{"id":2918,"date":"2016-12-11T17:23:58","date_gmt":"2016-12-11T17:23:58","guid":{"rendered":"http:\/\/www.dispatchbox.net\/?p=2918"},"modified":"2017-07-13T12:54:23","modified_gmt":"2017-07-13T12:54:23","slug":"bembeya","status":"publish","type":"post","link":"https:\/\/www.dispatchbox.net\/index.php\/2016\/12\/11\/bembeya\/","title":{"rendered":"Bembeya Jazz National, un demi-si\u00e8cle de jazz guin\u00e9en"},"content":{"rendered":"<p>C\u2019est l\u2019or\u00adchestre le plus popu\u00adlaire de la R\u00e9pu\u00adblique d\u00e9mo\u00adcra\u00adtique de Gui\u00adn\u00e9e fon\u00add\u00e9e sous la pr\u00e9\u00adsi\u00addence d\u2019Ah\u00admed Sekou Tou\u00adr\u00e9 2 octobre 1958. Pour m\u00e9moire, le pays avait radi\u00adca\u00adle\u00adment rom\u00adpu les rela\u00adtions diplo\u00adma\u00adtiques avec la France colo\u00adniale qui s\u2019\u00e9\u00adtio\u00adlait sous De Gaulle. Dans ce contexte de \u201crenais\u00adsance\u201d et dans un \u00e9lan d\u2019op\u00adti\u00admiste, le Bem\u00adbeya Jazz Natio\u00adnal voit le jour, consti\u00adtu\u00e9 de vir\u00adtuoses, sous la forme d\u2019un big band \u00e0 la ryth\u00admique \u00e9lec\u00adtrique&nbsp;: tous ses musi\u00adciens \u00e9taient donc des fonc\u00adtion\u00adnaires (croyez que ceux-l\u00e0 n\u2019a\u00advaient rien d\u2019oi\u00adsifs). Une ins\u00adti\u00adtu\u00adtion qui d\u00e9pas\u00adse\u00adra l\u2019A\u00adfrique post-colo\u00adniale en expor\u00adtant ses pro\u00adduc\u00adtions dans les ter\u00adri\u00adtoires francophones.<\/p>\n<p>C\u2019est sous la hou\u00adlette de Sekou Dia\u00adba\u00adt\u00e9, alias \u201cDia\u00admond Fin\u00adgers\u201d que cette for\u00adma\u00adtion conna\u00eet le suc\u00adc\u00e8s. A la musique man\u00addingue qui consti\u00adtue sa fon\u00adda\u00adtion, le Bem\u00adbeya Jazz Natio\u00adnal y m\u00e9lange les cou\u00adrants du jazz qui impr\u00e8gnent son \u00e9poque ain\u00adsi que les musiques cubaines. De cette accul\u00adtu\u00adra\u00adtion na\u00eet une reven\u00addi\u00adca\u00adtion musi\u00adcale et cultu\u00adrelle sans pr\u00e9\u00adc\u00e9\u00addent dans la musique moderne afri\u00adcaine, que l\u2019on retrouve en sym\u00e9\u00adtrie dans d\u2019autres pays afri\u00adcains (Nige\u00adria, Ethio\u00adpie, S\u00e9n\u00e9\u00adgal\u2026 pour n\u2019en citer que&nbsp;trois).<\/p>\n<p>Ce qui est d\u2019ailleurs remar\u00adquable dans le Bem\u00adbeya Jazz, c\u2019est tant la qua\u00adli\u00adt\u00e9 des com\u00adpo\u00adsi\u00adtions et des inter\u00adpr\u00e9\u00adta\u00adtions que la mise en sc\u00e8ne et le v\u00e9ri\u00adtable plai\u00addoyer pour \u201cce qu\u2019il convient d\u2019ap\u00adpe\u00adler le renou\u00adveau de la musique afri\u00adcaine\u201d (cita\u00adtion). C\u2019est en effet avec une cer\u00adtaine pompe et gran\u00addi\u00adlo\u00adquence que Dem\u00adba Cama\u00adra, ma\u00eetre de c\u00e9r\u00e9\u00admo\u00adnie, intro\u00adduit les concerts. Les pr\u00e9\u00adsen\u00adta\u00adtions des musi\u00adciens ne sont pas en&nbsp;reste.