{"id":2902,"date":"2015-11-26T14:49:04","date_gmt":"2015-11-26T14:49:04","guid":{"rendered":"http:\/\/www.dispatchbox.net\/?p=2902"},"modified":"2017-07-13T12:58:32","modified_gmt":"2017-07-13T12:58:32","slug":"average-white-band","status":"publish","type":"post","link":"https:\/\/www.dispatchbox.net\/index.php\/2015\/11\/26\/average-white-band\/","title":{"rendered":"Average White Band&nbsp;: Scot-Soul"},"content":{"rendered":"<figure id=\"attachment_2905\" aria-describedby=\"caption-attachment-2905\" style=\"width: 612px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.dispatchbox.net\/wp-content\/averagewhiteband-cutthecake6.jpg\"><img fetchpriority=\"high\" decoding=\"async\" data-attachment-id=\"2905\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2015\/11\/26\/average-white-band\/averagewhiteband-cutthecake6\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/averagewhiteband-cutthecake6.jpg\" data-orig-size=\"1163,1184\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"averagewhiteband-cutthecake(6)\" data-image-description data-image-caption=\"<p>Cut the Cake<\/p>\n\" data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/averagewhiteband-cutthecake6-1006x1024.jpg\" class=\"wp-image-2905 \" src=\"http:\/\/www.dispatchbox.net\/wp-content\/averagewhiteband-cutthecake6-1006x1024.jpg\" alt=\"Cut the Cake\" width=\"612\" height=\"623\" srcset=\"https:\/\/www.dispatchbox.net\/wp-content\/averagewhiteband-cutthecake6-1006x1024.jpg 1006w, https:\/\/www.dispatchbox.net\/wp-content\/averagewhiteband-cutthecake6-295x300.jpg 295w, https:\/\/www.dispatchbox.net\/wp-content\/averagewhiteband-cutthecake6.jpg 1163w\" sizes=\"(max-width: 612px) 100vw, 612px\"><\/a><figcaption id=\"caption-attachment-2905\" class=\"wp-caption-text\">Cut the&nbsp;Cake<\/figcaption><\/figure>\n<p>AWB, ce sont d\u2019a\u00adbord deux gueules. Il y a d\u2019a\u00adbord cette voix arri\u00e8re-gut\u00adtu\u00adrale qui cherche le timbre d\u2019un sax ou peut-\u00eatre bien celui d\u2019un chat de gout\u00adti\u00e8re. Oui, c\u2019est le roux Hamish Stuart qui fait l\u2019as\u00adcen\u00adseur entre ses deux octaves. Un voix souple, ronde, jamais nasillarde, presque f\u00e9mi\u00adnine. Il y a cette com\u00adpl\u00e9\u00admen\u00adta\u00adri\u00adt\u00e9 presque impos\u00adsible \u00e0 d\u00e9ter\u00admi\u00adner, \u00e0 contin\u00adgen\u00adter. Oui, Hamish Stuart et Alan Gor\u00adrie forment un duo de lea\u00adders, alter\u00adnant les cou\u00adplets et leurs ins\u00adtru\u00adments. Gor\u00adrie \u00e0 la voix plus \u00e9cor\u00adch\u00e9e, Stuart est plus soul. Roger Ball (saxophone\/claviers) les aide \u00e0 char\u00adpen\u00adter ces mor\u00adceaux issus de th\u00e8mes bro\u00add\u00e9s pen\u00addant des <em>jam ses\u00adsions.<\/em> L\u2019exemple de <em>School\u00adboy Crush<\/em> est par\u00adfait \u00e0 ce titre (!) et la ver\u00adsion don\u00adn\u00e9es en 1975 en live dans l\u2019\u00e9\u00admis\u00adsion Soul Train (c\u2019est l\u2019une des rares appa\u00adri\u00adtions d\u2019un groupe \u00e9cos\u00adsais et majo\u00adri\u00adtai\u00adre\u00adment blanc dans une \u00e9mis\u00adsion o\u00f9 les afro-am\u00e9\u00adri\u00adcains dominent \u2013 m\u00eame si j\u2019a\u00advoue que cette asser\u00adtion pour\u00adrait \u00eatre consi\u00add\u00e9\u00adr\u00e9e comme un peu mal\u00adve\u00adnue) est une illus\u00adtra\u00adtion id\u00e9ale.