{"id":1977,"date":"2011-07-04T21:05:21","date_gmt":"2011-07-04T21:05:21","guid":{"rendered":"http:\/\/www.dispatchbox.net\/?p=1977"},"modified":"2012-04-04T16:40:41","modified_gmt":"2012-04-04T16:40:41","slug":"bob-babbitt","status":"publish","type":"post","link":"https:\/\/www.dispatchbox.net\/index.php\/2011\/07\/04\/bob-babbitt\/","title":{"rendered":"Bob Babbitt"},"content":{"rendered":"
Bob Babbitt en 1964<\/p>\n\" data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/BobBabbitt64.jpg\" class=\"size-full wp-image-1982\" title=\"BobBabbitt64\" src=\"http:\/\/www.dispatchbox.net\/wp-content\/BobBabbitt64.jpg\" alt width=\"428\" height=\"600\" srcset=\"https:\/\/www.dispatchbox.net\/wp-content\/BobBabbitt64.jpg 428w, https:\/\/www.dispatchbox.net\/wp-content\/BobBabbitt64-214x300.jpg 214w\" sizes=\"(max-width: 428px) 100vw, 428px\"><\/a>
Bob Bab\u00adbitt en 1964<\/figcaption><\/figure>\n

Il est n\u00e9 Robert Krei\u00adnar \u00e0 Pitts\u00adburgh (Penn\u00adsyl\u00adva\u00adnie), on dit de lui qu\u2019il f\u00fbt un ancien cat\u00adcheur.  Apr\u00e8s une ado\u00adles\u00adcence pas\u00ads\u00e9e \u00e0 \u00e9tu\u00addier la musique clas\u00adsique, Bob Bab\u00adbitt apprend la contre\u00adbasse du haut de ses 15 ans (il est d\u00e9j\u00e0, \u00e0 cette \u00e9poque, d\u2019une cor\u00adpu\u00adlence impres\u00adsion\u00adnante) et joue dans l\u2019or\u00adchestre de son lyc\u00e9e puis dans de mul\u00adtiples pubs. Deux ans plus tard, \u00e0 l\u2019oc\u00adca\u00adsion d\u2019un concert, il d\u00e9couvre les pos\u00adsi\u00adbi\u00adli\u00adt\u00e9s infi\u00adnies offertes par la puis\u00adsance de la basse \u00e9lec\u00adtrique Fen\u00adder et d\u00e9cide, clair\u00advoyant, d\u2019\u00e9\u00adchan\u00adger sa grand\u2019 m\u00e8re acous\u00adtique contre une Fen\u00adder Jazz Bass (\u00e0 laquelle il pr\u00e9\u00adf\u00e9\u00adre\u00adra fina\u00adle\u00adment la Fen\u00adder Pre\u00adci\u00adsion Bass).<\/p>\n

Puis, c\u2019est le d\u00e9part pour Detroit, quelque 400km plus loin. Il y exerce le tra\u00advail qu\u2019un homme de sa sta\u00adture peut sup\u00adpor\u00adter : les chan\u00adtiers de construc\u00adtion lui per\u00admettent de vivre sa pas\u00adsion musi\u00adcale la nuit, en s\u2019im\u00admis\u00ad\u00e7ant pro\u00adgres\u00adsi\u00adve\u00adment dans les clubs de jazz, rock n\u2019 roll, blues\/RnB. Il forme avec quelques musi\u00adciens le groupe ins\u00adtru\u00admen\u00adtal The Royal\u00adtones qui conna\u00eet un suc\u00adc\u00e8s qui d\u00e9passe le cadre de la r\u00e9gion, tel que Del Shan\u00adnon les recrute comme son orchestre permanent.<\/p>\n

<\/a><\/p>\n

Cette solide carte de visite, et une exp\u00e9\u00adrience de la route et des ses\u00adsions stu\u00addio confir\u00adm\u00e9e, lui vaut d\u2019\u00eatre rep\u00e9\u00adr\u00e9 par Ber\u00adry Gor\u00addy, qui a besoin d\u2019un bas\u00adsiste solide pour secon\u00adder le vir\u00adtuose James Jamer\u00adson sur la route, aupr\u00e8s du jeune \u201clit\u00adtle\u201d Ste\u00advie Won\u00adder, en 1968. Sou\u00adve\u00adnons-nous, 1967, c\u2019est l\u2019heure des plus belles com\u00adpo\u00adsi\u00adtions et des chro\u00adma\u00adtismes syn\u00adco\u00adp\u00e9s les plus savou\u00adreux par Jamer\u00adson et Bab\u00adbitt : Uptight<\/em>, For Once in my Life<\/em>, I Was Made To Love Her<\/em>, Signed, Sea\u00adled, Deli\u00adve\u00adred<\/em>\u2026<\/p>\n

httpv:\/\/www.youtube.com\/watch?v=inXC_lab-34&feature=related<\/p>\n

