{"id":2634,"date":"2014-09-28T19:45:37","date_gmt":"2014-09-28T19:45:37","guid":{"rendered":"http:\/\/www.dispatchbox.net\/?p=2634"},"modified":"2015-08-17T11:55:53","modified_gmt":"2015-08-17T11:55:53","slug":"hi-records-hi-rhythm-section","status":"publish","type":"post","link":"https:\/\/www.dispatchbox.net\/index.php\/2014\/09\/28\/hi-records-hi-rhythm-section\/","title":{"rendered":"Al Green, Hi Records & Hi Rhythm section"},"content":{"rendered":"

La m\u00e9ta\u00admor\u00adphose que connut Hi Records en pas\u00adsant sous la hou\u00adlette de Willie Mit\u00adchell allait avoir une r\u00e9so\u00adnance sans pr\u00e9\u00adc\u00e9\u00addent sur l\u2019his\u00adtoire de la soul music et de fa\u00e7on g\u00e9n\u00e9\u00adrale sur l\u2019in\u00addus\u00adtrie musi\u00adcale des ann\u00e9es 1970. Alors can\u00adton\u00adn\u00e9e \u00e0 des pro\u00adduc\u00adtions rocka\u00adbilly et coun\u00adtry blues, Hi Records occa\u00adsionne une v\u00e9ri\u00adtable renais\u00adsance dans une Mem\u00adphis qui a d\u00e9j\u00e0 connu une entre\u00adprise glo\u00adrieuse, celle de Jim Ste\u00adwart et Estelle Axton, Stax.<\/p>\n

Al Green et Willie Mitchell en studio<\/p>\n\" data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/WM-Al-Green-744971.jpg\" class=\"size-full wp-image-2644\" src=\"http:\/\/www.dispatchbox.net\/wp-content\/WM-Al-Green-744971.jpg\" alt=\"Al Green et Willie Mitchell en studio\" width=\"300\" height=\"332\" srcset=\"https:\/\/www.dispatchbox.net\/wp-content\/WM-Al-Green-744971.jpg 300w, https:\/\/www.dispatchbox.net\/wp-content\/WM-Al-Green-744971-271x300.jpg 271w\" sizes=\"(max-width: 300px) 100vw, 300px\"><\/a>
Al Green et Willie Mit\u00adchell en studio<\/figcaption><\/figure>\n

C\u2019est encore une fois le pr\u00e9\u00adcieux Sweet Soul Music<\/em> de Peter Gural\u00adnick, qui nous four\u00adnit les d\u00e9tails de ce tour\u00adnant musi\u00adcal (voir le cha\u00adpitre \u201cLes beaux jours de Hi\u201d, p. 344 dans l\u2019\u00e9\u00addi\u00adtion fran\u00ad\u00e7aise de 2003 publi\u00e9e chez Allia). Pour Gural\u00adnick, sans \u00e9qui\u00advoque, \u201cLe seul label de Mem\u00adphis \u00e0 pour\u00adsuivre l\u2019a\u00adven\u00adture au d\u00e9but des ann\u00e9es 70 \u00e9tait Hi Records, la com\u00adpa\u00adgnie qui avait \u00e9mer\u00adg\u00e9 dans le sillage du suc\u00adc\u00e8s de Sun en 1956\u201d<\/em>.<\/p>\n

