{"id":2313,"date":"2012-09-16T19:23:29","date_gmt":"2012-09-16T19:23:29","guid":{"rendered":"http:\/\/www.dispatchbox.net\/?p=2313"},"modified":"2019-11-04T08:39:26","modified_gmt":"2019-11-04T08:39:26","slug":"tony-newton-et-la-motown-revue","status":"publish","type":"post","link":"https:\/\/www.dispatchbox.net\/index.php\/2012\/09\/16\/tony-newton-et-la-motown-revue\/","title":{"rendered":"Tony Newton et la Motown Revue"},"content":{"rendered":"<p>Les ann\u00e9es passent et, s\u2019il on a fait sor\u00adtir il y a une ving\u00adtaine d\u2019an\u00adn\u00e9es James Jamer\u00adson de l\u2019ombre, ain\u00adsi que <a href=\"http:\/\/www.dispatchbox.net\/index.php\/2011\/07\/04\/bob-babbitt\/\">Bob Bab\u00adbitt<\/a>, les autres bas\u00adsistes \u2013 leur r\u00f4le est cen\u00adtral dans le \u201cson\u201d du<em> sna\u00adke\u00adpit<\/em> \u2013 demeurent n\u00e9gli\u00adg\u00e9s, sinon oubli\u00e9s. Certes, <a href=\"http:\/\/www.dispatchbox.net\/index.php\/2009\/04\/20\/wilton-felder-kool-jazz-et-les-indispensables-vinyls\/\">Wil\u00adton Fel\u00adder<\/a> est avant toute chose consi\u00add\u00e9\u00adr\u00e9 pour et par sa vir\u00adtuo\u00adsi\u00adt\u00e9 de saxo\u00adpho\u00adniste et direc\u00adteur musi\u00adcal des Cru\u00adsa\u00adders. Il n\u2019en demeure pas moins un excellent bas\u00adsiste&nbsp;: outre ses lignes de basses occa\u00adsion\u00adnelles pour Motown, il illu\u00admine le fameux live de 1972 de Grant Green, <em>Live at the Ligh\u00adthouse<\/em>.<\/p>\n<p>Pas\u00adsons donc \u00e0 un autre bas\u00adsiste qua\u00adsi incon\u00adnu, mais dont le <a href=\"http:\/\/www.novastarinteractive.com\/music.htm\">propre site inter\u00adnet<\/a> nous per\u00admet de d\u00e9cou\u00advrir son r\u00f4le&nbsp;: Tony Newton.<\/p>\n<figure id=\"attachment_2317\" aria-describedby=\"caption-attachment-2317\" style=\"width: 216px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.dispatchbox.net\/wp-content\/gear-2-pBass63.jpg\"><img fetchpriority=\"high\" decoding=\"async\" data-attachment-id=\"2317\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2012\/09\/16\/tony-newton-et-la-motown-revue\/gear-2-pbass63\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/gear-2-pBass63.jpg\" data-orig-size=\"216,300\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"gear-2-pBass63\" data-image-description data-image-caption data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/gear-2-pBass63.jpg\" class=\"size-full wp-image-2317\" title=\"gear-2-pBass63\" src=\"http:\/\/www.dispatchbox.net\/wp-content\/gear-2-pBass63.jpg\" alt width=\"216\" height=\"300\"><\/a><figcaption id=\"caption-attachment-2317\" class=\"wp-caption-text\">\u201cHe was cho\u00adsen to replace James Jamer\u00adson as tou\u00adring bas\u00adsist with Smo\u00adkey Robin\u00adson and the Miracles so that Jamer\u00adson could concen\u00adtrate on stu\u00addio recor\u00adding exclusively.\u201d<\/figcaption><\/figure>\n<p>C\u2019est l\u00e0 une variante int\u00e9\u00adres\u00adsante, puisque c\u2019est sou\u00advent via leurs propres sites et com\u00admu\u00adni\u00adca\u00adtions, entre\u00advues, que ces bas\u00adsistes oubli\u00e9s se consti\u00adtuent eux-m\u00eames en l\u00e9gendes vivantes (<a href=\"http:\/\/www.dispatchbox.net\/index.php\/2008\/09\/26\/motown-carole-kaye-ou-james-jamerson\/\">Carol Kaye<\/a>, par exemple qui, en d\u00e9pit de son talent, estime \u00eatre l\u2019au\u00adteur de lignes qui ne sont pas d\u2019elle). Ain\u00adsi, New\u00adton clame \u00eatre le bas\u00adsiste de <em>Signed, Sea\u00adled, deli\u00adve\u00adred I\u2019m Yours<\/em> de Ste\u00advie Won\u00adder (dont il est admis que Bob Bab\u00adbitt est le bas\u00adsiste) ou encore <em>I Want You Back<\/em> (que l\u2019on sait enre\u00adgis\u00adtr\u00e9 par Wil\u00adton Fel\u00adder \u00e0 Mo-West Los Angeles). L\u00e0, il est per\u00admis de faire la moue devant ce cirque qui pour\u00adrait para\u00eetre l\u00e9gi\u00adtime quant on sait quelle frus\u00adtra\u00adtion on accu\u00admule dans l\u2019ombre des rois des charts.