{"id":3211,"date":"2018-02-09T05:48:31","date_gmt":"2018-02-09T05:48:31","guid":{"rendered":"http:\/\/www.dispatchbox.net\/?p=3211"},"modified":"2018-02-09T14:12:14","modified_gmt":"2018-02-09T14:12:14","slug":"dave-richmond-bassiste-de-histoire-de-melody-nelson-de-gainsbourg","status":"publish","type":"post","link":"https:\/\/www.dispatchbox.net\/index.php\/2018\/02\/09\/dave-richmond-bassiste-de-histoire-de-melody-nelson-de-gainsbourg\/","title":{"rendered":"Dave Richmond, bassiste de Histoire de Melody Nelson de Gainsbourg"},"content":{"rendered":"<p>&nbsp;<\/p>\n<figure id=\"attachment_3217\" aria-describedby=\"caption-attachment-3217\" style=\"width: 178px\" class=\"wp-caption alignnone\"><img fetchpriority=\"high\" decoding=\"async\" data-attachment-id=\"3217\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2018\/02\/09\/dave-richmond-bassiste-de-histoire-de-melody-nelson-de-gainsbourg\/b1f7d557d6de8bd5e64345a3a32c15cb\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/b1f7d557d6de8bd5e64345a3a32c15cb.jpg\" data-orig-size=\"579,976\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"b1f7d557d6de8bd5e64345a3a32c15cb\" data-image-description data-image-caption=\"<p>Dave Richmond<br \/>\nDroits R\u00e9serv\u00e9s<\/p>\n\" data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/b1f7d557d6de8bd5e64345a3a32c15cb.jpg\" class=\"size-medium wp-image-3217\" src=\"http:\/\/www.dispatchbox.net\/wp-content\/b1f7d557d6de8bd5e64345a3a32c15cb-178x300.jpg\" alt width=\"178\" height=\"300\" srcset=\"https:\/\/www.dispatchbox.net\/wp-content\/b1f7d557d6de8bd5e64345a3a32c15cb-178x300.jpg 178w, https:\/\/www.dispatchbox.net\/wp-content\/b1f7d557d6de8bd5e64345a3a32c15cb.jpg 579w\" sizes=\"(max-width: 178px) 100vw, 178px\"><figcaption id=\"caption-attachment-3217\" class=\"wp-caption-text\">Dave Rich\u00admond<br>Droits R\u00e9ser\u00adv\u00e9s<\/figcaption><\/figure>\n<p>J\u2019ai creu\u00ads\u00e9 cette affaire pen\u00addant plus de dix ann\u00e9es. En l\u2019ab\u00adsence totale de cr\u00e9\u00addits d\u2019in\u00adter\u00adpr\u00e9\u00adta\u00adtion (le livret est mutique), de nom\u00adbreuses hypo\u00adth\u00e8ses ont cir\u00adcu\u00adl\u00e9 sur l\u2019i\u00adden\u00adti\u00adt\u00e9 des musi\u00adciens assu\u00adrant la ryth\u00admique de <em>His\u00adtoire de Melo\u00addy Nel\u00adson<\/em>, ce flop com\u00admer\u00adcial pas\u00ads\u00e9 inaper\u00ad\u00e7u en 1971 mais por\u00adt\u00e9 aux nues d\u00e8s les ann\u00e9es 1990 pour atteindre le sta\u00adtut \u201ccultis\u00adsime\u201d dans les ann\u00e9es 2000. Or, en 2011, \u00e0 l\u2019oc\u00adca\u00adsion de recherches ico\u00adno\u00adgra\u00adphiques pour l\u2019illus\u00adtra\u00adtion d\u2019un cof\u00adfret, des pho\u00adto\u00adgra\u00adphies de Gains\u00adbourg au stu\u00addio Marble Arch ont refait sur\u00adface. Il s\u2019a\u00adgit des cli\u00adch\u00e9s r\u00e9a\u00adli\u00ads\u00e9s et conser\u00adv\u00e9s par Tony Frank des\u00adti\u00adn\u00e9s \u00e0 illus\u00adtrer le livret de l\u2019al\u00adbum. Point de Her\u00adbie Flo\u00adwers, mais un Gains\u00adbourg don\u00adnant des indi\u00adca\u00adtions sur la par\u00adti\u00adtion au bas\u00adsiste bri\u00adtan\u00adnique Dave Rich\u00admond. Dave Rich\u00admond est assis devant le pupitre, barbe col\u00adlier de rigueur et lunettes noires, tenant sa splen\u00addide basse Black Bison de la marque Burns. Selon les archives, la ses\u00adsion o\u00f9 est enre\u00adgis\u00adtr\u00e9 le trio gui\u00adtare-basse-bat\u00adte\u00adrie est dat\u00e9e du 21 au 23 avril&nbsp;1970.<\/p>\n<figure id=\"attachment_3216\" aria-describedby=\"caption-attachment-3216\" style=\"width: 300px\" class=\"wp-caption alignnone\"><img decoding=\"async\" data-attachment-id=\"3216\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2018\/02\/09\/dave-richmond-bassiste-de-histoire-de-melody-nelson-de-gainsbourg\/b971a0_a7933dbe46d8411aa0230959c78245a1\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/b971a0_a7933dbe46d8411aa0230959c78245a1.png\" data-orig-size=\"765,746\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"b971a0_a7933dbe46d8411aa0230959c78245a1\" data-image-description data-image-caption=\"<p>Dave Richmond et sa basse Burns London 'Black Bison&quot;<\/p>\n\" data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/b971a0_a7933dbe46d8411aa0230959c78245a1.png\" class=\"size-medium wp-image-3216\" src=\"http:\/\/www.dispatchbox.net\/wp-content\/b971a0_a7933dbe46d8411aa0230959c78245a1-300x293.png\" alt width=\"300\" height=\"293\" srcset=\"https:\/\/www.dispatchbox.net\/wp-content\/b971a0_a7933dbe46d8411aa0230959c78245a1-300x293.png 300w, https:\/\/www.dispatchbox.net\/wp-content\/b971a0_a7933dbe46d8411aa0230959c78245a1.png 765w\" sizes=\"(max-width: 300px) 100vw, 300px\"><figcaption id=\"caption-attachment-3216\" class=\"wp-caption-text\">Dave Rich\u00admond et sa basse Burns Lon\u00addon \u2018Black Bison\u201d<\/figcaption><\/figure>\n<p>Dave Rich\u00admond, bas\u00adsiste de Man\u00adfred Mann de 1960 \u00e0 1963 (date \u00e0 laquelle il \u00e9change sa contre\u00adbasse pour la basse Burns) , cesse alors de tour\u00adner avec des groupes pour se concen\u00adtrer uni\u00adque\u00adment sur les s\u00e9ances en stu\u00addio. Il en r\u00e9sulte des par\u00adti\u00adci\u00adpa\u00adtions \u00e0 des albums ou des <em>singles<\/em> d\u2019in\u00adter\u00adpr\u00e8tes mais aus\u00adsi des enre\u00adgis\u00adtre\u00adments d\u2019ins\u00adtru\u00admen\u00adtaux de \u201clibra\u00adry music\u201d (musique pro\u00adduite dans l\u2019ob\u00adjec\u00adtif d\u2019en accor\u00adder des licences de dif\u00adfu\u00adsion pour la t\u00e9l\u00e9\u00advi\u00adsion et le cin\u00e9\u00adma \u2013 voir mon article ici&nbsp;: <a href=\"http:\/\/www.dispatchbox.net\/index.php\/2016\/12\/13\/library-music-genre-musical\/\"><em>La \u201cLibra\u00adry Music\u201d comme genre musi\u00adcal<\/em><\/a>). Dave Rich\u00admond enri\u00adchit du son de sa basse des cata\u00adlogues sonores qui vont illus\u00adtrer les grandes s\u00e9ries de la BBC ou de&nbsp;films.