{"id":5097,"date":"2019-08-19T05:37:56","date_gmt":"2019-08-19T05:37:56","guid":{"rendered":"http:\/\/www.dispatchbox.net\/?p=5097"},"modified":"2019-08-22T12:50:24","modified_gmt":"2019-08-22T12:50:24","slug":"ernie-barnes","status":"publish","type":"post","link":"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/19\/ernie-barnes\/","title":{"rendered":"Ernie Barnes"},"content":{"rendered":"<p>Le peintre Ernie Barnes (1938 \u2013 2009) a illus\u00adtr\u00e9 plu\u00adsieurs albums embl\u00e9\u00adma\u00adtiques des ann\u00e9es 1970. Ain\u00adsi, son <em>Sugar Shack<\/em> a mar\u00adqu\u00e9 les esprits, en deve\u00adnant l\u2019illus\u00adtra\u00adtion de pochette de l\u2019al\u00adbum <em>I Want You<\/em> de Mar\u00advin Gaye, en 1976. Ce th\u00e8me nous per\u00admet d\u2019a\u00adbor\u00adder une rela\u00adtion assez rare et sin\u00adgu\u00adli\u00e8re entre le monde des arts et le&nbsp;sport.<\/p>\n<figure id=\"attachment_5275\" aria-describedby=\"caption-attachment-5275\" style=\"width: 500px\" class=\"wp-caption aligncenter\"><img fetchpriority=\"high\" decoding=\"async\" data-attachment-id=\"5275\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/19\/ernie-barnes\/marvin-gaye-i-want-you-album-cover-web-optimised-820\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/Marvin-Gaye-I-Want-You-Album-Cover-web-optimised-820.jpg\" data-orig-size=\"820,820\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"I Want You - Marvin Gaye\" data-image-description data-image-caption=\"<p>Pochette de l'album, 1976. Tamla Motown.<\/p>\n\" data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/Marvin-Gaye-I-Want-You-Album-Cover-web-optimised-820.jpg\" class=\"wp-image-5275\" src=\"https:\/\/www.dispatchbox.net\/wp-content\/Marvin-Gaye-I-Want-You-Album-Cover-web-optimised-820.jpg\" alt width=\"500\" height=\"500\" srcset=\"https:\/\/www.dispatchbox.net\/wp-content\/Marvin-Gaye-I-Want-You-Album-Cover-web-optimised-820.jpg 820w, https:\/\/www.dispatchbox.net\/wp-content\/Marvin-Gaye-I-Want-You-Album-Cover-web-optimised-820-150x150.jpg 150w, https:\/\/www.dispatchbox.net\/wp-content\/Marvin-Gaye-I-Want-You-Album-Cover-web-optimised-820-300x300.jpg 300w, https:\/\/www.dispatchbox.net\/wp-content\/Marvin-Gaye-I-Want-You-Album-Cover-web-optimised-820-768x768.jpg 768w\" sizes=\"(max-width: 500px) 100vw, 500px\"><figcaption id=\"caption-attachment-5275\" class=\"wp-caption-text\">Pochette de l\u2019al\u00adbum, 1976. Tam\u00adla Motown.<\/figcaption><\/figure>\n<h2>Un sportif visuel<\/h2>\n<p>Ernie Barnes \u00e9tait autant ath\u00adl\u00e8te qu\u2019ar\u00adtiste visuel. Talent plu\u00adriel, il a jou\u00e9 de sur\u00adcro\u00eet \u00e0 haut niveau en int\u00e9\u00adgrant de pres\u00adti\u00adgieuses \u00e9quipes de foot\u00adball am\u00e9\u00adri\u00adcain (Bal\u00adti\u00admore, New York, San Die\u00adgo, Den\u00adver\u2026 avant de mettre le cap sur le Cana\u00adda pour ache\u00adver sa car\u00adri\u00e8re sportive).<\/p>\n<h2>D\u00e9s\u00e9gr\u00e9gation et engagement artistique<\/h2>\n<p>Les pr\u00e9\u00admices de son accul\u00adtu\u00adra\u00adtion aux arts ne lais\u00adsaient que peut de chances d\u2019es\u00adp\u00e9\u00adrer son suc\u00adc\u00e8s dans le domaine. En effet, \u00e0 18 ans, l\u2019oc\u00adca\u00adsion lui est don\u00adn\u00e9e de visi\u00adter, avec sa classe de lyc\u00e9e, le North Caro\u00adli\u00adna Museum of Art de Raleigh. Ce der\u00adnier est alors en pleine \u201cd\u00e9s\u00e9\u00adgr\u00e9\u00adga\u00adtion\u201d. Sur\u00adpris, Barnes deman\u00adda o\u00f9 se trou\u00advaient \u201cles pein\u00adtures d\u2019ar\u00adtistes n\u00e8gres\u201d. Le doyen eut pour r\u00e9ponse, laco\u00adnique&nbsp;: <em>\u201cCe n\u2019est pas de cette fa\u00e7on que s\u2019ex\u00adprime votre peuple\u201d<\/em>.