<\/p>\n<p>Mar\u00adqu\u00e9 par l\u2019\u00e9\u00admer\u00adgence des r\u00e9pu\u00adbliques afri\u00adcaines post-colo\u00adniales en Afrique de l\u2019Ouest, le jazz gui\u00adn\u00e9en se r\u00e9ap\u00adpro\u00adprie, par un geste in\u00e9\u00adluc\u00adtable de retour au conti\u00adnent ances\u00adtral, la musique trans\u00adat\u00adlan\u00adtique dont il est l\u2019un des berceaux.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe class=\"youtube-player\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/uJ13ejcBEms?version=3&amp;rel=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;fs=1&amp;hl=fr-FR&amp;autohide=2&amp;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Pour ma part, je vous invite \u00e0 d\u00e9cou\u00advrir <em>Bem\u00adbeya Jazz, 10 ans de suc\u00adc\u00e8s <\/em>(\u00c9di\u00adtions Syli\u00adphone Cona\u00adkry), que l\u2019on peut trou\u00adver en vinyle et dans un pres\u00adsage CD de 1998, qui fait une bonne syn\u00adth\u00e8se de l\u2019es\u00adprit de cet orchestre du renou\u00adveau musi\u00adcal gui\u00adn\u00e9en dans les ann\u00e9es 1970.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" data-attachment-id=\"3037\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2016\/12\/11\/bembeya\/bembeyajazz10ans\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/bembeyajazz10ans.jpg\" data-orig-size=\"960,720\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"bembeyajazz10ans\" data-image-description data-image-caption data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/bembeyajazz10ans.jpg\" class=\"alignnone size-medium wp-image-3037\" src=\"http:\/\/www.dispatchbox.net\/wp-content\/bembeyajazz10ans-300x225.jpg\" alt width=\"300\" height=\"225\" srcset=\"https:\/\/www.dispatchbox.net\/wp-content\/bembeyajazz10ans-300x225.jpg 300w, https:\/\/www.dispatchbox.net\/wp-content\/bembeyajazz10ans-768x576.jpg 768w, https:\/\/www.dispatchbox.net\/wp-content\/bembeyajazz10ans.jpg 960w\" sizes=\"(max-width: 300px) 100vw, 300px\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>C\u2019est l\u2019or\u00adchestre le plus popu\u00adlaire de la R\u00e9pu\u00adblique d\u00e9mo\u00adcra\u00adtique de Gui\u00adn\u00e9e fon\u00add\u00e9e sous la pr\u00e9\u00adsi\u00addence d\u2019Ah\u00admed Sekou Tou\u00adr\u00e9 2 octobre 1958. Pour m\u00e9moire, le pays avait radi\u00adca\u00adle\u00adment rom\u00adpu les rela\u00adtions diplo\u00adma\u00adtiques avec la France colo\u00adniale qui s\u2019\u00e9\u00adtio\u00adlait sous De Gaulle. Dans ce contexte de \u201crenais\u00adsance\u201d et dans un \u00e9lan d\u2019op\u00adti\u00admiste, le Bem\u00adbeya Jazz Natio\u00adnal voit le jour, consti\u00adtu\u00e9 de vir\u00adtuoses, sous la forme d\u2019un big band \u00e0 la ryth\u00admique \u00e9lec\u00adtrique&nbsp;: tous ses musi\u00adciens \u00e9taient donc des fonc\u00adtion\u00adnaires (croyez que ceux-l\u00e0 n\u2019a\u00advaient rien d\u2019oi\u00adsifs). Une ins\u00adti\u00adtu\u00adtion qui d\u00e9pas\u00adse\u00adra l\u2019A\u00adfrique post-colo\u00ad\u00adniale en expor\u00adtant ses pro\u00adduc\u00adtions dans les ter\u00adri\u00adtoires fran\u00adco\u00adphones. C\u2019est sous la hou\u00adlette de Sekou Dia\u00adba\u00adt\u00e9, alias \u201cDia\u00admond Fin\u00adgers\u201d que cette for\u00adma\u00adtion conna\u00eet le suc\u00adc\u00e8s. A la musique man\u00addingue qui consti\u00adtue sa