{"id":2157,"date":"2012-03-13T08:19:48","date_gmt":"2012-03-13T08:19:48","guid":{"rendered":"http:\/\/www.dispatchbox.net\/?p=2157"},"modified":"2015-08-17T13:07:58","modified_gmt":"2015-08-17T13:07:58","slug":"saadiq-enfant-prodige","status":"publish","type":"post","link":"https:\/\/www.dispatchbox.net\/index.php\/2012\/03\/13\/saadiq-enfant-prodige\/","title":{"rendered":"Saadiq, enfant prodige"},"content":{"rendered":"

<\/a><\/p>\n

 <\/p>\n

Raphael Saa\u00addiq, par son pas\u00adsage \u00e0 Paris (Olym\u00adpia, 9 mars 2012), vient de mon\u00adtrer que ni sa c\u00e9l\u00e9\u00adbri\u00adt\u00e9 ni ses ventes en t\u00eates de gon\u00addoles de Fnac et autres Vir\u00adgin n\u2019a\u00advaient en rien enta\u00adm\u00e9 son aura. Le musi\u00adcien est venu dans un pre\u00admier temps nous pr\u00e9\u00adsen\u00adter, lov\u00e9 dans un gros sweat \u00e0 capuche et bon\u00adnet sur la t\u00eate, sa pre\u00admi\u00e8re par\u00adtie, The Boo\u00adgie. Groupe assez \u00e9loi\u00adgn\u00e9 du style Saa\u00addiq s\u2019il en est, c\u2019est un groupe uti\u00adli\u00adsant prin\u00adci\u00adpa\u00adle\u00adment des ryth\u00admiques syn\u00adth\u00e9\u00adtiques et samples (la gui\u00adtare sem\u00adblait pure\u00adment d\u00e9co\u00adra\u00adtive). La pres\u00adta\u00adtion tenait davan\u00adtage du d\u00e9fi\u00adl\u00e9 de mode Gal\u00adlia\u00adno ou de la cou\u00adver\u00adture des Inrocks que d\u2019une jam blues\/soul, sans comp\u00adter une balance dou\u00adteuse. Ain\u00adsi soit-il.<\/p>\n

On pour\u00adrait accu\u00adser Saa\u00addiq de pom\u00adper all\u00e9\u00adgre\u00adment les canons de la Motown (com\u00adpa\u00adrai\u00adson qui ne tient pas vrai\u00adment la route, si l\u2019on se figure la vari\u00e9\u00adt\u00e9 des pro\u00adduc\u00adtions dans le temps), tout comme les sin\u00adgeurs de m\u00e9tier le font sans for\u00adc\u00e9\u00adment rendre le pro\u00adc\u00e9\u00add\u00e9 auto\u00adma\u00adti\u00adque\u00adment indi\u00adgeste (la mani\u00e8re de faire sans grande ori\u00adgi\u00adna\u00adli\u00adt\u00e9 : Kra\u00advitz, Jami\u00adro\u00adquai, et tous les appren\u00adtis John Len\u00adnon dont je me passe de citer le cha\u00adpe\u00adlet inter\u00admi\u00adnable de noms).
