C\u2019est de cette mani\u00e8re enthou\u00adsiaste (avant m\u00eame de com\u00admen\u00adcer \u00e0 par\u00adler, il l\u00e2che un \u201cHa !\u201d appro\u00adba\u00adteur) et sans \u00e9qui\u00advoque que le l\u00e9gen\u00addaire Don\u00adny Hatha\u00adway (non pas l\u00e9gen\u00addaire parce que mort trop t\u00f4t et bru\u00adta\u00adle\u00adment, mais parce que tou\u00adch\u00e9 par la gr\u00e2ce, CQFD) fait l\u2019\u00e9\u00adloge de ce jeune bas\u00adsiste pro\u00addige venu de Salem\u00adburg, North Carolina. Willie Weeks n\u2019a que 25 ans lors\u00adqu\u2019il accom\u00adpagne, en bas\u00adsiste dis\u00adcret mais d\u2019une soli\u00addi\u00adt\u00e9 h\u00e9ri\u00adt\u00e9e tout droit de Jamer\u00adson, le trou\u00adblant et trou\u00adbl\u00e9 Don\u00adny Hatha\u00adway. Il l\u2019a racon\u00adt\u00e9 lui-m\u00eame, cette invi\u00adta\u00adtion de l\u2019im\u00adp\u00e9\u00adtueux Don\u00adny Hatha\u00adway le pr\u00e9\u00adsen\u00adtant comme le bas\u00adsiste \u201cle plus chan\u00adm\u00e9\u201d du pays, lui a col\u00adl\u00e9 un sacr\u00e9 d\u00e9fi cette nuit-l\u00e0. Don\u00adny a lan\u00adc\u00e9 le th\u00e8me du mor\u00adceau Voices inside (Eve\u00adry\u00adthing is Eve\u00adry\u00adthing), qu\u2019il va d\u00e9cou\u00adper en quatre par\u00adties. Avant lui, Don\u00adny, apr\u00e8s un pre\u00admier mou\u00adve\u00adment intro\u00adduc\u00adtif (au cours duquel il impro\u00advise un cho\u00adrus de Fen\u00adder Rhodes m\u00e9mo\u00adrable), a d\u00e9j\u00e0 don\u00adn\u00e9 voix au cha\u00adpitre aux excel\u00adlen\u00adtis\u00adsimes gui\u00adta\u00adristes Mike Howe et Cor\u00adnell Dupree (qui offi\u00adciait \u00e9ga\u00adle\u00adment aupr\u00e8s de Cur\u00adtis King, comme indis\u00adpen\u00adsable ingr\u00e9\u00addient de son Mem\u00adphis Soul Stew, Dupree \u00e9tant une sym\u00adpa\u00adthique syn\u00adth\u00e8se du g\u00e9nie m\u00e9lo\u00addique de Grant Green, de l\u2019\u00e9ner\u00adgie de Steve Crop\u00adper et de l\u2019in\u00adtr\u00e9\u00adpi\u00addi\u00adt\u00e9 rac\u00e9e d\u2019Al\u00adbert King). D\u00e8s lors, le jeune Weeks a conscience qu\u2019il ne peut pas se trom\u00adper. \u00c0 la hui\u00adti\u00e8me minute du th\u00e8me, il doit d\u00e9mar\u00adrer l\u00e9ger un solo qui va s\u2019\u00e9\u00adti\u00adrer lan\u00adgou\u00adreu\u00adse\u00adment jus\u00adqu\u2019\u00e0 la dou\u00adzi\u00e8me minute . Son ins\u00adtru\u00adment, selon toute source vrai\u00adsem\u00adblable, serait une Fen\u00adder Pre\u00adci\u00adsion Bass de 1962 : des basses pro\u00adfondes, au \u201cclic\u201d carac\u00adt\u00e9\u00adris\u00adtique des cordes fil\u00e9es plat rehaus\u00ads\u00e9 par le petit \u201ctruc\u201d du bout de mousse glis\u00ads\u00e9 sous les cordes. Une tech\u00adnique qui per\u00admet de faire res\u00adsor\u00adtir la fon\u00adda\u00admen\u00adtale des notes, \u00e0 une \u00e9poque o\u00f9 les moyens de faire entendre la basse (\u201ccou\u00adper le mix\u201d, dit-on) \u00e9taient rudi\u00admen\u00adtaires. Weeks est tout le contraire de Pas\u00adto\u00adrius (bas\u00adsiste super\u00adstar qui r\u00e9vo\u00adlu\u00adtion\u00adne\u00adra la basse moderne, qui aspi\u00adre\u00adra \u00e0 lui seul toute l\u2019at\u00adten\u00adtion por\u00adt\u00e9e \u00e0 l\u2019ins\u00adtru\u00adment)  : humble, timide, en retrait, un son tout en rete\u00adnue et \u00e0 la fois lourd, bref, le side\u00adman id\u00e9al. Weeks pr\u00e9\u00adf\u00e8re op\u00e9\u00adrer en pla\u00ad\u00e7ant des syn\u00adcopes secr\u00e8tes dignes des plus grands stra\u00adt\u00e8ges, plu\u00adt\u00f4t que sau\u00adter \u00e0 pieds-joints sur sa basse. Arr\u00ea\u00adtons l\u00e0 la com\u00adpa\u00adrai\u00adson inaprop\u00adpri\u00e9e entre un bas\u00adsiste de ses\u00adsion funk\/soul et un bas\u00adsiste-arran\u00adgeur de fusion superstar. Willie Weeks se rem\u00e9more : \u201cIt\u2019s incre\u00addible. Eve\u00adryw\u00adhere I go some\u00adbo\u00addy knows my name. It\u2019s not like with Michael Jack\u00adson\u200a\u2014\u200aI don\u2019t get mob\u00adbed\u200a\u2014\u200abut I am famous, and I like it. It\u2019s as incre\u00addible as that night Don\u00adny said, \u201cOn bass, ladies and gent\u00adle\u00admen, the bad\u00addest bass player in the coun\u00adtry\u200a\u2014\u200aWillie Weeks, y\u2019all!