<\/p>\n<p>Le <em>groove<\/em> impec\u00adcable avec son intro de bat\u00adte\u00adrie assai\u00adson\u00adn\u00e9e aux gre\u00adlots, et cette fois c\u2019est Hamish Stuart qui com\u00adpl\u00e8te le groove \u00e0 la basse, avec un jeu au plectre qui fait mouche&nbsp;: un choix \u00e9co\u00adno\u00admique de notes pla\u00adc\u00e9es comme il faut pour faire dan\u00adser le mor\u00adceau, le com\u00adpl\u00e9\u00adment du jeu au doigt d\u2019A\u00adlan Gor\u00adrie, volon\u00adtiers plus pro\u00adlixe. Gor\u00adrie s\u2019ap\u00adplique \u00e0 tri\u00adco\u00adter des cocottes fun\u00adky \u00e0 la rigueur m\u00e9trique impla\u00adcable sur ce tem\u00adpo d\u00e9ten\u00addu. L\u2019un et l\u2019autre se r\u00e9pondent comme jadis Bob\u00adby Byrd r\u00e9pon\u00addait aux pr\u00eaches endia\u00adbl\u00e9es du divin James&nbsp;Brown.<\/p>\n<p>Sorte d\u2019an\u00adti\u00adphrase, le duo de lea\u00adders chante les amours de r\u00e9cr\u00e9s et l\u2019illu\u00adsion d\u2019un ins\u00adtant, au condi\u00adtion\u00adnel sur un th\u00e8me funk hyp\u00adno\u00adtique torride&nbsp;:<\/p>\n<blockquote><p>Je peux peut-\u00eatre te rac\u00adcom\u00adpa\u00adgner \u00e0 la mai\u00adson \/ S\u2019il pleut nous pour\u00adrons trou\u00adver un abri \/ J\u2019ai\u00adme\u00adrais prendre ta petite main \/ Mon coeur bat la cha\u00admade \/ Nous devons faire connais\u00adsance nous le pouvons<\/p><\/blockquote>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe class=\"youtube-player\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/qSP5yiUbDLQ?version=3&amp;rel=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;fs=1&amp;hl=fr-FR&amp;autohide=2&amp;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><em>Cut the Cake<\/em> (1975) occupe une place de choix dans ma dis\u00adco\u00adth\u00e8que et il la conser\u00adve\u00adra, tant cet album envoie d\u2019ondes sis\u00admiques d\u00e8s la pre\u00admi\u00e8re \u00e9coute. C\u2019est l\u2019oc\u00adca\u00adsion de red\u00e9\u00adcou\u00advrir un groupe aujourd\u2019\u00adhui n\u00e9gli\u00adg\u00e9, comme trop d\u2019entre eux peut-\u00eatre parce qu\u2019il a mal vieilli (?), \u00e0 tra\u00advers leur trois pre\u00admiers albums&nbsp;:<\/p>\n<ul>\n<li><i>Show Your Hand<\/i> (1973)<\/li>\n<li><i>AWB<\/i> (1974)<\/li>\n<li><i>Cut The Cake<\/i> (1975)<\/li>\n<li><i>Soul Sear\u00adching<\/i> (1976)<\/li>\n<li><i>Per\u00adson To Per\u00adson (live)<\/i> (1976)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>AWB, ce sont d\u2019a\u00adbord deux gueules. Il y a d\u2019a\u00adbord cette voix arri\u00e8re-gut\u00ad\u00adtu\u00ad\u00adrale qui cherche le timbre d\u2019un sax ou peut-\u00eatre bien celui d\u2019un chat de gout\u00adti\u00e8re. Oui, c\u2019est le roux Hamish Stuart qui fait l\u2019as\u00adcen\u00adseur entre ses deux octaves. Un voix souple, ronde, jamais nasillarde, presque f\u00e9mi\u00adnine. Il y a cette com\u00adpl\u00e9\u00admen\u00adta\u00adri\u00adt\u00e9 presque impos\u00adsible \u00e0 d\u00e9ter\u00admi\u00adner, \u00e0 contin\u00adgen\u00adter. Oui, Hamish Stuart et Alan Gor\u00adrie forment un duo de lea\u00adders, alter\u00adnant les cou\u00adplets et leurs ins\u00adtru\u00adments. Gor\u00adrie \u00e0 la voix plus \u00e9cor\u00adch\u00e9e, Stuart est plus soul. Roger Ball (saxophone\/claviers) les aide \u00e0 char\u00adpen\u00adter ces mor\u00adceaux issus de th\u00e8mes bro\u00add\u00e9s pen\u00addant des jam ses\u00adsions. L\u2019exemple