<\/p>\n<figure id=\"attachment_3213\" aria-describedby=\"caption-attachment-3213\" style=\"width: 300px\" class=\"wp-caption alignnone\"><img decoding=\"async\" data-attachment-id=\"3213\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2018\/02\/09\/dave-richmond-bassiste-de-histoire-de-melody-nelson-de-gainsbourg\/tumblr_mue43vu9oc1r570oko1_400\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/tumblr_mue43vu9OC1r570oko1_400.jpg\" data-orig-size=\"345,345\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"tumblr_mue43vu9OC1r570oko1_400\" data-image-description data-image-caption=\"<p>Gainsbourg et Dave Richmond \u00e0 Londres, 1970<br \/>\nDroits r\u00e9serv\u00e9s<\/p>\n\" data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/tumblr_mue43vu9OC1r570oko1_400.jpg\" class=\"size-medium wp-image-3213\" src=\"http:\/\/www.dispatchbox.net\/wp-content\/tumblr_mue43vu9OC1r570oko1_400-300x300.jpg\" alt width=\"300\" height=\"300\" srcset=\"https:\/\/www.dispatchbox.net\/wp-content\/tumblr_mue43vu9OC1r570oko1_400-300x300.jpg 300w, https:\/\/www.dispatchbox.net\/wp-content\/tumblr_mue43vu9OC1r570oko1_400-150x150.jpg 150w, https:\/\/www.dispatchbox.net\/wp-content\/tumblr_mue43vu9OC1r570oko1_400.jpg 345w\" sizes=\"(max-width: 300px) 100vw, 300px\"><figcaption id=\"caption-attachment-3213\" class=\"wp-caption-text\">Gains\u00adbourg et Dave Rich\u00admond \u00e0 Londres, 1970<br>Droits r\u00e9ser\u00adv\u00e9s<\/figcaption><\/figure>\n<p>Long\u00adtemps j\u2019ai \u00e9t\u00e9 convain\u00adcu, par com\u00adpa\u00adrai\u00adson, que le bas\u00adsiste n\u2019\u00e9\u00adtait autre que Brian \u201cHer\u00adbie\u201d Flo\u00adwers, un v\u00e9t\u00e9\u00adran des stu\u00addios Tri\u00addent \u00e0 Londres. Pour\u00adquoi&nbsp;? D\u2019a\u00adbord parce lors des concerts hom\u00admages don\u00adn\u00e9s en Europe en 2008, Jean-Claude Van\u00adnier pr\u00e9\u00adsen\u00adtait Flo\u00adwers comme le bas\u00adsiste ori\u00adgi\u00adnal. Ensuite, Her\u00adbie Flo\u00adwers a cette \u00e9du\u00adca\u00adtion musi\u00adcale au tuba et \u00e0 la contre\u00adbasse qui ont par\u00adti\u00adcu\u00adli\u00e8\u00adre\u00adment influen\u00adc\u00e9 son jeu, le pla\u00adce\u00adment de ses notes \u00e0 la basse \u00e9lec\u00adtrique. Par ailleurs, les bas\u00adsistes lon\u00addo\u00adniens ont \u00e9t\u00e9 a l\u2019o\u00adri\u00adgine d\u2019un son plus agres\u00adsif et \u201ccaou\u00adtchou\u00adteux\u201d, per\u00admet\u00adtant \u00e0 la basse d\u2019\u00eatre \u00e0 l\u2019a\u00adve\u00adnant, \u201clead\u201d fun\u00adky jou\u00e9e au plectre&nbsp;: la firme bri\u00adtan\u00adnique Roto\u00adsound leur offrait des jeux de cordes black nylon tape\u00adwound \u201cTru Bass&nbsp;88\u201d.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe class=\"youtube-player\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/EUjMe26vDcA?version=3&amp;rel=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;fs=1&amp;hl=fr-FR&amp;autohide=2&amp;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Et ce qui peut para\u00eetre ici anec\u00addo\u00adtique ou un pla\u00adce\u00adment de pro\u00adduit ne l\u2019est pas. Ces cordes flexibles donnent une cou\u00adleur in\u00e9dite \u00e0 l\u2019en\u00adre\u00adgis\u00adtre\u00adment de His\u00adtoire de Melo\u00addy Nel\u00adson. A l\u2019o\u00adri\u00adgine, elles \u00e9taient con\u00e7ues pour \u00e9mu\u00adler un son de contre\u00adbasse&nbsp;: il s\u2019a\u00adgit d\u2019une corde de type \u201cpia\u00adno\u201d, fil\u00e9e rond, enro\u00adb\u00e9e dans un ruban de nylon noir&nbsp;: on garde donc un cla\u00adquant et des har\u00admo\u00adniques tout en \u00e9vi\u00adtant les bruits de glis\u00adse\u00adments de doigts.<\/p>\n<figure id=\"attachment_3219\" aria-describedby=\"caption-attachment-3219\" style=\"width: 348px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"3219\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2018\/02\/09\/dave-richmond-bassiste-de-histoire-de-melody-nelson-de-gainsbourg\/labella-bntw03\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/labella-bntw03.jpg\" data-orig-size=\"348,195\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"labella-bntw03\" data-image-description data-image-caption=\"<p>Anatomique d'une corde de basse Rotosound Tru Bass 88<\/p>\n\" data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/labella-bntw03.jpg\" class=\"wp-image-3219 size-full\" src=\"http:\/\/www.dispatchbox.net\/wp-content\/labella-bntw03.jpg\" alt width=\"348\" height=\"195\" srcset=\"https:\/\/www.dispatchbox.net\/wp-content\/labella-bntw03.jpg 348w, https:\/\/www.dispatchbox.net\/wp-content\/labella-bntw03-300x168.jpg 300w\" sizes=\"(max-width: 348px) 100vw, 348px\"><figcaption id=\"caption-attachment-3219\" class=\"wp-caption-text\">Ana\u00adto\u00admie d\u2019une corde de basse Roto\u00adsound Tru Bass&nbsp;88<\/figcaption><\/figure>\n<p>Et jus\u00adte\u00adment, Jim Burns, fon\u00adda\u00adteur de la marque Burns, avait conclut un contrat avec Roto\u00adsound et \u00e9qui\u00adpait le mod\u00e8le Black Bison de cordes \u201cblack nylon tapewound\u201d.