<\/p>\n<p>Or, iro\u00adni\u00adque\u00adment, \u201cThe Sugar Shack\u201d, pos\u00ads\u00e9\u00add\u00e9 par un couple de col\u00adlec\u00adtion\u00adneurs pri\u00adv\u00e9s, Jean\u00adnine et Jim Epstein, a \u00e9t\u00e9 pr\u00ea\u00adt\u00e9 \u00e0 ce m\u00eame&nbsp;mus\u00e9e.<\/p>\n<p>Il est pour\u00adtant enga\u00adg\u00e9 comme artiste offi\u00adciel par les ligues spor\u00adtives (la NFL, notam\u00adment). Son men\u00adtor Ed Wil\u00adson lui ensei\u00adgna alors que l\u2019ar\u00adtiste devait mettre sa vie dans son \u0153uvre, \u00e0 tra\u00advers ses exp\u00e9\u00adriences, ses r\u00e9a\u00adli\u00adsa\u00adtions,&nbsp; ses coutumes.<\/p>\n<h2>Une \u0153uvre symbolique&nbsp;: <em>The Sugar&nbsp;Shack<\/em><\/h2>\n<p>Attar\u00addons-nous sur <em>The Sugar Shack<\/em>, que l\u2019on peut tra\u00adduire en fran\u00ad\u00e7ais par l\u2019ex\u00adpres\u00adsion \u201ccabane \u00e0 sucre\u201d. L\u2019\u0153uvre pic\u00adtu\u00adrale met en sc\u00e8ne un bal noir qui a lieu dans une construc\u00adtion de bois. Cette toile a \u00e9t\u00e9 cr\u00e9\u00e9e par Barnes en 1971. En pre\u00admier lieu, elle ser\u00advit \u00e0 illus\u00adtrer la s\u00e9rie TV <em>Good Times<\/em> avant de se retrou\u00adver en illus\u00adtra\u00adtion du 33 tours de Mar\u00advin&nbsp;Gaye.<\/p>\n<figure id=\"attachment_5279\" aria-describedby=\"caption-attachment-5279\" style=\"width: 800px\" class=\"wp-caption alignnone\"><img decoding=\"async\" data-attachment-id=\"5279\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/19\/ernie-barnes\/ernie_barnes_exhibit_49387\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/Ernie_Barnes_Exhibit_49387.jpg\" data-orig-size=\"1140,804\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"The Sugar Shack\" data-image-description=\"<p>Visuel de la peinture originale, reprise et modifi\u00e9e pour la pochette du disque de Marvin Gaye en 1976.<\/p>\n\" data-image-caption=\"<p>&quot;The Sugar Shack&quot;, peinture de Ernie Barnes (1971). \u00a9 Ernie Barnes Family Trust.<\/p>\n\" data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/Ernie_Barnes_Exhibit_49387-1024x722.jpg\" class=\"wp-image-5279\" src=\"https:\/\/www.dispatchbox.net\/wp-content\/Ernie_Barnes_Exhibit_49387-300x212.jpg\" alt width=\"800\" height=\"564\" srcset=\"https:\/\/www.dispatchbox.net\/wp-content\/Ernie_Barnes_Exhibit_49387-300x212.jpg 300w, https:\/\/www.dispatchbox.net\/wp-content\/Ernie_Barnes_Exhibit_49387-768x542.jpg 768w, https:\/\/www.dispatchbox.net\/wp-content\/Ernie_Barnes_Exhibit_49387-1024x722.jpg 1024w, https:\/\/www.dispatchbox.net\/wp-content\/Ernie_Barnes_Exhibit_49387.jpg 1140w\" sizes=\"(max-width: 800px) 100vw, 800px\"><figcaption id=\"caption-attachment-5279\" class=\"wp-caption-text\">\u201cThe Sugar Shack\u201d, pein\u00adture de Ernie Barnes (1971). \u00a9 Ernie Barnes Fami\u00adly&nbsp;Trust.<\/figcaption><\/figure>\n<p>Cette pein\u00adture \u00e9voque les dan\u00adcings afri\u00adcains-am\u00e9\u00adri\u00adcains typiques du <em>chit\u00adlin\u2019 cir\u00adcuit<\/em> (les bars mal\u00adfa\u00adm\u00e9s r\u00e9ser\u00adv\u00e9s aux noirs, o\u00f9 les tripes de porcs frites \u00e9taient ser\u00advies en quan\u00adti\u00adt\u00e9). Elle fai\u00adsait r\u00e9f\u00e9\u00adrences aux dan\u00adcings o\u00f9 r\u00e9gnaient sen\u00adsua\u00adli\u00adt\u00e9 et moi\u00adteur. De plus, \u00e9tant, inter\u00addits \u00e0 Barnes, il n\u2019en sont que davan\u00adtage fas\u00adci\u00adnants. Typique du Black Arts Move\u00adment, la com\u00adpo\u00adsi\u00adtion de la toile fait volon\u00adtai\u00adre\u00adment appel \u00e0 des cou\u00adleurs vives. Par ailleurs, un cer\u00adtain mani\u00e9\u00adrisme dans la repr\u00e9\u00adsen\u00adta\u00adtion de la sen\u00adsua\u00adli\u00adt\u00e9 des corps vire presque \u00e0 l\u2019a\u00adna\u00admor\u00adphose cor\u00adpo\u00adrelle (membres longs et \u00e9las\u00adtiques, mou\u00adve\u00adments exag\u00e9r\u00e9s\u2026).