Bab\u00adbitt, c\u2019est aus\u00adsi les pistes que Jamer\u00adson n\u2019a pu hono\u00adrer sur le mythique What\u2019s going on<\/em> de Mar\u00advin Gaye : Mer\u00adcy, Mer\u00adcy Me<\/em>, Inner City Blues (Make Me Wan\u00adna Hol\u00adler)<\/em>. Bien qu\u2019ex\u00adtr\u00ea\u00adme\u00adment empreint de la marque de son a\u00een\u00e9 (qui le regar\u00addait avec un \u0153il m\u00e9fiant de concur\u00adrent blanc dans la mai\u00adson de la pop noire, et finit par lui mon\u00adtrer quelques marques de sym\u00adpa\u00adthie), le style de Bab\u00adbitt est plus cou\u00adlant, doux que celui tr\u00e8s phy\u00adsique de Jamer\u00adson. Ses apti\u00adtudes musi\u00adcales en feront le rem\u00adpla\u00ad\u00e7ant et le seul Funk Bro\u00adther \u00e0 avoir secon\u00add\u00e9 Jamer\u00adson sur Detroit (d\u2019un c\u00f4t\u00e9, ce der\u00adnier lut\u00adtait contre les d\u00e9mons de la bou\u00adteille, aus\u00adsi la d\u00e9lo\u00adca\u00adli\u00adsa\u00adtion de Motown sur Los Angeles engen\u00addra un recours fr\u00e9\u00adquent \u00e0 l\u2019ha\u00adbi\u00adli\u00adt\u00e9 \u00e0 la basse d\u2019un saxo\u00adpho\u00adniste che\u00advron\u00adn\u00e9 : Wil\u00adton Fel\u00adder, le meneur des Crusaders).<\/p>\n

Enfin, s\u2019il ne fal\u00adlait en rete\u00adnir qu\u2019un (le solos sont rares chez ce type de bas\u00adsiste plu\u00adt\u00f4t en retrait, assu\u00adrant les fon\u00adda\u00adtions), le titre Scor\u00adpio<\/em> du gui\u00adta\u00adriste Den\u00adnis Cof\u00adfey et son Detroit Gui\u00adtar Band (petit apar\u00adt\u00e9 : Cof\u00adfey vient de faire un pas\u00adsage au Jazz Fes\u00adti\u00adval de Paris-La D\u00e9fense en pleine semaine et en pleine jour\u00adn\u00e9e \u2013 sic !) contient un cho\u00adrus de la main de Bob Bab\u00adbitt \u00e9poustouflant.<\/p>\n

Une l\u00e9gende rela\u00adt\u00e9e par Nate Watts dans le film Stan\u00adding in the Sha\u00addows of Motown<\/em> (2002) fait de cette \u0153uvre une condi\u00adtion de recru\u00adte\u00adment pour un bas\u00adsiste sur Detroit \u00e0 l\u2019\u00e9\u00adpoque (\u201cif you couldn\u2019t play that solo from Scor\u00adpio, you couldn\u2019t get a gig ! you couldn\u2019t get a gig !\u201d<\/em> )<\/p>\n

httpv:\/\/www.youtube.com\/watch?v=JBISLdPrdLE<\/p>\n","protected":false},"excerpt":{"rendered":"

Il est n\u00e9 Robert Krei\u00adnar \u00e0 Pitts\u00adburgh (Penn\u00adsyl\u00adva\u00adnie), on dit de lui qu\u2019il f\u00fbt un ancien cat\u00adcheur.  Apr\u00e8s une ado\u00adles\u00adcence pas\u00ads\u00e9e \u00e0 \u00e9tu\u00addier la musique clas\u00adsique, Bob Bab\u00adbitt apprend la contre\u00adbasse du haut de ses 15 ans (il est d\u00e9j\u00e0, \u00e0 cette \u00e9poque, d\u2019une cor\u00adpu\u00adlence impres\u00adsion\u00adnante) et joue dans l\u2019or\u00adchestre de son lyc\u00e9e puis dans de mul\u00adtiples pubs. Deux ans plus tard, \u00e0 l\u2019oc\u00adca\u00adsion d\u2019un concert, il d\u00e9couvre les pos\u00adsi\u00adbi\u00adli\u00adt\u00e9s infi\u00adnies offertes par la puis\u00adsance de la basse \u00e9lec\u00adtrique Fen\u00adder et d\u00e9cide, clair\u00advoyant, d\u2019\u00e9\u00adchan\u00adger sa grand\u2019 m\u00e8re acous\u00adtique contre une Fen\u00adder Jazz Bass (\u00e0 laquelle il pr\u00e9\u00adf\u00e9\u00adre\u00adra fina\u00adle\u00adment la Fen\u00adder Pre\u00adci\u00adsion Bass). Puis, c\u2019est le d\u00e9part pour Detroit, quelque 400km plus loin. Il y exerce le tra\u00advail qu\u2019un homme de sa sta\u00adture peut sup\u00adpor\u00adter : les chan\u00adtiers de construc\u00adtion lui per\u00admettent de vivre sa pas\u00adsion musi\u00adcale la nuit, en s\u2019im\u00admis\u00ad\u00e7ant pro\u00adgres\u00adsi\u00adve\u00adment dans les clubs de jazz, rock n\u2019 roll, blues\/RnB. Il forme avec quelques musi\u00adciens le groupe ins\u00adtru\u00admen\u00adtal The Royal\u00adtones qui conna\u00eet un suc\u00adc\u00e8s qui d\u00e9passe le cadre de la r\u00e9gion, tel que Del Shan\u00adnon les recrute comme son orchestre per\u00adma\u00adnent. Cette solide carte de