Stax est alors sur le d\u00e9clin et encha\u00eene des pro\u00adjets hasar\u00addeux, sous-ten\u00addus par une poli\u00adtique artis\u00adtique et com\u00admer\u00adciale qui se cherche. C\u2019est dans cet inter\u00adstice que Willie Mit\u00adchell, trom\u00adpet\u00adtiste de for\u00adma\u00adtion, va char\u00adpen\u00adter le \u201cson Hi\u201d et sa sec\u00adtion \u201cHi Rhythm\u201d. Alors que Hi, dont les parts sont majo\u00adri\u00adtai\u00adre\u00adment d\u00e9te\u00adnues par Joe Cuo\u00adghi, jouit du suc\u00adc\u00e8s du groupe de Bill Black (le contre\u00adbas\u00adsiste d\u2019El\u00advis Pres\u00adley), Willie Mit\u00adchell, musi\u00adcien et arran\u00adgeur mai\u00adson, obtient un fau\u00adteuil de direc\u00adteur artis\u00adtique. Non seule\u00adment il allat cher\u00adcher Al Green (en lui payant le billet pour venir du Michi\u00adgan o\u00f9 sa famille vivait depuis ses 13 ans), mais il fit venir un \u00e9l\u00e9\u00adment clef dans la construc\u00adtion de la \u201ccha\u00adpelle sonore\u201d Hi (j\u2019u\u00adti\u00adlise ici le terme en pied-de-nez au mur du son de Phil Spec\u00adtor) : le bat\u00adteur Al Jack\u00adson Jr, du d\u00e9j\u00e0 l\u00e9gen\u00addaire Boo\u00adker T and The MGs, le qua\u00adtuor der\u00adri\u00e8re la plu\u00adpart des grands suc\u00adc\u00e8s de Stax, d\u2019O\u00adtis Red\u00adding \u00e0 Sam and Dave, en pas\u00adsant par Car\u00adla Tho\u00admas et Albert King, entre autres.<\/p>\n

Or, dans l\u2019es\u00adprit de Mit\u00adchell, il ne s\u2019a\u00adgit pas de clo\u00adner ni d\u2019\u00e9\u00admu\u00adler la for\u00admule Stax. Mit\u00adchell forme donc un groupe qui va l\u2019ai\u00adder \u00e0 prendre le contre\u00adpied de Stax et de la plu\u00adpart des label de Soul am\u00e9\u00adri\u00adcains : il d\u00e9cide de s\u2019ad\u00adjoindre deux bat\u00adteurs, Al Jack\u00adson Jr, mais aus\u00adsi Howard Grimes, ain\u00adsi qu\u2019une fra\u00adtrie qu\u2019il a vu gran\u00addir et qu\u2019il a lit\u00adt\u00e9\u00adra\u00adle\u00adment \u201cbibe\u00adron\u00adn\u00e9\u201d musi\u00adca\u00adle\u00adment, les fr\u00e8res Hodges, qui d\u00e9passent \u00e0 peine la ving\u00adtaine, Leroy \u201cFlick\u201d \u00e0 la basse, Tee\u00adnie \u00e0 la gui\u00adtare (co-auteur de Here I am<\/em>) et Charles \u00e0 l\u2019orgue. Archie Tur\u00adner est l\u00e0 pour les \u00e9pau\u00adler aux cla\u00adviers. Les sou\u00adbas\u00adse\u00adments sont pos\u00e9s, et m\u00eame si les albums ne brillent pas tou\u00adjours par leur ori\u00adgi\u00adna\u00adli\u00adt\u00e9 (sau\u00adpou\u00addr\u00e9s de reprises), la saveur musi\u00adcale est l\u00e0.<\/p>\n

L\u2019or\u00adches\u00adtra\u00adtion blue\u00adsy rehausse l\u2019\u00e9\u00adcrin gos\u00adpel reven\u00addi\u00adqu\u00e9 par Al Green : il est d\u00e9j\u00e0 le \u201cpas\u00adteur de l\u2019a\u00admour\u201d qu\u2019il devien\u00addra, le \u201cReve\u00adrend Green\u201d.<\/p>\n