<\/p>\n<h2>Un \u00e9tendard pour Motown<\/h2>\n<p>Fina\u00adle\u00adment, pour hono\u00adrer la com\u00admande de Mar\u00advin Gaye, Ernie Barnes ajou\u00adta des textes sur les ban\u00adde\u00adroles fai\u00adsant expli\u00adci\u00adte\u00adment r\u00e9f\u00e9\u00adrence au musi\u00adcien. Cela dit, l\u2019\u0153uvre ori\u00adgi\u00adnale incluait d\u00e9j\u00e0 une allu\u00adsion \u00e0 la sta\u00adtion radio WMPG, situ\u00e9e dans sa Caro\u00adline du Nord natale.<\/p>\n<p>En 1985, pour c\u00e9l\u00e9\u00adbrer l\u2019an\u00adni\u00adver\u00adsaire des 25 ans de la com\u00adpa\u00adgnie Motown, la pein\u00adture est mise en sc\u00e8ne \u00e0 tra\u00advers une fas\u00adci\u00adnante chor\u00e9graphie.<\/p>\n<p><iframe src=\"\/\/www.youtube.com\/embed\/tBVaOvcpmwE\" width=\"560\" height=\"314\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Enfin, les autres \u0153uvres d\u2019Er\u00adnie Barnes appa\u00adrais\u00adsant en pochette de disques incluent, entre autres&nbsp;:<\/p>\n<ul>\n<li><i>Donald Byrd and 125th Street, NYC s<\/i>ur l\u2019al\u00adbum \u00e9po\u00adnyme (1979).<\/li>\n<li><i>Late Night DJ<\/i> sur l\u2019al\u00adbum de Cur\u00adtis May\u00adfield <i>Some\u00adthing to Believe In <\/i>(1980)<i>.<br>\n<\/i><\/li>\n<li><i>The Maes\u00adtro<\/i> sur l\u2019al\u00adbum de The Cru\u00adsa\u00adders <i>Ghet\u00adto Blas\u00adter (1984).<br>\n<\/i><\/li>\n<li><i>Head Over Heels<\/i> de The Cru\u00adsa\u00adders sur l\u2019al\u00adbum <i>The Good and Bad Times <\/i>(1986).<\/li>\n<\/ul>\n<p>Site de l\u2019ar\u00adtiste (Ernie Barnes Fami\u00adly Trust) : <a href=\"https:\/\/www.erniebarnes.com\/\">https:\/\/www.erniebarnes.com\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le peintre Ernie Barnes (1938 \u2013 2009) a illus\u00adtr\u00e9 plu\u00adsieurs albums embl\u00e9\u00adma\u00adtiques des ann\u00e9es 1970. Ain\u00adsi, son Sugar Shack a mar\u00adqu\u00e9 les esprits, en deve\u00adnant l\u2019illus\u00adtra\u00adtion de pochette de l\u2019al\u00adbum I Want You de Mar\u00advin Gaye, en 1976. Ce th\u00e8me nous per\u00admet d\u2019a\u00adbor\u00adder une rela\u00adtion assez rare et sin\u00adgu\u00adli\u00e8re entre le monde des arts et le&nbsp;sport. Un spor\u00adtif visuel Ernie Barnes \u00e9tait autant ath\u00adl\u00e8te qu\u2019ar\u00adtiste visuel. Talent plu\u00adriel, il a jou\u00e9 de sur\u00adcro\u00eet \u00e0 haut niveau en int\u00e9\u00adgrant de pres\u00adti\u00adgieuses \u00e9quipes de foot\u00adball am\u00e9\u00adri\u00adcain (Bal\u00adti\u00admore, New York, San Die\u00adgo, Den\u00adver\u2026 avant de mettre le cap sur le Cana\u00adda pour ache\u00adver sa car\u00adri\u00e8re spor\u00adtive). D\u00e9s\u00e9\u00adgr\u00e9\u00adga\u00adtion et enga\u00adge\u00adment artis\u00adtique Les pr\u00e9\u00admices de son accul\u00adtu\u00adra\u00adtion aux arts ne lais\u00adsaient que peut de chances d\u2019es\u00adp\u00e9\u00adrer son suc\u00adc\u00e8s dans le domaine. En effet, \u00e0 18 ans, l\u2019oc\u00adca\u00adsion lui est don\u00adn\u00e9e de visi\u00adter, avec sa classe de lyc\u00e9e, le North Caro\u00adli\u00adna Museum of Art de Raleigh. Ce der\u00adnier est alors en pleine \u201cd\u00e9s\u00e9\u00adgr\u00e9\u00adga\u00adtion\u201d. Sur\u00adpris, Barnes deman\u00adda o\u00f9 se trou\u00advaient \u201cles pein\u00adtures d\u2019ar\u00adtistes n\u00e8gres\u201d. Le doyen eut pour r\u00e9ponse, laco\u00adnique&nbsp;: \u201cCe n\u2019est pas de cette fa\u00e7on que s\u2019ex\u00adprime votre peuple\u201d. Or, iro\u00adni\u00adque\u00adment, \u201cThe Sugar Shack\u201d, pos\u00ads\u00e9\u00add\u00e9 par un couple