<\/p>\n<figure id=\"attachment_2318\" aria-describedby=\"caption-attachment-2318\" style=\"width: 492px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.dispatchbox.net\/wp-content\/SUPREMES2.jpg\"><img decoding=\"async\" data-attachment-id=\"2318\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2012\/09\/16\/tony-newton-et-la-motown-revue\/supremes2\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/SUPREMES2.jpg\" data-orig-size=\"492,550\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"SUPREMES2\" data-image-description data-image-caption=\"<p>Tony Newton avec Diana Ross &amp; The Supremes<\/p>\n\" data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/SUPREMES2.jpg\" class=\"size-full wp-image-2318\" title=\"SUPREMES2\" src=\"http:\/\/www.dispatchbox.net\/wp-content\/SUPREMES2.jpg\" alt width=\"492\" height=\"550\" srcset=\"https:\/\/www.dispatchbox.net\/wp-content\/SUPREMES2.jpg 492w, https:\/\/www.dispatchbox.net\/wp-content\/SUPREMES2-268x300.jpg 268w\" sizes=\"(max-width: 492px) 100vw, 492px\"><\/a><figcaption id=\"caption-attachment-2318\" class=\"wp-caption-text\">Tony New\u00adton avec Dia\u00adna Ross &amp; The Supremes<\/figcaption><\/figure>\n<p>Tony New\u00adton, c\u2019est un des \u00e9l\u00e8ves de James Jamer\u00adson (qui donc a pu s\u2019abs\u00adtraire de son influence ?), puis\u00adqu\u2019il assure les appa\u00adri\u00adtions t\u00e9l\u00e9\u00advi\u00adsuelles et tour\u00adn\u00e9es quand Jamer\u00adson grave ses lignes dans l\u2019a\u00adc\u00e9\u00adtate. On le retrouve sur la tour\u00adn\u00e9e de 1965 des Supremes, Smo\u00adkey Robin\u00adson &amp; The Miracles, bref&nbsp;: la grande ann\u00e9es de la Motown Revue en Europe, qui leur per\u00admet de croi\u00adser, entre autres, les Beatles et les Rol\u00adling Stones.<\/p>\n<p><a href=\"http:\/\/www.dispatchbox.net\/wp-content\/RSTONES.jpg\"><img decoding=\"async\" data-attachment-id=\"2320\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2012\/09\/16\/tony-newton-et-la-motown-revue\/rstones\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/RSTONES.jpg\" data-orig-size=\"550,429\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"RSTONES\" data-image-description data-image-caption data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/RSTONES.jpg\" class=\"alignnone size-full wp-image-2320\" title=\"RSTONES\" src=\"http:\/\/www.dispatchbox.net\/wp-content\/RSTONES.jpg\" alt=\"Tony Newton avec les Rolling Stones, en 1965\" width=\"550\" height=\"429\" srcset=\"https:\/\/www.dispatchbox.net\/wp-content\/RSTONES.jpg 550w, https:\/\/www.dispatchbox.net\/wp-content\/RSTONES-300x233.jpg 300w\" sizes=\"(max-width: 550px) 100vw, 550px\"><\/a><\/p>\n<figure id=\"attachment_2319\" aria-describedby=\"caption-attachment-2319\" style=\"width: 148px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.dispatchbox.net\/wp-content\/gear-3-pBass63.jpg\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"2319\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2012\/09\/16\/tony-newton-et-la-motown-revue\/gear-3-pbass63\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/gear-3-pBass63.jpg\" data-orig-size=\"148,264\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"gear-3-pBass63\" data-image-description data-image-caption=\"<p>Tony Newton sur sc\u00e8ne, avec sa Fender Precision Bass de 1963<\/p>\n\" data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/gear-3-pBass63.jpg\" class=\"size-full wp-image-2319\" title=\"gear-3-pBass63\" src=\"http:\/\/www.dispatchbox.net\/wp-content\/gear-3-pBass63.jpg\" alt width=\"148\" height=\"264\"><\/a><figcaption id=\"caption-attachment-2319\" class=\"wp-caption-text\">Tony New\u00adton sur sc\u00e8ne, avec sa Fen\u00adder Pre\u00adci\u00adsion Bass de&nbsp;1963<\/figcaption><\/figure>\n<p>Contrai\u00adre\u00adment \u00e0 Jamer\u00adson, qui \u00e0 l\u2019ins\u00adtar de<a href=\"http:\/\/www.dispatchbox.net\/index.php\/2010\/05\/31\/joe-osborn-to-be-wild\/\"> Joe Osborn<\/a> avait refu\u00ads\u00e9 d\u2019a\u00addop\u00adter les cordes \u00e0 fil\u00e9 rond et un son moderne, Tony New\u00adton change avec la ten\u00addance funk-dis\u00adco&nbsp;: on lui devrait, d\u2019a\u00adpr\u00e8s ses propres dires, ce chef d\u2019oeuvre qu\u2019est la ligne basse qui sou\u00adtient <em>Don\u2019t Leave Me This Way<\/em> de Thel\u00adma Hous\u00adton, en 1975. Or, d\u2019a\u00adpr\u00e8s mes recherches, il est acquis que c\u2019est bien Hen\u00adry Davis qui a jou\u00e9 sur cet enregistrement.