fon\u00adda\u00adtion, le Bem\u00adbeya Jazz Natio\u00adnal y m\u00e9lange les cou\u00adrants du jazz qui impr\u00e8gnent son \u00e9poque ain\u00adsi que les musiques cubaines. De cette accul\u00adtu\u00adra\u00adtion na\u00eet une reven\u00addi\u00adca\u00adtion musi\u00adcale et cultu\u00adrelle sans pr\u00e9\u00adc\u00e9\u00addent dans la musique moderne afri\u00adcaine, que l\u2019on retrouve en sym\u00e9\u00adtrie dans d\u2019autres pays afri\u00adcains (Nige\u00adria, Ethio\u00adpie, S\u00e9n\u00e9\u00adgal\u2026 pour n\u2019en citer que&nbsp;trois). Ce qui est d\u2019ailleurs remar\u00adquable dans le Bem\u00adbeya Jazz, c\u2019est tant la qua\u00adli\u00adt\u00e9 des com\u00adpo\u00adsi\u00adtions et des inter\u00adpr\u00e9\u00adta\u00adtions que la mise en sc\u00e8ne et le v\u00e9ri\u00adtable plai\u00addoyer pour \u201cce qu\u2019il convient d\u2019ap\u00adpe\u00adler le renou\u00adveau de la musique afri\u00adcaine\u201d (cita\u00adtion). C\u2019est en effet avec une cer\u00adtaine pompe et gran\u00addi\u00adlo\u00adquence que Dem\u00adba Cama\u00adra, ma\u00eetre de c\u00e9r\u00e9\u00admo\u00adnie, intro\u00adduit les concerts. Les pr\u00e9\u00adsen\u00adta\u00adtions des musi\u00adciens ne sont pas en&nbsp;reste. Mar\u00adqu\u00e9 par l\u2019\u00e9\u00admer\u00adgence des r\u00e9pu\u00adbliques afri\u00adcaines post-colo\u00ad\u00adniales en Afrique de l\u2019Ouest, le jazz gui\u00adn\u00e9en se r\u00e9ap\u00adpro\u00adprie, par un geste in\u00e9\u00adluc\u00adtable de retour au conti\u00adnent ances\u00adtral, la musique trans\u00adat\u00adlan\u00adtique dont il est l\u2019un des ber\u00adceaux. Pour ma part, je vous invite \u00e0 d\u00e9cou\u00advrir Bem\u00adbeya Jazz, 10 ans de suc\u00adc\u00e8s (\u00c9di\u00adtions Syli\u00adphone Cona\u00adkry), que l\u2019on peut trou\u00adver en vinyle et dans un pres\u00adsage CD de 1998, qui fait une bonne syn\u00adth\u00e8se de l\u2019es\u00adprit de cet orchestre du renou\u00adveau musi\u00adcal gui\u00adn\u00e9en dans les ann\u00e9es 1970.<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_s2mail":"yes","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[82,14,3],"tags":[406,608,610,611,609],"class_list":["post-2918","post","type-post","status-publish","format-standard","hentry","category-afro-beat","category-jazz","category-musique","tag-afrique","tag-bembeya","tag-camara","tag-conakry","tag-jazz-africain"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Bembeya Jazz National, un demi-si\u00e8cle de jazz guin\u00e9en - Dispatch\/Box<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.dispatchbox.net\/index.php\/2016\/12\/11\/bembeya\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bembeya Jazz National, un demi-si\u00e8cle de jazz guin\u00e9en - Dispatch\/Box\" \/>\n<meta property=\"og:description\" content=\"C\u2019est l\u2019or\u00adchestre le plus popu\u00adlaire de la R\u00e9pu\u00adblique d\u00e9mo\u00adcra\u00adtique de Gui\u00adn\u00e9e fon\u00add\u00e9e sous la pr\u00e9\u00adsi\u00addence d\u2019Ah\u00admed Sekou Tou\u00adr\u00e9 2 octobre 1958. Pour m\u00e9moire, le pays avait radi\u00adca\u00adle\u00adment rom\u00adpu les rela\u00adtions diplo\u00adma\u00adtiques avec la