{"id":2359,"date":"2012-11-04T10:27:53","date_gmt":"2012-11-04T10:27:53","guid":{"rendered":"http:\/\/www.dispatchbox.net\/?p=2359"},"modified":"2019-09-13T09:55:15","modified_gmt":"2019-09-13T09:55:15","slug":"hall-and-oates-un-son-de-batterie-a-300","status":"publish","type":"post","link":"https:\/\/www.dispatchbox.net\/index.php\/2012\/11\/04\/hall-and-oates-un-son-de-batterie-a-300\/","title":{"rendered":"Hall &amp; Oates&nbsp;: un son de batterie \u00e0&nbsp;300$"},"content":{"rendered":"<p>\u201cThe chea\u00adper, the bet\u00adter\u201d (plus c\u2019est bon mar\u00adch\u00e9, mieux c\u2019est) est la devise qui pour\u00adrait gros\u00adsi\u00e8\u00adre\u00adment r\u00e9su\u00admer cette anec\u00addote de studio.<br>\nOn remonte \u00e0 1975, lorsque Daryl Hall et John Oates, les deux pro\u00adli\u00adfiques com\u00adpo\u00adsi\u00adteurs pop du duo Hall &amp; Oates, enre\u00adgistrent sur le fameux \u201cSil\u00adver Album\u201d le titre <em>Sara Smile<\/em>. Ce qua\u00adtri\u00e8me album, contrai\u00adre\u00adment \u00e0 ceux qu\u2019ils s\u00e8me\u00adront par la suite, notam\u00adment au cours des ann\u00e9es 1980, reste pro\u00adfon\u00add\u00e9\u00adment ancr\u00e9 dans un esprit R&amp;B soft, celui qu\u2019on d\u00e9signe, m\u00eame si le terme est assez gal\u00advau\u00add\u00e9, par <em>Blue-eyed Soul<\/em>.<\/p>\n<p>C\u2019est Bar\u00adry Rudolph, ing\u00e9\u00adnieur du son sur cette pro\u00adduc\u00adtion, qui relate la fa\u00e7on dont la bat\u00adte\u00adrie a \u00e9t\u00e9 enre\u00adgis\u00adtr\u00e9 sur ce titre. Un son dyna\u00admique, puis\u00adsant, pr\u00e9\u00adsent. Com\u00adment est-ce arriv\u00e9&nbsp;?<\/p>\n<p>Rudolph \u00e9tait fas\u00adci\u00adn\u00e9 par le son de bat\u00adte\u00adrie des albums d\u2019Al Green et d\u2019Ann Peebles. D\u00e9pouill\u00e9 et \u00e0 la fois pr\u00e9\u00adsent, un son que l\u2019on retrouve jusque sur<em> Call Me<\/em> en 1973. Il s\u2019a\u00adgis\u00adsait donc de mar\u00adquer un contraste par rap\u00adport \u00e0 la ten\u00addance \u00e0 la prise de son super haute fid\u00e9\u00adli\u00adt\u00e9 en vogue au milieu des ann\u00e9es 1970.<\/p>\n<p>Dans cette pro\u00adduc\u00adtion, impec\u00adca\u00adble\u00adment orches\u00adtr\u00e9e, o\u00f9 toutes les par\u00adties ins\u00adtru\u00admen\u00adtales et vocales sont \u00e9ta\u00adblies d\u2019a\u00advance, avec des indi\u00adca\u00adtions assez claires sur les moyens de cap\u00adtu\u00adrer l\u2019am\u00adbiance musi\u00adcale, Rudolph pro\u00adpo\u00adsa donc son concept&nbsp;: enre\u00adgis\u00adtrer la bat\u00adte\u00adrie d\u2019Ed Green avec un kit de micros tout ce qu\u2019il y a de plus \u201cstan\u00addard\u201d, des Shure SM57. En clair, ces micros sont ceux que l\u2019on trouve dans n\u2019im\u00adporte quel stu\u00addio de r\u00e9p\u00e9\u00adti\u00adtion bon mar\u00adch\u00e9 ou local de r\u00e9p\u00e9\u00adti\u00adtion ama\u00adteur. Leur com\u00adpres\u00adsion natu\u00adrelle intrin\u00ads\u00e8que par\u00adti\u00adci\u00adpait \u00e0 ce ren\u00addu \u201cacous\u00adtique\u201d recher\u00adch\u00e9, plein d\u2019emphase sans sacri\u00adfier \u00e0 la sur-pro\u00adduc\u00adtion. Rudolph admet ne pas avoir uti\u00adli\u00ads\u00e9 de cor\u00adrec\u00adtion d\u2019\u00e9\u00adga\u00adli\u00adseur ou de com\u00adpres\u00adsion. \u00c0 noter qu\u2019Ed Green n\u2019a pas enre\u00adgis\u00adtr\u00e9 la bat\u00adte\u00adrie en cabine (drum booth), mais en pi\u00e8ce ouverte, uni\u00adque\u00adment \u00e9qui\u00adp\u00e9 de quelques pan\u00adneaux en bois pour la r\u00e9flexion du son et petit d\u00f4me para\u00adsol qui accen\u00adtue le c\u00f4t\u00e9 feu\u00adtr\u00e9 de la frappe. Un son \u00e0 300$ qui ajourne tous les gou\u00adrous de l\u2019<em>engi\u00adnee\u00adring<\/em> et les col\u00adlec\u00adtion\u00adneurs de pro\u00adces\u00adseurs en&nbsp;racks.