\nNon, Saa\u00addiq a son iden\u00adti\u00adt\u00e9, une int\u00e9\u00adgri\u00adt\u00e9 immuable. D\u2019ailleurs, je pr\u00e9\u00adf\u00e8re tou\u00adjours son pre\u00admier album, Ins\u00adtant Vin\u00adtage<\/em>, moins pom\u00adpier que les suivants.<\/p>\n

Saa\u00addiq a donc gra\u00adti\u00adfi\u00e9 le public pari\u00adsien d\u2019un concert qui \u201clui en donne pour son argent\u201d, comme on dirait vul\u00adgai\u00adre\u00adment. Saa\u00addiq, c\u2019est aus\u00adsi un groupe solide, cette bande de potes dont il dit en conna\u00eetre cer\u00adtains depuis le lyc\u00e9e. La for\u00adma\u00adtion est large, elle com\u00adprend \u00e9ga\u00adle\u00adment une sec\u00adtion de cuivres.  Josh Smith appa\u00adra\u00eet comme un \u00e9l\u00e9\u00adment com\u00adpo\u00adsite du son Saa\u00addiq, en par\u00adfait \u00e9mule de Steve Crop\u00adper, son style gui\u00adta\u00adris\u00adtique pro\u00adfon\u00add\u00e9\u00adment blues \u00e9cor\u00adch\u00e9 per\u00admet au son de res\u00adter orga\u00adnique. Eri\u00adka Jer\u00adry aux choeurs est tout bon\u00adne\u00adment hal\u00adlu\u00adci\u00adnante de mou\u00adve\u00adments psy\u00adch\u00e9\u00add\u00e9\u00adliques et de pr\u00e9\u00adsence sc\u00e9\u00adnique. A la basse, le jeune Daniel McKay c\u00e8de la place depuis quelques tour\u00adn\u00e9es \u00e0 l\u2019ex\u00adcellent Cal\u00advin Tur\u00adner, qui semble avoir \u00e9tu\u00addi\u00e9 \u00e0 la per\u00adfec\u00adtion le jeu de James Jamer\u00adson : le son du groupe semble repo\u00adser ce soir-l\u00e0 enti\u00e8\u00adre\u00adment sur lui. A noter que Raphael Saa\u00addiq ne joue pas de basse sur cette tour\u00adn\u00e9e, seule\u00adment une gui\u00adtare (une magni\u00adfique Tele\u00adcas\u00adter bleue paille\u00adt\u00e9e). Carl \u201cLemar\u201d Car\u00adter, lui aus\u00adsi un per\u00adma\u00adnent du groupe, tient un groove impec\u00adcable aux f\u00fbts (si l\u2019on lui par\u00addonne un l\u00e9ger rel\u00e2\u00adche\u00adment au milieu de Skyy, can you feel me<\/em>). Billy Kemp Jr (aka \u201cBJ\u201d) habite par\u00adfai\u00adte\u00adment son r\u00f4le de second voca\u00adliste mas\u00adcu\u00adlin, en sym\u00adbiose par\u00adfaite avec Eri\u00adka Jer\u00adry. Charles Jones, aux cla\u00adviers et \u00e0 l\u2019orgue, v\u00eatu en pas\u00adteur nous gra\u00adti\u00adfie\u00adra de son habi\u00adtuel cho\u00adrus vocal en fin de concert.<\/p>\n

Il se d\u00e9gage une telle \u00e9ner\u00adgie que j\u2019ai l\u2019im\u00adpres\u00adsion qu\u2019\u00e0 un moment du concert je me prends \u00e0 com\u00adpa\u00adrer ce groupe si coh\u00e9\u00adrent et har\u00admo\u00adnieux aux Sly & The Fami\u00adly Stone de la grande \u00e9poque. Leur inter\u00adpr\u00e9\u00adta\u00adtion de Be Here<\/em> et Some\u00adtimes<\/em> est divine. Le velou\u00adt\u00e9 soul est entre\u00adcou\u00adp\u00e9 de solos de gui\u00adtare de Saa\u00addiq, \u00e0 mi-che\u00admin entre Prince et Hen\u00addrix (qu\u2019il ido\u00adl\u00e2tre au point de l\u2019a\u00advoir tatou\u00e9 sur son bras droit).<\/p>\n

Charles Ray Wig\u00adgins peut ban\u00adder ses biceps, fri\u00admer, sa musique et son atti\u00adtude n\u2019en d\u00e9m\u00e9\u00adritent pas. Une sur\u00adpre\u00adnante et para\u00addoxale humi\u00adli\u00adt\u00e9 reprend le des\u00adsus lors\u00adqu\u2019il t\u00e9moigne tant de gra\u00adti\u00adtude \u00e0 son audi\u00adtoire qu\u2019il des\u00adcend signer une tren\u00adtaine d\u2019au\u00adto\u00adgraphes dans la foule.<\/p>\n","protected":false},"excerpt":{"rendered":"