France colo\u00adniale qui s\u2019\u00e9\u00adtio\u00adlait sous De Gaulle. Dans ce contexte de \u201crenais\u00adsance\u201d et dans un \u00e9lan d\u2019op\u00adti\u00admiste, le Bem\u00adbeya Jazz Natio\u00adnal voit le jour, consti\u00adtu\u00e9 de vir\u00adtuoses, sous la forme d\u2019un big band \u00e0 la ryth\u00admique \u00e9lec\u00adtrique&nbsp;: tous ses musi\u00adciens \u00e9taient donc des fonc\u00adtion\u00adnaires (croyez que ceux-l\u00e0 n\u2019a\u00advaient rien d\u2019oi\u00adsifs). Une ins\u00adti\u00adtu\u00adtion qui d\u00e9pas\u00adse\u00adra l\u2019A\u00adfrique post-colo\u00adniale en expor\u00adtant ses pro\u00adduc\u00adtions dans les ter\u00adri\u00adtoires francophones. C\u2019est sous la hou\u00adlette de Sekou Dia\u00adba\u00adt\u00e9, alias \u201cDia\u00admond Fin\u00adgers\u201d que cette for\u00adma\u00adtion conna\u00eet le suc\u00adc\u00e8s. A la musique man\u00addingue qui consti\u00adtue sa fon\u00adda\u00adtion, le Bem\u00adbeya Jazz Natio\u00adnal y m\u00e9lange les cou\u00adrants du jazz qui impr\u00e8gnent son \u00e9poque ain\u00adsi que les musiques cubaines. De cette accul\u00adtu\u00adra\u00adtion na\u00eet une reven\u00addi\u00adca\u00adtion musi\u00adcale et cultu\u00adrelle sans pr\u00e9\u00adc\u00e9\u00addent dans la musique moderne afri\u00adcaine, que l\u2019on retrouve en sym\u00e9\u00adtrie dans d\u2019autres pays afri\u00adcains (Nige\u00adria, Ethio\u00adpie, S\u00e9n\u00e9\u00adgal\u2026 pour n\u2019en citer que&nbsp;trois). Ce qui est d\u2019ailleurs remar\u00adquable dans le Bem\u00adbeya Jazz, c\u2019est tant la qua\u00adli\u00adt\u00e9 des com\u00adpo\u00adsi\u00adtions et des inter\u00adpr\u00e9\u00adta\u00adtions que la mise en sc\u00e8ne et le v\u00e9ri\u00adtable plai\u00addoyer pour \u201cce qu\u2019il convient d\u2019ap\u00adpe\u00adler le renou\u00adveau de la musique afri\u00adcaine\u201d (cita\u00adtion). C\u2019est en effet avec une cer\u00adtaine pompe et gran\u00addi\u00adlo\u00adquence que Dem\u00adba Cama\u00adra, ma\u00eetre de c\u00e9r\u00e9\u00admo\u00adnie, intro\u00adduit les concerts. Les pr\u00e9\u00adsen\u00adta\u00adtions des musi\u00adciens ne sont pas en&nbsp;reste. Mar\u00adqu\u00e9 par l\u2019\u00e9\u00admer\u00adgence des r\u00e9pu\u00adbliques afri\u00adcaines post-colo\u00adniales en Afrique de l\u2019Ouest, le jazz gui\u00adn\u00e9en se r\u00e9ap\u00adpro\u00adprie, par un geste in\u00e9\u00adluc\u00adtable de retour au conti\u00adnent ances\u00adtral, la musique trans\u00adat\u00adlan\u00adtique dont il est l\u2019un des berceaux. Pour ma part, je vous invite \u00e0 d\u00e9cou\u00advrir Bem\u00adbeya Jazz, 10 ans de suc\u00adc\u00e8s (\u00c9di\u00adtions Syli\u00adphone Cona\u00adkry), que l\u2019on peut trou\u00adver en vinyle et dans un pres\u00adsage CD de 1998, qui fait une bonne syn\u00adth\u00e8se de l\u2019es\u00adprit de cet orchestre du renou\u00adveau musi\u00adcal gui\u00adn\u00e9en dans les ann\u00e9es 1970.