de col\u00adlec\u00adtion\u00adneurs pri\u00adv\u00e9s, Jean\u00adnine et Jim Epstein, a \u00e9t\u00e9 pr\u00ea\u00adt\u00e9 \u00e0 ce m\u00eame&nbsp;mus\u00e9e. Il est pour\u00adtant enga\u00adg\u00e9 comme artiste offi\u00adciel par les ligues spor\u00adtives (la NFL, notam\u00adment). Son men\u00adtor Ed Wil\u00adson lui ensei\u00adgna alors que l\u2019ar\u00adtiste devait mettre sa vie dans son \u0153uvre, \u00e0 tra\u00advers ses exp\u00e9\u00adriences, ses r\u00e9a\u00adli\u00adsa\u00adtions,&nbsp; ses cou\u00adtumes. Une \u0153uvre sym\u00adbo\u00adlique&nbsp;: The Sugar&nbsp;Shack Attar\u00ad\u00addons-nous sur The Sugar Shack, que l\u2019on peut tra\u00adduire en fran\u00ad\u00e7ais par l\u2019ex\u00adpres\u00adsion \u201ccabane \u00e0 sucre\u201d. L\u2019\u0153uvre pic\u00adtu\u00adrale met en sc\u00e8ne un bal noir qui a lieu dans une construc\u00adtion de bois. Cette toile a \u00e9t\u00e9 cr\u00e9\u00e9e par Barnes en 1971. En pre\u00admier lieu, elle ser\u00advit \u00e0 illus\u00adtrer la s\u00e9rie TV Good Times avant de se retrou\u00adver en illus\u00adtra\u00adtion du 33 tours de Mar\u00advin&nbsp;Gaye. Cette pein\u00adture \u00e9voque les dan\u00adcings afri\u00ad\u00adcains-am\u00e9\u00ad\u00adri\u00ad\u00adcains typiques du chit\u00adlin\u2019 cir\u00adcuit (les bars mal\u00adfa\u00adm\u00e9s r\u00e9ser\u00adv\u00e9s aux noirs, o\u00f9 les tripes de porcs frites \u00e9taient ser\u00advies en quan\u00adti\u00adt\u00e9). Elle fai\u00adsait r\u00e9f\u00e9\u00adrences aux dan\u00adcings o\u00f9 r\u00e9gnaient sen\u00adsua\u00adli\u00adt\u00e9 et moi\u00adteur. De plus, \u00e9tant, inter\u00addits \u00e0 Barnes, il n\u2019en sont que davan\u00adtage fas\u00adci\u00adnants. Typique du Black Arts Move\u00adment, la com\u00adpo\u00adsi\u00adtion de la toile fait volon\u00adtai\u00adre\u00adment appel \u00e0 des cou\u00adleurs vives. Par ailleurs, un cer\u00adtain mani\u00e9\u00adrisme dans la repr\u00e9\u00adsen\u00adta\u00adtion de la sen\u00adsua\u00adli\u00adt\u00e9 des corps vire presque \u00e0 l\u2019a\u00adna\u00admor\u00adphose cor\u00adpo\u00adrelle (membres longs et \u00e9las\u00adtiques, mou\u00adve\u00adments exa\u00adg\u00e9\u00adr\u00e9s\u2026). Un \u00e9ten\u00addard pour Motown Fina\u00adle\u00adment, pour hono\u00adrer la com\u00admande de Mar\u00advin Gaye, Ernie Barnes ajou\u00adta des textes sur les ban\u00adde\u00adroles fai\u00adsant expli\u00adci\u00adte\u00adment r\u00e9f\u00e9\u00adrence au musi\u00adcien. Cela dit, l\u2019\u0153uvre ori\u00adgi\u00adnale incluait d\u00e9j\u00e0 une allu\u00adsion \u00e0 la sta\u00adtion radio WMPG, situ\u00e9e dans sa Caro\u00adline du Nord natale. En 1985, pour c\u00e9l\u00e9\u00adbrer l\u2019an\u00adni\u00adver\u00adsaire des 25 ans de la com\u00adpa\u00adgnie Motown, la pein\u00adture est mise en sc\u00e8ne \u00e0 tra\u00advers une fas\u00adci\u00adnante cho\u00adr\u00e9\u00adgra\u00adphie. Enfin, les autres \u0153uvres d\u2019Er\u00adnie Barnes appa\u00adrais\u00adsant en pochette de disques incluent, entre autres&nbsp;: Donald Byrd and 125th Street, NYC sur l\u2019al\u00adbum \u00e9po\u00adnyme (1979). Late Night DJ sur l\u2019al\u00adbum de Cur\u00adtis May\u00adfield Some\u00adthing to Believe In (1980). The Maes\u00adtro sur l\u2019al\u00adbum de The Cru\u00adsa\u00adders Ghet\u00adto Blas\u00adter (1984). Head Over Heels de The Cru\u00adsa\u00adders sur l\u2019al\u00adbum The Good and Bad Times (1986). Site de l\u2019ar\u00adtiste (Ernie Barnes Fami\u00adly