de School\u00adboy Crush est par\u00adfait \u00e0 ce titre (!) et la ver\u00adsion don\u00adn\u00e9es en 1975 en live dans l\u2019\u00e9\u00admis\u00adsion Soul Train (c\u2019est l\u2019une des rares appa\u00adri\u00adtions d\u2019un groupe \u00e9cos\u00adsais et majo\u00adri\u00adtai\u00adre\u00adment blanc dans une \u00e9mis\u00adsion o\u00f9 les afro-am\u00e9\u00ad\u00adri\u00ad\u00adcains dominent \u2013 m\u00eame si j\u2019a\u00advoue que cette asser\u00adtion pour\u00adrait \u00eatre consi\u00add\u00e9\u00adr\u00e9e comme un peu mal\u00adve\u00adnue) est une illus\u00adtra\u00adtion id\u00e9ale. Le groove impec\u00adcable avec son intro de bat\u00adte\u00adrie assai\u00adson\u00adn\u00e9e aux gre\u00adlots, et cette fois c\u2019est Hamish Stuart qui com\u00adpl\u00e8te le groove \u00e0 la basse, avec un jeu au plectre qui fait mouche&nbsp;: un choix \u00e9co\u00adno\u00admique de notes pla\u00adc\u00e9es comme il faut pour faire dan\u00adser le mor\u00adceau, le com\u00adpl\u00e9\u00adment du jeu au doigt d\u2019A\u00adlan Gor\u00adrie, volon\u00adtiers plus pro\u00adlixe. Gor\u00adrie s\u2019ap\u00adplique \u00e0 tri\u00adco\u00adter des cocottes fun\u00adky \u00e0 la rigueur m\u00e9trique impla\u00adcable sur ce tem\u00adpo d\u00e9ten\u00addu. L\u2019un et l\u2019autre se r\u00e9pondent comme jadis Bob\u00adby Byrd r\u00e9pon\u00addait aux pr\u00eaches endia\u00adbl\u00e9es du divin James&nbsp;Brown. Sorte d\u2019an\u00adti\u00adphrase, le duo de lea\u00adders chante les amours de r\u00e9cr\u00e9s et l\u2019illu\u00adsion d\u2019un ins\u00adtant, au condi\u00adtion\u00adnel sur un th\u00e8me funk hyp\u00adno\u00adtique tor\u00adride&nbsp;: Je peux peut-\u00eatre te rac\u00adcom\u00adpa\u00adgner \u00e0 la mai\u00adson \/ S\u2019il pleut nous pour\u00adrons trou\u00adver un abri \/ J\u2019ai\u00adme\u00adrais prendre ta petite main \/ Mon coeur bat la cha\u00admade \/ Nous devons faire connais\u00adsance nous le pou\u00advons Cut the Cake (1975) occupe une place de choix dans ma dis\u00adco\u00adth\u00e8que et il la conser\u00adve\u00adra, tant cet album envoie d\u2019ondes sis\u00admiques d\u00e8s la pre\u00admi\u00e8re \u00e9coute. C\u2019est l\u2019oc\u00adca\u00adsion de red\u00e9\u00adcou\u00advrir un groupe aujourd\u2019\u00adhui n\u00e9gli\u00adg\u00e9, comme trop d\u2019entre eux peut-\u00eatre parce qu\u2019il a mal vieilli (?), \u00e0 tra\u00advers leur trois pre\u00admiers albums&nbsp;: Show Your Hand (1973) AWB (1974) Cut The Cake (1975) Soul Sear\u00adching (1976) Per\u00adson To Per\u00adson (live) (1976) &nbsp;<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_s2mail":"yes","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4,39,34,2,3,604],"tags":[],"class_list":["post-2902","post","type-post","status-publish","format-standard","hentry","category-basse","category-batteur","category-contrebasse","category-figures-de-la-soul","category-musique","category-soul-music"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Average White Band : Scot-Soul - Dispatch\/Box<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.dispatchbox.net\/index.php\/2015\/11\/26\/average-white-band\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Average White Band : Scot-Soul - Dispatch\/Box\" \/>\n<meta property=\"og:description\" content=\"AWB, ce sont d\u2019a\u00adbord deux gueules. Il y a d\u2019a\u00adbord cette voix arri\u00e8re-gut\u00adtu\u00adrale