<\/p>\n<blockquote><p><em>A string that was spe\u00adci\u00adfi\u00adcal\u00adly desi\u00adgned by James How for Jim Burns\u2019s famous Black Bison in&nbsp;1962.<\/em><\/p>\n<p><em>This string emu\u00adlates the upright bass sound and the nea\u00adrest you will ever get to a double bass that can be played as an elec\u00adtric&nbsp;bass.<\/em><\/p>\n<p><em>The magne\u00adtic stain\u00adless steel under\u00adco\u00advers that sit below the spe\u00adcial black nylon tape ensures the best of both worlds by having a bass that is com\u00adfor\u00adtable to handle, that will work with a conven\u00adtio\u00adnal ampli\u00adfier and yet offer a sound so remi\u00adnis\u00adcent of its much lar\u00adger brother.<\/em><\/p><\/blockquote>\n<p>Il y a donc peu de doute \u00e0 avoir sur l\u2019u\u00adti\u00adli\u00adsa\u00adtion de ces cordes sur le disque.<\/p>\n<p>Quoi qu\u2019il en soit, les sources ont conver\u00adg\u00e9&nbsp;: pho\u00adto\u00adgra\u00adphies pri\u00adv\u00e9es de la ses\u00adsion d\u2019en\u00adre\u00adgis\u00adtre\u00adment, les contrats \u00e9crits, sou\u00advent inexis\u00adtants (on est alors pay\u00e9 en fees&nbsp;: une simple com\u00admi\u00adsion r\u00e9su\u00adm\u00e9e \u00e0 quelques billets, g\u00e9n\u00e9\u00adra\u00adle\u00adment entre 15 et 30 \u00a3 de l\u2019\u00e9\u00adpoque !) per\u00admettent plus dif\u00adfi\u00adci\u00adle\u00adment de lever le voile sur l\u2019i\u00adden\u00adti\u00adt\u00e9 des musiciens.<\/p>\n<p>&nbsp;<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe class=\"youtube-player\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/eyZe8mvwHQE?version=3&amp;rel=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;fs=1&amp;hl=fr-FR&amp;autohide=2&amp;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; J\u2019ai creu\u00ads\u00e9 cette affaire pen\u00addant plus de dix ann\u00e9es. En l\u2019ab\u00adsence totale de cr\u00e9\u00addits d\u2019in\u00adter\u00adpr\u00e9\u00adta\u00adtion (le livret est mutique), de nom\u00adbreuses hypo\u00adth\u00e8ses ont cir\u00adcu\u00adl\u00e9 sur l\u2019i\u00adden\u00adti\u00adt\u00e9 des musi\u00adciens assu\u00adrant la ryth\u00admique de His\u00adtoire de Melo\u00addy Nel\u00adson, ce flop com\u00admer\u00adcial pas\u00ads\u00e9 inaper\u00ad\u00e7u en 1971 mais por\u00adt\u00e9 aux nues d\u00e8s les ann\u00e9es 1990 pour atteindre le sta\u00adtut \u201ccultis\u00adsime\u201d dans les ann\u00e9es 2000. Or, en 2011, \u00e0 l\u2019oc\u00adca\u00adsion de recherches ico\u00adno\u00adgra\u00adphiques pour l\u2019illus\u00adtra\u00adtion d\u2019un cof\u00adfret, des pho\u00adto\u00adgra\u00adphies de Gains\u00adbourg au stu\u00addio Marble Arch ont refait sur\u00adface. Il s\u2019a\u00adgit des cli\u00adch\u00e9s r\u00e9a\u00adli\u00ads\u00e9s et conser\u00adv\u00e9s par Tony Frank des\u00adti\u00adn\u00e9s \u00e0 illus\u00adtrer le livret de l\u2019al\u00adbum. Point de Her\u00adbie Flo\u00adwers, mais un Gains\u00adbourg don\u00adnant des indi\u00adca\u00adtions sur la par\u00adti\u00adtion au bas\u00adsiste bri\u00adtan\u00adnique Dave Rich\u00admond. Dave Rich\u00admond est assis devant le pupitre, barbe col\u00adlier de rigueur et lunettes noires, tenant sa splen\u00addide basse Black Bison de la marque Burns. Selon les archives, la ses\u00adsion o\u00f9 est enre\u00adgis\u00adtr\u00e9 le trio gui\u00ad\u00adtare-basse-bat\u00ad\u00adte\u00ad\u00adrie est dat\u00e9e du 21 au 23 avril&nbsp;1970. Dave Rich\u00admond, bas\u00adsiste de Man\u00adfred Mann de 1960 \u00e0 1963 (date \u00e0 laquelle il \u00e9change sa contre\u00adbasse pour la basse Burns) , cesse alors de tour\u00adner avec des groupes pour se concen\u00adtrer uni\u00adque\u00adment sur les s\u00e9ances en stu\u00addio. Il en r\u00e9sulte des par\u00adti\u00adci\u00adpa\u00adtions \u00e0 des albums ou des singles d\u2019in\u00adter\u00adpr\u00e8tes mais aus\u00adsi des enre\u00adgis\u00adtre\u00adments d\u2019ins\u00adtru\u00admen\u00adtaux de \u201clibra\u00adry music\u201d (musique pro\u00adduite dans l\u2019ob\u00adjec\u00adtif d\u2019en accor\u00adder des licences de dif\u00adfu\u00adsion pour la t\u00e9l\u00e9\u00advi\u00adsion et le cin\u00e9\u00adma \u2013 voir mon article ici&nbsp;: La \u201cLibra\u00adry Music\u201d comme genre musi\u00adcal). Dave Rich\u00admond enri\u00adchit du son de sa basse des cata\u00adlogues sonores qui vont illus\u00adtrer les grandes s\u00e9ries de la BBC ou de&nbsp;films. Long\u00adtemps j\u2019ai \u00e9t\u00e9 convain\u00adcu, par com\u00adpa\u00adrai\u00adson, que le bas\u00adsiste n\u2019\u00e9\u00adtait autre que Brian \u201cHer\u00adbie\u201d Flo\u00adwers, un v\u00e9t\u00e9\u00adran des stu\u00addios Tri\u00addent \u00e0 Londres. Pour\u00adquoi&nbsp;? D\u2019a\u00adbord parce lors des concerts hom\u00admages don\u00adn\u00e9s en Europe en 2008, Jean-Claude Van\u00adnier pr\u00e9\u00adsen\u00adtait Flo\u00adwers comme le bas\u00adsiste