visite, et une exp\u00e9\u00adrience de la route et des ses\u00adsions stu\u00addio confir\u00adm\u00e9e, lui vaut d\u2019\u00eatre rep\u00e9\u00adr\u00e9 par Ber\u00adry Gor\u00addy, qui a besoin d\u2019un bas\u00adsiste solide pour secon\u00adder le vir\u00adtuose James Jamer\u00adson sur la route, aupr\u00e8s du jeune \u201clit\u00adtle\u201d Ste\u00advie Won\u00adder, en 1968. Sou\u00ad\u00adve\u00ad\u00adnons-nous, 1967, c\u2019est l\u2019heure des plus belles com\u00adpo\u00adsi\u00adtions et des chro\u00adma\u00adtismes syn\u00adco\u00adp\u00e9s les plus savou\u00adreux par Jamer\u00adson et Bab\u00adbitt : Uptight, For Once in my Life, I Was Made To Love Her, Signed, Sea\u00adled, Deli\u00adve\u00adred\u2026 httpv:\/\/www.youtube.com\/watch?v=inXC_lab-34&feature=related Bab\u00adbitt, c\u2019est aus\u00adsi les pistes que Jamer\u00adson n\u2019a pu hono\u00adrer sur le mythique What\u2019s going on de Mar\u00advin Gaye : Mer\u00adcy, Mer\u00adcy Me, Inner City Blues (Make Me Wan\u00adna Hol\u00adler). Bien qu\u2019ex\u00adtr\u00ea\u00adme\u00adment empreint de la marque de son a\u00een\u00e9 (qui le regar\u00addait avec un \u0153il m\u00e9fiant de concur\u00adrent blanc dans la mai\u00adson de la pop noire, et finit par lui mon\u00adtrer quelques marques de sym\u00adpa\u00adthie), le style de Bab\u00adbitt est plus cou\u00adlant, doux que celui tr\u00e8s phy\u00adsique de Jamer\u00adson. Ses apti\u00adtudes musi\u00adcales en feront le rem\u00adpla\u00ad\u00e7ant et le seul Funk Bro\u00adther \u00e0 avoir secon\u00add\u00e9 Jamer\u00adson sur Detroit (d\u2019un c\u00f4t\u00e9, ce der\u00adnier lut\u00adtait contre les d\u00e9mons de la bou\u00adteille, aus\u00adsi la d\u00e9lo\u00adca\u00adli\u00adsa\u00adtion de Motown sur Los Angeles engen\u00addra un recours fr\u00e9\u00adquent \u00e0 l\u2019ha\u00adbi\u00adli\u00adt\u00e9 \u00e0 la basse d\u2019un saxo\u00adpho\u00adniste che\u00advron\u00adn\u00e9 : Wil\u00adton Fel\u00adder, le meneur des Cru\u00adsa\u00adders). Enfin, s\u2019il ne fal\u00adlait en rete\u00adnir qu\u2019un (le solos sont rares chez ce type de bas\u00adsiste plu\u00adt\u00f4t en retrait, assu\u00adrant les fon\u00adda\u00adtions), le titre Scor\u00adpio du gui\u00adta\u00adriste Den\u00adnis Cof\u00adfey et son Detroit Gui\u00adtar Band (petit apar\u00adt\u00e9 : Cof\u00adfey vient de faire un pas\u00adsage au Jazz Fes\u00adti\u00adval de Paris-La D\u00e9fense en pleine semaine et en pleine jour\u00adn\u00e9e \u2013 sic !) contient un cho\u00adrus de la main de Bob Bab\u00adbitt \u00e9pous\u00adtou\u00adflant. Une l\u00e9gende rela\u00adt\u00e9e par Nate Watts dans le film Stan\u00adding in the Sha\u00addows of Motown (2002) fait de cette \u0153uvre une condi\u00adtion de recru\u00adte\u00adment pour un bas\u00adsiste sur Detroit \u00e0 l\u2019\u00e9\u00adpoque (\u201cif you couldn\u2019t play that solo from Scor\u00adpio, you couldn\u2019t get a gig ! you couldn\u2019t get a gig !\u201d ) httpv:\/\/www.youtube.com\/watch?v=JBISLdPrdLE<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_s2mail":"yes","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4,39,34,96,2,9,97,138,14,98,25,3,32,81,122],"tags":[348,572,350,349,575],"class_list":["post-1977","post","type-post","status-publish","format-standard","hentry","category-basse","category-batteur","category-contrebasse","category-fender","category-figures-de-la-soul","category-funk","category-guitare","category-histoire-de-basses","category-jazz","category-marvin-gaye","category-motown","category-musique","category-pianiste","category-rolling-stones","category-the-beatles","tag-bass","tag-basse","tag-bob-babbitt","tag-jamerson","tag-motown"],"yoast_head":"\nBob Babbitt - Dispatch\/Box<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.dispatchbox.net\/index.php\/2011\/07\/04\/bob-babbitt\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bob Babbitt - Dispatch\/Box\" \/>\n<meta property=\"og:description\" content=\"Il est n\u00e9 Robert Krei\u00adnar \u00e0 Pitts\u00adburgh (Penn\u00adsyl\u00adva\u00adnie), on dit de lui qu\u2019il f\u00fbt un ancien cat\u00adcheur.  