 <\/p>\n

\"greenisblues\"<\/a><\/p>\n

 <\/p>\n

Le par\u00adti pris est une tex\u00adture sonore en retrait, sou\u00advent lente sinon tr\u00e8s lente, uti\u00adli\u00adsant des sons assour\u00addis (toutes les peaux de la bat\u00adte\u00adrie sont d\u00e9ten\u00addues, la frappe pr\u00e9\u00adcise et lourde, la caisse claire bat la cha\u00admade avec une grosse caisse cal\u00adfeu\u00adtr\u00e9e aux \u00e9dre\u00addons, les cym\u00adbales ne des\u00adserrent pas les dents. La basse est tr\u00e8s en retrait, laisse la pre\u00admi\u00e8re gui\u00adtare tis\u00adser ses notes. C\u2019est dans un live fil\u00adm\u00e9 pour la l\u00e9gen\u00addaire \u00e9mis\u00adsion Soul Train que s\u2019ex\u00adprime toute la magni\u00adfi\u00adcence du cock\u00adtail Al Green\/Hi Rhythm. Al Green, entou\u00adr\u00e9 de la fra\u00adtrie Hodges, et de cuivres de Mem\u00adphis, intro\u00adduit le th\u00e8me en dou\u00adceur : l\u2019ins\u00adtru\u00admen\u00adta\u00adtion est si volon\u00adtai\u00adre\u00adment en retrait qu\u2019elle laisse l\u2019au\u00addi\u00adteur se foca\u00adli\u00adser sur la pres\u00adta\u00adtion vocale excep\u00adtion\u00adnel\u00adle\u00adment vivante. L\u2019or\u00adchestre joue si dou\u00adce\u00adment, \u00e0 l\u2019op\u00adpo\u00ads\u00e9 de la toni\u00adtruance de Boo\u00adker T & The MGs sur sc\u00e8ne. Puis, les cuivres vrom\u00adbissent en r\u00e9ponse \u00e0 la parole d\u2019Al Green : le dia\u00adlogue dure en cres\u00adcen\u00addo jus\u00adqu\u2019\u00e0 un final explo\u00adsif, don\u00adnant vie \u00e0 un titre pour\u00adtant tr\u00e8s \u00e9gal dans sa ver\u00adsion album.<\/p>\n

Cette sobri\u00e9\u00adt\u00e9 est l\u2019\u00e9\u00adcho id\u00e9al \u00e0 la pos\u00adture et \u00e0 la pres\u00adta\u00adtion de Green : mesu\u00adr\u00e9e, conte\u00adnue, pr\u00e9\u00adf\u00e9\u00adrant la mimique et la puis\u00adsance du regard et des mots aux transes \u00e9lectrisantes.<\/p>\n

httpv:\/\/www.youtube.com\/watch?v=6POd4EzHHVs<\/p>\n

On pour\u00adrait c\u00e9l\u00e9\u00adbrer tout autant les opus d\u2019O.V. Wright (le magni\u00adfique I\u2019d Rather Be Blind, Crip\u00adpled, Cra\u00adzy<\/em>) et Ann Peebles (le c\u00e9l\u00e8bre I Can\u2019t Stand the Rain<\/em> a eu une vie avant le disco).<\/p>\n

Mais le bonus va \u00e0 l\u2019al\u00adchi\u00admie Green-Mit\u00adchell-Jack\u00adson, qui fait mouche.<\/p>\n

http:\/\/www.allmusic.com\/artist\/hi-rhythm-section-mn0001869786\/biography<\/p>\n

J\u2019en pro\u00adfite pour signa\u00adler que le docu\u00admen\u00adtaire de 1984 pro\u00adduit par Robert Mugge, Gos\u00adpel Accor\u00adding To Al Green<\/em>, est dis\u00adpo\u00adnible en int\u00e9\u00adgra\u00adli\u00adt\u00e9 sur You\u00adTube. On y voit notam\u00adment Al Green seul \u00e0 la gui\u00adtare en stu\u00addio, inter\u00adpr\u00e9\u00adtant un titre cryp\u00adtique nom\u00adm\u00e9 I Love You With All My Heart<\/em>, pres\u00adta\u00adtion qui r\u00e9sume en quelques minutes tout le style de l\u2019homme : une incroyable syn\u00adchro\u00adnie des mou\u00adve\u00adments de l\u2019\u00e2me, du corps et de la voix, une musi\u00adca\u00adli\u00adt\u00e9 fer\u00advente. Il suf\u00adfit de le regar\u00adder sou\u00adrire \u00e0 la fin du th\u00e8me. Tout est l\u00e0.<\/strong><\/p>\n

httpv:\/\/www.youtube.com\/watch?v=QB-hJo5Adfg<\/p>\n

 <\/p>\n

Dis\u00adco\u00adgra\u00adphie s\u00e9lective<\/strong><\/p>\n

Back up train<\/em> (1967)<\/p>\n

Green is Blues<\/em> (1969)<\/p>\n

Al Green gets next to you<\/em> (1971)<\/p>\n

Let\u2019s Stay Toge\u00adther<\/i> (1972)<\/p>\n

I\u2019m still in love with you<\/em> (1972)<\/p>\n

Call me<\/em> (1973)<\/p>\n

Livin\u2019 for you<\/em> (1973)<\/p>\n

Al Green explores your mind<\/em> (1974)<\/p>\n

Al Green is love<\/em> (1975)<\/p>\n

A voir \u00e9ga\u00adle\u00adment, \u00e0 pro\u00adpose d\u2019Hi Rhythm et des fr\u00e8res Hodges :<\/strong><\/p>\n

http:\/\/www.allmusic.com\/artist\/hi-rhythm-section-mn0001869786\/biography<\/p>\n

http:\/\/homoerraticradioshow.blogspot.fr\/2014\/06\/hi-rhythm.html<\/p>\n","protected":false},"excerpt":{"rendered":"

