{"id":3157,"date":"2017-11-16T05:34:50","date_gmt":"2017-11-16T05:34:50","guid":{"rendered":"http:\/\/www.dispatchbox.net\/?p=3157"},"modified":"2019-10-06T11:25:39","modified_gmt":"2019-10-06T11:25:39","slug":"alain-peters-temps-prend-dessus","status":"publish","type":"post","link":"https:\/\/www.dispatchbox.net\/index.php\/2017\/11\/16\/alain-peters-temps-prend-dessus\/","title":{"rendered":"Alain P\u00e9ters&nbsp;: le temps prend pas dessus"},"content":{"rendered":"<p>Alain P\u00e9ters, le musi\u00adcien aux semelles de vent (Gil\u00adbert Pou\u00adnia, meneur de Zis\u00adka\u00adkan, se pla\u00eet \u00e0 le com\u00adpa\u00adrer \u00e0 Rim\u00adbaud), n\u2019a jamais \u00e9t\u00e9 aus\u00adsi connu et lou\u00e9 qu\u2019au\u00adjourd\u2019\u00adhui. De son vivant, son \u0153uvre n\u2019ex\u00adc\u00e9\u00addait pas les fron\u00adti\u00e8res phy\u00adsiques du lit\u00adto\u00adral r\u00e9union\u00adnais&nbsp;: il \u00e9tait pour ain\u00adsi dire, incon\u00adnu du grand public. Il faut dire que cette der\u00adni\u00e8re r\u00e9v\u00e8le en fili\u00adgrane un carac\u00adt\u00e8re chao\u00adtique, impr\u00e9\u00advi\u00adsible&nbsp;: chaque coup d\u2019\u00e9\u00adclat est sou\u00advent li\u00e9 \u00e0 une ren\u00adcontre, qui agit comme un d\u00e9clen\u00adcheur de l\u2019ac\u00adcou\u00adche\u00adment des esprits. Qu\u2019il s\u2019a\u00adgisse de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Jean_Albany\">Jean Alba\u00adny<\/a>, le po\u00e8te de la \u201ccr\u00e9o\u00adlie\u201d, de Loy Ehr\u00adlich le mul\u00adti-ins\u00adtru\u00admen\u00adtiste, de Pier\u00adrot Vidot, de l\u2019ad\u00admi\u00adra\u00adteur <a href=\"http:\/\/7lameslamer.net\/pirot-rejoint-peters-au-paradis-2054.html\">Jean-Marie Pirot<\/a> (d\u00e9c\u00e9\u00add\u00e9 il y a quelques mois) ou encore des agents cultu\u00adrels comme le co-fon\u00adda\u00adteur de l\u2019as\u00adso\u00adcia\u00adtion des \u00e9cri\u00advains r\u00e9union\u00adnais&nbsp; Alain Gili ou fon\u00adda\u00adteur de l\u2019as\u00adso\u00adcia\u00adtion \u201cVil\u00adlage Titan\u201d Alain S\u00e9ra\u00adphine , le g\u00e9nie Alain P\u00e9ters a eu la chance de faire des ren\u00adcontres qui ont per\u00admis de gra\u00adver sur l\u2019a\u00adc\u00e9\u00adtate ses compositions.<\/p>\n<p>Ain\u00adsi, l\u2019\u0153uvre d\u2019A\u00adlain P\u00e9ters appa\u00adra\u00eet com\u00adpo\u00ads\u00e9e essen\u00adtiel\u00adle\u00adment de frag\u00adments&nbsp;: de 45 tours en cas\u00adsettes \u00e9di\u00adt\u00e9es par l\u2019As\u00adso\u00adcia\u00adtion des \u00e9cri\u00advains r\u00e9union\u00adnais (ADER). Rap\u00adpe\u00adlons au pas\u00adsage que la cas\u00adsette <a href=\"http:\/\/7lameslamer.net\/ote-commandeur-maloya-dalon-rue-du-2103.html\"><em>Chante Alba\u00adny <\/em><\/a>est la pre\u00admi\u00e8re cas\u00adsette audio jamais \u00e9di\u00adt\u00e9e et publi\u00e9e \u00e0 La R\u00e9union, en&nbsp;1978.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" data-attachment-id=\"3162\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2017\/11\/16\/alain-peters-temps-prend-dessus\/capture_d_e_cran_2017-10-21_a_11-28-18_resultat-36152\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/capture_d_e_cran_2017-10-21_a_11.28.18_resultat-36152.jpg\" data-orig-size=\"600,384\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"capture_d_e_cran_2017-10-21_a_11.28.18_resultat-36152\" data-image-description data-image-caption data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/capture_d_e_cran_2017-10-21_a_11.28.18_resultat-36152.jpg\" class=\"alignnone size-full wp-image-3162\" src=\"http:\/\/www.dispatchbox.net\/wp-content\/capture_d_e_cran_2017-10-21_a_11.28.18_resultat-36152.jpg\" alt=\"Chante Albany\" width=\"600\" height=\"384\" srcset=\"https:\/\/www.dispatchbox.net\/wp-content\/capture_d_e_cran_2017-10-21_a_11.28.18_resultat-36152.jpg 600w, https:\/\/www.dispatchbox.net\/wp-content\/capture_d_e_cran_2017-10-21_a_11.28.18_resultat-36152-300x192.jpg 300w\" sizes=\"(max-width: 600px) 100vw, 600px\"><\/p>\n<figure id=\"attachment_3158\" aria-describedby=\"caption-attachment-3158\" style=\"width: 680px\" class=\"wp-caption alignnone\"><img decoding=\"async\" data-attachment-id=\"3158\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2017\/11\/16\/alain-peters-temps-prend-dessus\/attachment\/542\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/542.jpg\" data-orig-size=\"940,542\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"P\u00e9ters\" data-image-description data-image-caption=\"<p>Pierrot