Apr\u00e8s une ado\u00adles\u00adcence pas\u00ads\u00e9e \u00e0 \u00e9tu\u00addier la musique clas\u00adsique, Bob Bab\u00adbitt apprend la contre\u00adbasse du haut de ses 15 ans (il est d\u00e9j\u00e0, \u00e0 cette \u00e9poque, d\u2019une cor\u00adpu\u00adlence impres\u00adsion\u00adnante) et joue dans l\u2019or\u00adchestre de son lyc\u00e9e puis dans de mul\u00adtiples pubs. Deux ans plus tard, \u00e0 l\u2019oc\u00adca\u00adsion d\u2019un concert, il d\u00e9couvre les pos\u00adsi\u00adbi\u00adli\u00adt\u00e9s infi\u00adnies offertes par la puis\u00adsance de la basse \u00e9lec\u00adtrique Fen\u00adder et d\u00e9cide, clair\u00advoyant, d\u2019\u00e9\u00adchan\u00adger sa grand\u2019 m\u00e8re acous\u00adtique contre une Fen\u00adder Jazz Bass (\u00e0 laquelle il pr\u00e9\u00adf\u00e9\u00adre\u00adra fina\u00adle\u00adment la Fen\u00adder Pre\u00adci\u00adsion Bass). Puis, c\u2019est le d\u00e9part pour Detroit, quelque 400km plus loin. Il y exerce le tra\u00advail qu\u2019un homme de sa sta\u00adture peut sup\u00adpor\u00adter : les chan\u00adtiers de construc\u00adtion lui per\u00admettent de vivre sa pas\u00adsion musi\u00adcale la nuit, en s\u2019im\u00admis\u00ad\u00e7ant pro\u00adgres\u00adsi\u00adve\u00adment dans les clubs de jazz, rock n\u2019 roll, blues\/RnB. Il forme avec quelques musi\u00adciens le groupe ins\u00adtru\u00admen\u00adtal The Royal\u00adtones qui conna\u00eet un suc\u00adc\u00e8s qui d\u00e9passe le cadre de la r\u00e9gion, tel que Del Shan\u00adnon les recrute comme son orchestre permanent. Cette solide carte de visite, et une exp\u00e9\u00adrience de la route et des ses\u00adsions stu\u00addio confir\u00adm\u00e9e, lui vaut d\u2019\u00eatre rep\u00e9\u00adr\u00e9 par Ber\u00adry Gor\u00addy, qui a besoin d\u2019un bas\u00adsiste solide pour secon\u00adder le vir\u00adtuose James Jamer\u00adson sur la route, aupr\u00e8s du jeune \u201clit\u00adtle\u201d Ste\u00advie Won\u00adder, en 1968. Sou\u00adve\u00adnons-nous, 1967, c\u2019est l\u2019heure des plus belles com\u00adpo\u00adsi\u00adtions et des chro\u00adma\u00adtismes syn\u00adco\u00adp\u00e9s les plus savou\u00adreux par Jamer\u00adson et Bab\u00adbitt : Uptight, For Once in my Life, I Was Made To Love Her, Signed, Sea\u00adled, Deli\u00adve\u00adred\u2026 httpv:\/\/www.youtube.com\/watch?v=inXC_lab-34&feature=related Bab\u00adbitt, c\u2019est aus\u00adsi les pistes que Jamer\u00adson n\u2019a pu hono\u00adrer sur le mythique What\u2019s going on de Mar\u00advin Gaye : Mer\u00adcy, Mer\u00adcy Me, Inner City Blues (Make Me Wan\u00adna Hol\u00adler). Bien qu\u2019ex\u00adtr\u00ea\u00adme\u00adment empreint de la marque de son a\u00een\u00e9 (qui le regar\u00addait avec un \u0153il m\u00e9fiant de concur\u00adrent blanc dans la mai\u00adson de la pop noire, et finit par lui mon\u00adtrer quelques marques de sym\u00adpa\u00adthie), le style de Bab\u00adbitt est plus cou\u00adlant, doux que celui tr\u00e8s phy\u00adsique de Jamer\u00adson. Ses apti\u00adtudes musi\u00adcales en feront le rem\u00adpla\u00ad\u00e7ant et le seul Funk Bro\u00adther \u00e0 avoir secon\u00add\u00e9 Jamer\u00adson sur Detroit (d\u2019un c\u00f4t\u00e9, ce der\u00adnier lut\u00adtait contre les d\u00e9mons de la bou\u00adteille, aus\u00adsi la d\u00e9lo\u00adca\u00adli\u00adsa\u00adtion de Motown sur Los Angeles engen\u00addra un recours fr\u00e9\u00adquent \u00e0 l\u2019ha\u00adbi\u00adli\u00adt\u00e9 \u00e0 la basse d\u2019un saxo\u00adpho\u00adniste che\u00advron\u00adn\u00e9 : Wil\u00adton Fel\u00adder, le meneur des Crusaders). Enfin, s\u2019il ne fal\u00adlait en rete\u00adnir qu\u2019un (le solos sont rares chez ce type de bas\u00adsiste plu\u00adt\u00f4t en retrait, assu\u00adrant les fon\u00adda\u00adtions), le titre Scor\u00adpio du gui\u00adta\u00adriste Den\u00adnis Cof\u00adfey et son Detroit Gui\u00adtar Band (petit apar\u00adt\u00e9 : Cof\u00adfey vient de faire un pas\u00adsage au Jazz Fes\u00adti\u00adval de Paris-La D\u00e9fense en pleine semaine et en pleine jour\u00adn\u00e9e \u2013 sic !) contient un cho\u00adrus de la main de Bob Bab\u00adbitt \u00e9poustouflant. Une l\u00e9gende rela\u00adt\u00e9e par Nate Watts dans le film Stan\u00adding in the Sha\u00addows of Motown (2002) fait de cette \u0153uvre une condi\u00adtion de recru\u00adte\u00adment pour un bas\u00adsiste sur Detroit \u00e0 l\u2019\u00e9\u00adpoque (\u201cif you couldn\u2019t play that solo from Scor\u00adpio, you couldn\u2019t get a gig ! you couldn\u2019t get a gig !\u201d ) httpv:\/\/www.youtube.com\/watch?v=JBISLdPrdLE\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.dispatchbox.net\/index.php\/2011\/07\/04\/bob-babbitt\/\" \/>\n<meta property=\"og:site_name\" content=\"Dispatch\/Box\" \/>\n<meta property=\"article:published_time\" content=\"2011-07-04T21:05:21+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2012-04-04T16:40:41+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.dispatchbox.net\/wp-content\/BobBabbitt64.jpg\" \/>\n<meta name=\"author\" content=\"Jeremy Jeanguenin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:site\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jeremy Jeanguenin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2011\\\/07\\\/04\\\/bob-babbitt\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2011\\\/07\\\/04\\\/bob-babbitt\\\/\"},\"author\":{\"name\":\"Jeremy Jeanguenin\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/#\\\/schema\\\/person\\\/9db7c9c41e0594fa08428d8b7007e253\"},\"headline\":\"Bob Babbitt\",\"datePublished\":\"2011-07-04T21:05:21+00:00\",\"dateModified\":\"2012-04-04T16:40:41+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2011\\\/07\\\/04\\\/bob-babbitt\\\/\"},\"wordCount\":590,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2011\\\/07\\\/04\\\/bob-babbitt\\\/#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/www.dispatchbox.net\\\/wp-content\\\/BobBabbitt64.jpg\",\"keywords\":[\"bass\",\"Basse\",\"Bob Babbitt\",\"Jamerson\",\"Motown\"],\"articleSection\":[\"Basse\",\"Batteur\",\"Contrebasse\",\"Fender\",\"Figures De La Soul\",\"Funk\",\"Guitare\",\"Histoire de basses\",\"Jazz\",\"Marvin Gaye\",\"Motown\",\"Musique\",\"Pianiste\",\"Rolling Stones\",\"The Beatles\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2011\\\/07\\\/04\\\/bob-babbitt\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2011\\\/07\\\/04\\\/bob-babbitt\\\/\",\"url\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2011\\\/07\\\/04\\\/bob-babbitt\\\/\",\"name\":\"Bob Babbitt - 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Dispatch\/Box","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.dispatchbox.net\/index.php\/2011\/07\/04\/bob-babbitt\/","og_locale":"fr_FR","og_type":"article","og_title":"Bob Babbitt - Dispatch\/Box","og_description":"Il est n\u00e9 Robert Krei\u00adnar \u00e0 Pitts\u00adburgh (Penn\u00adsyl\u00adva\u00adnie), on dit de lui qu\u2019il f\u00fbt un ancien cat\u00adcheur.  