La m\u00e9ta\u00admor\u00adphose que connut Hi Records en pas\u00adsant sous la hou\u00adlette de Willie Mit\u00adchell allait avoir une r\u00e9so\u00adnance sans pr\u00e9\u00adc\u00e9\u00addent sur l\u2019his\u00adtoire de la soul music et de fa\u00e7on g\u00e9n\u00e9\u00adrale sur l\u2019in\u00addus\u00adtrie musi\u00adcale des ann\u00e9es 1970. Alors can\u00adton\u00adn\u00e9e \u00e0 des pro\u00adduc\u00adtions rocka\u00adbilly et coun\u00adtry blues, Hi Records occa\u00adsionne une v\u00e9ri\u00adtable renais\u00adsance dans une Mem\u00adphis qui a d\u00e9j\u00e0 connu une entre\u00adprise glo\u00adrieuse, celle de Jim Ste\u00adwart et Estelle Axton, Stax. C\u2019est encore une fois le pr\u00e9\u00adcieux Sweet Soul Music de Peter Gural\u00adnick, qui nous four\u00adnit les d\u00e9tails de ce tour\u00adnant musi\u00adcal (voir le cha\u00adpitre \u201cLes beaux jours de Hi\u201d, p. 344 dans l\u2019\u00e9\u00addi\u00adtion fran\u00ad\u00e7aise de 2003 publi\u00e9e chez Allia). Pour Gural\u00adnick, sans \u00e9qui\u00advoque, \u201cLe seul label de Mem\u00adphis \u00e0 pour\u00adsuivre l\u2019a\u00adven\u00adture au d\u00e9but des ann\u00e9es 70 \u00e9tait Hi Records, la com\u00adpa\u00adgnie qui avait \u00e9mer\u00adg\u00e9 dans le sillage du suc\u00adc\u00e8s de Sun en 1956\u201d. Stax est alors sur le d\u00e9clin et encha\u00eene des pro\u00adjets hasar\u00addeux, sous-ten\u00ad\u00addus par une poli\u00adtique artis\u00adtique et com\u00admer\u00adciale qui se cherche. C\u2019est dans cet inter\u00adstice que Willie Mit\u00adchell, trom\u00adpet\u00adtiste de for\u00adma\u00adtion, va char\u00adpen\u00adter le \u201cson Hi\u201d et sa sec\u00adtion \u201cHi Rhythm\u201d. Alors que Hi, dont les parts sont majo\u00adri\u00adtai\u00adre\u00adment d\u00e9te\u00adnues par Joe Cuo\u00adghi, jouit du suc\u00adc\u00e8s du groupe de Bill Black (le contre\u00adbas\u00adsiste d\u2019El\u00advis Pres\u00adley), Willie Mit\u00adchell, musi\u00adcien et arran\u00adgeur mai\u00adson, obtient un fau\u00adteuil de direc\u00adteur artis\u00adtique. Non seule\u00adment il allat cher\u00adcher Al Green (en lui payant le billet pour venir du Michi\u00adgan o\u00f9 sa famille vivait depuis ses 13 ans), mais il fit venir un \u00e9l\u00e9\u00adment clef dans la construc\u00adtion de la \u201ccha\u00adpelle sonore\u201d Hi (j\u2019u\u00adti\u00adlise ici le terme en pied-de-nez au mur du son de Phil Spec\u00adtor) : le bat\u00adteur Al Jack\u00adson Jr, du d\u00e9j\u00e0 l\u00e9gen\u00addaire Boo\u00adker T and The MGs, le qua\u00adtuor der\u00adri\u00e8re la plu\u00adpart des grands suc\u00adc\u00e8s de Stax, d\u2019O\u00adtis Red\u00adding \u00e0 Sam and Dave, en pas\u00adsant par Car\u00adla Tho\u00admas et Albert King, entre autres. Or, dans l\u2019es\u00adprit de Mit\u00adchell, il ne s\u2019a\u00adgit pas de clo\u00adner ni d\u2019\u00e9\u00admu\u00adler la for\u00admule Stax. Mit\u00adchell forme donc un groupe qui va l\u2019ai\u00adder \u00e0 prendre le contre\u00adpied de Stax et de la plu\u00adpart des label de Soul am\u00e9\u00adri\u00adcains : il d\u00e9cide de s\u2019ad\u00adjoindre deux bat\u00adteurs, Al Jack\u00adson Jr, mais aus\u00adsi Howard Grimes, ain\u00adsi qu\u2019une fra\u00adtrie qu\u2019il a vu gran\u00addir et qu\u2019il a lit\u00adt\u00e9\u00adra\u00adle\u00adment \u201cbibe\u00adron\u00adn\u00e9\u201d musi\u00adca\u00adle\u00adment, les fr\u00e8res