{"id":2404,"date":"2012-11-30T10:21:01","date_gmt":"2012-11-30T10:21:01","guid":{"rendered":"http:\/\/www.dispatchbox.net\/?p=2404"},"modified":"2018-02-09T09:41:38","modified_gmt":"2018-02-09T09:41:38","slug":"hot-buttered-soul-chronique-dun-miracle","status":"publish","type":"post","link":"https:\/\/www.dispatchbox.net\/index.php\/2012\/11\/30\/hot-buttered-soul-chronique-dun-miracle\/","title":{"rendered":"Hot Buttered Soul&nbsp;: chronique d\u2019un miracle"},"content":{"rendered":"<p><img fetchpriority=\"high\" decoding=\"async\" data-attachment-id=\"3226\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2012\/11\/30\/hot-buttered-soul-chronique-dun-miracle\/mi0003395028\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/MI0003395028.jpg\" data-orig-size=\"500,500\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"MI0003395028\" data-image-description data-image-caption data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/MI0003395028.jpg\" class=\"alignnone wp-image-3226 size-full\" src=\"http:\/\/www.dispatchbox.net\/wp-content\/MI0003395028.jpg\" alt width=\"500\" height=\"500\" srcset=\"https:\/\/www.dispatchbox.net\/wp-content\/MI0003395028.jpg 500w, https:\/\/www.dispatchbox.net\/wp-content\/MI0003395028-150x150.jpg 150w, https:\/\/www.dispatchbox.net\/wp-content\/MI0003395028-300x300.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\"><\/p>\n<p>&nbsp;<\/p>\n<p>Miracle, car apr\u00e8s les mal\u00adheu\u00adreuses ventes de <em>Pre\u00adsen\u00adting Isaac Hayes<\/em> (1968), le second effort solo de l\u2019ar\u00adtiste man\u00adqua de voir le jour. Il est pour\u00adtant la clef de vo\u00fbte de la muta\u00adtion de compositeur\/arrangeur pour Stax en artiste-inter\u00adpr\u00e8te ma\u00ee\u00adtri\u00adsant, selon son exi\u00adgence ini\u00adtiale, l\u2019in\u00adt\u00e9\u00adgra\u00adli\u00adt\u00e9 du pro\u00adces\u00adsus de pro\u00adduc\u00adtion. C\u2019est le cha\u00ee\u00adnon n\u00e9ces\u00adsaire \u00e0 la muta\u00adtion de Hayes en <em>Mo\u00efse Noir<\/em>.<\/p>\n<p>La d\u00e9marche d\u2019I\u00adsaac Hayes pour son <em>Hot But\u00adte\u00adred Soul<\/em> (notez la mul\u00adti\u00adpli\u00adci\u00adt\u00e9 des sens pos\u00adsibles) est pas\u00adsion\u00adnante en cela qu\u2019elle balaie les inep\u00adties sur la s\u00e9gr\u00e9\u00adga\u00adtion des noirs fai\u00adsant de la musique noire et des blancs qui essaient de les imi\u00adter, moins bons, car frap\u00adp\u00e9s de pseu\u00addo-culpa\u00adbi\u00adli\u00adt\u00e9,&nbsp;etc.<\/p>\n<p>En effet, le com\u00adpo\u00adsi\u00adteur qui n\u2019a plus rien \u00e0 prou\u00adver (avec des titres comme <em>Hold on, I\u2019m comin\u2019<\/em> ou <em>Soul Man<\/em> pour Sam &amp; Dave), sur\u00adprend en pui\u00adsant chez des inter\u00adpr\u00e8tes en vogue dans ces ann\u00e9es psy\u00adch\u00e9\u00add\u00e9\u00adli\u00adsantes&nbsp;: l\u2019in\u00adcom\u00adpa\u00adrable Burt Bacha\u00adrach et son aco\u00adlyte Hal David, mais aus\u00adsi le sudiste Jim\u00admy Web (<em>By the Time I Get to Phoe\u00adnix<\/em>). Ain\u00adsi, Hayes n\u2019est cr\u00e9\u00addi\u00adt\u00e9 en tant qu\u2019au\u00adteur que sur un seul de ces quatre mor\u00adceaux gra\u00adv\u00e9s dans l\u2019a\u00adc\u00e9\u00adtate&nbsp;: <em>Hyper\u00adbo\u00adlic\u00adsyl\u00adla\u00adbic\u00adses\u00adque\u00adda\u00adly\u00admis\u00adtic<\/em>.