Apr\u00e8s une ado\u00adles\u00adcence pas\u00ads\u00e9e \u00e0 \u00e9tu\u00addier la musique clas\u00adsique, Bob Bab\u00adbitt apprend la contre\u00adbasse du haut de ses 15 ans (il est d\u00e9j\u00e0, \u00e0 cette \u00e9poque, d\u2019une cor\u00adpu\u00adlence impres\u00adsion\u00adnante) et joue dans l\u2019or\u00adchestre de son lyc\u00e9e puis dans de mul\u00adtiples pubs. Deux ans plus tard, \u00e0 l\u2019oc\u00adca\u00adsion d\u2019un concert, il d\u00e9couvre les pos\u00adsi\u00adbi\u00adli\u00adt\u00e9s infi\u00adnies offertes par la puis\u00adsance de la basse \u00e9lec\u00adtrique Fen\u00adder et d\u00e9cide, clair\u00advoyant, d\u2019\u00e9\u00adchan\u00adger sa grand\u2019 m\u00e8re acous\u00adtique contre une Fen\u00adder Jazz Bass (\u00e0 laquelle il pr\u00e9\u00adf\u00e9\u00adre\u00adra fina\u00adle\u00adment la Fen\u00adder Pre\u00adci\u00adsion Bass). Puis, c\u2019est le d\u00e9part pour Detroit, quelque 400km plus loin. Il y exerce le tra\u00advail qu\u2019un homme de sa sta\u00adture peut sup\u00adpor\u00adter : les chan\u00adtiers de construc\u00adtion lui per\u00admettent de vivre sa pas\u00adsion musi\u00adcale la nuit, en s\u2019im\u00admis\u00ad\u00e7ant pro\u00adgres\u00adsi\u00adve\u00adment dans les clubs de jazz, rock n\u2019 roll, blues\/RnB. Il forme avec quelques musi\u00adciens le groupe ins\u00adtru\u00admen\u00adtal The Royal\u00adtones qui conna\u00eet un suc\u00adc\u00e8s qui d\u00e9passe le cadre de la r\u00e9gion, tel que Del Shan\u00adnon les recrute comme son orchestre permanent. Cette solide carte de visite, et une exp\u00e9\u00adrience de la route et des ses\u00adsions stu\u00addio confir\u00adm\u00e9e, lui vaut d\u2019\u00eatre rep\u00e9\u00adr\u00e9 par Ber\u00adry Gor\u00addy, qui a besoin d\u2019un bas\u00adsiste solide pour secon\u00adder le vir\u00adtuose James Jamer\u00adson sur la route, aupr\u00e8s du jeune \u201clit\u00adtle\u201d Ste\u00advie Won\u00adder, en 1968. Sou\u00adve\u00adnons-nous, 1967, c\u2019est l\u2019heure des plus belles com\u00adpo\u00adsi\u00adtions et des chro\u00adma\u00adtismes syn\u00adco\u00adp\u00e9s les plus savou\u00adreux par Jamer\u00adson et Bab\u00adbitt : Uptight, For Once in my Life, I Was Made To Love Her, Signed, Sea\u00adled, Deli\u00adve\u00adred\u2026 httpv:\/\/www.youtube.com\/watch?v=inXC_lab-34&feature=related Bab\u00adbitt, c\u2019est aus\u00adsi les pistes que Jamer\u00adson n\u2019a pu hono\u00adrer sur le mythique What\u2019s going on de Mar\u00advin Gaye : Mer\u00adcy, Mer\u00adcy Me, Inner City Blues (Make Me Wan\u00adna Hol\u00adler). Bien qu\u2019ex\u00adtr\u00ea\u00adme\u00adment empreint de la marque de son a\u00een\u00e9 (qui le regar\u00addait avec un \u0153il m\u00e9fiant de concur\u00adrent blanc dans la mai\u00adson de la pop noire, et finit par lui mon\u00adtrer quelques marques de sym\u00adpa\u00adthie), le style de Bab\u00adbitt est plus cou\u00adlant, doux que celui tr\u00e8s phy\u00adsique de Jamer\u00adson. Ses apti\u00adtudes musi\u00adcales en feront le rem\u00adpla\u00ad\u00e7ant et le seul Funk Bro\u00adther \u00e0 avoir secon\u00add\u00e9 Jamer\u00adson sur Detroit (d\u2019un c\u00f4t\u00e9, ce der\u00adnier lut\u00adtait contre les d\u00e9mons de la bou\u00adteille, aus\u00adsi la d\u00e9lo\u00adca\u00adli\u00adsa\u00adtion de Motown sur Los Angeles engen\u00addra un recours fr\u00e9\u00adquent \u00e0 l\u2019ha\u00adbi\u00adli\u00adt\u00e9 \u00e0 la basse d\u2019un saxo\u00adpho\u00adniste che\u00advron\u00adn\u00e9 : Wil\u00adton Fel\u00adder, le meneur des Crusaders). Enfin, s\u2019il ne fal\u00adlait en rete\u00adnir qu\u2019un (le solos sont rares chez ce type de bas\u00adsiste plu\u00adt\u00f4t en retrait, assu\u00adrant les fon\u00adda\u00adtions), le titre Scor\u00adpio du gui\u00adta\u00adriste Den\u00adnis Cof\u00adfey et son Detroit Gui\u00adtar Band (petit apar\u00adt\u00e9 : Cof\u00adfey vient de faire un pas\u00adsage au Jazz Fes\u00adti\u00adval de Paris-La D\u00e9fense en pleine semaine et en pleine jour\u00adn\u00e9e \u2013 sic !) contient un cho\u00adrus de la main de Bob Bab\u00adbitt \u00e9poustouflant. Une l\u00e9gende rela\u00adt\u00e9e par Nate Watts dans le film Stan\u00adding in the Sha\u00addows of Motown (2002) fait de cette \u0153uvre une condi\u00adtion de recru\u00adte\u00adment pour un bas\u00adsiste sur Detroit \u00e0 l\u2019\u00e9\u00adpoque (\u201cif you couldn\u2019t play that solo from Scor\u00adpio, you couldn\u2019t get a gig ! you couldn\u2019t get a gig !