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.dispatchbox.net\/index.php\/2016\/12\/11\/bembeya\/\" \/>\n<meta property=\"og:site_name\" content=\"Dispatch\/Box\" \/>\n<meta property=\"article:published_time\" content=\"2016-12-11T17:23:58+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-07-13T12:54:23+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.dispatchbox.net\/wp-content\/bembeyajazz10ans-300x225.jpg\" \/>\n<meta name=\"author\" content=\"Jeremy Jeanguenin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:site\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jeremy Jeanguenin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2016\\\/12\\\/11\\\/bembeya\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2016\\\/12\\\/11\\\/bembeya\\\/\"},\"author\":{\"name\":\"Jeremy Jeanguenin\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/#\\\/schema\\\/person\\\/9db7c9c41e0594fa08428d8b7007e253\"},\"headline\":\"Bembeya Jazz National, un demi-si\u00e8cle de jazz guin\u00e9en\",\"datePublished\":\"2016-12-11T17:23:58+00:00\",\"dateModified\":\"2017-07-13T12:54:23+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2016\\\/12\\\/11\\\/bembeya\\\/\"},\"wordCount\":390,\"image\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2016\\\/12\\\/11\\\/bembeya\\\/#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/www.dispatchbox.net\\\/wp-content\\\/bembeyajazz10ans-300x225.jpg\",\"keywords\":[\"Afrique\",\"Bembeya\",\"Camara\",\"Conakry\",\"Jazz africain\"],\"articleSection\":[\"Afro-Beat\",\"Jazz\",\"Musique\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2016\\\/12\\\/11\\\/bembeya\\\/\",\"url\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2016\\\/12\\\/11\\\/bembeya\\\/\",\"name\":\"Bembeya Jazz National, un demi-si\u00e8cle de jazz guin\u00e9en - 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Dispatch\/Box","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.dispatchbox.net\/index.php\/2016\/12\/11\/bembeya\/","og_locale":"fr_FR","og_type":"article","og_title":"Bembeya Jazz National, un demi-si\u00e8cle de jazz guin\u00e9en - Dispatch\/Box","og_description":"C\u2019est l\u2019or\u00adchestre le plus popu\u00adlaire de la R\u00e9pu\u00adblique d\u00e9mo\u00adcra\u00adtique de Gui\u00adn\u00e9e fon\u00add\u00e9e sous la pr\u00e9\u00adsi\u00addence d\u2019Ah\u00admed Sekou Tou\u00adr\u00e9 2 octobre 1958. Pour m\u00e9moire, le pays avait radi\u00adca\u00adle\u00adment rom\u00adpu les rela\u00adtions diplo\u00adma\u00adtiques avec la France colo\u00adniale qui s\u2019\u00e9\u00adtio\u00adlait sous De Gaulle. Dans ce contexte de \u201crenais\u00adsance\u201d et dans un \u00e9lan d\u2019op\u00adti\u00admiste, le Bem\u00adbeya Jazz Natio\u00adnal voit le jour, consti\u00adtu\u00e9 de vir\u00adtuoses, sous la forme d\u2019un big band \u00e0 la ryth\u00admique \u00e9lec\u00adtrique&nbsp;: tous ses musi\u00adciens \u00e9taient donc des fonc\u00adtion\u00adnaires (croyez que ceux-l\u00e0 n\u2019a\u00advaient rien d\u2019oi\u00adsifs). Une ins\u00adti\u00adtu\u00adtion qui d\u00e9pas\u00adse\u00adra l\u2019A\u00adfrique post-colo\u00adniale en expor\u00adtant ses pro\u00adduc\u00adtions dans les ter\u00adri\u00adtoires francophones. C\u2019est sous la hou\u00adlette de Sekou Dia\u00adba\u00adt\u00e9, alias \u201cDia\u00admond Fin\u00adgers\u201d que cette for\u00adma\u00adtion conna\u00eet le suc\u00adc\u00e8s. A la musique man\u00addingue qui consti\u00adtue