<\/p>\n<p>Il se r\u00e9v\u00e8le fas\u00adci\u00adnant tant les arran\u00adge\u00adments sont sublimes. Sur <em>Walk on by<\/em>, alors que la basse du l\u00e9gen\u00addaire James Alexan\u00adder (dont il faut rap\u00adpe\u00adler qu\u2019il \u00e9chap\u00adpa \u00e0 l\u2019ac\u00adci\u00addent d\u2019a\u00advion fatal d\u2019O\u00adtis Red\u00adding en 1967 de jus\u00adtesse&nbsp;: il prit un vol com\u00admer\u00adcial) mar\u00adt\u00e8le la fon\u00adda\u00admen\u00adtale, une orches\u00adtra\u00adtion luxueuse tem\u00adp\u00e8re cette reprise de haute fac\u00adture. La gui\u00adtare Michael Toles, d\u00e9bau\u00adch\u00e9 lui aus\u00adsi des mythiques Bar-Kays (qui le rem\u00adplacent par le tr\u00e8s jeune Ver\u00adnon Burch, \u00e2g\u00e9 de seule\u00adment 15 ans !). Quand vient la face B, c\u2019est <em>One Woman<\/em> de Charles Chal\u00admers et San\u00addra Rhodes qui emporte tout sur son pas\u00adsage. Le cres\u00adcen\u00addo est de rigueur, emme\u00adn\u00e9 par le timbre bary\u00adton de Hayes, et un&nbsp;ch\u0153ur f\u00e9mi\u00adnin fabuleux.<\/p>\n<p>L\u2019op\u00adtion du th\u00e8me sen\u00adti\u00admen\u00adtal et la sen\u00adsua\u00adli\u00adt\u00e9 marque un choix esth\u00e9\u00adtique fort, incar\u00adn\u00e9 dans cette soul sati\u00adn\u00e9e. Les \u00e9mules de man\u00adque\u00adront pas, \u00e0 com\u00admen\u00adcer par le plus consen\u00adsuel Bar\u00adry White. A par\u00adtir de l\u00e0, on prend le risque de la pose. Pour Isaac, c\u2019est chose faite, on ne revient pas des\u00adsus (la banale presse musi\u00adcale dirait en sub\u00adstance&nbsp;: \u201cun artiste culte, un lover\u201d). Les cha\u00eenes de tocs et les har\u00adnais sur la mus\u00adcu\u00adla\u00adture nue font leur effet, au risque du cli\u00adch\u00e9. C\u2019est le point de d\u00e9part d\u2019une grande part de l\u2019es\u00adth\u00e9\u00adtique sou\u00advent sur\u00adfaite des artistes de soul contem\u00adpo\u00adrains. Une sorte de figure de style ves\u00adti\u00admen\u00adtaire (ou non) impo\u00ads\u00e9e. Prince, D\u2019An\u00adge\u00adlo, Raphael Saa\u00addiq en savent quelque chose.<\/p>\n<p>Mais la haute teneur musi\u00adcale de ce disque com\u00adpo\u00ads\u00e9 essen\u00adtiel\u00adle\u00adment de reprises, tient en ce d\u00e9pas\u00adse\u00adment de la simple pose par un savant tra\u00advail d\u2019ar\u00adran\u00adge\u00adment et d\u2019in\u00adter\u00adpr\u00e9\u00adta\u00adtion&nbsp;: hyp\u00adno\u00adtique, roman\u00adtique, sophistiqu\u00e9.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Miracle, car apr\u00e8s les mal\u00adheu\u00adreuses ventes de Pre\u00adsen\u00adting Isaac Hayes (1968), le second effort solo de l\u2019ar\u00adtiste man\u00adqua de voir le jour. Il est pour\u00adtant la clef de vo\u00fbte de la muta\u00adtion de compositeur\/arrangeur pour Stax en artiste-inter\u00ad\u00ad\u00adpr\u00e8te ma\u00ee\u00adtri\u00adsant, selon son exi\u00adgence ini\u00adtiale, l\u2019in\u00adt\u00e9\u00adgra\u00adli\u00adt\u00e9 du pro\u00adces\u00adsus de pro\u00adduc\u00adtion. C\u2019est le cha\u00ee\u00adnon n\u00e9ces\u00adsaire \u00e0 la muta\u00adtion de Hayes en Mo\u00efse Noir. La d\u00e9marche d\u2019I\u00adsaac Hayes pour son Hot But\u00adte\u00adred Soul (notez la mul\u00adti\u00adpli\u00adci\u00adt\u00e9 des sens pos\u00adsibles) est pas\u00adsion\u00adnante en cela qu\u2019elle balaie les inep\u00adties sur la s\u00e9gr\u00e9\u00adga\u00adtion des noirs fai\u00adsant de la musique noire et des blancs qui essaient de les imi\u00adter, moins bons, car frap\u00adp\u00e9s de pseu\u00ad\u00addo-culpa\u00ad\u00adbi\u00ad\u00adli\u00ad\u00adt\u00e9,&nbsp;etc. En effet, le com\u00adpo\u00adsi\u00adteur qui n\u2019a plus rien \u00e0 prou\u00adver (avec des titres comme Hold on, I\u2019m comin\u2019 ou Soul Man pour Sam &amp; Dave), sur\u00adprend en pui\u00adsant chez des inter\u00adpr\u00e8tes