\u201d ) httpv:\/\/www.youtube.com\/watch?v=JBISLdPrdLE","og_url":"https:\/\/www.dispatchbox.net\/index.php\/2011\/07\/04\/bob-babbitt\/","og_site_name":"Dispatch\/Box","article_published_time":"2011-07-04T21:05:21+00:00","article_modified_time":"2012-04-04T16:40:41+00:00","og_image":[{"url":"http:\/\/www.dispatchbox.net\/wp-content\/BobBabbitt64.jpg","type":"","width":"","height":""}],"author":"Jeremy Jeanguenin","twitter_card":"summary_large_image","twitter_creator":"@dispatch_box","twitter_site":"@dispatch_box","twitter_misc":{"\u00c9crit par":"Jeremy Jeanguenin","Dur\u00e9e de lecture estim\u00e9e":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.dispatchbox.net\/index.php\/2011\/07\/04\/bob-babbitt\/#article","isPartOf":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2011\/07\/04\/bob-babbitt\/"},"author":{"name":"Jeremy Jeanguenin","@id":"https:\/\/www.dispatchbox.net\/#\/schema\/person\/9db7c9c41e0594fa08428d8b7007e253"},"headline":"Bob Babbitt","datePublished":"2011-07-04T21:05:21+00:00","dateModified":"2012-04-04T16:40:41+00:00","mainEntityOfPage":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2011\/07\/04\/bob-babbitt\/"},"wordCount":590,"commentCount":0,"image":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2011\/07\/04\/bob-babbitt\/#primaryimage"},"thumbnailUrl":"http:\/\/www.dispatchbox.net\/wp-content\/BobBabbitt64.jpg","keywords":["bass","Basse","Bob Babbitt","Jamerson","Motown"],"articleSection":["Basse","Batteur","Contrebasse","Fender","Figures De La Soul","Funk","Guitare","Histoire de basses","Jazz","Marvin Gaye","Motown","Musique","Pianiste","Rolling Stones","The Beatles"],"inLanguage":"fr-FR","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.dispatchbox.net\/index.php\/2011\/07\/04\/bob-babbitt\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.dispatchbox.net\/index.php\/2011\/07\/04\/bob-babbitt\/","url":"https:\/\/www.dispatchbox.net\/index.php\/2011\/07\/04\/bob-babbitt\/","name":"Bob Babbitt - 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Nous continuerons d'\u00e9voquer d'autres bassistes dont l'influence aura \u00e9t\u00e9 d\u00e9terminante sur la musique populaire telle que nous la connaissons. Parmi les\u2026","rel":"","context":"Dans "Afro-Beat"","block_context":{"text":"Afro-Beat","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/jazz\/afro-beat\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/l_66890474cfe4239b6315c6c37591c91b.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/l_66890474cfe4239b6315c6c37591c91b.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/l_66890474cfe4239b6315c6c37591c91b.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":2313,"url":"https:\/\/www.dispatchbox.net\/index.php\/2012\/09\/16\/tony-newton-et-la-motown-revue\/","url_meta":{"origin":1977,"position":1},"title":"Tony Newton et la Motown Revue","author":"Jeremy Jeanguenin","date":"16\/09\/2012","format":false,"excerpt":"Les ann\u00e9es passent et, s'il on a fait sortir il y a une vingtaine d'ann\u00e9es James Jamerson de l'ombre, ainsi que Bob Babbitt, les autres bassistes - leur r\u00f4le est central dans le \"son\" du snakepit - demeurent n\u00e9glig\u00e9s, sinon oubli\u00e9s. Certes, Wilton Felder est avant toute chose consid\u00e9r\u00e9 pour\u2026","rel":"","context":"Dans "Basse"","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/gear-2-pBass63.