Vidot, Jean-Michel Salmacis, Ren\u00e9 Lacaille, Jean Albany et Alain P\u00e9ters<\/p>\n\" data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/542.jpg\" class=\"wp-image-3158\" src=\"http:\/\/www.dispatchbox.net\/wp-content\/542.jpg\" alt width=\"680\" height=\"392\" srcset=\"https:\/\/www.dispatchbox.net\/wp-content\/542.jpg 940w, https:\/\/www.dispatchbox.net\/wp-content\/542-300x173.jpg 300w, https:\/\/www.dispatchbox.net\/wp-content\/542-768x443.jpg 768w\" sizes=\"(max-width: 680px) 100vw, 680px\"><figcaption id=\"caption-attachment-3158\" class=\"wp-caption-text\">Pier\u00adrot Vidot, Car\u00adpa\u00adnin Mari\u00admou\u00adtou, Ren\u00e9 Lacaille, Jean Alba\u00adny et Alain P\u00e9ters<\/figcaption><\/figure>\n<p>Dans le m\u00eame temps, Alain P\u00e9ters a for\u00adm\u00e9 Cam\u00e9\u00adl\u00e9on, groupe dans lequel il offi\u00adcie comme bas\u00adsiste et co-com\u00adpo\u00adsi\u00adteur, avec Loy Ehr\u00adlich aux cla\u00adviers et per\u00adcus\u00adsions, Ren\u00e9 Lacaille \u00e0 la gui\u00adtare, Ber\u00adnard Bran\u00adcard \u00e0 la bat\u00adte\u00adrie, Jo\u00ebl Gon\u00adthier aux per\u00adcus\u00adsions et Her\u00adv\u00e9 Imare au chant (d\u00e9c\u00e9\u00add\u00e9 en 2016). Une des com\u00adpo\u00adsi\u00adtions typiques de la po\u00e9\u00adsie d\u2019A\u00adlain P\u00e9ters (la th\u00e9\u00adma\u00adtique du vaga\u00adbon\u00addage et du d\u00e9ta\u00adche\u00adment mat\u00e9\u00adriel, de la mar\u00adgi\u00adna\u00adli\u00adt\u00e9), et pro\u00adba\u00adble\u00adment la plus connue, est <em>La ros\u00e9e si feuilles songes<\/em>, chan\u00adt\u00e9e par Her\u00adv\u00e9&nbsp;Imare.<\/p>\n<p><img decoding=\"async\" data-attachment-id=\"3160\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2017\/11\/16\/alain-peters-temps-prend-dessus\/r-2485171-1444938756-9143-jpeg\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/R-2485171-1444938756-9143.jpeg.jpg\" data-orig-size=\"600,608\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"R-2485171-1444938756-9143.jpeg\" data-image-description data-image-caption data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/R-2485171-1444938756-9143.jpeg.jpg\" class=\"alignnone size-full wp-image-3160\" src=\"http:\/\/www.dispatchbox.net\/wp-content\/R-2485171-1444938756-9143.jpeg.jpg\" alt width=\"600\" height=\"608\" srcset=\"https:\/\/www.dispatchbox.net\/wp-content\/R-2485171-1444938756-9143.jpeg.jpg 600w, https:\/\/www.dispatchbox.net\/wp-content\/R-2485171-1444938756-9143.jpeg-296x300.jpg 296w\" sizes=\"(max-width: 600px) 100vw, 600px\"><\/p>\n<p>En mou\u00adve\u00adment, la for\u00adma\u00adtion \u00e9vo\u00adlue vers celle de \u201cCar\u00adrou\u00adsel\u201d qui ver\u00adra plu\u00adsieurs mou\u00adtures, notam\u00adment lors\u00adqu\u2019A\u00adlain P\u00e9ters, trop impr\u00e9\u00advi\u00adsible, sera rem\u00adpla\u00adc\u00e9 par Kiki Mariapin.<\/p>\n<p>Il existe un extrait fil\u00adm\u00e9 dans le sous-sol du cin\u00e9\u00adma Royal de Saint-Joseph, repaire o\u00f9 la bande aimait \u00e0 cui\u00adsi\u00adner un jazz \u00e0 la r\u00e9union\u00adnaise sous forme d\u2019in\u00adter\u00admi\u00adnables \u201cboeufs\u201d, avec Luc Donat pour invi\u00adt\u00e9. On y retrouve Alain P\u00e9ters \u00e0 la basse, Ren\u00e9 Lacaille \u00e0 la gui\u00adtare, Ren\u00e9 Audrain (ancien chef d\u2019or\u00adchestre du Jazz Club de La R\u00e9union, dis\u00adpa\u00adru en 2016), Ber\u00adnard Bran\u00adcard \u00e0 la bat\u00adte\u00adrie et Loy Ehr\u00adlich aux percussions.<\/p>\n<p><iframe src=\"\/\/www.dailymotion.com\/embed\/video\/x38g16?collectionXid=x7rxx\" width=\"480\" height=\"270\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Puis, en 1979, Alain P\u00e9ters com\u00adpose deux titres dont les paroles sont de son ami po\u00e8te Jean Alba\u00adny, qui para\u00ee\u00adtront sous forme d\u2019un 45 tours (tou\u00adjours sous la bien\u00adveillance de l\u2019A\u00adDER et des Disques Issa) : <em>B\u00e9bett\u2019 Coco<\/em> et <em>L\u2019Ton\u00adton Alfred<\/em>. Cette fois, Alain P\u00e9ters est au chant, ce sont les Soul Men qui assurent les ins\u00adtru\u00admen\u00adtaux. Deux choses me frappent&nbsp;: la qua\u00adli\u00adt\u00e9 des inter\u00adpr\u00e9\u00adta\u00adtions et les images v\u00e9hi\u00adcu\u00adl\u00e9s par la langue cr\u00e9ole d\u2019Al\u00adba\u00adny, qui fait appel \u00e0 une connais\u00adsance des m\u00e9ta\u00adphores et autres expres\u00adsions idio\u00adma\u00adtiques du <em>kr\u00e9ol r\u00e9yo\u00adn\u00e9 <\/em>(\u201c<em>Fais pas trop jaco\u00adna<\/em>\u201d, \u201c\u00e7<em>a qu\u2019\u00adna corn\u2019 t\u00e9 m\u00e8re-gu\u00eape<\/em>, <em>quand lu fait son t\u00e9gor<\/em>\u201d, \u201c<em>Com tecque-tecque dann lo fl\u00e8r m\u00e2t d\u2019cho\u00adca<\/em>\u201d).