<\/p>\n<p>Mes remer\u00adcie\u00adments \u00e0 \u201cSlikk\u00adTim\u201d B\u00e9che\u00adrand, qui, dans sa qu\u00eate de la meilleure prise de son bat\u00adte\u00adrie pour ses <a href=\"http:\/\/www.dopegems.com\/\">Dope\u00adgems<\/a>, m\u2019a signa\u00adl\u00e9 cette anecdote.<\/p>\n<p><strong><span style=\"font-size: xx-small;\">Sources consul\u00adt\u00e9es&nbsp;: <\/span><\/strong><\/p>\n<p><strong><span style=\"font-size: xx-small;\">Bar\u00adry Rudolph, \u201cDaryl Hall and John Oates And The $300 Drum Sound\u201d &lt;http:\/\/www.barryrudolph.com\/stellar\/300dollardrumsound.html&gt;<\/span><\/strong><\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe class=\"youtube-player\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/dYEpFJhuu1E?version=3&amp;rel=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;fs=1&amp;hl=fr-FR&amp;autohide=2&amp;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cThe chea\u00adper, the bet\u00adter\u201d (plus c\u2019est bon mar\u00adch\u00e9, mieux c\u2019est) est la devise qui pour\u00adrait gros\u00adsi\u00e8\u00adre\u00adment r\u00e9su\u00admer cette anec\u00addote de stu\u00addio. On remonte \u00e0 1975, lorsque Daryl Hall et John Oates, les deux pro\u00adli\u00adfiques com\u00adpo\u00adsi\u00adteurs pop du duo Hall &amp; Oates, enre\u00adgistrent sur le fameux \u201cSil\u00adver Album\u201d le titre Sara Smile. Ce qua\u00adtri\u00e8me album, contrai\u00adre\u00adment \u00e0 ceux qu\u2019ils s\u00e8me\u00adront par la suite, notam\u00adment au cours des ann\u00e9es 1980, reste pro\u00adfon\u00add\u00e9\u00adment ancr\u00e9 dans un esprit R&amp;B soft, celui qu\u2019on d\u00e9signe, m\u00eame si le terme est assez gal\u00advau\u00add\u00e9, par Blue-eyed Soul. C\u2019est Bar\u00adry Rudolph, ing\u00e9\u00adnieur du son sur cette pro\u00adduc\u00adtion, qui relate la fa\u00e7on dont la bat\u00adte\u00adrie a \u00e9t\u00e9 enre\u00adgis\u00adtr\u00e9 sur ce titre. Un son dyna\u00admique, puis\u00adsant, pr\u00e9\u00adsent. Com\u00adment est-ce arri\u00adv\u00e9&nbsp;? Rudolph \u00e9tait fas\u00adci\u00adn\u00e9 par le son de bat\u00adte\u00adrie des albums d\u2019Al Green et d\u2019Ann Peebles. D\u00e9pouill\u00e9 et \u00e0 la fois pr\u00e9\u00adsent, un son que l\u2019on retrouve jusque sur Call Me en 1973. Il s\u2019a\u00adgis\u00adsait donc de mar\u00adquer un contraste par rap\u00adport \u00e0 la ten\u00addance \u00e0 la prise de son super haute fid\u00e9\u00adli\u00adt\u00e9 en vogue au milieu des ann\u00e9es 1970. Dans cette pro\u00adduc\u00adtion, impec\u00adca\u00adble\u00adment orches\u00adtr\u00e9e, o\u00f9 toutes les par\u00adties ins\u00adtru\u00admen\u00adtales et vocales sont \u00e9ta\u00adblies d\u2019a\u00advance, avec des indi\u00adca\u00adtions assez claires sur les moyens de cap\u00adtu\u00adrer l\u2019am\u00adbiance musi\u00adcale, Rudolph pro\u00adpo\u00adsa donc son concept&nbsp;: enre\u00adgis\u00adtrer la bat\u00adte\u00adrie d\u2019Ed Green avec un kit de micros tout ce qu\u2019il y a de plus \u201cstan\u00addard\u201d, des Shure