ori\u00adgi\u00adnal. Ensuite, Her\u00adbie Flo\u00adwers a cette \u00e9du\u00adca\u00adtion musi\u00adcale au tuba et \u00e0 la contre\u00adbasse qui ont par\u00adti\u00adcu\u00adli\u00e8\u00adre\u00adment influen\u00adc\u00e9 son jeu, le pla\u00adce\u00adment de ses notes \u00e0 la basse \u00e9lec\u00adtrique. Par ailleurs, les bas\u00adsistes lon\u00addo\u00adniens ont \u00e9t\u00e9 a l\u2019o\u00adri\u00adgine d\u2019un son plus agres\u00adsif et \u201ccaou\u00adtchou\u00adteux\u201d, per\u00admet\u00adtant \u00e0 la basse d\u2019\u00eatre \u00e0 l\u2019a\u00adve\u00adnant, \u201clead\u201d fun\u00adky jou\u00e9e au plectre&nbsp;: la firme bri\u00adtan\u00adnique Roto\u00adsound leur offrait des jeux de cordes black nylon tape\u00adwound \u201cTru Bass&nbsp;88\u201d. Et ce qui peut para\u00eetre ici anec\u00addo\u00adtique ou un pla\u00adce\u00adment de pro\u00adduit ne l\u2019est pas. Ces cordes flexibles donnent une cou\u00adleur in\u00e9dite \u00e0 l\u2019en\u00adre\u00adgis\u00adtre\u00adment de His\u00adtoire de Melo\u00addy Nel\u00adson. A l\u2019o\u00adri\u00adgine, elles \u00e9taient con\u00e7ues pour \u00e9mu\u00adler un son de contre\u00adbasse&nbsp;: il s\u2019a\u00adgit d\u2019une corde de type \u201cpia\u00adno\u201d, fil\u00e9e rond, enro\u00adb\u00e9e dans un ruban de nylon noir&nbsp;: on garde donc un cla\u00adquant et des har\u00admo\u00adniques tout en \u00e9vi\u00adtant les bruits de glis\u00adse\u00adments de doigts. Et jus\u00adte\u00adment, Jim Burns, fon\u00adda\u00adteur de la marque Burns, avait conclut un contrat avec Roto\u00adsound et \u00e9qui\u00adpait le mod\u00e8le Black Bison de cordes \u201cblack nylon tape\u00adwound\u201d. A string that was spe\u00adci\u00adfi\u00adcal\u00adly desi\u00adgned by James How for Jim Burns\u2019s famous Black Bison in&nbsp;1962. This string emu\u00adlates the upright bass sound and the nea\u00adrest you will ever get to a double bass that can be played as an elec\u00adtric&nbsp;bass. The magne\u00adtic stain\u00adless steel under\u00adco\u00advers that sit below the spe\u00adcial black nylon tape ensures the best of both worlds by having a bass that is com\u00adfor\u00adtable to handle, that will work with a conven\u00adtio\u00adnal ampli\u00adfier and yet offer a sound so remi\u00adnis\u00adcent of its much lar\u00adger bro\u00adther. Il y a donc peu de doute \u00e0 avoir sur l\u2019u\u00adti\u00adli\u00adsa\u00adtion de ces cordes sur le disque. Quoi qu\u2019il en soit, les sources ont conver\u00adg\u00e9&nbsp;: pho\u00adto\u00adgra\u00adphies pri\u00adv\u00e9es de la ses\u00adsion d\u2019en\u00adre\u00adgis\u00adtre\u00adment, les contrats \u00e9crits, sou\u00advent inexis\u00adtants (on est alors pay\u00e9 en fees&nbsp;: une simple com\u00admi\u00adsion r\u00e9su\u00adm\u00e9e \u00e0 quelques billets, g\u00e9n\u00e9\u00adra\u00adle\u00adment entre 15 et 30 \u00a3 de l\u2019\u00e9\u00adpoque !) per\u00admettent plus dif\u00adfi\u00adci\u00adle\u00adment de lever le voile sur l\u2019i\u00adden\u00adti\u00adt\u00e9 des musiciens.&nbsp;<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_s2mail":"yes","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4,34,50,21,612,616,3,614,613,31,19],"tags":[572,632,634,633],"class_list":["post-3211","post","type-post","status-publish","format-standard","hentry","category-basse","category-contrebasse","category-disques","category-gainsbourg","category-industrie-musicale","category-musiciens-anonymes","category-musique","category-musique-populaire","category-production-musicale","category-psychedelique","category-rock","tag-basse","tag-gainsbourg","tag-londres","tag-studios"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Dave Richmond, bassiste de Histoire de Melody Nelson de Gainsbourg - Dispatch\/Box<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.dispatchbox.net\/index.php\/2018\/02\/09\/dave-richmond-bassiste-de-histoire-de-melody-nelson-de-gainsbourg\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dave Richmond, bassiste de Histoire de Melody Nelson de Gainsbourg - Dispatch\/Box\" \/>\n<meta property=\"og:description\" content=\"&nbsp; J\u2019ai creu\u00ads\u00e9 cette affaire pen\u00addant plus de dix ann\u00e9es. En l\u2019ab\u00adsence totale de cr\u00e9\u00addits d\u2019in\u00adter\u00adpr\u00e9\u00adta\u00adtion (le livret est mutique), de nom\u00adbreuses hypo\u00adth\u00e8ses ont cir\u00adcu\u00adl\u00e9 sur l\u2019i\u00adden\u00adti\u00adt\u00e9 des musi\u00adciens assu\u00adrant la ryth\u00admique de His\u00adtoire de Melo\u00addy Nel\u00adson, ce flop com\u00admer\u00adcial pas\u00ads\u00e9 inaper\u00ad\u00e7u en 1971 mais por\u00adt\u00e9 aux nues d\u00e8s les ann\u00e9es 1990 pour atteindre le sta\u00adtut \u201ccultis\u00adsime\u201d dans les ann\u00e9es 2000. Or, en 2011, \u00e0 l\u2019oc\u00adca\u00adsion de recherches ico\u00adno\u00adgra\u00adphiques pour l\u2019illus\u00adtra\u00adtion d\u2019un cof\u00adfret, des pho\u00adto\u00adgra\u00adphies de Gains\u00adbourg au stu\u00addio Marble Arch ont refait sur\u00adface. Il s\u2019a\u00adgit des cli\u00adch\u00e9s r\u00e9a\u00adli\u00ads\u00e9s et conser\u00adv\u00e9s par Tony Frank des\u00adti\u00adn\u00e9s \u00e0 illus\u00adtrer le livret de l\u2019al\u00adbum. Point de Her\u00adbie Flo\u00adwers, mais un Gains\u00adbourg don\u00adnant des indi\u00adca\u00adtions