Hodges, qui d\u00e9passent \u00e0 peine la ving\u00adtaine, Leroy \u201cFlick\u201d \u00e0 la basse, Tee\u00adnie \u00e0 la gui\u00adtare (co-auteur de Here I am) et Charles \u00e0 l\u2019orgue. Archie Tur\u00adner est l\u00e0 pour les \u00e9pau\u00adler aux cla\u00adviers. Les sou\u00adbas\u00adse\u00adments sont pos\u00e9s, et m\u00eame si les albums ne brillent pas tou\u00adjours par leur ori\u00adgi\u00adna\u00adli\u00adt\u00e9 (sau\u00adpou\u00addr\u00e9s de reprises), la saveur musi\u00adcale est l\u00e0. L\u2019or\u00adches\u00adtra\u00adtion blue\u00adsy rehausse l\u2019\u00e9\u00adcrin gos\u00adpel reven\u00addi\u00adqu\u00e9 par Al Green : il est d\u00e9j\u00e0 le \u201cpas\u00adteur de l\u2019a\u00admour\u201d qu\u2019il devien\u00addra, le \u201cReve\u00adrend Green\u201d.     Le par\u00adti pris est une tex\u00adture sonore en retrait, sou\u00advent lente sinon tr\u00e8s lente, uti\u00adli\u00adsant des sons assour\u00addis (toutes les peaux de la bat\u00adte\u00adrie sont d\u00e9ten\u00addues, la frappe pr\u00e9\u00adcise et lourde, la caisse claire bat la cha\u00admade avec une grosse caisse cal\u00adfeu\u00adtr\u00e9e aux \u00e9dre\u00addons, les cym\u00adbales ne des\u00adserrent pas les dents. La basse est tr\u00e8s en retrait, laisse la pre\u00admi\u00e8re gui\u00adtare tis\u00adser ses notes. C\u2019est dans un live fil\u00adm\u00e9 pour la l\u00e9gen\u00addaire \u00e9mis\u00adsion Soul Train que s\u2019ex\u00adprime toute la magni\u00adfi\u00adcence du cock\u00adtail Al Green\/Hi Rhythm. Al Green, entou\u00adr\u00e9 de la fra\u00adtrie Hodges, et de cuivres de Mem\u00adphis, intro\u00adduit le th\u00e8me en dou\u00adceur : l\u2019ins\u00adtru\u00admen\u00adta\u00adtion est si volon\u00adtai\u00adre\u00adment en retrait qu\u2019elle laisse l\u2019au\u00addi\u00adteur se foca\u00adli\u00adser sur la pres\u00adta\u00adtion vocale excep\u00adtion\u00adnel\u00adle\u00adment vivante. L\u2019or\u00adchestre joue si dou\u00adce\u00adment, \u00e0 l\u2019op\u00adpo\u00ads\u00e9 de la toni\u00adtruance de Boo\u00adker T & The MGs sur sc\u00e8ne. Puis, les cuivres vrom\u00adbissent en r\u00e9ponse \u00e0 la parole d\u2019Al Green : le dia\u00adlogue dure en cres\u00adcen\u00addo jus\u00adqu\u2019\u00e0 un final explo\u00adsif, don\u00adnant vie \u00e0 un titre pour\u00adtant tr\u00e8s \u00e9gal dans sa ver\u00adsion album. Cette sobri\u00e9\u00adt\u00e9 est l\u2019\u00e9\u00adcho id\u00e9al \u00e0 la pos\u00adture et \u00e0 la pres\u00adta\u00adtion de Green : mesu\u00adr\u00e9e, conte\u00adnue, pr\u00e9\u00adf\u00e9\u00adrant la mimique et la puis\u00adsance du regard et des mots aux transes \u00e9lec\u00adtri\u00adsantes. httpv:\/\/www.youtube.com\/watch?v=6POd4EzHHVs On pour\u00adrait c\u00e9l\u00e9\u00adbrer tout autant les opus d\u2019O.V. Wright (le magni\u00adfique I\u2019d Rather Be Blind, Crip\u00adpled, Cra\u00adzy) et Ann Peebles (le c\u00e9l\u00e8bre I Can\u2019t Stand the Rain a eu une vie avant le dis\u00adco). Mais le bonus va \u00e0 l\u2019al\u00adchi\u00admie Green-Mit\u00ad\u00adchell-Jack\u00ad\u00adson, qui fait mouche. http:\/\/www.allmusic.com\/artist\/hi-rhythm-section-mn0001869786\/biography J\u2019en pro\u00adfite pour signa\u00adler que le docu\u00admen\u00adtaire de 1984 pro\u00adduit par Robert Mugge, Gos\u00adpel Accor\u00adding To Al Green, est dis\u00adpo\u00adnible en int\u00e9\u00adgra\u00adli\u00adt\u00e9 sur You\u00adTube. On