<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe class=\"youtube-player\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/fm9EA5olNNQ?version=3&amp;rel=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;fs=1&amp;hl=fr-FR&amp;autohide=2&amp;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>On note\u00adra que du point de vue com\u00admer\u00adcial, les disques sur les\u00adquels a jou\u00e9 Alain P\u00e9ters \u00e9di\u00adt\u00e9s \u00e0 la R\u00e9union sont estam\u00adpill\u00e9s \u201cS\u00e9ga\u201d, un qua\u00adli\u00adfi\u00adca\u00adtif que l\u2019homme aurait pro\u00adba\u00adble\u00adment discut\u00e9.<\/p>\n<p>Pour les curieux, les deux com\u00adpi\u00adla\u00adtions consa\u00adcr\u00e9es \u00e0 Alain P\u00e9ters (puisque jamais il n\u2019a sor\u00adti sur disque un album entier de son vivant&nbsp;: seule la cas\u00adsette \u201cMan\u00adg\u00e9 pou le coeur\u201d \u00e9tait un album), parues sur le label Takam\u00adba du P\u00f4le r\u00e9gio\u00adnal des musiques actuelles (PRMA), <em>Para\u00adbo\u00adl\u00e8r<\/em> (1998) et <em>Vavan\u00adgu\u00e8r <\/em>(2008), sont h\u00e9las \u00e9pui\u00ads\u00e9es. Une chose est cer\u00adtaine, c\u2019est que la musique d\u2019A\u00adlain P\u00e9ters <em>le temps prend pas des\u00adsus<\/em>&nbsp;!<\/p>\n<p>Alors, de d\u00e9cen\u00adnie en d\u00e9cen\u00adnie, Takam\u00adba nous fera-t-il le cadeau d\u2019une r\u00e9\u00e9di\u00adtion en 2018&nbsp;? A suivre.<\/p>\n<p>En atten\u00addant, il faut \u00e9cou\u00adter la superbe com\u00adpi\u00adla\u00adtion <a href=\"http:\/\/www.strut-records.com\/ote-maloya-the-birth-of-electric-maloya-on-reunion-island-1975-1986\/\"><em>Ot\u00e9 Maloya&nbsp;!<\/em> : The birth of elec\u00adtric maloya on Reu\u00adnion Island 1975\u200a\u2013\u200a1986<\/a>, publi\u00e9e par le label lon\u00addo\u00adnien Strut. On y trouve enfin une r\u00e9\u00e9di\u00adtion digi\u00adtale de <em>La ros\u00e9e si feuilles songes.<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"3166\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2017\/11\/16\/alain-peters-temps-prend-dessus\/a1004977861_10\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/a1004977861_10.jpg\" data-orig-size=\"1200,1200\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"a1004977861_10\" data-image-description data-image-caption data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/a1004977861_10-1024x1024.jpg\" class=\"alignnone size-medium wp-image-3166\" src=\"http:\/\/www.dispatchbox.net\/wp-content\/a1004977861_10-300x300.jpg\" alt width=\"300\" height=\"300\" srcset=\"https:\/\/www.dispatchbox.net\/wp-content\/a1004977861_10-300x300.jpg 300w, https:\/\/www.dispatchbox.net\/wp-content\/a1004977861_10-150x150.jpg 150w, https:\/\/www.dispatchbox.net\/wp-content\/a1004977861_10-768x768.jpg 768w, https:\/\/www.dispatchbox.net\/wp-content\/a1004977861_10-1024x1024.jpg 1024w, https:\/\/www.dispatchbox.net\/wp-content\/a1004977861_10.jpg 1200w\" sizes=\"(max-width: 300px) 100vw, 300px\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alain P\u00e9ters, le musi\u00adcien aux semelles de vent (Gil\u00adbert Pou\u00adnia, meneur de Zis\u00adka\u00adkan, se pla\u00eet \u00e0 le com\u00adpa\u00adrer \u00e0 Rim\u00adbaud), n\u2019a jamais \u00e9t\u00e9 aus\u00adsi connu et lou\u00e9 qu\u2019au\u00adjourd\u2019\u00adhui. De son vivant, son \u0153uvre n\u2019ex\u00adc\u00e9\u00addait pas les fron\u00adti\u00e8res phy\u00adsiques du lit\u00adto\u00adral r\u00e9union\u00adnais&nbsp;: il \u00e9tait pour ain\u00adsi dire, incon\u00adnu du grand public. Il faut dire que cette der\u00adni\u00e8re r\u00e9v\u00e8le en fili\u00adgrane un carac\u00adt\u00e8re chao\u00adtique, impr\u00e9\u00advi\u00adsible&nbsp;: chaque coup d\u2019\u00e9\u00adclat est sou\u00advent li\u00e9 \u00e0 une ren\u00adcontre, qui agit comme un d\u00e9clen\u00adcheur de l\u2019ac\u00adcou\u00adche\u00adment des esprits. Qu\u2019il s\u2019a\u00adgisse de Jean Alba\u00adny, le po\u00e8te de la \u201ccr\u00e9o\u00adlie\u201d, de Loy Ehr\u00adlich le mul\u00ad\u00adti-ins\u00ad\u00adtru\u00ad\u00admen\u00ad\u00adtiste, de Pier\u00adrot Vidot, de l\u2019ad\u00admi\u00adra\u00adteur Jean-Marie Pirot (d\u00e9c\u00e9\u00add\u00e9 il y a quelques mois) ou encore des agents cultu\u00adrels comme