{"id":2337,"date":"2012-10-06T07:58:32","date_gmt":"2012-10-06T07:58:32","guid":{"rendered":"http:\/\/www.dispatchbox.net\/?p=2337"},"modified":"2015-08-17T12:00:18","modified_gmt":"2015-08-17T12:00:18","slug":"le-pouce-de-fred-thomas","status":"publish","type":"post","link":"https:\/\/www.dispatchbox.net\/index.php\/2012\/10\/06\/le-pouce-de-fred-thomas\/","title":{"rendered":"Le pouce de Fred Thomas"},"content":{"rendered":"<p><a href=\"http:\/\/www.dispatchbox.net\/wp-content\/thomas_bass.jpg\"><img fetchpriority=\"high\" decoding=\"async\" data-attachment-id=\"2338\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2012\/10\/06\/le-pouce-de-fred-thomas\/thomas_bass\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/thomas_bass.jpg\" data-orig-size=\"600,450\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"thomas_bass\" data-image-description data-image-caption data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/thomas_bass.jpg\" class=\"alignnone size-full wp-image-2338\" title=\"thomas_bass\" src=\"http:\/\/www.dispatchbox.net\/wp-content\/thomas_bass.jpg\" alt width=\"600\" height=\"450\" srcset=\"https:\/\/www.dispatchbox.net\/wp-content\/thomas_bass.jpg 600w, https:\/\/www.dispatchbox.net\/wp-content\/thomas_bass-300x225.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\"><\/a><\/p>\n<p>\u201cLe faire jus\u00adqu\u2019au tr\u00e9\u00adpas\u201d, telle est la devise du big band soul pro\u00adduit et emme\u00adn\u00e9 par James Brown, The JB\u2019S (<em>Doing it to death<\/em>), paru sur le label People en 1973. Les fr\u00e8res Phelps et Boot\u00adsy Col\u00adlins ont d\u00e9j\u00e0 quit\u00adt\u00e9 le groupe en proie aux crises m\u00e9ga\u00adlo\u00adma\u00adniaques et au carac\u00adt\u00e8re diri\u00adgiste de Brown. Une note mal pla\u00adc\u00e9e ou fausse et les musi\u00adciens hyper\u00adsyn\u00adchrones se voient cong\u00e9\u00addi\u00e9s. On retrouve les l\u00e9gen\u00addaires cuivres&nbsp;: Maceo Par\u00adker au saxo\u00adphone t\u00e9nor (qui orga\u00adnise la cor\u00addiale dis\u00adsi\u00addence qui a pro\u00adduit paral\u00adl\u00e8\u00adle\u00adment son exquis <em>Maceo &amp; All The King\u2019s Men<\/em> en 1970) et Fred Wes\u00adley au trom\u00adbone diabolique.<\/p>\n<p>Que de p\u00e9pites dans ce style soul-funk \u201cpri\u00admi\u00adtif\u201d, mar\u00adqu\u00e9 par un rythme inamo\u00advible (\u201csame beat\u201d !), une basse syn\u00adco\u00adp\u00e9e sim\u00adpliste et<em> laid\u00adback<\/em>, c\u2019est-\u00e0-dire, l\u00e9g\u00e8\u00adre\u00adment en arri\u00e8re du&nbsp;temps.<\/p>\n<p>&nbsp;<\/p>\n<p>httpv:\/\/www.youtube.com\/watch?v=fiIt3jKusBQ<\/p>\n<p>&nbsp;<\/p>\n<p>Pre\u00adnez donc <em>More Peas<\/em>. Motif hyp\u00adno\u00adtique, gui\u00adtare sac\u00adca\u00add\u00e9e. Une fin de mor\u00adceau ponc\u00adtu\u00e9e d\u2019un solo de basse impro\u00advi\u00ads\u00e9 par Fred Tho\u00admas. Tho\u00admas joue d\u2019une fa\u00e7on que les ortho\u00addoxes de la basse moderne juge\u00adraient peu \u00e9l\u00e9\u00adgante&nbsp;: il sai\u00adsit mal\u00adadroi\u00adte\u00adment le corps de l\u2019ins\u00adtru\u00adment avec sa main droite, les doigts pos\u00e9s sur la table, et prend ain\u00adsi un appui ph\u00e9\u00adno\u00adm\u00e9\u00adnal pour d\u00e9li\u00advrer un coup de pouce pachy\u00adder\u00admique. La pulpe de cette pre\u00admi\u00e8re pha\u00adlange envoie un funk caou\u00adtchou\u00adteux fatal pour vos esgourdes d\u00e9licates.<\/p>\n<div data-carousel-extra=\"{&quot;blog_id&quot;:1,&quot;permalink&quot;:&quot;https:\/\/www.dispatchbox.net\/index.php\/2012\/10\/06\/le-pouce-de-fred-thomas\/&quot;}\" id=\"gallery-1\" class=\"gallery galleryid-2337 gallery-columns-3 gallery-size-thumbnail\"><figure class=\"gallery-item\">\n\t\t\t<div class=\"gallery-icon landscape\">\n\t\t\t\t<a href=\"https:\/\/www.dispatchbox.net\/index.php\/2012\/10\/06\/le-pouce-de-fred-thomas\/thomas_bass\/\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.dispatchbox.net\/wp-content\/thomas_bass-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt data-attachment-id=\"2338\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2012\/10\/06\/le-pouce-de-fred-thomas\/thomas_bass\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/thomas_bass.jpg\" data-orig-size=\"600,450\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"thomas_bass\" data-image-description data-image-caption data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/thomas_bass.jpg\"><\/a>\n\t\t\t<\/div><\/figure><figure class=\"gallery-item\">\n\t\t\t<div class=\"gallery-icon portrait\">\n\t\t\t\t<a href=\"https:\/\/www.dispatchbox.net\/index.php\/2012\/10\/06\/le-pouce-de-fred-thomas\/98jbsdoing\/\"><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.dispatchbox.net\/wp-content\/98jbsdoing-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt srcset=\"https:\/\/www.dispatchbox.net\/wp-content\/98jbsdoing-150x150.jpg 150w, https:\/\/www.dispatchbox.net\/wp-content\/98jbsdoing-298x300.jpg 298w, https:\/\/www.dispatchbox.net\/wp-content\/98jbsdoing.jpg 349w\" sizes=\"(max-width: 150px) 100vw, 150px\" data-attachment-id=\"2342\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2012\/10\/06\/le-pouce-de-fred-thomas\/98jbsdoing\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/98jbsdoing.jpg\" data-orig-size=\"349,351\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"98jbsdoing\" data-image-description data-image-caption data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/98jbsdoing.jpg\"><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>\u201cLe faire jus\u00adqu\u2019au tr\u00e9\u00adpas\u201d, telle est la devise du big band soul pro\u00adduit et emme\u00adn\u00e9 par James Brown, The JB\u2019S (Doing it to death), paru sur le label People en 1973. Les fr\u00e8res Phelps et Boot\u00adsy Col\u00adlins ont d\u00e9j\u00e0 quit\u00adt\u00e9 le groupe en proie aux crises m\u00e9ga\u00adlo\u00adma\u00adniaques et au carac\u00adt\u00e8re diri\u00adgiste de Brown. Une note mal pla\u00adc\u00e9e ou fausse et les musi\u00adciens hyper\u00adsyn\u00adchrones se voient cong\u00e9\u00addi\u00e9s. On retrouve les l\u00e9gen\u00addaires cuivres&nbsp;: Maceo Par\u00adker au saxo\u00adphone t\u00e9nor (qui orga\u00adnise la cor\u00addiale dis\u00adsi\u00addence qui a pro\u00adduit paral\u00adl\u00e8\u00adle\u00adment son exquis Maceo &amp; All The King\u2019s Men en 1970) et Fred Wes\u00adley au trom\u00adbone dia\u00adbo\u00adlique. Que de p\u00e9pites dans ce style soul-funk \u201cpri\u00admi\u00adtif\u201d, mar\u00adqu\u00e9 par un rythme inamo\u00advible (\u201csame beat\u201d !), une basse syn\u00adco\u00adp\u00e9e sim\u00adpliste et laid\u00adback, c\u2019est-\u00e0-dire, l\u00e9g\u00e8\u00adre\u00adment en arri\u00e8re du&nbsp;temps. &nbsp; httpv:\/\/www.youtube.com\/watch?v=fiIt3jKusBQ &nbsp; Pre\u00adnez donc More Peas. Motif hyp\u00adno\u00adtique, gui\u00adtare sac\u00adca\u00add\u00e9e. Une fin de mor\u00adceau ponc\u00adtu\u00e9e d\u2019un solo de basse impro\u00advi\u00ads\u00e9 par Fred Tho\u00admas. Tho\u00admas joue d\u2019une fa\u00e7on que les ortho\u00addoxes de la basse moderne juge\u00adraient peu \u00e9l\u00e9\u00adgante&nbsp;: il sai\u00adsit mal\u00adadroi\u00adte\u00adment le corps de l\u2019ins\u00adtru\u00adment avec sa main droite, les doigts pos\u00e9s sur la table, et prend ain\u00adsi un appui ph\u00e9\u00adno\u00adm\u00e9\u00adnal pour d\u00e9li\u00advrer un coup de pouce pachy\u00adder\u00admique. La pulpe de cette pre\u00admi\u00e8re pha\u00adlange envoie un funk caou\u00adtchou\u00adteux fatal pour vos esgourdes d\u00e9licates.<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_s2mail":"yes","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[82,4,39,34,50,96,2,97,345,138,14,3],"tags":[],"class_list":["post-2337","post","type-post","status-publish","format-standard","hentry","category-afro-beat","category-basse","category-batteur","category-contrebasse","category-disques","category-fender","category-figures-de-la-soul","category-guitare","category-hip-hop","category-histoire-de-basses","category-jazz","category-musique"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ 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