y voit notam\u00adment Al Green seul \u00e0 la gui\u00adtare en stu\u00addio, inter\u00adpr\u00e9\u00adtant un titre cryp\u00adtique nom\u00adm\u00e9 I Love You With All My Heart, pres\u00adta\u00adtion qui r\u00e9sume en quelques minutes tout le style de l\u2019homme : une incroyable syn\u00adchro\u00adnie des mou\u00adve\u00adments de l\u2019\u00e2me, du corps et de la voix, une musi\u00adca\u00adli\u00adt\u00e9 fer\u00advente. Il suf\u00adfit de le regar\u00adder sou\u00adrire \u00e0 la fin du th\u00e8me. Tout est l\u00e0. httpv:\/\/www.youtube.com\/watch?v=QB-hJo5Adfg   Dis\u00adco\u00adgra\u00adphie s\u00e9lec\u00adtive Back up train (1967) Green is Blues (1969) Al Green gets next to you (1971) Let\u2019s Stay Toge\u00adther (1972) I\u2019m still in love with you (1972) Call me (1973) Livin\u2019 for you (1973) Al Green explores your mind (1974) Al Green is love (1975) A voir \u00e9ga\u00adle\u00adment, \u00e0 pro\u00adpose d\u2019Hi Rhythm et des fr\u00e8res Hodges : http:\/\/www.allmusic.com\/artist\/hi-rhythm-section-mn0001869786\/biography http:\/\/homoerraticradioshow.blogspot.fr\/2014\/06\/hi-rhythm.html<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_s2mail":"yes","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4,2,3,32],"tags":[154,556,555,558,557],"class_list":["post-2634","post","type-post","status-publish","format-standard","hentry","category-basse","category-figures-de-la-soul","category-musique","category-pianiste","tag-al-green","tag-ann-peebles","tag-hi-records","tag-leroy-hodges","tag-willie-mitchell"],"yoast_head":"\nAl Green, Hi Records & Hi Rhythm section<\/title>\n<meta name=\"description\" content=\"Al Green, Hi Records & Hi Rhythm section. 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Sa carri\u00e8re est sera aussi courte que mouvement\u00e9e, mais il fixera sur l'ac\u00e9tate de vinyle \u00e0 jamais sa voix dont l'expressivit\u00e9 brute n'a d'\u00e9gal que la douleur qu'elle \u00e9voque. \u00c9lev\u00e9\u2026","rel":"","context":"Dans "Figures De La Soul"","block_context":{"text":"Figures De La Soul","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/figures-de-la-soul\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/118864886.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/118864886.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/118864886.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/118864886.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1921,"url":"https:\/\/www.dispatchbox.net\/index.php\/2011\/03\/04\/sir-joe-quarterman-a-paris\/","url_meta":{"origin":2634,"position":1},"title":"Sir Joe Quarterman \u00e0 Paris","author":"Jeremy Jeanguenin","date":"04\/03\/2011","format":false,"excerpt":"Le v\u00e9t\u00e9ran du funk pionnier \u00e9tait de passage en r\u00e9gion parisienne (Bobigny le 17\/02\/2011 puis Ivry le 18\/02\/2011), fait assez extraordinaire pour \u00eatre signal\u00e9 quand on sait que l'homme, Sir Joe Quarterman, s'est retir\u00e9 de l'industrie musicale apr\u00e8s un LP mythique sorti chez GSF Records en 1973 (avant qu'il ne\u2026","rel":"","context":"Dans "Basse"","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/iris8954256367178257652.