sur la par\u00adti\u00adtion au bas\u00adsiste bri\u00adtan\u00adnique Dave Rich\u00admond. Dave Rich\u00admond est assis devant le pupitre, barbe col\u00adlier de rigueur et lunettes noires, tenant sa splen\u00addide basse Black Bison de la marque Burns. Selon les archives, la ses\u00adsion o\u00f9 est enre\u00adgis\u00adtr\u00e9 le trio gui\u00adtare-basse-bat\u00adte\u00adrie est dat\u00e9e du 21 au 23 avril&nbsp;1970. Dave Rich\u00admond, bas\u00adsiste de Man\u00adfred Mann de 1960 \u00e0 1963 (date \u00e0 laquelle il \u00e9change sa contre\u00adbasse pour la basse Burns) , cesse alors de tour\u00adner avec des groupes pour se concen\u00adtrer uni\u00adque\u00adment sur les s\u00e9ances en stu\u00addio. Il en r\u00e9sulte des par\u00adti\u00adci\u00adpa\u00adtions \u00e0 des albums ou des singles d\u2019in\u00adter\u00adpr\u00e8tes mais aus\u00adsi des enre\u00adgis\u00adtre\u00adments d\u2019ins\u00adtru\u00admen\u00adtaux de \u201clibra\u00adry music\u201d (musique pro\u00adduite dans l\u2019ob\u00adjec\u00adtif d\u2019en accor\u00adder des licences de dif\u00adfu\u00adsion pour la t\u00e9l\u00e9\u00advi\u00adsion et le cin\u00e9\u00adma \u2013 voir mon article ici&nbsp;: La \u201cLibra\u00adry Music\u201d comme genre musi\u00adcal). Dave Rich\u00admond enri\u00adchit du son de sa basse des cata\u00adlogues sonores qui vont illus\u00adtrer les grandes s\u00e9ries de la BBC ou de&nbsp;films. Long\u00adtemps j\u2019ai \u00e9t\u00e9 convain\u00adcu, par com\u00adpa\u00adrai\u00adson, que le bas\u00adsiste n\u2019\u00e9\u00adtait autre que Brian \u201cHer\u00adbie\u201d Flo\u00adwers, un v\u00e9t\u00e9\u00adran des stu\u00addios Tri\u00addent \u00e0 Londres. Pour\u00adquoi&nbsp;? D\u2019a\u00adbord parce lors des concerts hom\u00admages don\u00adn\u00e9s en Europe en 2008, Jean-Claude Van\u00adnier pr\u00e9\u00adsen\u00adtait Flo\u00adwers comme le bas\u00adsiste ori\u00adgi\u00adnal. Ensuite, Her\u00adbie Flo\u00adwers a cette \u00e9du\u00adca\u00adtion musi\u00adcale au tuba et \u00e0 la contre\u00adbasse qui ont par\u00adti\u00adcu\u00adli\u00e8\u00adre\u00adment influen\u00adc\u00e9 son jeu, le pla\u00adce\u00adment de ses notes \u00e0 la basse \u00e9lec\u00adtrique. Par ailleurs, les bas\u00adsistes lon\u00addo\u00adniens ont \u00e9t\u00e9 a l\u2019o\u00adri\u00adgine d\u2019un son plus agres\u00adsif et \u201ccaou\u00adtchou\u00adteux\u201d, per\u00admet\u00adtant \u00e0 la basse d\u2019\u00eatre \u00e0 l\u2019a\u00adve\u00adnant, \u201clead\u201d fun\u00adky jou\u00e9e au plectre&nbsp;: la firme bri\u00adtan\u00adnique Roto\u00adsound leur offrait des jeux de cordes black nylon tape\u00adwound \u201cTru Bass&nbsp;88\u201d. Et ce qui peut para\u00eetre ici anec\u00addo\u00adtique ou un pla\u00adce\u00adment de pro\u00adduit ne l\u2019est pas. Ces cordes flexibles donnent une cou\u00adleur in\u00e9dite \u00e0 l\u2019en\u00adre\u00adgis\u00adtre\u00adment de His\u00adtoire de Melo\u00addy Nel\u00adson. A l\u2019o\u00adri\u00adgine, elles \u00e9taient con\u00e7ues pour \u00e9mu\u00adler un son de contre\u00adbasse&nbsp;: il s\u2019a\u00adgit d\u2019une corde de type \u201cpia\u00adno\u201d, fil\u00e9e rond, enro\u00adb\u00e9e dans un ruban de nylon noir&nbsp;: on garde donc un cla\u00adquant et des har\u00admo\u00adniques tout en \u00e9vi\u00adtant les bruits de glis\u00adse\u00adments de doigts. Et jus\u00adte\u00adment, Jim Burns, fon\u00adda\u00adteur de la marque Burns, avait conclut un contrat avec Roto\u00adsound et \u00e9qui\u00adpait le mod\u00e8le Black Bison de cordes \u201cblack nylon tapewound\u201d. A string that was spe\u00adci\u00adfi\u00adcal\u00adly desi\u00adgned by James How for Jim Burns\u2019s famous Black Bison in&nbsp;1962. This string emu\u00adlates the upright bass sound and the nea\u00adrest you will ever get to a double bass that can be played as an elec\u00adtric&nbsp;bass. The magne\u00adtic stain\u00adless steel under\u00adco\u00advers that sit below the spe\u00adcial black nylon tape ensures the best of both worlds by having a bass that is com\u00adfor\u00adtable to handle, that will work with a conven\u00adtio\u00adnal ampli\u00adfier and yet offer a sound so remi\u00adnis\u00adcent of its much lar\u00adger brother. Il y a donc peu de doute \u00e0 avoir sur l\u2019u\u00adti\u00adli\u00adsa\u00adtion de ces cordes sur le disque. Quoi qu\u2019il en soit, les sources ont conver\u00adg\u00e9&nbsp;: pho\u00adto\u00adgra\u00adphies pri\u00adv\u00e9es de la ses\u00adsion d\u2019en\u00adre\u00adgis\u00adtre\u00adment, les contrats \u00e9crits, sou\u00advent inexis\u00adtants (on est alors pay\u00e9 en fees&nbsp;: une simple com\u00admi\u00adsion r\u00e9su\u00adm\u00e9e \u00e0 quelques billets, g\u00e9n\u00e9\u00adra\u00adle\u00adment entre 15 et 30 \u00a3 de l\u2019\u00e9\u00adpoque !) per\u00admettent plus dif\u00adfi\u00adci\u00adle\u00adment de lever le voile sur l\u2019i\u00adden\u00adti\u00adt\u00e9 des musiciens. &nbsp;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.dispatchbox.net\/index.php\/2018\/02\/09\/dave-richmond-bassiste-de-histoire-de-melody-nelson-de-gainsbourg\/\" \/>\n<meta property=\"og:site_name\" content=\"Dispatch\/Box\" \/>\n<meta property=\"article:published_time\" content=\"2018-02-09T05:48:31+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2018-02-09T14:12:14+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.dispatchbox.net\/wp-content\/b1f7d557d6de8bd5e64345a3a32c15cb-178x300.jpg\" \/>\n<meta