le co-fon\u00ad\u00adda\u00ad\u00adteur de l\u2019as\u00adso\u00adcia\u00adtion des \u00e9cri\u00advains r\u00e9union\u00adnais&nbsp; Alain Gili ou fon\u00adda\u00adteur de l\u2019as\u00adso\u00adcia\u00adtion \u201cVil\u00adlage Titan\u201d Alain S\u00e9ra\u00adphine , le g\u00e9nie Alain P\u00e9ters a eu la chance de faire des ren\u00adcontres qui ont per\u00admis de gra\u00adver sur l\u2019a\u00adc\u00e9\u00adtate ses com\u00adpo\u00adsi\u00adtions. Ain\u00adsi, l\u2019\u0153uvre d\u2019A\u00adlain P\u00e9ters appa\u00adra\u00eet com\u00adpo\u00ads\u00e9e essen\u00adtiel\u00adle\u00adment de frag\u00adments&nbsp;: de 45 tours en cas\u00adsettes \u00e9di\u00adt\u00e9es par l\u2019As\u00adso\u00adcia\u00adtion des \u00e9cri\u00advains r\u00e9union\u00adnais (ADER). Rap\u00adpe\u00adlons au pas\u00adsage que la cas\u00adsette Chante Alba\u00adny est la pre\u00admi\u00e8re cas\u00adsette audio jamais \u00e9di\u00adt\u00e9e et publi\u00e9e \u00e0 La R\u00e9union, en&nbsp;1978. Dans le m\u00eame temps, Alain P\u00e9ters a for\u00adm\u00e9 Cam\u00e9\u00adl\u00e9on, groupe dans lequel il offi\u00adcie comme bas\u00adsiste et co-com\u00ad\u00adpo\u00ad\u00adsi\u00ad\u00adteur, avec Loy Ehr\u00adlich aux cla\u00adviers et per\u00adcus\u00adsions, Ren\u00e9 Lacaille \u00e0 la gui\u00adtare, Ber\u00adnard Bran\u00adcard \u00e0 la bat\u00adte\u00adrie, Jo\u00ebl Gon\u00adthier aux per\u00adcus\u00adsions et Her\u00adv\u00e9 Imare au chant (d\u00e9c\u00e9\u00add\u00e9 en 2016). Une des com\u00adpo\u00adsi\u00adtions typiques de la po\u00e9\u00adsie d\u2019A\u00adlain P\u00e9ters (la th\u00e9\u00adma\u00adtique du vaga\u00adbon\u00addage et du d\u00e9ta\u00adche\u00adment mat\u00e9\u00adriel, de la mar\u00adgi\u00adna\u00adli\u00adt\u00e9), et pro\u00adba\u00adble\u00adment la plus connue, est La ros\u00e9e si feuilles songes, chan\u00adt\u00e9e par Her\u00adv\u00e9&nbsp;Imare. En mou\u00adve\u00adment, la for\u00adma\u00adtion \u00e9vo\u00adlue vers celle de \u201cCar\u00adrou\u00adsel\u201d qui ver\u00adra plu\u00adsieurs mou\u00adtures, notam\u00adment lors\u00adqu\u2019A\u00adlain P\u00e9ters, trop impr\u00e9\u00advi\u00adsible, sera rem\u00adpla\u00adc\u00e9 par Kiki Maria\u00adpin. Il existe un extrait fil\u00adm\u00e9 dans le sous-sol du cin\u00e9\u00adma Royal de Saint-Joseph, repaire o\u00f9 la bande aimait \u00e0 cui\u00adsi\u00adner un jazz \u00e0 la r\u00e9union\u00adnaise sous forme d\u2019in\u00adter\u00admi\u00adnables \u201cboeufs\u201d, avec Luc Donat pour invi\u00adt\u00e9. On y retrouve Alain P\u00e9ters \u00e0 la basse, Ren\u00e9 Lacaille \u00e0 la gui\u00adtare, Ren\u00e9 Audrain (ancien chef d\u2019or\u00adchestre du Jazz Club de La R\u00e9union, dis\u00adpa\u00adru en 2016), Ber\u00adnard Bran\u00adcard \u00e0 la bat\u00adte\u00adrie et Loy Ehr\u00adlich aux per\u00adcus\u00adsions. Puis, en 1979, Alain P\u00e9ters com\u00adpose deux titres dont les paroles sont de son ami po\u00e8te Jean Alba\u00adny, qui para\u00ee\u00adtront sous forme d\u2019un 45 tours (tou\u00adjours sous la bien\u00adveillance de l\u2019A\u00adDER et des Disques Issa) : B\u00e9bett\u2019 Coco et L\u2019Ton\u00adton Alfred. Cette fois, Alain P\u00e9ters est au chant, ce sont les Soul Men qui assurent les ins\u00adtru\u00admen\u00adtaux. Deux choses me frappent&nbsp;: la qua\u00adli\u00adt\u00e9 des inter\u00adpr\u00e9\u00adta\u00adtions et les images v\u00e9hi\u00adcu\u00adl\u00e9s par la langue cr\u00e9ole d\u2019Al\u00adba\u00adny, qui fait appel \u00e0 une connais\u00adsance des m\u00e9ta\u00adphores et autres expres\u00adsions idio\u00adma\u00adtiques du kr\u00e9ol r\u00e9yo\u00adn\u00e9 (\u201cFais pas trop jaco\u00adna\u201d, \u201c\u00e7a qu\u2019\u00adna corn\u2019 t\u00e9 m\u00e8re-gu\u00eape, quand lu fait son t\u00e9gor\u201d, \u201cCom tecque-tecque dann lo fl\u00e8r m\u00e2t d\u2019cho\u00adca\u201d). On note\u00adra que du point de vue com\u00admer\u00adcial, les disques sur les\u00adquels a jou\u00e9 Alain P\u00e9ters \u00e9di\u00adt\u00e9s \u00e0 la R\u00e9union sont estam\u00adpill\u00e9s \u201cS\u00e9ga\u201d, un qua\u00adli\u00adfi\u00adca\u00adtif que l\u2019homme aurait pro\u00adba\u00adble\u00adment dis\u00adcu\u00adt\u00e9. Pour les curieux, les deux com\u00adpi\u00adla\u00adtions consa\u00adcr\u00e9es \u00e0 Alain P\u00e9ters (puisque jamais il n\u2019a sor\u00adti sur disque un album entier de son vivant&nbsp;: seule la cas\u00adsette \u201cMan\u00adg\u00e9 pou le coeur\u201d \u00e9tait un album), parues sur le label Takam\u00adba du P\u00f4le