SM57. En clair, ces micros sont ceux que l\u2019on trouve dans n\u2019im\u00adporte quel stu\u00addio de r\u00e9p\u00e9\u00adti\u00adtion bon mar\u00adch\u00e9 ou local de r\u00e9p\u00e9\u00adti\u00adtion ama\u00adteur. Leur com\u00adpres\u00adsion natu\u00adrelle intrin\u00ads\u00e8que par\u00adti\u00adci\u00adpait \u00e0 ce ren\u00addu \u201cacous\u00adtique\u201d recher\u00adch\u00e9, plein d\u2019emphase sans sacri\u00adfier \u00e0 la sur-pro\u00ad\u00adduc\u00ad\u00adtion. Rudolph admet ne pas avoir uti\u00adli\u00ads\u00e9 de cor\u00adrec\u00adtion d\u2019\u00e9\u00adga\u00adli\u00adseur ou de com\u00adpres\u00adsion. \u00c0 noter qu\u2019Ed Green n\u2019a pas enre\u00adgis\u00adtr\u00e9 la bat\u00adte\u00adrie en cabine (drum booth), mais en pi\u00e8ce ouverte, uni\u00adque\u00adment \u00e9qui\u00adp\u00e9 de quelques pan\u00adneaux en bois pour la r\u00e9flexion du son et petit d\u00f4me para\u00adsol qui accen\u00adtue le c\u00f4t\u00e9 feu\u00adtr\u00e9 de la frappe. Un son \u00e0 300$ qui ajourne tous les gou\u00adrous de l\u2019engi\u00adnee\u00adring et les col\u00adlec\u00adtion\u00adneurs de pro\u00adces\u00adseurs en&nbsp;racks. Mes remer\u00adcie\u00adments \u00e0 \u201cSlikk\u00adTim\u201d B\u00e9che\u00adrand, qui, dans sa qu\u00eate de la meilleure prise de son bat\u00adte\u00adrie pour ses Dope\u00adgems, m\u2019a signa\u00adl\u00e9 cette anec\u00addote. Sources consul\u00adt\u00e9es&nbsp;: Bar\u00adry Rudolph, \u201cDaryl Hall and John Oates And The $300 Drum Sound\u201d &lt;http:\/\/www.barryrudolph.com\/stellar\/300dollardrumsound.html&gt;<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_s2mail":"yes","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[39,2,3,19],"tags":[],"class_list":["post-2359","post","type-post","status-publish","format-standard","hentry","category-batteur","category-figures-de-la-soul","category-musique","category-rock"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Hall &amp; Oates : un son de batterie \u00e0 300$<\/title>\n<meta name=\"description\" content=\"Hall &amp; Oates : un son de batterie \u00e0 300$\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.dispatchbox.net\/index.php\/2012\/11\/04\/hall-and-oates-un-son-de-batterie-a-300\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hall &amp; Oates : un son de batterie \u00e0 300$\" \/>\n<meta property=\"og:description\" content=\"Hall &amp; Oates : un son de batterie \u00e0 300$\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.dispatchbox.net\/index.php\/2012\/11\/04\/hall-and-oates-un-son-de-batterie-a-300\/\" \/>\n<meta property=\"og:site_name\" content=\"Dispatch\/Box\" \/>\n<meta property=\"article:published_time\" content=\"2012-11-04T10:27:53+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-09-13T09:55:15+00:00\" \/>\n<meta name=\"author\" content=\"Jeremy Jeanguenin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:site\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jeremy Jeanguenin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2012\\\/11\\\/04\\\/hall-and-oates-un-son-de-batterie-a-300\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2012\\\/11\\\/04\\\/hall-and-oates-un-son-de-batterie-a-300\\\/\"},\"author\":{\"name\":\"Jeremy Jeanguenin\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/#\\\/schema\\\/person\\\/9db7c9c41e0594fa08428d8b7007e253\"},\"headline\":\"Hall &amp; 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