sa fon\u00adda\u00adtion, le Bem\u00adbeya Jazz Natio\u00adnal y m\u00e9lange les cou\u00adrants du jazz qui impr\u00e8gnent son \u00e9poque ain\u00adsi que les musiques cubaines. De cette accul\u00adtu\u00adra\u00adtion na\u00eet une reven\u00addi\u00adca\u00adtion musi\u00adcale et cultu\u00adrelle sans pr\u00e9\u00adc\u00e9\u00addent dans la musique moderne afri\u00adcaine, que l\u2019on retrouve en sym\u00e9\u00adtrie dans d\u2019autres pays afri\u00adcains (Nige\u00adria, Ethio\u00adpie, S\u00e9n\u00e9\u00adgal\u2026 pour n\u2019en citer que&nbsp;trois). Ce qui est d\u2019ailleurs remar\u00adquable dans le Bem\u00adbeya Jazz, c\u2019est tant la qua\u00adli\u00adt\u00e9 des com\u00adpo\u00adsi\u00adtions et des inter\u00adpr\u00e9\u00adta\u00adtions que la mise en sc\u00e8ne et le v\u00e9ri\u00adtable plai\u00addoyer pour \u201cce qu\u2019il convient d\u2019ap\u00adpe\u00adler le renou\u00adveau de la musique afri\u00adcaine\u201d (cita\u00adtion). C\u2019est en effet avec une cer\u00adtaine pompe et gran\u00addi\u00adlo\u00adquence que Dem\u00adba Cama\u00adra, ma\u00eetre de c\u00e9r\u00e9\u00admo\u00adnie, intro\u00adduit les concerts. Les pr\u00e9\u00adsen\u00adta\u00adtions des musi\u00adciens ne sont pas en&nbsp;reste. Mar\u00adqu\u00e9 par l\u2019\u00e9\u00admer\u00adgence des r\u00e9pu\u00adbliques afri\u00adcaines post-colo\u00adniales en Afrique de l\u2019Ouest, le jazz gui\u00adn\u00e9en se r\u00e9ap\u00adpro\u00adprie, par un geste in\u00e9\u00adluc\u00adtable de retour au conti\u00adnent ances\u00adtral, la musique trans\u00adat\u00adlan\u00adtique dont il est l\u2019un des berceaux. Pour ma part, je vous invite \u00e0 d\u00e9cou\u00advrir Bem\u00adbeya Jazz, 10 ans de suc\u00adc\u00e8s (\u00c9di\u00adtions Syli\u00adphone Cona\u00adkry), que l\u2019on peut trou\u00adver en vinyle et dans un pres\u00adsage CD de 1998, qui fait une bonne syn\u00adth\u00e8se de l\u2019es\u00adprit de cet orchestre du renou\u00adveau musi\u00adcal gui\u00adn\u00e9en dans les ann\u00e9es 1970.","og_url":"https:\/\/www.dispatchbox.net\/index.php\/2016\/12\/11\/bembeya\/","og_site_name":"Dispatch\/Box","article_published_time":"2016-12-11T17:23:58+00:00","article_modified_time":"2017-07-13T12:54:23+00:00","og_image":[{"url":"http:\/\/www.dispatchbox.net\/wp-content\/bembeyajazz10ans-300x225.jpg","type":"","width":"","height":""}],"author":"Jeremy Jeanguenin","twitter_card":"summary_large_image","twitter_creator":"@dispatch_box","twitter_site":"@dispatch_box","twitter_misc":{"\u00c9crit par":"Jeremy Jeanguenin","Dur\u00e9e de lecture estim\u00e9e":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.dispatchbox.net\/index.php\/2016\/12\/11\/bembeya\/#article","isPartOf":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2016\/12\/11\/bembeya\/"},"author":{"name":"Jeremy Jeanguenin","@id":"https:\/\/www.dispatchbox.net\/#\/schema\/person\/9db7c9c41e0594fa08428d8b7007e253"},"headline":"Bembeya Jazz National, un demi-si\u00e8cle de jazz