r\u00e9gio\u00adnal des musiques actuelles (PRMA), Para\u00adbo\u00adl\u00e8r (1998) et Vavan\u00adgu\u00e8r (2008), sont h\u00e9las \u00e9pui\u00ads\u00e9es. Une chose est cer\u00adtaine, c\u2019est que la musique d\u2019A\u00adlain P\u00e9ters le temps prend pas des\u00adsus&nbsp;! Alors, de d\u00e9cen\u00adnie en d\u00e9cen\u00adnie, Takam\u00adba nous fera-t-il le cadeau d\u2019une r\u00e9\u00e9di\u00adtion en 2018&nbsp;? A suivre. En atten\u00addant, il faut \u00e9cou\u00adter la superbe com\u00adpi\u00adla\u00adtion Ot\u00e9 Maloya&nbsp;! : The birth of elec\u00adtric maloya on Reu\u00adnion Island 1975 \u2013 1986, publi\u00e9e par le label lon\u00addo\u00adnien Strut. On y trouve enfin une r\u00e9\u00e9di\u00adtion digi\u00adtale de La ros\u00e9e si feuilles songes.<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_s2mail":"yes","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3],"tags":[620,621,622,623],"class_list":["post-3157","post","type-post","status-publish","format-standard","hentry","category-musique","tag-maloya","tag-reunion","tag-sega","tag-takamba"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Alain P\u00e9ters : le temps prend pas dessus - Dispatch\/Box<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.dispatchbox.net\/index.php\/2017\/11\/16\/alain-peters-temps-prend-dessus\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Alain P\u00e9ters : le temps prend pas dessus - Dispatch\/Box\" \/>\n<meta property=\"og:description\" content=\"Alain P\u00e9ters, le musi\u00adcien aux semelles de vent (Gil\u00adbert Pou\u00adnia, meneur de Zis\u00adka\u00adkan, se pla\u00eet \u00e0 le com\u00adpa\u00adrer \u00e0 Rim\u00adbaud), n\u2019a jamais \u00e9t\u00e9 aus\u00adsi connu et lou\u00e9 qu\u2019au\u00adjourd\u2019\u00adhui. De son vivant, son \u0153uvre n\u2019ex\u00adc\u00e9\u00addait pas les fron\u00adti\u00e8res phy\u00adsiques du lit\u00adto\u00adral r\u00e9union\u00adnais&nbsp;: il \u00e9tait pour ain\u00adsi dire, incon\u00adnu du grand public. Il faut dire que cette der\u00adni\u00e8re r\u00e9v\u00e8le en fili\u00adgrane un carac\u00adt\u00e8re chao\u00adtique, impr\u00e9\u00advi\u00adsible&nbsp;: chaque coup d\u2019\u00e9\u00adclat est sou\u00advent li\u00e9 \u00e0 une ren\u00adcontre, qui agit comme un d\u00e9clen\u00adcheur de l\u2019ac\u00adcou\u00adche\u00adment des esprits. Qu\u2019il s\u2019a\u00adgisse de Jean Alba\u00adny, le po\u00e8te de la \u201ccr\u00e9o\u00adlie\u201d, de Loy Ehr\u00adlich le mul\u00adti-ins\u00adtru\u00admen\u00adtiste, de Pier\u00adrot Vidot, de l\u2019ad\u00admi\u00adra\u00adteur Jean-Marie Pirot (d\u00e9c\u00e9\u00add\u00e9 il y a quelques mois) ou encore des agents cultu\u00adrels comme le co-fon\u00adda\u00adteur de l\u2019as\u00adso\u00adcia\u00adtion des \u00e9cri\u00advains r\u00e9union\u00adnais&nbsp; Alain Gili ou fon\u00adda\u00adteur de l\u2019as\u00adso\u00adcia\u00adtion \u201cVil\u00adlage Titan\u201d Alain S\u00e9ra\u00adphine , le g\u00e9nie Alain P\u00e9ters a eu la chance de faire des ren\u00adcontres qui ont per\u00admis de gra\u00adver sur l\u2019a\u00adc\u00e9\u00adtate ses compositions. Ain\u00adsi, l\u2019\u0153uvre d\u2019A\u00adlain P\u00e9ters appa\u00adra\u00eet com\u00adpo\u00ads\u00e9e essen\u00adtiel\u00adle\u00adment de frag\u00adments&nbsp;: de 45 tours en cas\u00adsettes \u00e9di\u00adt\u00e9es par l\u2019As\u00adso\u00adcia\u00adtion des \u00e9cri\u00advains r\u00e9union\u00adnais (ADER). Rap\u00adpe\u00adlons au pas\u00adsage que la cas\u00adsette Chante Alba\u00adny est la pre\u00admi\u00e8re cas\u00adsette audio jamais \u00e9di\u00adt\u00e9e et publi\u00e9e \u00e0 La R\u00e9union, en&nbsp;1978. Dans le m\u00eame temps, Alain P\u00e9ters a for\u00adm\u00e9 Cam\u00e9\u00adl\u00e9on, groupe dans lequel il offi\u00adcie comme bas\u00adsiste et co-com\u00adpo\u00adsi\u00adteur, avec Loy Ehr\u00adlich aux cla\u00adviers et per\u00adcus\u00adsions, Ren\u00e9 Lacaille \u00e0 la gui\u00adtare, Ber\u00adnard Bran\u00adcard \u00e0 la bat\u00adte\u00adrie, Jo\u00ebl Gon\u00adthier aux per\u00adcus\u00adsions et Her\u00adv\u00e9 Imare au chant (d\u00e9c\u00e9\u00add\u00e9 en 2016). Une des com\u00adpo\u00adsi\u00adtions typiques de la po\u00e9\u00adsie d\u2019A\u00adlain P\u00e9ters (la th\u00e9\u00adma\u00adtique du vaga\u00adbon\u00addage et du d\u00e9ta\u00adche\u00adment mat\u00e9\u00adriel, de la mar\u00adgi\u00adna\u00adli\u00adt\u00e9), et pro\u00adba\u00adble\u00adment la plus connue, est La ros\u00e9e si feuilles songes, chan\u00adt\u00e9e