Trust) : https:\/\/www.erniebarnes.com\/<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_s2mail":"yes","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17,140,50,2,90,98,25,3,614,604],"tags":[635,636],"class_list":["post-5097","post","type-post","status-publish","format-standard","hentry","category-art","category-danse","category-disques","category-figures-de-la-soul","category-graphisme","category-marvin-gaye","category-motown","category-musique","category-musique-populaire","category-soul-music","tag-peinture","tag-sports"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ernie Barnes - Dispatch\/Box<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/19\/ernie-barnes\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ernie Barnes - Dispatch\/Box\" \/>\n<meta property=\"og:description\" content=\"Le peintre Ernie Barnes (1938 \u2013 2009) a illus\u00adtr\u00e9 plu\u00adsieurs albums embl\u00e9\u00adma\u00adtiques des ann\u00e9es 1970. Ain\u00adsi, son Sugar Shack a mar\u00adqu\u00e9 les esprits, en deve\u00adnant l\u2019illus\u00adtra\u00adtion de pochette de l\u2019al\u00adbum I Want You de Mar\u00advin Gaye, en 1976. Ce th\u00e8me nous per\u00admet d\u2019a\u00adbor\u00adder une rela\u00adtion assez rare et sin\u00adgu\u00adli\u00e8re entre le monde des arts et le&nbsp;sport. Un sportif visuel Ernie Barnes \u00e9tait autant ath\u00adl\u00e8te qu\u2019ar\u00adtiste visuel. Talent plu\u00adriel, il a jou\u00e9 de sur\u00adcro\u00eet \u00e0 haut niveau en int\u00e9\u00adgrant de pres\u00adti\u00adgieuses \u00e9quipes de foot\u00adball am\u00e9\u00adri\u00adcain (Bal\u00adti\u00admore, New York, San Die\u00adgo, Den\u00adver\u2026 avant de mettre le cap sur le Cana\u00adda pour ache\u00adver sa car\u00adri\u00e8re sportive). D\u00e9s\u00e9gr\u00e9gation et engagement artistique Les pr\u00e9\u00admices de son accul\u00adtu\u00adra\u00adtion aux arts ne lais\u00adsaient que peut de chances d\u2019es\u00adp\u00e9\u00adrer son suc\u00adc\u00e8s dans le domaine. En effet, \u00e0 18 ans, l\u2019oc\u00adca\u00adsion lui est don\u00adn\u00e9e de visi\u00adter, avec sa classe de lyc\u00e9e, le North Caro\u00adli\u00adna Museum of Art de Raleigh. Ce der\u00adnier est alors en pleine \u201cd\u00e9s\u00e9\u00adgr\u00e9\u00adga\u00adtion\u201d. Sur\u00adpris, Barnes deman\u00adda o\u00f9 se trou\u00advaient \u201cles pein\u00adtures d\u2019ar\u00adtistes n\u00e8gres\u201d. Le doyen eut pour r\u00e9ponse, laco\u00adnique&nbsp;: \u201cCe n\u2019est pas de cette fa\u00e7on que s\u2019ex\u00adprime votre peuple\u201d. Or, iro\u00adni\u00adque\u00adment, \u201cThe Sugar Shack\u201d, pos\u00ads\u00e9\u00add\u00e9 par un couple de col\u00adlec\u00adtion\u00adneurs pri\u00adv\u00e9s, Jean\u00adnine et Jim Epstein, a \u00e9t\u00e9 pr\u00ea\u00adt\u00e9 \u00e0 ce m\u00eame&nbsp;mus\u00e9e. Il est pour\u00adtant enga\u00adg\u00e9 comme artiste offi\u00adciel par les ligues spor\u00adtives (la NFL, notam\u00adment). Son men\u00adtor Ed Wil\u00adson lui ensei\u00adgna alors que l\u2019ar\u00adtiste devait mettre sa vie dans son \u0153uvre, \u00e0 tra\u00advers ses exp\u00e9\u00adriences, ses r\u00e9a\u00adli\u00adsa\u00adtions,&nbsp; ses coutumes. Une \u0153uvre symbolique&nbsp;: The Sugar&nbsp;Shack Attar\u00addons-nous sur The Sugar Shack, que l\u2019on peut tra\u00adduire en fran\u00ad\u00e7ais par l\u2019ex\u00adpres\u00adsion \u201ccabane \u00e0 sucre\u201d. L\u2019\u0153uvre pic\u00adtu\u00adrale met en sc\u00e8ne un bal noir qui a lieu dans une construc\u00adtion de bois. Cette toile a \u00e9t\u00e9 cr\u00e9\u00e9e par Barnes en 1971. En pre\u00admier lieu, elle ser\u00advit \u00e0 illus\u00adtrer la s\u00e9rie TV Good Times avant de se retrou\u00adver en illus\u00adtra\u00adtion du 33 tours de Mar\u00advin&nbsp;Gaye. Cette pein\u00adture \u00e9voque les dan\u00adcings afri\u00adcains-am\u00e9\u00adri\u00adcains typiques du chit\u00adlin\u2019 cir\u00adcuit (les bars mal\u00adfa\u00adm\u00e9s r\u00e9ser\u00adv\u00e9s aux noirs, o\u00f9 les tripes de porcs frites \u00e9taient ser\u00advies