name=\"author\" content=\"Jeremy Jeanguenin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:site\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jeremy Jeanguenin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2018\\\/02\\\/09\\\/dave-richmond-bassiste-de-histoire-de-melody-nelson-de-gainsbourg\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2018\\\/02\\\/09\\\/dave-richmond-bassiste-de-histoire-de-melody-nelson-de-gainsbourg\\\/\"},\"author\":{\"name\":\"Jeremy Jeanguenin\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/#\\\/schema\\\/person\\\/9db7c9c41e0594fa08428d8b7007e253\"},\"headline\":\"Dave Richmond, bassiste de Histoire de Melody Nelson de Gainsbourg\",\"datePublished\":\"2018-02-09T05:48:31+00:00\",\"dateModified\":\"2018-02-09T14:12:14+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2018\\\/02\\\/09\\\/dave-richmond-bassiste-de-histoire-de-melody-nelson-de-gainsbourg\\\/\"},\"wordCount\":767,\"image\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2018\\\/02\\\/09\\\/dave-richmond-bassiste-de-histoire-de-melody-nelson-de-gainsbourg\\\/#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/www.dispatchbox.net\\\/wp-content\\\/b1f7d557d6de8bd5e64345a3a32c15cb-178x300.jpg\",\"keywords\":[\"Basse\",\"Gainsbourg\",\"Londres\",\"Studios\"],\"articleSection\":[\"Basse\",\"Contrebasse\",\"Disques\",\"Gainsbourg\",\"Industrie musicale\",\"Musiciens anonymes\",\"Musique\",\"Musique populaire\",\"Production musicale\",\"Psych\u00e9d\u00e9lique\",\"Rock\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2018\\\/02\\\/09\\\/dave-richmond-bassiste-de-histoire-de-melody-nelson-de-gainsbourg\\\/\",\"url\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2018\\\/02\\\/09\\\/dave-richmond-bassiste-de-histoire-de-melody-nelson-de-gainsbourg\\\/\",\"name\":\"Dave Richmond, bassiste de Histoire de Melody Nelson de Gainsbourg - 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Dispatch\/Box","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.dispatchbox.net\/index.php\/2018\/02\/09\/dave-richmond-bassiste-de-histoire-de-melody-nelson-de-gainsbourg\/","og_locale":"fr_FR","og_type":"article","og_title":"Dave Richmond, bassiste de Histoire de Melody Nelson de Gainsbourg - Dispatch\/Box","og_description":"&nbsp; J\u2019ai creu\u00ads\u00e9 cette affaire pen\u00addant plus de dix ann\u00e9es. En l\u2019ab\u00adsence totale de cr\u00e9\u00addits d\u2019in\u00adter\u00adpr\u00e9\u00adta\u00adtion (le livret est mutique), de nom\u00adbreuses hypo\u00adth\u00e8ses ont cir\u00adcu\u00adl\u00e9 sur l\u2019i\u00adden\u00adti\u00adt\u00e9 des musi\u00adciens assu\u00adrant la ryth\u00admique de His\u00adtoire de Melo\u00addy Nel\u00adson, ce flop com\u00admer\u00adcial pas\u00ads\u00e9 inaper\u00ad\u00e7u en 1971 mais por\u00adt\u00e9 aux nues d\u00e8s les ann\u00e9es 1990 pour atteindre le sta\u00adtut \u201ccultis\u00adsime\u201d dans les ann\u00e9es 2000. Or, en 2011, \u00e0 l\u2019oc\u00adca\u00adsion de recherches ico\u00adno\u00adgra\u00adphiques pour l\u2019illus\u00adtra\u00adtion d\u2019un cof\u00adfret, des pho\u00adto\u00adgra\u00adphies de Gains\u00adbourg au stu\u00addio Marble Arch ont refait sur\u00adface. Il s\u2019a\u00adgit des cli\u00adch\u00e9s r\u00e9a\u00adli\u00ads\u00e9s et conser\u00adv\u00e9s par Tony Frank des\u00adti\u00adn\u00e9s \u00e0 illus\u00adtrer le livret de l\u2019al\u00adbum. Point de Her\u00adbie Flo\u00adwers, mais un Gains\u00adbourg don\u00adnant des indi\u00adca\u00adtions sur la par\u00adti\u00adtion au bas\u00adsiste bri\u00adtan\u00adnique Dave Rich\u00admond. Dave Rich\u00admond est assis devant le pupitre, barbe col\u00adlier de rigueur et lunettes noires, tenant sa splen\u00addide basse Black Bison de la marque Burns. Selon les archives, la ses\u00adsion o\u00f9 est enre\u00adgis\u00adtr\u00e9 le trio gui\u00adtare-basse-bat\u00adte\u00adrie est dat\u00e9e du 21 au 23 avril&nbsp;1970. Dave Rich\u00admond, bas\u00adsiste de Man\u00adfred Mann de 1960 \u00e0 1963 (date \u00e0 laquelle il \u00e9change sa contre\u00adbasse pour la basse Burns) , cesse alors de tour\u00adner avec des groupes pour se concen\u00adtrer uni\u00adque\u00adment sur les s\u00e9ances en stu\u00addio. Il en r\u00e9sulte des par\u00adti\u00adci\u00adpa\u00adtions \u00e0 des albums ou des singles d\u2019in\u00adter\u00adpr\u00e8tes mais aus\u00adsi des enre\u00adgis\u00adtre\u00adments d\u2019ins\u00adtru\u00admen\u00adtaux de \u201clibra\u00adry music\u201d (musique pro\u00adduite dans l\u2019ob\u00adjec\u00adtif d\u2019en accor\u00adder des licences de dif\u00adfu\u00adsion pour la t\u00e9l\u00e9\u00advi\u00adsion et le cin\u00e9\u00adma \u2013 voir mon article ici&nbsp;: La \u201cLibra\u00adry Music\u201d comme genre musi\u00adcal). Dave Rich\u00admond enri\u00adchit du son de sa basse des cata\u00adlogues sonores qui vont illus\u00adtrer les grandes s\u00e9ries de la BBC ou de&nbsp;films. Long\u00adtemps j\u2019ai \u00e9t\u00e9 convain\u00adcu, par com\u00adpa\u00adrai\u00adson, que le bas\u00adsiste n\u2019\u00e9\u00adtait autre que Brian \u201cHer\u00adbie\u201d Flo\u00adwers, un v\u00e9t\u00e9\u00adran des stu\u00addios Tri\u00addent \u00e0 Londres. Pour\u00adquoi&nbsp;? D\u2019a\u00adbord parce lors des concerts