guin\u00e9en","datePublished":"2016-12-11T17:23:58+00:00","dateModified":"2017-07-13T12:54:23+00:00","mainEntityOfPage":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2016\/12\/11\/bembeya\/"},"wordCount":390,"image":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2016\/12\/11\/bembeya\/#primaryimage"},"thumbnailUrl":"http:\/\/www.dispatchbox.net\/wp-content\/bembeyajazz10ans-300x225.jpg","keywords":["Afrique","Bembeya","Camara","Conakry","Jazz africain"],"articleSection":["Afro-Beat","Jazz","Musique"],"inLanguage":"fr-FR"},{"@type":"WebPage","@id":"https:\/\/www.dispatchbox.net\/index.php\/2016\/12\/11\/bembeya\/","url":"https:\/\/www.dispatchbox.net\/index.php\/2016\/12\/11\/bembeya\/","name":"Bembeya Jazz National, un demi-si\u00e8cle de jazz guin\u00e9en - 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Et aussi, pour l'originalit\u00e9 du graphisme, ann\u00e9e sur ann\u00e9e.","rel":"","context":"Dans &quot;Affiche&quot;","block_context":{"text":"Affiche","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/art\/affiche\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/jazz2012.gif?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5412,"url":"https:\/\/www.dispatchbox.net\/index.php\/2019\/10\/04\/patrice-rushen-dont-forget-her-notes\/","url_meta":{"origin":2918,"position":1},"title":"Patrice Rushen&nbsp;: don\u2019t forget her not(e)s","author":"Jeremy Jeanguenin","date":"04\/10\/2019","format":false,"excerpt":"C'est \u00e0 seulement 19 ans que Patrice Louise Rushen publie son premier album de jazz groovy, intitul\u00e9 Prelusion, en 1974 chez Prestige Records. Des d\u00e9buts jazz pr\u00e9coces Un album enti\u00e8rement instrumental, qui reprend la figure de l'odyss\u00e9e groovy, comme ont pu le faire quelques ann\u00e9es auparavant l'organiste Jimmy Smith (pensons\u2026","rel":"","context":"Dans &quot;Basse&quot;","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/CS268486-01B-BIG.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/CS268486-01B-BIG.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/CS268486-01B-BIG.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/CS268486-01B-BIG.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1727,"url":"https:\/\/www.dispatchbox.net\/index.php\/2010\/07\/22\/jazz-la-villette-edition-2010\/","url_meta":{"origin":2918,"position":2},"title":"Jazz @ la Villette \u00e9dition 2010","author":"Jeremy Jeanguenin","date":"22\/07\/2010","format":false,"excerpt":"Cette magnifique programmation se passe de commentaire !! Pour ma part, j'ai d'ores et d\u00e9j\u00e0 ma place pour voir jouer Gil Scott Heron. Mais j'en ai la possibilit\u00e9, je ravirais aussi mes oreilles vaec Fred Wesley, Miroslav Vitous ou encore les l\u00e9gendaires fondateurs du rap The Last Poets.","rel":"","context":"Dans &quot;Afro-Beat&quot;","block_context":{"text":"Afro-Beat","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/jazz\/afro-beat\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/flyer_20101.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/flyer_20101.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/flyer_20101.