en quan\u00adti\u00adt\u00e9). Elle fai\u00adsait r\u00e9f\u00e9\u00adrences aux dan\u00adcings o\u00f9 r\u00e9gnaient sen\u00adsua\u00adli\u00adt\u00e9 et moi\u00adteur. De plus, \u00e9tant, inter\u00addits \u00e0 Barnes, il n\u2019en sont que davan\u00adtage fas\u00adci\u00adnants. Typique du Black Arts Move\u00adment, la com\u00adpo\u00adsi\u00adtion de la toile fait volon\u00adtai\u00adre\u00adment appel \u00e0 des cou\u00adleurs vives. Par ailleurs, un cer\u00adtain mani\u00e9\u00adrisme dans la repr\u00e9\u00adsen\u00adta\u00adtion de la sen\u00adsua\u00adli\u00adt\u00e9 des corps vire presque \u00e0 l\u2019a\u00adna\u00admor\u00adphose cor\u00adpo\u00adrelle (membres longs et \u00e9las\u00adtiques, mou\u00adve\u00adments exag\u00e9r\u00e9s\u2026). Un \u00e9tendard pour Motown Fina\u00adle\u00adment, pour hono\u00adrer la com\u00admande de Mar\u00advin Gaye, Ernie Barnes ajou\u00adta des textes sur les ban\u00adde\u00adroles fai\u00adsant expli\u00adci\u00adte\u00adment r\u00e9f\u00e9\u00adrence au musi\u00adcien. Cela dit, l\u2019\u0153uvre ori\u00adgi\u00adnale incluait d\u00e9j\u00e0 une allu\u00adsion \u00e0 la sta\u00adtion radio WMPG, situ\u00e9e dans sa Caro\u00adline du Nord natale. En 1985, pour c\u00e9l\u00e9\u00adbrer l\u2019an\u00adni\u00adver\u00adsaire des 25 ans de la com\u00adpa\u00adgnie Motown, la pein\u00adture est mise en sc\u00e8ne \u00e0 tra\u00advers une fas\u00adci\u00adnante chor\u00e9graphie. Enfin, les autres \u0153uvres d\u2019Er\u00adnie Barnes appa\u00adrais\u00adsant en pochette de disques incluent, entre autres&nbsp;: Donald Byrd and 125th Street, NYC sur l\u2019al\u00adbum \u00e9po\u00adnyme (1979). Late Night DJ sur l\u2019al\u00adbum de Cur\u00adtis May\u00adfield Some\u00adthing to Believe In (1980). The Maes\u00adtro sur l\u2019al\u00adbum de The Cru\u00adsa\u00adders Ghet\u00adto Blas\u00adter (1984). Head Over Heels de The Cru\u00adsa\u00adders sur l\u2019al\u00adbum The Good and Bad Times (1986). Site de l\u2019ar\u00adtiste (Ernie Barnes Fami\u00adly Trust) : https:\/\/www.erniebarnes.com\/\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/19\/ernie-barnes\/\" \/>\n<meta property=\"og:site_name\" content=\"Dispatch\/Box\" \/>\n<meta property=\"article:published_time\" content=\"2019-08-19T05:37:56+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-08-22T12:50:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.dispatchbox.net\/wp-content\/Marvin-Gaye-I-Want-You-Album-Cover-web-optimised-820.jpg\" \/>\n<meta name=\"author\" content=\"Jeremy Jeanguenin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:site\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jeremy Jeanguenin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2019\\\/08\\\/19\\\/ernie-barnes\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2019\\\/08\\\/19\\\/ernie-barnes\\\/\"},\"author\":{\"name\":\"Jeremy Jeanguenin\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/#\\\/schema\\\/person\\\/9db7c9c41e0594fa08428d8b7007e253\"},\"headline\":\"Ernie Barnes\",\"datePublished\":\"2019-08-19T05:37:56+00:00\",\"dateModified\":\"2019-08-22T12:50:24+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2019\\\/08\\\/19\\\/ernie-barnes\\\/\"},\"wordCount\":630,\"image\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2019\\\/08\\\/19\\\/ernie-barnes\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.dispatchbox.net\\\/wp-content\\\/Marvin-Gaye-I-Want-You-Album-Cover-web-optimised-820.jpg\",\"keywords\":[\"peinture\",\"Sports\"],\"articleSection\":[\"Art\",\"Danse\",\"Disques\",\"Figures De La Soul\",\"Graphisme\",\"Marvin Gaye\",\"Motown\",\"Musique\",\"Musique populaire\",\"Soul