<\/p>\n<p>Plus cer\u00adtai\u00adne\u00adment, on le retrou\u00adve\u00adra dans les ann\u00e9es 2000, en rem\u00adpla\u00adce\u00adment de Bob Bab\u00adbitt sur les tour\u00adn\u00e9es des Funk Bro\u00adthers refor\u00adm\u00e9s depuis le film de Paul Justman.<\/p>\n<p>Pour finir, men\u00adtion\u00adnons un titre dont on peut \u00eatre cer\u00adtain que Tony New\u00adton le joue de fa\u00e7on majes\u00adtueuse&nbsp;: ce <em>I Wan\u00adna Be Where You Are<\/em> offert aux Jack\u00adsons 5 par Leon Ware, avant qu\u2019il ne le troque avec Mar\u00advin Gaye en 1976 (sur le fameux <em>I Want You<\/em>, qui \u00e9clip\u00adsa dura\u00adble\u00adment le propre album de Ware, <em>Musi\u00adcal Mas\u00adsage<\/em>).<\/p>\n<p><iframe src=\"\/\/www.youtube.com\/embed\/0GLaODfMqn4?feature=related\" width=\"560\" height=\"314\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Les ann\u00e9es passent et, s\u2019il on a fait sor\u00adtir il y a une ving\u00adtaine d\u2019an\u00adn\u00e9es James Jamer\u00adson de l\u2019ombre, ain\u00adsi que Bob Bab\u00adbitt, les autres bas\u00adsistes \u2013 leur r\u00f4le est cen\u00adtral dans le \u201cson\u201d du sna\u00adke\u00adpit \u2013 demeurent n\u00e9gli\u00adg\u00e9s, sinon oubli\u00e9s. Certes, Wil\u00adton Fel\u00adder est avant toute chose consi\u00add\u00e9\u00adr\u00e9 pour et par sa vir\u00adtuo\u00adsi\u00adt\u00e9 de saxo\u00adpho\u00adniste et direc\u00adteur musi\u00adcal des Cru\u00adsa\u00adders. Il n\u2019en demeure pas moins un excellent bas\u00adsiste&nbsp;: outre ses lignes de basses occa\u00adsion\u00adnelles pour Motown, il illu\u00admine le fameux live de 1972 de Grant Green, Live at the Ligh\u00adthouse. Pas\u00adsons donc \u00e0 un autre bas\u00adsiste qua\u00adsi incon\u00adnu, mais dont le propre site inter\u00adnet nous per\u00admet de d\u00e9cou\u00advrir son r\u00f4le&nbsp;: Tony New\u00adton. C\u2019est l\u00e0 une variante int\u00e9\u00adres\u00adsante, puisque c\u2019est sou\u00advent via leurs propres sites et com\u00admu\u00adni\u00adca\u00adtions, entre\u00advues, que ces bas\u00adsistes oubli\u00e9s se consti\u00adtuent eux-m\u00eames en l\u00e9gendes vivantes (Carol Kaye, par exemple qui, en d\u00e9pit de son talent, estime \u00eatre l\u2019au\u00adteur de lignes qui ne sont pas d\u2019elle). Ain\u00adsi, New\u00adton clame \u00eatre le bas\u00adsiste de Signed, Sea\u00adled, deli\u00adve\u00adred I\u2019m Yours de Ste\u00advie Won\u00adder (dont il est admis que Bob Bab\u00adbitt est le bas\u00adsiste) ou encore I Want You Back (que l\u2019on sait enre\u00adgis\u00adtr\u00e9 par Wil\u00adton Fel\u00adder \u00e0 Mo-West Los Angeles). L\u00e0, il est per\u00admis de faire la moue devant ce cirque qui pour\u00adrait para\u00eetre l\u00e9gi\u00adtime quant on sait quelle frus\u00adtra\u00adtion on accu\u00admule dans l\u2019ombre des rois des charts. Tony New\u00adton, c\u2019est un des \u00e9l\u00e8ves de James Jamer\u00adson (qui donc a pu s\u2019abs\u00adtraire de son influence ?), puis\u00adqu\u2019il assure les appa\u00adri\u00adtions t\u00e9l\u00e9\u00advi\u00adsuelles et tour\u00adn\u00e9es quand Jamer\u00adson grave ses lignes dans l\u2019a\u00adc\u00e9\u00adtate. On le retrouve sur la tour\u00adn\u00e9e de 1965 des Supremes, Smo\u00adkey Robin\u00adson &amp; The Miracles, bref&nbsp;: la grande ann\u00e9es de la Motown Revue en Europe, qui leur per\u00admet de croi\u00adser, entre autres, les Beatles