qui cherche le timbre d\u2019un sax ou peut-\u00eatre bien celui d\u2019un chat de gout\u00adti\u00e8re. Oui, c\u2019est le roux Hamish Stuart qui fait l\u2019as\u00adcen\u00adseur entre ses deux octaves. Un voix souple, ronde, jamais nasillarde, presque f\u00e9mi\u00adnine. Il y a cette com\u00adpl\u00e9\u00admen\u00adta\u00adri\u00adt\u00e9 presque impos\u00adsible \u00e0 d\u00e9ter\u00admi\u00adner, \u00e0 contin\u00adgen\u00adter. Oui, Hamish Stuart et Alan Gor\u00adrie forment un duo de lea\u00adders, alter\u00adnant les cou\u00adplets et leurs ins\u00adtru\u00adments. Gor\u00adrie \u00e0 la voix plus \u00e9cor\u00adch\u00e9e, Stuart est plus soul. Roger Ball (saxophone\/claviers) les aide \u00e0 char\u00adpen\u00adter ces mor\u00adceaux issus de th\u00e8mes bro\u00add\u00e9s pen\u00addant des jam ses\u00adsions. L\u2019exemple de School\u00adboy Crush est par\u00adfait \u00e0 ce titre (!) et la ver\u00adsion don\u00adn\u00e9es en 1975 en live dans l\u2019\u00e9\u00admis\u00adsion Soul Train (c\u2019est l\u2019une des rares appa\u00adri\u00adtions d\u2019un groupe \u00e9cos\u00adsais et majo\u00adri\u00adtai\u00adre\u00adment blanc dans une \u00e9mis\u00adsion o\u00f9 les afro-am\u00e9\u00adri\u00adcains dominent \u2013 m\u00eame si j\u2019a\u00advoue que cette asser\u00adtion pour\u00adrait \u00eatre consi\u00add\u00e9\u00adr\u00e9e comme un peu mal\u00adve\u00adnue) est une illus\u00adtra\u00adtion id\u00e9ale. Le groove impec\u00adcable avec son intro de bat\u00adte\u00adrie assai\u00adson\u00adn\u00e9e aux gre\u00adlots, et cette fois c\u2019est Hamish Stuart qui com\u00adpl\u00e8te le groove \u00e0 la basse, avec un jeu au plectre qui fait mouche&nbsp;: un choix \u00e9co\u00adno\u00admique de notes pla\u00adc\u00e9es comme il faut pour faire dan\u00adser le mor\u00adceau, le com\u00adpl\u00e9\u00adment du jeu au doigt d\u2019A\u00adlan Gor\u00adrie, volon\u00adtiers plus pro\u00adlixe. Gor\u00adrie s\u2019ap\u00adplique \u00e0 tri\u00adco\u00adter des cocottes fun\u00adky \u00e0 la rigueur m\u00e9trique impla\u00adcable sur ce tem\u00adpo d\u00e9ten\u00addu. L\u2019un et l\u2019autre se r\u00e9pondent comme jadis Bob\u00adby Byrd r\u00e9pon\u00addait aux pr\u00eaches endia\u00adbl\u00e9es du divin James&nbsp;Brown. Sorte d\u2019an\u00adti\u00adphrase, le duo de lea\u00adders chante les amours de r\u00e9cr\u00e9s et l\u2019illu\u00adsion d\u2019un ins\u00adtant, au condi\u00adtion\u00adnel sur un th\u00e8me funk hyp\u00adno\u00adtique torride&nbsp;: Je peux peut-\u00eatre te rac\u00adcom\u00adpa\u00adgner \u00e0 la mai\u00adson \/ S\u2019il pleut nous pour\u00adrons trou\u00adver un abri \/ J\u2019ai\u00adme\u00adrais prendre ta petite main \/ Mon coeur bat la cha\u00admade \/ Nous devons faire connais\u00adsance nous le pouvons Cut the Cake (1975) occupe une place de choix dans ma dis\u00adco\u00adth\u00e8que et il la conser\u00adve\u00adra, tant cet album envoie d\u2019ondes sis\u00admiques d\u00e8s la pre\u00admi\u00e8re \u00e9coute. C\u2019est l\u2019oc\u00adca\u00adsion de red\u00e9\u00adcou\u00advrir un groupe aujourd\u2019\u00adhui n\u00e9gli\u00adg\u00e9, comme trop d\u2019entre eux peut-\u00eatre parce qu\u2019il a mal vieilli (?), \u00e0 tra\u00advers leur trois pre\u00admiers albums&nbsp;: Show Your Hand (1973) AWB (1974) Cut The Cake (1975) Soul Sear\u00adching (1976) Per\u00adson To Per\u00adson (live) (1976) &nbsp;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.dispatchbox.net\/index.php\/2015\/11\/26\/average-white-band\/\" \/>\n<meta property=\"og:site_name\" content=\"Dispatch\/Box\" \/>\n<meta property=\"article:published_time\" content=\"2015-11-26T14:49:04+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-07-13T12:58:32+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.dispatchbox.net\/wp-content\/averagewhiteband-cutthecake6-1006x1024.jpg\" \/>\n<meta name=\"author\" content=\"Jeremy Jeanguenin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:site\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jeremy Jeanguenin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2015\\\/11\\\/26\\\/average-white-band\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2015\\\/11\\\/26\\\/average-white-band\\\/\"},\"author\":{\"name\":\"Jeremy Jeanguenin\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/#\\\/schema\\\/person\\\/9db7c9c41e0594fa08428d8b7007e253\"},\"headline\":\"Average White Band&nbsp;: Scot-Soul\",\"datePublished\":\"2015-11-26T14:49:04+00:00\",\"dateModified\":\"2017-07-13T12:58:32+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2015\\\/11\\\/26\\\/average-white-band\\\/\"},\"wordCount\":443,\"image\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2015\\\/11\\\/26\\\/average-white-band\\\/#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/www.dispatchbox.net\\\/wp-content\\\/averagewhiteband-cutthecake6-1006x1024.jpg\",\"articleSection\":[\"Basse\",\"Batteur\",\"Contrebasse\",\"Figures De La Soul\",\"Musique\",\"Soul Music\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2015\\\/11\\\/26\\\/average-white-band\\\/\",\"url\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2015\\\/11\\\/26\\\/average-white-band\\\/\",\"name\":\"Average White Band : Scot-Soul - 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Dispatch\/Box","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.dispatchbox.net\/index.php\/2015\/11\/26\/average-white-band\/","og_locale":"fr_FR","og_type":"article","og_title":"Average White Band : Scot-Soul - Dispatch\/Box","og_description":"AWB, ce sont d\u2019a\u00adbord deux gueules. Il y a d\u2019a\u00adbord cette voix arri\u00e8re-gut\u00adtu\u00adrale qui cherche le timbre d\u2019un sax ou peut-\u00eatre bien celui d\u2019un chat de gout\u00adti\u00e8re. Oui, c\u2019est le roux Hamish Stuart qui fait l\u2019as\u00adcen\u00adseur entre ses deux octaves. Un voix souple, ronde, jamais nasillarde, presque f\u00e9mi\u00adnine. Il y a cette com\u00adpl\u00e9\u00admen\u00adta\u00adri\u00adt\u00e9 presque impos\u00adsible \u00e0 d\u00e9ter\u00admi\u00adner, \u00e0 contin\u00adgen\u00adter. Oui, Hamish Stuart et Alan Gor\u00adrie forment un duo de lea\u00adders, alter\u00adnant les cou\u00adplets et leurs ins\u00adtru\u00adments. Gor\u00adrie \u00e0 la voix plus \u00e9cor\u00adch\u00e9e, Stuart est plus soul. Roger Ball (saxophone\/claviers) les aide \u00e0 char\u00adpen\u00adter ces mor\u00adceaux issus de th\u00e8mes bro\u00add\u00e9s pen\u00addant des jam ses\u00adsions. L\u2019exemple de School\u00adboy Crush est par\u00adfait \u00e0 ce titre (!) et la ver\u00adsion don\u00adn\u00e9es en 1975 en live dans l\u2019\u00e9\u00admis\u00adsion Soul Train (c\u2019est l\u2019une des rares appa\u00adri\u00adtions d\u2019un groupe \u00e9cos\u00adsais et majo\u00adri\u00adtai\u00adre\u00adment blanc dans une \u00e9mis\u00adsion o\u00f9 