  Raphael Saa\u00addiq, par son pas\u00adsage \u00e0 Paris (Olym\u00adpia, 9 mars 2012), vient de mon\u00adtrer que ni sa c\u00e9l\u00e9\u00adbri\u00adt\u00e9 ni ses ventes en t\u00eates de gon\u00addoles de Fnac et autres Vir\u00adgin n\u2019a\u00advaient en rien enta\u00adm\u00e9 son aura. Le musi\u00adcien est venu dans un pre\u00admier temps nous pr\u00e9\u00adsen\u00adter, lov\u00e9 dans un gros sweat \u00e0 capuche et bon\u00adnet sur la t\u00eate, sa pre\u00admi\u00e8re par\u00adtie, The Boo\u00adgie. Groupe assez \u00e9loi\u00adgn\u00e9 du style Saa\u00addiq s\u2019il en est, c\u2019est un groupe uti\u00adli\u00adsant prin\u00adci\u00adpa\u00adle\u00adment des ryth\u00admiques syn\u00adth\u00e9\u00adtiques et samples (la gui\u00adtare sem\u00adblait pure\u00adment d\u00e9co\u00adra\u00adtive). La pres\u00adta\u00adtion tenait davan\u00adtage du d\u00e9fi\u00adl\u00e9 de mode Gal\u00adlia\u00adno ou de la cou\u00adver\u00adture des Inrocks que d\u2019une jam blues\/soul, sans comp\u00adter une balance dou\u00adteuse. Ain\u00adsi soit-il. On pour\u00adrait accu\u00adser Saa\u00addiq de pom\u00adper all\u00e9\u00adgre\u00adment les canons de la Motown (com\u00adpa\u00adrai\u00adson qui ne tient pas vrai\u00adment la route, si l\u2019on se figure la vari\u00e9\u00adt\u00e9 des pro\u00adduc\u00adtions dans le temps), tout comme les sin\u00adgeurs de m\u00e9tier le font sans for\u00adc\u00e9\u00adment rendre le pro\u00adc\u00e9\u00add\u00e9 auto\u00adma\u00adti\u00adque\u00adment indi\u00adgeste (la mani\u00e8re de faire sans grande ori\u00adgi\u00adna\u00adli\u00adt\u00e9 : Kra\u00advitz, Jami\u00adro\u00adquai, et tous les appren\u00adtis John Len\u00adnon dont je me passe de citer le cha\u00adpe\u00adlet inter\u00admi\u00adnable de noms). Non, Saa\u00addiq a son iden\u00adti\u00adt\u00e9, une int\u00e9\u00adgri\u00adt\u00e9 immuable. D\u2019ailleurs, je pr\u00e9\u00adf\u00e8re tou\u00adjours son pre\u00admier album, Ins\u00adtant Vin\u00adtage, moins pom\u00adpier que les sui\u00advants. Saa\u00addiq a donc gra\u00adti\u00adfi\u00e9 le public pari\u00adsien d\u2019un concert qui \u201clui en donne pour son argent\u201d, comme on dirait vul\u00adgai\u00adre\u00adment. Saa\u00addiq, c\u2019est aus\u00adsi un groupe solide, cette bande de potes dont il dit en conna\u00eetre cer\u00adtains depuis le lyc\u00e9e. La for\u00adma\u00adtion est large, elle com\u00adprend \u00e9ga\u00adle\u00adment une sec\u00adtion de cuivres.  Josh Smith appa\u00adra\u00eet comme un \u00e9l\u00e9\u00adment com\u00adpo\u00adsite du son Saa\u00addiq, en par\u00adfait \u00e9mule de Steve Crop\u00adper, son style gui\u00adta\u00adris\u00adtique pro\u00adfon\u00add\u00e9\u00adment blues \u00e9cor\u00adch\u00e9 per\u00admet au son de res\u00adter orga\u00adnique. Eri\u00adka Jer\u00adry aux choeurs est tout bon\u00adne\u00adment hal\u00adlu\u00adci\u00adnante de mou\u00adve\u00adments psy\u00adch\u00e9\u00add\u00e9\u00adliques et de pr\u00e9\u00adsence sc\u00e9\u00adnique. A la basse, le jeune Daniel McKay c\u00e8de la place depuis quelques tour\u00adn\u00e9es \u00e0 l\u2019ex\u00adcellent Cal\u00advin Tur\u00adner, qui semble avoir \u00e9tu\u00addi\u00e9 \u00e0 la per\u00adfec\u00adtion le jeu de James Jamer\u00adson : le son du groupe semble repo\u00adser ce soir-l\u00e0 enti\u00e8\u00adre\u00adment sur lui. A noter que Raphael Saa\u00addiq ne joue pas de basse sur cette tour\u00adn\u00e9e, seule\u00adment une gui\u00adtare (une magni\u00adfique Tele\u00adcas\u00adter bleue paille\u00adt\u00e9e). Carl \u201cLemar\u201d Car\u00adter, lui aus\u00adsi un per\u00adma\u00adnent du groupe, tient un groove impec\u00adcable aux f\u00fbts (si l\u2019on lui par\u00addonne un l\u00e9ger rel\u00e2\u00adche\u00adment au milieu de Skyy, can you feel me). Billy Kemp Jr (aka \u201cBJ\u201d) habite par\u00adfai\u00adte\u00adment son r\u00f4le de second voca\u00adliste mas\u00adcu\u00adlin, en sym\u00adbiose par\u00adfaite avec