et les Rol\u00adling Stones. Contrai\u00adre\u00adment \u00e0 Jamer\u00adson, qui \u00e0 l\u2019ins\u00adtar de Joe Osborn avait refu\u00ads\u00e9 d\u2019a\u00addop\u00adter les cordes \u00e0 fil\u00e9 rond et un son moderne, Tony New\u00adton change avec la ten\u00addance funk-dis\u00ad\u00adco&nbsp;: on lui devrait, d\u2019a\u00adpr\u00e8s ses propres dires, ce chef d\u2019oeuvre qu\u2019est la ligne basse qui sou\u00adtient Don\u2019t Leave Me This Way de Thel\u00adma Hous\u00adton, en 1975. Or, d\u2019a\u00adpr\u00e8s mes recherches, il est acquis que c\u2019est bien Hen\u00adry Davis qui a jou\u00e9 sur cet enre\u00adgis\u00adtre\u00adment. Plus cer\u00adtai\u00adne\u00adment, on le retrou\u00adve\u00adra dans les ann\u00e9es 2000, en rem\u00adpla\u00adce\u00adment de Bob Bab\u00adbitt sur les tour\u00adn\u00e9es des Funk Bro\u00adthers refor\u00adm\u00e9s depuis le film de Paul Just\u00adman. Pour finir, men\u00adtion\u00adnons un titre dont on peut \u00eatre cer\u00adtain que Tony New\u00adton le joue de fa\u00e7on majes\u00adtueuse&nbsp;: ce I Wan\u00adna Be Where You Are offert aux Jack\u00adsons 5 par Leon Ware, avant qu\u2019il ne le troque avec Mar\u00advin Gaye en 1976 (sur le fameux I Want You, qui \u00e9clip\u00adsa dura\u00adble\u00adment le propre album de Ware, Musi\u00adcal Massage).<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_s2mail":"yes","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4,25,3],"tags":[348,575,526,525],"class_list":["post-2313","post","type-post","status-publish","format-standard","hentry","category-basse","category-motown","category-musique","tag-bass","tag-motown","tag-newton","tag-tony"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Tony Newton et la Motown Revue<\/title>\n<meta name=\"description\" content=\"Tony Newton et la Motown Revue. Tony Newton est un bassiste m\u00e9connu chez Motown, dans l&#039;ombre de James Jamerson et Bob Babbitt.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.dispatchbox.net\/index.php\/2012\/09\/16\/tony-newton-et-la-motown-revue\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tony Newton et la Motown Revue\" \/>\n<meta property=\"og:description\" content=\"Tony Newton et la Motown Revue. Tony Newton est un bassiste m\u00e9connu chez Motown, dans l&#039;ombre de James Jamerson et Bob Babbitt.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.dispatchbox.net\/index.php\/2012\/09\/16\/tony-newton-et-la-motown-revue\/\" \/>\n<meta property=\"og:site_name\" content=\"Dispatch\/Box\" \/>\n<meta property=\"article:published_time\" content=\"2012-09-16T19:23:29+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-11-04T08:39:26+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.dispatchbox.net\/wp-content\/gear-2-pBass63.jpg\" \/>\n<meta name=\"author\" content=\"Jeremy Jeanguenin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:site\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jeremy Jeanguenin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2012\\\/09\\\/16\\\/tony-newton-et-la-motown-revue\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2012\\\/09\\\/16\\\/tony-newton-et-la-motown-revue\\\/\"},\"author\":{\"name\":\"Jeremy Jeanguenin\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/#\\\/schema\\\/person\\\/9db7c9c41e0594fa08428d8b7007e253\"},\"headline\":\"Tony Newton et la Motown Revue\",\"datePublished\":\"2012-09-16T19:23:29+00:00\",\"dateModified\":\"2019-11-04T08:39:26+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2012\\\/09\\\/16\\\/tony-newton-et-la-motown-revue\\\/\"},\"wordCount\":567,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2012\\\/09\\\/16\\\/tony-newton-et-la-motown-revue\\\/#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/www.dispatchbox.net\\\/wp-content\\\/gear-2-pBass63.jpg\",\"keywords\":[\"bass\",\"Motown\",\"Newton\",\"Tony\"],\"articleSection\":[\"Basse\",\"Motown\",\"Musique\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2012\\\/09\\\/16\\\/tony-newton-et-la-motown-revue\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2012\\\/09\\\/16\\\/tony-newton-et-la-motown-revue\\\/\",\"url\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2012\\\/09\\\/16\\\/tony-newton-et-la-motown-revue\\\/\",\"name\":\"Tony