les afro-am\u00e9\u00adri\u00adcains dominent \u2013 m\u00eame si j\u2019a\u00advoue que cette asser\u00adtion pour\u00adrait \u00eatre consi\u00add\u00e9\u00adr\u00e9e comme un peu mal\u00adve\u00adnue) est une illus\u00adtra\u00adtion id\u00e9ale. Le groove impec\u00adcable avec son intro de bat\u00adte\u00adrie assai\u00adson\u00adn\u00e9e aux gre\u00adlots, et cette fois c\u2019est Hamish Stuart qui com\u00adpl\u00e8te le groove \u00e0 la basse, avec un jeu au plectre qui fait mouche&nbsp;: un choix \u00e9co\u00adno\u00admique de notes pla\u00adc\u00e9es comme il faut pour faire dan\u00adser le mor\u00adceau, le com\u00adpl\u00e9\u00adment du jeu au doigt d\u2019A\u00adlan Gor\u00adrie, volon\u00adtiers plus pro\u00adlixe. Gor\u00adrie s\u2019ap\u00adplique \u00e0 tri\u00adco\u00adter des cocottes fun\u00adky \u00e0 la rigueur m\u00e9trique impla\u00adcable sur ce tem\u00adpo d\u00e9ten\u00addu. L\u2019un et l\u2019autre se r\u00e9pondent comme jadis Bob\u00adby Byrd r\u00e9pon\u00addait aux pr\u00eaches endia\u00adbl\u00e9es du divin James&nbsp;Brown. Sorte d\u2019an\u00adti\u00adphrase, le duo de lea\u00adders chante les amours de r\u00e9cr\u00e9s et l\u2019illu\u00adsion d\u2019un ins\u00adtant, au condi\u00adtion\u00adnel sur un th\u00e8me funk hyp\u00adno\u00adtique torride&nbsp;: Je peux peut-\u00eatre te rac\u00adcom\u00adpa\u00adgner \u00e0 la mai\u00adson \/ S\u2019il pleut nous pour\u00adrons trou\u00adver un abri \/ J\u2019ai\u00adme\u00adrais prendre ta petite main \/ Mon coeur bat la cha\u00admade \/ Nous devons faire connais\u00adsance nous le pouvons Cut the Cake (1975) occupe une place de choix dans ma dis\u00adco\u00adth\u00e8que et il la conser\u00adve\u00adra, tant cet album envoie d\u2019ondes sis\u00admiques d\u00e8s la pre\u00admi\u00e8re \u00e9coute. C\u2019est l\u2019oc\u00adca\u00adsion de red\u00e9\u00adcou\u00advrir un groupe aujourd\u2019\u00adhui n\u00e9gli\u00adg\u00e9, comme trop d\u2019entre eux peut-\u00eatre parce qu\u2019il a mal vieilli (?), \u00e0 tra\u00advers leur trois pre\u00admiers albums&nbsp;: Show Your Hand (1973) AWB (1974) Cut The Cake (1975) Soul Sear\u00adching (1976) Per\u00adson To Per\u00adson (live) (1976) &nbsp;","og_url":"https:\/\/www.dispatchbox.net\/index.php\/2015\/11\/26\/average-white-band\/","og_site_name":"Dispatch\/Box","article_published_time":"2015-11-26T14:49:04+00:00","article_modified_time":"2017-07-13T12:58:32+00:00","og_image":[{"url":"http:\/\/www.dispatchbox.net\/wp-content\/averagewhiteband-cutthecake6-1006x1024.jpg","type":"","width":"","height":""}],"author":"Jeremy Jeanguenin","twitter_card":"summary_large_image","twitter_creator":"@dispatch_box","twitter_site":"@dispatch_box","twitter_misc":{"\u00c9crit par":"Jeremy Jeanguenin","Dur\u00e9e de lecture estim\u00e9e":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.dispatchbox.net\/index.php\/2015\/11\/26\/average-white-band\/#article","isPartOf":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2015\/11\/26\/average-white-band\/"},"author":{"name":"Jeremy Jeanguenin","@id":"https:\/\/www.dispatchbox.net\/#\/schema\/person\/9db7c9c41e0594fa08428d8b7007e253"},"headline":"Average White Band&nbsp;: Scot-Soul","datePublished":"2015-11-26T14:49:04+00:00","dateModified":"2017-07-13T12:58:32+00:00","mainEntityOfPage":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2015\/11\/26\/average-white-band\/"},"wordCount":443,"image":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2015\/11\/26\/average-white-band\/#primaryimage"},"thumbnailUrl":"http:\/\/www.dispatchbox.net\/wp-content\/averagewhiteband-cutthecake6-1006x1024.jpg","articleSection":["Basse","Batteur","Contrebasse","Figures De La Soul","Musique","Soul Music"],"inLanguage":"fr-FR"},{"@type":"WebPage","@id":"https:\/\/www.dispatchbox.net\/index.php\/2015\/11\/26\/average-white-band\/","url":"https:\/\/www.dispatchbox.net\/index.php\/2015\/11\/26\/average-white-band\/","name":"Average White Band : Scot-Soul - 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Pourtant,\u2026","rel":"","context":"Dans &quot;Musique&quot;","block_context":{"text":"Musique","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/musique\/"},"img":{"alt_text":"Voodoo, second album de D'Angelo (2000)","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/R-13512319-1555629423-8996.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/R-13512319-1555629423-8996.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/R-13512319-1555629423-8996.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":405,"url":"https:\/\/www.dispatchbox.net\/index.php\/2009\/06\/14\/the-bar-kays-dotis-a-la-funk-synthetique-doublee-nylon\/","url_meta":{"origin":2902,"position":3},"title":"The Bar-Kays&nbsp;: d\u2019Otis Redding au funk synth\u00e9tique doubl\u00e9 nylon","author":"Jeremy Jeanguenin","date":"14\/06\/2009","format":false,"excerpt":"D'abord, bien distinguer les Bar-Kays (sorte de d\u00e9formation orale du rhum blanc \"Bacardi\", leur boisson favorite, dit-on) des Mar-Keys, l'autre formation \u00e0 multiples t\u00e9l\u00e9scopages de musiciens bien connus de la maison (Dunn, Cropper, Hayes, Jackson Jr. ...). La premi\u00e8re mouture des Bar-Kays comprend Jimmy King (guitare), Ronnie Caldwell (orgue), Phalon\u2026","rel":"","context":"Dans &quot;Bar-Kays&quot;","block_context":{"text":"Bar-Kays","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/figures-de-la-soul\/bar-kays\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.onlyfunk.com\/Affiches\/Bar-Kays\/Oeuvre\/Soul%20Finger.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1921,"url":"https:\/\/www.dispatchbox.net\/index.php\/2011\/03\/04\/sir-joe-quarterman-a-paris\/","url_meta":{"origin":2902,"position":4},"title":"Sir Joe Quarterman \u00e0&nbsp;Paris","author":"Jeremy Jeanguenin","date":"04\/03\/2011","format":false,"excerpt":"Le v\u00e9t\u00e9ran du funk pionnier \u00e9tait de passage en r\u00e9gion parisienne (Bobigny le 17\/02\/2011 puis Ivry le 18\/02\/2011), fait assez extraordinaire pour \u00eatre signal\u00e9 quand on sait que l'homme, Sir Joe Quarterman, s'est retir\u00e9 de l'industrie musicale apr\u00e8s un LP mythique sorti chez GSF Records en 1973 (avant qu'il ne\u2026","rel":"","context":"Dans &quot;Basse&quot;","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/iris8954256367178257652.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":7260,"url":"https:\/\/www.dispatchbox.net\/index.php\/2020\/06\/18\/o-v-wright-loublie-de-memphis\/","url_meta":{"origin":2902,"position":5},"title":"O. V. Wright&nbsp;: l\u2019oubli\u00e9 de Memphis","author":"Jeremy Jeanguenin","date":"18\/06\/2020","format":false,"excerpt":"Overton Vertis Wright, connu par ses initiales \"OV\" Wright, est un des damn\u00e9s de la soul du Sud des \u00c9tats-Unis. 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