Music\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2019\\\/08\\\/19\\\/ernie-barnes\\\/\",\"url\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2019\\\/08\\\/19\\\/ernie-barnes\\\/\",\"name\":\"Ernie Barnes - Dispatch\\\/Box\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2019\\\/08\\\/19\\\/ernie-barnes\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2019\\\/08\\\/19\\\/ernie-barnes\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.dispatchbox.net\\\/wp-content\\\/Marvin-Gaye-I-Want-You-Album-Cover-web-optimised-820.jpg\",\"datePublished\":\"2019-08-19T05:37:56+00:00\",\"dateModified\":\"2019-08-22T12:50:24+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/#\\\/schema\\\/person\\\/9db7c9c41e0594fa08428d8b7007e253\"},\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2019\\\/08\\\/19\\\/ernie-barnes\\\/#breadcrumb\"},\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2019\\\/08\\\/19\\\/ernie-barnes\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2019\\\/08\\\/19\\\/ernie-barnes\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.dispatchbox.net\\\/wp-content\\\/Marvin-Gaye-I-Want-You-Album-Cover-web-optimised-820.jpg\",\"contentUrl\":\"https:\\\/\\\/www.dispatchbox.net\\\/wp-content\\\/Marvin-Gaye-I-Want-You-Album-Cover-web-optimised-820.jpg\",\"width\":820,\"height\":820,\"caption\":\"Pochette de l'album, 1976. Tamla Motown.\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2019\\\/08\\\/19\\\/ernie-barnes\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.dispatchbox.net\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Ernie Barnes\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/#website\",\"url\":\"https:\\\/\\\/www.dispatchbox.net\\\/\",\"name\":\"Dispatch\\\/Box\",\"description\":\"Fr\u00e9quences, traces\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.dispatchbox.net\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"fr-FR\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/#\\\/schema\\\/person\\\/9db7c9c41e0594fa08428d8b7007e253\",\"name\":\"Jeremy Jeanguenin\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"fr-FR\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/98e01d167bac107d0cfb72961cbd217cb5ed9cb0ae7af475c17cb6b1a005d01f?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/98e01d167bac107d0cfb72961cbd217cb5ed9cb0ae7af475c17cb6b1a005d01f?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/98e01d167bac107d0cfb72961cbd217cb5ed9cb0ae7af475c17cb6b1a005d01f?s=96&d=mm&r=g\",\"caption\":\"Jeremy Jeanguenin\"},\"sameAs\":[\"http:\\\/\\\/www.dispatchbox.net\"],\"url\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/author\\\/admin-2\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Ernie Barnes - Dispatch\/Box","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/19\/ernie-barnes\/","og_locale":"fr_FR","og_type":"article","og_title":"Ernie Barnes - Dispatch\/Box","og_description":"Le peintre Ernie Barnes (1938 \u2013 2009) a illus\u00adtr\u00e9 plu\u00adsieurs albums embl\u00e9\u00adma\u00adtiques des ann\u00e9es 1970. Ain\u00adsi, son Sugar Shack a mar\u00adqu\u00e9 les esprits, en deve\u00adnant l\u2019illus\u00adtra\u00adtion de pochette de l\u2019al\u00adbum I Want You de Mar\u00advin Gaye, en 1976. Ce th\u00e8me nous per\u00admet d\u2019a\u00adbor\u00adder une rela\u00adtion assez rare et sin\u00adgu\u00adli\u00e8re entre le monde des arts et le&nbsp;sport. Un sportif visuel Ernie Barnes \u00e9tait autant ath\u00adl\u00e8te qu\u2019ar\u00adtiste visuel. Talent plu\u00adriel, il a jou\u00e9 de sur\u00adcro\u00eet \u00e0 haut niveau en int\u00e9\u00adgrant de pres\u00adti\u00adgieuses \u00e9quipes de foot\u00adball am\u00e9\u00adri\u00adcain (Bal\u00adti\u00admore, New York, San Die\u00adgo, Den\u00adver\u2026 avant de mettre le cap sur le Cana\u00adda pour ache\u00adver sa car\u00adri\u00e8re sportive). D\u00e9s\u00e9gr\u00e9gation