Newton et la Motown Revue\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2012\\\/09\\\/16\\\/tony-newton-et-la-motown-revue\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2012\\\/09\\\/16\\\/tony-newton-et-la-motown-revue\\\/#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/www.dispatchbox.net\\\/wp-content\\\/gear-2-pBass63.jpg\",\"datePublished\":\"2012-09-16T19:23:29+00:00\",\"dateModified\":\"2019-11-04T08:39:26+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/#\\\/schema\\\/person\\\/9db7c9c41e0594fa08428d8b7007e253\"},\"description\":\"Tony Newton et la Motown Revue. 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Nous continuerons d'\u00e9voquer d'autres bassistes dont l'influence aura \u00e9t\u00e9 d\u00e9terminante sur la musique populaire telle que nous la connaissons. Parmi les\u2026","rel":"","context":"Dans &quot;Afro-Beat&quot;","block_context":{"text":"Afro-Beat","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/jazz\/afro-beat\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/l_66890474cfe4239b6315c6c37591c91b.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/l_66890474cfe4239b6315c6c37591c91b.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/l_66890474cfe4239b6315c6c37591c91b.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":2756,"url":"https:\/\/www.dispatchbox.net\/index.php\/2015\/06\/23\/un-entretien-avec-james-jamerson-1979\/","url_meta":{"origin":2313,"position":1},"title":"Un entretien avec James Jamerson (1979)","author":"Jeremy Jeanguenin","date":"23\/06\/2015","format":false,"excerpt":"On a souvent exag\u00e9r\u00e9 les propos de James Jamerson (1936-1983), tant il existe actuellement peu de sources et par cons\u00e9quent, une recrudescence d'affabulations, aussi fantaisistes les unes que les autres. Pour les dissiper un peu, je vous propose une traduction de l'interview de 1979 accord\u00e9e au magazine Guitar Player, qui\u2026","rel":"","context":"Dans &quot;Basse&quot;","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"James Jamerson en concert, circa 1975","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/Jamerson_and_B-15.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1662,"url":"https:\/\/www.dispatchbox.net\/index.php\/2010\/05\/31\/joe-osborn-to-be-wild\/","url_meta":{"origin":2313,"position":2},"title":"Joe Osborn","author":"Jeremy Jeanguenin","date":"31\/05\/2010","format":false,"excerpt":"OK, vous connaissez le parti-pris de ce lieu d'expression : parler de bassistes qui parlent peu ! Plut\u00f4t que de l'agit\u00e9 des harmoniques, parler du bassiste assis au fond de la cabane qui sert de studio, l\u00e0-bas vautr\u00e9 sur la chaise, un cendar' \u00e0 ses pieds ! 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Jouez une basse Fender Precision originale et son amplificateur Bassman\" Excellent son de basse Volume exceptionnel Manche frett\u00e9 Toucher facile Moins difficile qu'une vieille contrebasse Facilement transportable Poids plume Tonalit\u00e9 et volume pour toutes les exigences de jeu\u2026","rel":"","context":"Dans &quot;Basse&quot;","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/1952-ad1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_likes_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts\/2313","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/comments?post=2313"}],"version-history":[{"count":0,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts\/2313\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/media?parent=2313"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/categories?post=2313"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/tags?post=2313"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}