par Her\u00adv\u00e9&nbsp;Imare. En mou\u00adve\u00adment, la for\u00adma\u00adtion \u00e9vo\u00adlue vers celle de \u201cCar\u00adrou\u00adsel\u201d qui ver\u00adra plu\u00adsieurs mou\u00adtures, notam\u00adment lors\u00adqu\u2019A\u00adlain P\u00e9ters, trop impr\u00e9\u00advi\u00adsible, sera rem\u00adpla\u00adc\u00e9 par Kiki Mariapin. Il existe un extrait fil\u00adm\u00e9 dans le sous-sol du cin\u00e9\u00adma Royal de Saint-Joseph, repaire o\u00f9 la bande aimait \u00e0 cui\u00adsi\u00adner un jazz \u00e0 la r\u00e9union\u00adnaise sous forme d\u2019in\u00adter\u00admi\u00adnables \u201cboeufs\u201d, avec Luc Donat pour invi\u00adt\u00e9. On y retrouve Alain P\u00e9ters \u00e0 la basse, Ren\u00e9 Lacaille \u00e0 la gui\u00adtare, Ren\u00e9 Audrain (ancien chef d\u2019or\u00adchestre du Jazz Club de La R\u00e9union, dis\u00adpa\u00adru en 2016), Ber\u00adnard Bran\u00adcard \u00e0 la bat\u00adte\u00adrie et Loy Ehr\u00adlich aux percussions. Puis, en 1979, Alain P\u00e9ters com\u00adpose deux titres dont les paroles sont de son ami po\u00e8te Jean Alba\u00adny, qui para\u00ee\u00adtront sous forme d\u2019un 45 tours (tou\u00adjours sous la bien\u00adveillance de l\u2019A\u00adDER et des Disques Issa) : B\u00e9bett\u2019 Coco et L\u2019Ton\u00adton Alfred. Cette fois, Alain P\u00e9ters est au chant, ce sont les Soul Men qui assurent les ins\u00adtru\u00admen\u00adtaux. Deux choses me frappent&nbsp;: la qua\u00adli\u00adt\u00e9 des inter\u00adpr\u00e9\u00adta\u00adtions et les images v\u00e9hi\u00adcu\u00adl\u00e9s par la langue cr\u00e9ole d\u2019Al\u00adba\u00adny, qui fait appel \u00e0 une connais\u00adsance des m\u00e9ta\u00adphores et autres expres\u00adsions idio\u00adma\u00adtiques du kr\u00e9ol r\u00e9yo\u00adn\u00e9 (\u201cFais pas trop jaco\u00adna\u201d, \u201c\u00e7a qu\u2019\u00adna corn\u2019 t\u00e9 m\u00e8re-gu\u00eape, quand lu fait son t\u00e9gor\u201d, \u201cCom tecque-tecque dann lo fl\u00e8r m\u00e2t d\u2019cho\u00adca\u201d). On note\u00adra que du point de vue com\u00admer\u00adcial, les disques sur les\u00adquels a jou\u00e9 Alain P\u00e9ters \u00e9di\u00adt\u00e9s \u00e0 la R\u00e9union sont estam\u00adpill\u00e9s \u201cS\u00e9ga\u201d, un qua\u00adli\u00adfi\u00adca\u00adtif que l\u2019homme aurait pro\u00adba\u00adble\u00adment discut\u00e9. Pour les curieux, les deux com\u00adpi\u00adla\u00adtions consa\u00adcr\u00e9es \u00e0 Alain P\u00e9ters (puisque jamais il n\u2019a sor\u00adti sur disque un album entier de son vivant&nbsp;: seule la cas\u00adsette \u201cMan\u00adg\u00e9 pou le coeur\u201d \u00e9tait un album), parues sur le label Takam\u00adba du P\u00f4le r\u00e9gio\u00adnal des musiques actuelles (PRMA), Para\u00adbo\u00adl\u00e8r (1998) et Vavan\u00adgu\u00e8r (2008), sont h\u00e9las \u00e9pui\u00ads\u00e9es. Une chose est cer\u00adtaine, c\u2019est que la musique d\u2019A\u00adlain P\u00e9ters le temps prend pas des\u00adsus&nbsp;! Alors, de d\u00e9cen\u00adnie en d\u00e9cen\u00adnie, Takam\u00adba nous fera-t-il le cadeau d\u2019une r\u00e9\u00e9di\u00adtion en 2018&nbsp;? A suivre. En atten\u00addant, il faut \u00e9cou\u00adter la superbe com\u00adpi\u00adla\u00adtion Ot\u00e9 Maloya&nbsp;! : The birth of elec\u00adtric maloya on Reu\u00adnion Island 1975\u200a\u2013\u200a1986, publi\u00e9e par le label lon\u00addo\u00adnien Strut. On y trouve enfin une r\u00e9\u00e9di\u00adtion digi\u00adtale de La ros\u00e9e si feuilles songes.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.dispatchbox.net\/index.php\/2017\/11\/16\/alain-peters-temps-prend-dessus\/\" \/>\n<meta property=\"og:site_name\" content=\"Dispatch\/Box\" \/>\n<meta property=\"article:published_time\" content=\"2017-11-16T05:34:50+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-10-06T11:25:39+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.dispatchbox.net\/wp-content\/capture_d_e_cran_2017-10-21_a_11.28.18_resultat-36152.jpg\" \/>\n<meta name=\"author\" content=\"Jeremy Jeanguenin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:site\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jeremy Jeanguenin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2017\\\/11\\\/16\\\/alain-peters-temps-prend-dessus\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2017\\\/11\\\/16\\\/alain-peters-temps-prend-dessus\\\/\"},\"author\":{\"name\":\"Jeremy Jeanguenin\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/#\\\/schema\\\/person\\\/9db7c9c41e0594fa08428d8b7007e253\"},\"headline\":\"Alain P\u00e9ters&nbsp;: le temps prend pas