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":9444,"url":"https:\/\/www.dispatchbox.net\/index.php\/2023\/08\/26\/solar-records-de-chicago-a-los-angeles\/","url_meta":{"origin":2634,"position":2},"title":"SOLAR Records : de Chicago \u00e0 Los Angeles","author":"Jeremy Jeanguenin","date":"26\/08\/2023","format":false,"excerpt":"Alors que je recherchais des informations sur l'\u00e9closion du sous-genre Boogie (funk et\/ou disco) \u00e0 la fin des ann\u00e9es 1970, je me suis attard\u00e9, certes par go\u00fbt, sur Leon Sylvers III. 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Avec un ambitus \u00e9poustouflant, la coloratura soprano ma\u00eetrise le registre difficile et rarede \"voix de sifflet\". technique peaufin\u00e9e au Chicago's Lincoln Center sous la houlette\u2026","rel":"","context":"Dans "Figures De La Soul"","block_context":{"text":"Figures De La Soul","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/figures-de-la-soul\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/R-10668595-1527869702-7633.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/R-10668595-1527869702-7633.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/R-10668595-1527869702-7633.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":1556,"url":"https:\/\/www.dispatchbox.net\/index.php\/2010\/04\/06\/alex-chilton\/","url_meta":{"origin":2634,"position":4},"title":"Alex Chilton","author":"Jeremy Jeanguenin","date":"06\/04\/2010","format":false,"excerpt":"Alex Chilton (1950-2010) Je ne vous ferai pas de n\u00e9crologie ni l'expos\u00e9 de sa vie de musicien, ne connaissant de Chilton que les excellents morceaux qu'il a enregistr\u00e9 tr\u00e8s jeune avec The Box Tops, au sein de l'excellent studio de Muscle Shoals (laboratoire du \"Memphis Sound\"), nom tout aussi mythique\u2026","rel":"","context":"Dans "Disques"","block_context":{"text":"Disques","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/disques\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/classic8chilton.l.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5290,"url":"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/22\/carole-king-tapestry-une-tapisserie-pop\/","url_meta":{"origin":2634,"position":5},"title":"Carole King : Tapestry, une tapisserie pop","author":"Jeremy Jeanguenin","date":"22\/08\/2019","format":false,"excerpt":"Jusqu'\u00e0 cette p\u00e9riode o\u00f9 elle commen\u00e7a r\u00e9ellement sa carri\u00e8re solo d'interpr\u00e8te, Carole King r\u00e9servait ses compositions \u00e0 quatre mains (avec son ex Gerry Goffin) pour d'autres, \u00e0 l'instar des tandems Ashford & Simpson (Motown) ou Leiber & Stoller (Sun, Atlantic, A&M...). Tapestry, donc, figure comme le chef d'\u0153uvre de Carole\u2026","rel":"","context":"Dans "Disques"","block_context":{"text":"Disques","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/disques\/"},"img":{"alt_text":"Smackwater Jack, de Quincy Jones","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/smackwaterjack.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/smackwaterjack.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/smackwaterjack.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts\/2634","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/comments?post=2634"}],"version-history":[{"count":0,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts\/2634\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/media?parent=2634"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/categories?post=2634"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/tags?post=2634"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}