Eri\u00adka Jer\u00adry. Charles Jones, aux cla\u00adviers et \u00e0 l\u2019orgue, v\u00eatu en pas\u00adteur nous gra\u00adti\u00adfie\u00adra de son habi\u00adtuel cho\u00adrus vocal en fin de concert. Il se d\u00e9gage une telle \u00e9ner\u00adgie que j\u2019ai l\u2019im\u00adpres\u00adsion qu\u2019\u00e0 un moment du concert je me prends \u00e0 com\u00adpa\u00adrer ce groupe si coh\u00e9\u00adrent et har\u00admo\u00adnieux aux Sly & The Fami\u00adly Stone de la grande \u00e9poque. Leur inter\u00adpr\u00e9\u00adta\u00adtion de Be Here et Some\u00adtimes est divine. Le velou\u00adt\u00e9 soul est entre\u00adcou\u00adp\u00e9 de solos de gui\u00adtare de Saa\u00addiq, \u00e0 mi-che\u00ad\u00admin entre Prince et Hen\u00addrix (qu\u2019il ido\u00adl\u00e2tre au point de l\u2019a\u00advoir tatou\u00e9 sur son bras droit). Charles Ray Wig\u00adgins peut ban\u00adder ses biceps, fri\u00admer, sa musique et son atti\u00adtude n\u2019en d\u00e9m\u00e9\u00adritent pas. Une sur\u00adpre\u00adnante et para\u00addoxale humi\u00adli\u00adt\u00e9 reprend le des\u00adsus lors\u00adqu\u2019il t\u00e9moigne tant de gra\u00adti\u00adtude \u00e0 son audi\u00adtoire qu\u2019il des\u00adcend signer une tren\u00adtaine d\u2019au\u00adto\u00adgraphes dans la foule.<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_s2mail":"yes","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[498,96,2,9,97,345,14,25,3,80,32,31,19,83,52,74],"tags":[506,507,323,509,575,505,508,510],"class_list":["post-2157","post","type-post","status-publish","format-standard","hentry","category-donny-hathaway","category-fender","category-figures-de-la-soul","category-funk","category-guitare","category-hip-hop","category-jazz","category-motown","category-musique","category-p-funk","category-pianiste","category-psychedelique","category-rock","category-roy-ayers","category-theatre","category-wattstax","tag-calvin-turner","tag-erika-jerry","tag-james-jamerson","tag-josh-smith","tag-motown","tag-saadiq","tag-sly","tag-steve-cropper"],"yoast_head":"\nSaadiq, enfant prodige<\/title>\n<meta name=\"description\" content=\"Saadiq, enfant prodige. Passage de l'enfant prodige de la soul \u00e0 Paris, en concert \u00e0 l'Olympia.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.dispatchbox.net\/index.php\/2012\/03\/13\/saadiq-enfant-prodige\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Saadiq, enfant prodige\" \/>\n<meta property=\"og:description\" content=\"Saadiq, enfant prodige. 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J'ai assez longtemps cherch\u00e9 l'origine de l'\u00e9trange basse qui a longtemps accompagn\u00e9 Raphael Saadiq sur sc\u00e8ne (jou\u00e9e \u00e9galement par \"Danny McKaye\" sur sc\u00e8ne - il s'agit de Daniel Aged de Inc.), avant qu'il ne soit \"endors\u00e9\" par la marque Performance.\u2026","rel":"","context":"Dans "Basse"","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"pbass","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/pbass.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/pbass.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/pbass.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":3112,"url":"https:\/\/www.dispatchbox.net\/index.php\/2017\/07\/05\/for-once-in-my-life-stevie-wonder\/","url_meta":{"origin":2157,"position":1},"title":"For Once in my Life \/ Stevie Wonder","author":"Jeremy Jeanguenin","date":"05\/07\/2017","format":false,"excerpt":"Ce texte \u00e9tait initialement \u00e9crit pour le projet de frise 1967 - 2017 : 50 ans ! \u00e9labor\u00e9 par le r\u00e9seau des biblioth\u00e8ques parisiennes. Etant donn\u00e9 que l'album est sorti en 1968, il a \u00e9t\u00e9 retir\u00e9 du projet discographique. Je vous le propose tel quel, volontairement