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2102,"url":"https:\/\/www.dispatchbox.net\/index.php\/2011\/12\/09\/bassmen\/","url_meta":{"origin":1977,"position":2},"title":"Bassmen !","author":"Jeremy Jeanguenin","date":"09\/12\/2011","format":false,"excerpt":"La Fender Precision Bass 1951 (publicit\u00e9 Fender dat\u00e9e de 1952) \"Bassistes ! Jouez une basse Fender Precision originale et son amplificateur Bassman\" Excellent son de basse Volume exceptionnel Manche frett\u00e9 Toucher facile Moins difficile qu'une vieille contrebasse Facilement transportable Poids plume Tonalit\u00e9 et volume pour toutes les exigences de jeu\u2026","rel":"","context":"Dans "Basse"","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/1952-ad1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1888,"url":"https:\/\/www.dispatchbox.net\/index.php\/2011\/01\/12\/larry-the-mole-canned-bass\/","url_meta":{"origin":1977,"position":3},"title":"Larry the Mole \u2013 Canned Bass","author":"Jeremy Jeanguenin","date":"12\/01\/2011","format":false,"excerpt":"Larry the Mole Taylor. Larry la taupe, visionnaire bassiste, \u00e9nergie lib\u00e9r\u00e9e dans un blues-rock aussi exquis que somnolent, celui du combo Canned Heat. Larry Taylor fut bassiste du groupe de sa formation en 1965 \u00e0 1970, ce qui lui laissa le temps de graver d'excellents albums et de faire une\u2026","rel":"","context":"Dans "Basse"","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/61343_1282864731266_1819557130_534880_6347966_n.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2078,"url":"https:\/\/www.dispatchbox.net\/index.php\/2011\/11\/17\/basse-et-tuba-alliage-supreme\/","url_meta":{"origin":1977,"position":4},"title":"Basse et tuba, alliage supr\u00eame","author":"Jeremy Jeanguenin","date":"17\/11\/2011","format":false,"excerpt":"\u00a0 Les orchestrations o\u00f9 le tuba vient \u00e9pauler la basse \u00e9lectrique, \u00e0 l'unisson, ne sont pas l\u00e9gion. Ce m\u00e9lange explosif et rare qui dope le rhythm and blues m\u00e9rite que l'on s'y attarde. Au cours de cette ann\u00e9e pass\u00e9e, j'ai mis en relation quatre compositions, dont il faut souligner que\u2026","rel":"","context":"Dans "Basse"","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/tuba.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1851,"url":"https:\/\/www.dispatchbox.net\/index.php\/2010\/12\/06\/chuck-berghofer\/","url_meta":{"origin":1977,"position":5},"title":"Chuck Berghofer","author":"Jeremy Jeanguenin","date":"06\/12\/2010","format":false,"excerpt":"Mais qui est donc Chuck Berghofer ? L'auteur de ce qui reste probablement le glissando de contrebasse le plus fameux de la musique populaire qui ait \u00e9t\u00e9 grav\u00e9 dans le vinyle au XXe si\u00e8cle. Allez, je vous laisse avec lui, une histoire de bottes qui ne font rien de plus\u2026","rel":"","context":"Dans "Basse"","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/DB_AVT_3_27_7-005-2.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/DB_AVT_3_27_7-005-2.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/DB_AVT_3_27_7-005-2.jpg?resize=525%2C300 1.5x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts\/1977","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/comments?post=1977"}],"version-history":[{"count":0,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts\/1977\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/media?parent=1977"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/categories?post=1977"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/tags?post=1977"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}