\u201d I\u2019m like, Oh, my God ! What did he say ? What am I going to do ? I thought, I\u2019d bet\u00adter build slow!\u201d (C\u2019est incroyable. Par\u00adtout o\u00f9 je vais, quel\u00adqu\u2019un conna\u00eet mon nom. Ce n\u2019est pas com\u00adpa\u00adrable \u00e0 Michael Jack\u00adson\u200a\u2014\u200aon ne m\u2019as\u00adsaille pas\u200a\u2014\u200amais je suis c\u00e9l\u00e8bre, et j\u2019aime cela. C\u2019est d\u2019au\u00adtant plus incroyable que ce soir-l\u00e0, Don\u00adny dit \u201cA la basse, mes\u00addames, mes\u00adsieurs, le bas\u00adsiste le plus ter\u00adrible du pays\u200a\u2014\u200aWillie Weeks !\u201d Et l\u00e0, je suis l\u00e0, Oh mon Dieu ! Qu\u2019est-ce qu\u2019il raconte ? Qu\u2019est-ce que je vais faire ? J\u2019ai pen\u00ads\u00e9 qu\u2019il valait mieux construire len\u00adte\u00adment) Enfin, Weeks d\u00e9montre une chose. On peut pla\u00adcer tr\u00e8s peu de notes, mais rude\u00adment effi\u00adcaces sur un mi majeur 7e sta\u00adtique. La coh\u00e9\u00adsion d\u2019en\u00adsemble du groupe, excep\u00adtion\u00adnelle ce soir-l\u00e0, ouvre la voie au mythe qu\u2019est deve\u00adnu ce LP. R\u00e9f\u00e9\u00adrence dis\u00adco\u00adgra\u00adphique : Don\u00adny Hatha\u00adway \u2013 Live (1972 ; Atco Records)","og_url":"https:\/\/www.dispatchbox.net\/index.php\/2011\/02\/28\/willie-weeks-yall\/","og_site_name":"Dispatch\/Box","article_published_time":"2011-02-28T22:43:25+00:00","article_modified_time":"2019-10-03T13:39:24+00:00","og_image":[{"url":"http:\/\/www.dispatchbox.net\/wp-content\/wweeks.jpg","type":"","width":"","height":""}],"author":"Jeremy Jeanguenin","twitter_card":"summary_large_image","twitter_creator":"@dispatch_box","twitter_site":"@dispatch_box","twitter_misc":{"\u00c9crit par":"Jeremy Jeanguenin","Dur\u00e9e de lecture estim\u00e9e":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.dispatchbox.net\/index.php\/2011\/02\/28\/willie-weeks-yall\/#article","isPartOf":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2011\/02\/28\/willie-weeks-yall\/"},"author":{"name":"Jeremy Jeanguenin","@id":"https:\/\/www.dispatchbox.net\/#\/schema\/person\/9db7c9c41e0594fa08428d8b7007e253"},"headline":"\u201cWillie Weeks Y\u2019all!\u201d","datePublished":"2011-02-28T22:43:25+00:00","dateModified":"2019-10-03T13:39:24+00:00","mainEntityOfPage":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2011\/02\/28\/willie-weeks-yall\/"},"wordCount":672,"commentCount":0,"image":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2011\/02\/28\/willie-weeks-yall\/#primaryimage"},"thumbnailUrl":"http:\/\/www.dispatchbox.net\/wp-content\/wweeks.jpg","keywords":["Ampeg","bassist","blues","concert","Fender","flatwound","Gospel","Hathaway","jam session","legend","live","myth","P-Bass","performance","Phil Upchurch","Rhythm and Blues","Willie Weeks"],"articleSection":["Basse","Contrebasse","Disques","Fender","Figures De La Soul","Motown","Musique","Pianiste"],"inLanguage":"fr-FR","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.dispatchbox.net\/index.php\/2011\/02\/28\/willie-weeks-yall\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.dispatchbox.net\/index.php\/2011\/02\/28\/willie-weeks-yall\/","url":"https:\/\/www.dispatchbox.net\/index.php\/2011\/02\/28\/willie-weeks-yall\/","name":"\"Willie Weeks Y'all!\" - 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