hom\u00admages don\u00adn\u00e9s en Europe en 2008, Jean-Claude Van\u00adnier pr\u00e9\u00adsen\u00adtait Flo\u00adwers comme le bas\u00adsiste ori\u00adgi\u00adnal. Ensuite, Her\u00adbie Flo\u00adwers a cette \u00e9du\u00adca\u00adtion musi\u00adcale au tuba et \u00e0 la contre\u00adbasse qui ont par\u00adti\u00adcu\u00adli\u00e8\u00adre\u00adment influen\u00adc\u00e9 son jeu, le pla\u00adce\u00adment de ses notes \u00e0 la basse \u00e9lec\u00adtrique. Par ailleurs, les bas\u00adsistes lon\u00addo\u00adniens ont \u00e9t\u00e9 a l\u2019o\u00adri\u00adgine d\u2019un son plus agres\u00adsif et \u201ccaou\u00adtchou\u00adteux\u201d, per\u00admet\u00adtant \u00e0 la basse d\u2019\u00eatre \u00e0 l\u2019a\u00adve\u00adnant, \u201clead\u201d fun\u00adky jou\u00e9e au plectre&nbsp;: la firme bri\u00adtan\u00adnique Roto\u00adsound leur offrait des jeux de cordes black nylon tape\u00adwound \u201cTru Bass&nbsp;88\u201d. Et ce qui peut para\u00eetre ici anec\u00addo\u00adtique ou un pla\u00adce\u00adment de pro\u00adduit ne l\u2019est pas. Ces cordes flexibles donnent une cou\u00adleur in\u00e9dite \u00e0 l\u2019en\u00adre\u00adgis\u00adtre\u00adment de His\u00adtoire de Melo\u00addy Nel\u00adson. A l\u2019o\u00adri\u00adgine, elles \u00e9taient con\u00e7ues pour \u00e9mu\u00adler un son de contre\u00adbasse&nbsp;: il s\u2019a\u00adgit d\u2019une corde de type \u201cpia\u00adno\u201d, fil\u00e9e rond, enro\u00adb\u00e9e dans un ruban de nylon noir&nbsp;: on garde donc un cla\u00adquant et des har\u00admo\u00adniques tout en \u00e9vi\u00adtant les bruits de glis\u00adse\u00adments de doigts. Et jus\u00adte\u00adment, Jim Burns, fon\u00adda\u00adteur de la marque Burns, avait conclut un contrat avec Roto\u00adsound et \u00e9qui\u00adpait le mod\u00e8le Black Bison de cordes \u201cblack nylon tapewound\u201d. A string that was spe\u00adci\u00adfi\u00adcal\u00adly desi\u00adgned by James How for Jim Burns\u2019s famous Black Bison in&nbsp;1962. This string emu\u00adlates the upright bass sound and the nea\u00adrest you will ever get to a double bass that can be played as an elec\u00adtric&nbsp;bass. The magne\u00adtic stain\u00adless steel under\u00adco\u00advers that sit below the spe\u00adcial black nylon tape ensures the best of both worlds by having a bass that is com\u00adfor\u00adtable to handle, that will work with a conven\u00adtio\u00adnal ampli\u00adfier and yet offer a sound so remi\u00adnis\u00adcent of its much lar\u00adger brother. Il y a donc peu de doute \u00e0 avoir sur l\u2019u\u00adti\u00adli\u00adsa\u00adtion de ces cordes sur le disque. Quoi qu\u2019il en soit, les sources ont conver\u00adg\u00e9&nbsp;: pho\u00adto\u00adgra\u00adphies pri\u00adv\u00e9es de la ses\u00adsion d\u2019en\u00adre\u00adgis\u00adtre\u00adment, les contrats \u00e9crits, sou\u00advent inexis\u00adtants (on est alors pay\u00e9 en fees&nbsp;: une simple com\u00admi\u00adsion r\u00e9su\u00adm\u00e9e \u00e0 quelques billets, g\u00e9n\u00e9\u00adra\u00adle\u00adment entre 15 et 30 \u00a3 de l\u2019\u00e9\u00adpoque !) per\u00admettent plus dif\u00adfi\u00adci\u00adle\u00adment de lever le voile sur l\u2019i\u00adden\u00adti\u00adt\u00e9 des musiciens. &nbsp;","og_url":"https:\/\/www.dispatchbox.net\/index.php\/2018\/02\/09\/dave-richmond-bassiste-de-histoire-de-melody-nelson-de-gainsbourg\/","og_site_name":"Dispatch\/Box","article_published_time":"2018-02-09T05:48:31+00:00","article_modified_time":"2018-02-09T14:12:14+00:00","og_image":[{"url":"http:\/\/www.dispatchbox.net\/wp-content\/b1f7d557d6de8bd5e64345a3a32c15cb-178x300.jpg","type":"","width":"","height":""}],"author":"Jeremy Jeanguenin","twitter_card":"summary_large_image","twitter_creator":"@dispatch_box","twitter_site":"@dispatch_box","twitter_misc":{"\u00c9crit par":"Jeremy Jeanguenin","Dur\u00e9e de lecture estim\u00e9e":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.dispatchbox.net\/index.php\/2018\/02\/09\/dave-richmond-bassiste-de-histoire-de-melody-nelson-de-gainsbourg\/#article","isPartOf":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2018\/02\/09\/dave-richmond-bassiste-de-histoire-de-melody-nelson-de-gainsbourg\/"},"author":{"name":"Jeremy Jeanguenin","@id":"https:\/\/www.dispatchbox.net\/#\/schema\/person\/9db7c9c41e0594fa08428d8b7007e253"},"headline":"Dave Richmond, bassiste de Histoire de Melody Nelson de Gainsbourg","datePublished":"2018-02-09T05:48:31+00:00","dateModified":"2018-02-09T14:12:14+00:00","mainEntityOfPage":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2018\/02\/09\/dave-richmond-bassiste-de-histoire-de-melody-nelson-de-gainsbourg\/"},"wordCount":767,"image":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2018\/02\/09\/dave-richmond-bassiste-de-histoire-de-melody-nelson-de-gainsbourg\/#primaryimage"},"thumbnailUrl":"http:\/\/www.dispatchbox.net\/wp-content\/b1f7d557d6de8bd5e64345a3a32c15cb-178x300.jpg","keywords":["Basse","Gainsbourg","Londres","Studios"],"articleSection":["Basse","Contrebasse","Disques","Gainsbourg","Industrie musicale","Musiciens anonymes","Musique","Musique populaire","Production musicale","Psych\u00e9d\u00e9lique","Rock"],"inLanguage":"fr-FR"},{"@type":"WebPage","@id":"https:\/\/www.dispatchbox.net\/index.php\/2018\/02\/09\/dave-richmond-bassiste-de-histoire-de-melody-nelson-de-gainsbourg\/","url":"https:\/\/www.dispatchbox.net\/index.php\/2018\/02\/09\/dave-richmond-bassiste-de-histoire-de-melody-nelson-de-gainsbourg\/","name":"Dave Richmond, bassiste de Histoire de Melody Nelson de Gainsbourg - 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Il est vrai que Carrousel \u00e9tait une formation exclusive et in\u00e9dite \u00e0 La R\u00e9union, par son d\u00e9sir d'innover et d'explorer. On a souvent, semble-t-il, cantonn\u00e9 le groupe \u00e0 une version un peu\u2026","rel":"","context":"Dans &quot;Musique&quot;","block_context":{"text":"Musique","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/musique\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/carrousel-blog-1024x1024.