dessus\",\"datePublished\":\"2017-11-16T05:34:50+00:00\",\"dateModified\":\"2019-10-06T11:25:39+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2017\\\/11\\\/16\\\/alain-peters-temps-prend-dessus\\\/\"},\"wordCount\":764,\"image\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2017\\\/11\\\/16\\\/alain-peters-temps-prend-dessus\\\/#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/www.dispatchbox.net\\\/wp-content\\\/capture_d_e_cran_2017-10-21_a_11.28.18_resultat-36152.jpg\",\"keywords\":[\"Maloya\",\"R\u00e9union\",\"S\u00e9ga\",\"Takamba\"],\"articleSection\":[\"Musique\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2017\\\/11\\\/16\\\/alain-peters-temps-prend-dessus\\\/\",\"url\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2017\\\/11\\\/16\\\/alain-peters-temps-prend-dessus\\\/\",\"name\":\"Alain P\u00e9ters : le temps prend pas dessus - 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De son vivant, son \u0153uvre n\u2019ex\u00adc\u00e9\u00addait pas les fron\u00adti\u00e8res phy\u00adsiques du lit\u00adto\u00adral r\u00e9union\u00adnais&nbsp;: il \u00e9tait pour ain\u00adsi dire, incon\u00adnu du grand public. Il faut dire que cette der\u00adni\u00e8re r\u00e9v\u00e8le en fili\u00adgrane un carac\u00adt\u00e8re chao\u00adtique, impr\u00e9\u00advi\u00adsible&nbsp;: chaque coup d\u2019\u00e9\u00adclat est sou\u00advent li\u00e9 \u00e0 une ren\u00adcontre, qui agit comme un d\u00e9clen\u00adcheur de l\u2019ac\u00adcou\u00adche\u00adment des esprits. Qu\u2019il s\u2019a\u00adgisse de Jean Alba\u00adny, le po\u00e8te de la \u201ccr\u00e9o\u00adlie\u201d, de Loy Ehr\u00adlich le mul\u00adti-ins\u00adtru\u00admen\u00adtiste, de Pier\u00adrot Vidot, de l\u2019ad\u00admi\u00adra\u00adteur Jean-Marie Pirot (d\u00e9c\u00e9\u00add\u00e9 il y a quelques mois) ou encore des agents cultu\u00adrels comme le co-fon\u00adda\u00adteur de l\u2019as\u00adso\u00adcia\u00adtion des \u00e9cri\u00advains r\u00e9union\u00adnais&nbsp; Alain Gili ou fon\u00adda\u00adteur de l\u2019as\u00adso\u00adcia\u00adtion \u201cVil\u00adlage Titan\u201d Alain S\u00e9ra\u00adphine , le g\u00e9nie Alain P\u00e9ters a eu la chance de faire des ren\u00adcontres qui ont per\u00admis de gra\u00adver sur l\u2019a\u00adc\u00e9\u00adtate ses compositions. Ain\u00adsi, l\u2019\u0153uvre d\u2019A\u00adlain P\u00e9ters appa\u00adra\u00eet com\u00adpo\u00ads\u00e9e essen\u00adtiel\u00adle\u00adment de frag\u00adments&nbsp;: de 45 tours en cas\u00adsettes \u00e9di\u00adt\u00e9es par l\u2019As\u00adso\u00adcia\u00adtion des \u00e9cri\u00advains r\u00e9union\u00adnais (ADER). Rap\u00adpe\u00adlons au pas\u00adsage que la cas\u00adsette Chante Alba\u00adny est la pre\u00admi\u00e8re cas\u00adsette audio jamais \u00e9di\u00adt\u00e9e et publi\u00e9e \u00e0 La R\u00e9union, en&nbsp;1978. Dans le m\u00eame temps, Alain P\u00e9ters a for\u00adm\u00e9 Cam\u00e9\u00adl\u00e9on, groupe dans lequel il offi\u00adcie comme bas\u00adsiste et co-com\u00adpo\u00adsi\u00adteur, avec Loy Ehr\u00adlich aux cla\u00adviers et per\u00adcus\u00adsions, Ren\u00e9 Lacaille \u00e0 la gui\u00adtare, Ber\u00adnard Bran\u00adcard \u00e0 la bat\u00adte\u00adrie, Jo\u00ebl Gon\u00adthier aux per\u00adcus\u00adsions et Her\u00adv\u00e9 Imare au chant (d\u00e9c\u00e9\u00add\u00e9 en 2016). Une des com\u00adpo\u00adsi\u00adtions typiques de la po\u00e9\u00adsie d\u2019A\u00adlain P\u00e9ters (la th\u00e9\u00adma\u00adtique du vaga\u00adbon\u00addage et du d\u00e9ta\u00adche\u00adment mat\u00e9\u00adriel, de la mar\u00adgi\u00adna\u00adli\u00adt\u00e9), et pro\u00adba\u00adble\u00adment la plus connue, est La ros\u00e9e si feuilles songes, chan\u00adt\u00e9e par Her\u00adv\u00e9&nbsp;Imare. En mou\u00adve\u00adment, la for\u00adma\u00adtion \u00e9vo\u00adlue vers celle de \u201cCar\u00adrou\u00adsel\u201d qui ver\u00adra plu\u00adsieurs mou\u00adtures, notam\u00adment lors\u00adqu\u2019A\u00adlain P\u00e9ters, trop impr\u00e9\u00advi\u00adsible, sera rem\u00adpla\u00adc\u00e9 par Kiki Mariapin. Il existe un extrait fil\u00adm\u00e9 dans le sous-sol du cin\u00e9\u00adma Royal de Saint-Joseph, repaire o\u00f9 la bande aimait \u00e0 cui\u00adsi\u00adner un jazz \u00e0 la r\u00e9union\u00adnaise sous forme d\u2019in\u00adter\u00admi\u00adnables \u201cboeufs\u201d, avec Luc Donat pour invi\u00adt\u00e9. On y retrouve Alain P\u00e9ters \u00e0 la basse, Ren\u00e9 Lacaille \u00e0 la gui\u00adtare, Ren\u00e9 Audrain (ancien chef d\u2019or\u00adchestre du Jazz Club de La R\u00e9union, dis\u00adpa\u00adru en 