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":1828,"url":"https:\/\/www.dispatchbox.net\/index.php\/2010\/11\/01\/michael-henderson-dans-jazz-hot-1973\/","url_meta":{"origin":2918,"position":3},"title":"Michael Henderson dans Jazz Hot (1973)","author":"Jeremy Jeanguenin","date":"01\/11\/2010","format":false,"excerpt":"Je continue de recenser quelques noms des piliers de la basse chez Motown, \u00e0 la suite de James Jamerson, Bob Babbitt (une allusion seulement, j'y reviens bient\u00f4t), Wilton Felder. Nous continuerons d'\u00e9voquer d'autres bassistes dont l'influence aura \u00e9t\u00e9 d\u00e9terminante sur la musique populaire telle que nous la connaissons. Parmi les\u2026","rel":"","context":"Dans &quot;Afro-Beat&quot;","block_context":{"text":"Afro-Beat","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/jazz\/afro-beat\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/l_66890474cfe4239b6315c6c37591c91b.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/l_66890474cfe4239b6315c6c37591c91b.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/l_66890474cfe4239b6315c6c37591c91b.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":1430,"url":"https:\/\/www.dispatchbox.net\/index.php\/2010\/01\/12\/monk-montgomery-pionnier-du-groove-electrique\/","url_meta":{"origin":2918,"position":4},"title":"Monk Montgomery, pionnier du groove \u00e9lectrique","author":"Jeremy Jeanguenin","date":"12\/01\/2010","format":false,"excerpt":"Voil\u00e0 un Montgomery qui n'a pas eu la reconnaissance de son propre fr\u00e8re, l'illustre guitariste de jazz Wes Montgomery. Le troisi\u00e8me fr\u00e8re, le benjamin, Buddy Montgomery, vibraphoniste (\u00e0 noter qu'on le trouve au piano sur des sessions tardives des ann\u00e9es 1990, alors que Roy Ayers tient les mailloches !), a\u2026","rel":"","context":"Dans &quot;Bar-Kays&quot;","block_context":{"text":"Bar-Kays","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/figures-de-la-soul\/bar-kays\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/monk.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2718,"url":"https:\/\/www.dispatchbox.net\/index.php\/2015\/03\/22\/pierre-faucheux-jazz\/","url_meta":{"origin":2918,"position":5},"title":"Pierre Faucheux \/&nbsp;Jazz","author":"Jeremy Jeanguenin","date":"22\/03\/2015","format":false,"excerpt":"J'admire depuis ma p\u00e9riode \u00e9tudiante le travail de Pierre Faucheux. Je d\u00e9nichais avec avidit\u00e9 ses \"vieilles\" couvertures pour les premiers livres de poche et dans la plus d\u00e9pouill\u00e9 collection \"Libert\u00e9\" chez Jean-Jacques Pauvert au march\u00e9 du livre du parc Georges-Brassens, dans le 15e arrondissement. C'est l'occasion de pr\u00e9senter deux couvertures\u2026","rel":"","context":"Dans &quot;Art&quot;","block_context":{"text":"Art","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/art\/"},"img":{"alt_text":"zizique_vian_pauvert","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/zizique_vian_pauvert-193x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts\/2918","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/comments?post=2918"}],"version-history":[{"count":0,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts\/2918\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/media?parent=2918"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/categories?post=2918"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/tags?post=2918"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}