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/carrousel-blog-1024x1024.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/carrousel-blog-1024x1024.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":1828,"url":"https:\/\/www.dispatchbox.net\/index.php\/2010\/11\/01\/michael-henderson-dans-jazz-hot-1973\/","url_meta":{"origin":3211,"position":1},"title":"Michael Henderson dans Jazz Hot (1973)","author":"Jeremy Jeanguenin","date":"01\/11\/2010","format":false,"excerpt":"Je continue de recenser quelques noms des piliers de la basse chez Motown, \u00e0 la suite de James Jamerson, Bob Babbitt (une allusion seulement, j'y reviens bient\u00f4t), Wilton Felder. Nous continuerons d'\u00e9voquer d'autres bassistes dont l'influence aura \u00e9t\u00e9 d\u00e9terminante sur la musique populaire telle que nous la connaissons. 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La divine Yvette Stevens (\u00e0 l'\u00e9tat civil), n'est pas tout \u00e0 fait s\u00e9par\u00e9e de Rufus mais\u2026","rel":"","context":"Dans &quot;Figures De La Soul&quot;","block_context":{"text":"Figures De La Soul","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/figures-de-la-soul\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/chaka_khan.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":3039,"url":"https:\/\/www.dispatchbox.net\/index.php\/2016\/12\/13\/library-music-genre-musical\/","url_meta":{"origin":3211,"position":3},"title":"La \u201cLibrary Music\u201d comme genre musical","author":"Jeremy Jeanguenin","date":"13\/12\/2016","format":false,"excerpt":"Library music\u00a0gives us a picture of the way day-to-day music sounded decades ago. Rien \u00e0 voir avec les biblioth\u00e8ques, mais un peu quand m\u00eame. Plut\u00f4t, il y a \u00e0 voir avec la notion de collection. La \"Library Music\" a \u00e9t\u00e9 un mod\u00e8le de d\u00e9veloppement \u00e9conomique de l'industrie musicale britannique qui\u2026","rel":"","context":"Dans &quot;Cin\u00e9ma&quot;","block_context":{"text":"Cin\u00e9ma","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/cinema\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/inicenter-img600x399-1434548966uyhivz1357-300x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":10726,"url":"https:\/\/www.dispatchbox.net\/index.php\/2024\/06\/19\/charles-wright-the-watts-103rd-street-rhythm-band\/","url_meta":{"origin":3211,"position":4},"title":"Charles Wright &amp; the Watts 103rd Street Rhythm Band","author":"Jeremy Jeanguenin","date":"19\/06\/2024","format":false,"excerpt":"\"Exprime-toi !\" Tel est l'hymne de ce groupe relativement \u00e9ph\u00e9m\u00e8re, puisqu'il ne produira que trois albums entre 1967 et 1969. Charles Wright, natif du Mississippi qui migra en Californie \u00e0 l'\u00e2ge de 12 ans, poursuivra sa carri\u00e8re de chanteur en solo. Pourtant, le groupe qui l'accompagne, le Watts 103rd Street\u2026","rel":"","context":"Dans &quot;Figures De La Soul&quot;","block_context":{"text":"Figures De La Soul","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/figures-de-la-soul\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/51YJTk8NWGL-300x295.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":9444,"url":"https:\/\/www.dispatchbox.net\/index.php\/2023\/08\/26\/solar-records-de-chicago-a-los-angeles\/","url_meta":{"origin":3211,"position":5},"title":"SOLAR Records&nbsp;: de Chicago \u00e0  Los Angeles","author":"Jeremy Jeanguenin","date":"26\/08\/2023","format":false,"excerpt":"Alors que je recherchais des informations sur l'\u00e9closion du sous-genre Boogie (funk et\/ou disco) \u00e0 la fin des ann\u00e9es 1970, je me suis attard\u00e9, certes par go\u00fbt, sur Leon Sylvers III. Leon Sylvers est issu d'une grande famille musicale (d'o\u00f9 le nom du groupe fond\u00e9 avec sa fratrie, The Sylvers).\u2026","rel":"","context":"Dans &quot;Musique&quot;","block_context":{"text":"Musique","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/musique\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/The-Sylvers-Album-Cover.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/The-Sylvers-Album-Cover.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/The-Sylvers-Album-Cover.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts\/3211","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/comments?post=3211"}],"version-history":[{"count":0,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts\/3211\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/media?parent=3211"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/categories?post=3211"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/tags?post=3211"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}