concis. Stevie Wonder For\u2026","rel":"","context":"Dans "Figures De La Soul"","block_context":{"text":"Figures De La Soul","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/figures-de-la-soul\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/R-3020804-1422913032-9574.jpeg-300x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2078,"url":"https:\/\/www.dispatchbox.net\/index.php\/2011\/11\/17\/basse-et-tuba-alliage-supreme\/","url_meta":{"origin":2157,"position":2},"title":"Basse et tuba, alliage supr\u00eame","author":"Jeremy Jeanguenin","date":"17\/11\/2011","format":false,"excerpt":"\u00a0 Les orchestrations o\u00f9 le tuba vient \u00e9pauler la basse \u00e9lectrique, \u00e0 l'unisson, ne sont pas l\u00e9gion. Ce m\u00e9lange explosif et rare qui dope le rhythm and blues m\u00e9rite que l'on s'y attarde. Au cours de cette ann\u00e9e pass\u00e9e, j'ai mis en relation quatre compositions, dont il faut souligner que\u2026","rel":"","context":"Dans "Basse"","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/tuba.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":9677,"url":"https:\/\/www.dispatchbox.net\/index.php\/2023\/11\/13\/dangelo-leternel-retour-du-vaudou\/","url_meta":{"origin":2157,"position":3},"title":"D\u2019Angelo : l\u2019\u00e9ternel retour du vaudou","author":"Jeremy Jeanguenin","date":"13\/11\/2023","format":false,"excerpt":"Entre sacr\u00e9 et profane Michael Eugene Archer, D'Angelo de son nom d'artiste (prononcer Dee-en-gelo) a marqu\u00e9 la musique populaire am\u00e9ricaine du tournant des ann\u00e9es 2000, distillant une Soul Music recherch\u00e9e, qui rappelle \u00e0 la fois les exp\u00e9riences psych\u00e9d\u00e9liques du Funkadelic de George Clinton et du kid de Minneapolis, Prince. Pourtant,\u2026","rel":"","context":"Dans "Musique"","block_context":{"text":"Musique","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/musique\/"},"img":{"alt_text":"Voodoo, second album de D'Angelo (2000)","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/R-13512319-1555629423-8996.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/R-13512319-1555629423-8996.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/R-13512319-1555629423-8996.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":1921,"url":"https:\/\/www.dispatchbox.net\/index.php\/2011\/03\/04\/sir-joe-quarterman-a-paris\/","url_meta":{"origin":2157,"position":4},"title":"Sir Joe Quarterman \u00e0 Paris","author":"Jeremy Jeanguenin","date":"04\/03\/2011","format":false,"excerpt":"Le v\u00e9t\u00e9ran du funk pionnier \u00e9tait de passage en r\u00e9gion parisienne (Bobigny le 17\/02\/2011 puis Ivry le 18\/02\/2011), fait assez extraordinaire pour \u00eatre signal\u00e9 quand on sait que l'homme, Sir Joe Quarterman, s'est retir\u00e9 de l'industrie musicale apr\u00e8s un LP mythique sorti chez GSF Records en 1973 (avant qu'il ne\u2026","rel":"","context":"Dans "Basse"","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/iris8954256367178257652.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2404,"url":"https:\/\/www.dispatchbox.net\/index.php\/2012\/11\/30\/hot-buttered-soul-chronique-dun-miracle\/","url_meta":{"origin":2157,"position":5},"title":"Hot Buttered Soul : chronique d\u2019un miracle","author":"Jeremy Jeanguenin","date":"30\/11\/2012","format":false,"excerpt":"\u00a0 Miracle, car apr\u00e8s les malheureuses ventes de Presenting Isaac Hayes (1968), le second effort solo de l'artiste manqua de voir le jour. Il est pourtant la clef de vo\u00fbte de la mutation de compositeur\/arrangeur pour Stax en artiste-interpr\u00e8te ma\u00eetrisant, selon son exigence initiale, l'int\u00e9gralit\u00e9 du processus de production. 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