en vogue dans ces ann\u00e9es psy\u00adch\u00e9\u00add\u00e9\u00adli\u00adsantes&nbsp;: l\u2019in\u00adcom\u00adpa\u00adrable Burt Bacha\u00adrach et son aco\u00adlyte Hal David, mais aus\u00adsi le sudiste Jim\u00admy Web (By the Time I Get to Phoe\u00adnix). Ain\u00adsi, Hayes n\u2019est cr\u00e9\u00addi\u00adt\u00e9 en tant qu\u2019au\u00adteur que sur un seul de ces quatre mor\u00adceaux gra\u00adv\u00e9s dans l\u2019a\u00adc\u00e9\u00adtate&nbsp;: Hyper\u00adbo\u00adlic\u00adsyl\u00adla\u00adbic\u00adses\u00adque\u00adda\u00adly\u00admis\u00adtic. Il se r\u00e9v\u00e8le fas\u00adci\u00adnant tant les arran\u00adge\u00adments sont sublimes. Sur Walk on by, alors que la basse du l\u00e9gen\u00addaire James Alexan\u00adder (dont il faut rap\u00adpe\u00adler qu\u2019il \u00e9chap\u00adpa \u00e0 l\u2019ac\u00adci\u00addent d\u2019a\u00advion fatal d\u2019O\u00adtis Red\u00adding en 1967 de jus\u00adtesse&nbsp;: il prit un vol com\u00admer\u00adcial) mar\u00adt\u00e8le la fon\u00adda\u00admen\u00adtale, une orches\u00adtra\u00adtion luxueuse tem\u00adp\u00e8re cette reprise de haute fac\u00adture. La gui\u00adtare Michael Toles, d\u00e9bau\u00adch\u00e9 lui aus\u00adsi des mythiques Bar-Kays (qui le rem\u00adplacent par le tr\u00e8s jeune Ver\u00adnon Burch, \u00e2g\u00e9 de seule\u00adment 15 ans !). Quand vient la face B, c\u2019est One Woman de Charles Chal\u00admers et San\u00addra Rhodes qui emporte tout sur son pas\u00adsage. Le cres\u00adcen\u00addo est de rigueur, emme\u00adn\u00e9 par le timbre bary\u00adton de Hayes, et un&nbsp;ch\u0153ur f\u00e9mi\u00adnin fabu\u00adleux. L\u2019op\u00adtion du th\u00e8me sen\u00adti\u00admen\u00adtal et la sen\u00adsua\u00adli\u00adt\u00e9 marque un choix esth\u00e9\u00adtique fort, incar\u00adn\u00e9 dans cette soul sati\u00adn\u00e9e. Les \u00e9mules de man\u00adque\u00adront pas, \u00e0 com\u00admen\u00adcer par le plus consen\u00adsuel Bar\u00adry White. A par\u00adtir de l\u00e0, on prend le risque de la pose. Pour Isaac, c\u2019est chose faite, on ne revient pas des\u00adsus (la banale presse musi\u00adcale dirait en sub\u00adstance&nbsp;: \u201cun artiste culte, un lover\u201d). Les cha\u00eenes de tocs et les har\u00adnais sur la mus\u00adcu\u00adla\u00adture nue font leur effet, au risque du cli\u00adch\u00e9. C\u2019est le point de d\u00e9part d\u2019une grande part de l\u2019es\u00adth\u00e9\u00adtique sou\u00advent sur\u00adfaite des artistes de soul contem\u00adpo\u00adrains. Une sorte de figure de style ves\u00adti\u00admen\u00adtaire (ou non) impo\u00ads\u00e9e. Prince, D\u2019An\u00adge\u00adlo, Raphael Saa\u00addiq en savent quelque chose. Mais la haute teneur musi\u00adcale de ce disque com\u00adpo\u00ads\u00e9 essen\u00adtiel\u00adle\u00adment de reprises, tient en ce d\u00e9pas\u00adse\u00adment de la simple pose par un savant tra\u00advail d\u2019ar\u00adran\u00adge\u00adment et d\u2019in\u00adter\u00adpr\u00e9\u00adta\u00adtion&nbsp;: hyp\u00adno\u00adtique, roman\u00adtique, sophistiqu\u00e9.&nbsp;<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_s2mail":"yes","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[75,4,2,3,31],"tags":[531,151,580],"class_list":["post-2404","post","type-post","status-publish","format-standard","hentry","category-bar-kays","category-basse","category-figures-de-la-soul","category-musique","category-psychedelique","tag-hayes","tag-soul","tag-stax"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Hot Buttered Soul : chronique d&#039;un miracle<\/title>\n<meta name=\"description\" content=\"Hot 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