2016), Ber\u00adnard Bran\u00adcard \u00e0 la bat\u00adte\u00adrie et Loy Ehr\u00adlich aux percussions. Puis, en 1979, Alain P\u00e9ters com\u00adpose deux titres dont les paroles sont de son ami po\u00e8te Jean Alba\u00adny, qui para\u00ee\u00adtront sous forme d\u2019un 45 tours (tou\u00adjours sous la bien\u00adveillance de l\u2019A\u00adDER et des Disques Issa) : B\u00e9bett\u2019 Coco et L\u2019Ton\u00adton Alfred. Cette fois, Alain P\u00e9ters est au chant, ce sont les Soul Men qui assurent les ins\u00adtru\u00admen\u00adtaux. Deux choses me frappent&nbsp;: la qua\u00adli\u00adt\u00e9 des inter\u00adpr\u00e9\u00adta\u00adtions et les images v\u00e9hi\u00adcu\u00adl\u00e9s par la langue cr\u00e9ole d\u2019Al\u00adba\u00adny, qui fait appel \u00e0 une connais\u00adsance des m\u00e9ta\u00adphores et autres expres\u00adsions idio\u00adma\u00adtiques du kr\u00e9ol r\u00e9yo\u00adn\u00e9 (\u201cFais pas trop jaco\u00adna\u201d, \u201c\u00e7a qu\u2019\u00adna corn\u2019 t\u00e9 m\u00e8re-gu\u00eape, quand lu fait son t\u00e9gor\u201d, \u201cCom tecque-tecque dann lo fl\u00e8r m\u00e2t d\u2019cho\u00adca\u201d). On note\u00adra que du point de vue com\u00admer\u00adcial, les disques sur les\u00adquels a jou\u00e9 Alain P\u00e9ters \u00e9di\u00adt\u00e9s \u00e0 la R\u00e9union sont estam\u00adpill\u00e9s \u201cS\u00e9ga\u201d, un qua\u00adli\u00adfi\u00adca\u00adtif que l\u2019homme aurait pro\u00adba\u00adble\u00adment discut\u00e9. Pour les curieux, les deux com\u00adpi\u00adla\u00adtions consa\u00adcr\u00e9es \u00e0 Alain P\u00e9ters (puisque jamais il n\u2019a sor\u00adti sur disque un album entier de son vivant&nbsp;: seule la cas\u00adsette \u201cMan\u00adg\u00e9 pou le coeur\u201d \u00e9tait un album), parues sur le label Takam\u00adba du P\u00f4le r\u00e9gio\u00adnal des musiques actuelles (PRMA), Para\u00adbo\u00adl\u00e8r (1998) et Vavan\u00adgu\u00e8r (2008), sont h\u00e9las \u00e9pui\u00ads\u00e9es. Une chose est cer\u00adtaine, c\u2019est que la musique d\u2019A\u00adlain P\u00e9ters le temps prend pas des\u00adsus&nbsp;! Alors, de d\u00e9cen\u00adnie en d\u00e9cen\u00adnie, Takam\u00adba nous fera-t-il le cadeau d\u2019une r\u00e9\u00e9di\u00adtion en 2018&nbsp;? A suivre. En atten\u00addant, il faut \u00e9cou\u00adter la superbe com\u00adpi\u00adla\u00adtion Ot\u00e9 Maloya&nbsp;! : The birth of elec\u00adtric maloya on Reu\u00adnion Island 1975\u200a\u2013\u200a1986, publi\u00e9e par le label lon\u00addo\u00adnien Strut. On y trouve enfin une r\u00e9\u00e9di\u00adtion digi\u00adtale de La ros\u00e9e si feuilles songes.","og_url":"https:\/\/www.dispatchbox.net\/index.php\/2017\/11\/16\/alain-peters-temps-prend-dessus\/","og_site_name":"Dispatch\/Box","article_published_time":"2017-11-16T05:34:50+00:00","article_modified_time":"2019-10-06T11:25:39+00:00","og_image":[{"url":"http:\/\/www.dispatchbox.net\/wp-content\/capture_d_e_cran_2017-10-21_a_11.28.18_resultat-36152.jpg","type":"","width":"","height":""}],"author":"Jeremy Jeanguenin","twitter_card":"summary_large_image","twitter_creator":"@dispatch_box","twitter_site":"@dispatch_box","twitter_misc":{"\u00c9crit par":"Jeremy Jeanguenin","Dur\u00e9e de lecture estim\u00e9e":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.dispatchbox.net\/index.php\/2017\/11\/16\/alain-peters-temps-prend-dessus\/#article","isPartOf":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2017\/11\/16\/alain-peters-temps-prend-dessus\/"},"author":{"name":"Jeremy Jeanguenin","@id":"https:\/\/www.dispatchbox.net\/#\/schema\/person\/9db7c9c41e0594fa08428d8b7007e253"},"headline":"Alain P\u00e9ters&nbsp;: le temps prend pas dessus","datePublished":"2017-11-16T05:34:50+00:00","dateModified":"2019-10-06T11:25:39+00:00","mainEntityOfPage":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2017\/11\/16\/alain-peters-temps-prend-dessus\/"},"wordCount":764,"image":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2017\/11\/16\/alain-peters-temps-prend-dessus\/#primaryimage"},"thumbnailUrl":"http:\/\/www.dispatchbox.net\/wp-content\/capture_d_e_cran_2017-10-21_a_11.28.18_resultat-36152.jpg","keywords":["Maloya","R\u00e9union","S\u00e9ga","Takamba"],"articleSection":["Musique"],"inLanguage":"fr-FR"},{"@type":"WebPage","@id":"https:\/\/www.dispatchbox.net\/index.php\/2017\/11\/16\/alain-peters-temps-prend-dessus\/","url":"https:\/\/www.dispatchbox.net\/index.php\/2017\/11\/16\/alain-peters-temps-prend-dessus\/","name":"Alain P\u00e9ters : le temps prend pas dessus - 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