et engagement artistique Les pr\u00e9\u00admices de son accul\u00adtu\u00adra\u00adtion aux arts ne lais\u00adsaient que peut de chances d\u2019es\u00adp\u00e9\u00adrer son suc\u00adc\u00e8s dans le domaine. En effet, \u00e0 18 ans, l\u2019oc\u00adca\u00adsion lui est don\u00adn\u00e9e de visi\u00adter, avec sa classe de lyc\u00e9e, le North Caro\u00adli\u00adna Museum of Art de Raleigh. Ce der\u00adnier est alors en pleine \u201cd\u00e9s\u00e9\u00adgr\u00e9\u00adga\u00adtion\u201d. Sur\u00adpris, Barnes deman\u00adda o\u00f9 se trou\u00advaient \u201cles pein\u00adtures d\u2019ar\u00adtistes n\u00e8gres\u201d. Le doyen eut pour r\u00e9ponse, laco\u00adnique&nbsp;: \u201cCe n\u2019est pas de cette fa\u00e7on que s\u2019ex\u00adprime votre peuple\u201d. Or, iro\u00adni\u00adque\u00adment, \u201cThe Sugar Shack\u201d, pos\u00ads\u00e9\u00add\u00e9 par un couple de col\u00adlec\u00adtion\u00adneurs pri\u00adv\u00e9s, Jean\u00adnine et Jim Epstein, a \u00e9t\u00e9 pr\u00ea\u00adt\u00e9 \u00e0 ce m\u00eame&nbsp;mus\u00e9e. Il est pour\u00adtant enga\u00adg\u00e9 comme artiste offi\u00adciel par les ligues spor\u00adtives (la NFL, notam\u00adment). Son men\u00adtor Ed Wil\u00adson lui ensei\u00adgna alors que l\u2019ar\u00adtiste devait mettre sa vie dans son \u0153uvre, \u00e0 tra\u00advers ses exp\u00e9\u00adriences, ses r\u00e9a\u00adli\u00adsa\u00adtions,&nbsp; ses coutumes. Une \u0153uvre symbolique&nbsp;: The Sugar&nbsp;Shack Attar\u00addons-nous sur The Sugar Shack, que l\u2019on peut tra\u00adduire en fran\u00ad\u00e7ais par l\u2019ex\u00adpres\u00adsion \u201ccabane \u00e0 sucre\u201d. L\u2019\u0153uvre pic\u00adtu\u00adrale met en sc\u00e8ne un bal noir qui a lieu dans une construc\u00adtion de bois. Cette toile a \u00e9t\u00e9 cr\u00e9\u00e9e par Barnes en 1971. En pre\u00admier lieu, elle ser\u00advit \u00e0 illus\u00adtrer la s\u00e9rie TV Good Times avant de se retrou\u00adver en illus\u00adtra\u00adtion du 33 tours de Mar\u00advin&nbsp;Gaye. Cette pein\u00adture \u00e9voque les dan\u00adcings afri\u00adcains-am\u00e9\u00adri\u00adcains typiques du chit\u00adlin\u2019 cir\u00adcuit (les bars mal\u00adfa\u00adm\u00e9s r\u00e9ser\u00adv\u00e9s aux noirs, o\u00f9 les tripes de porcs frites \u00e9taient ser\u00advies en quan\u00adti\u00adt\u00e9). Elle fai\u00adsait r\u00e9f\u00e9\u00adrences aux dan\u00adcings o\u00f9 r\u00e9gnaient sen\u00adsua\u00adli\u00adt\u00e9 et moi\u00adteur. De plus, \u00e9tant, inter\u00addits \u00e0 Barnes, il n\u2019en sont que davan\u00adtage fas\u00adci\u00adnants. Typique du Black Arts Move\u00adment, la com\u00adpo\u00adsi\u00adtion de la toile fait volon\u00adtai\u00adre\u00adment appel \u00e0 des cou\u00adleurs vives. Par ailleurs, un cer\u00adtain mani\u00e9\u00adrisme dans la repr\u00e9\u00adsen\u00adta\u00adtion de la sen\u00adsua\u00adli\u00adt\u00e9 des corps vire presque \u00e0 l\u2019a\u00adna\u00admor\u00adphose cor\u00adpo\u00adrelle (membres longs et \u00e9las\u00adtiques, mou\u00adve\u00adments exag\u00e9r\u00e9s\u2026). Un \u00e9tendard pour Motown Fina\u00adle\u00adment, pour hono\u00adrer la com\u00admande de Mar\u00advin Gaye, Ernie Barnes ajou\u00adta des textes sur les ban\u00adde\u00adroles fai\u00adsant expli\u00adci\u00adte\u00adment r\u00e9f\u00e9\u00adrence au musi\u00adcien. Cela dit, l\u2019\u0153uvre ori\u00adgi\u00adnale incluait d\u00e9j\u00e0 une allu\u00adsion \u00e0 la sta\u00adtion radio WMPG, situ\u00e9e dans sa Caro\u00adline du Nord natale. En 1985, pour c\u00e9l\u00e9\u00adbrer l\u2019an\u00adni\u00adver\u00adsaire des 25 ans de la com\u00adpa\u00adgnie Motown, la pein\u00adture est mise en sc\u00e8ne \u00e0 tra\u00advers une fas\u00adci\u00adnante chor\u00e9graphie. Enfin, les autres \u0153uvres d\u2019Er\u00adnie Barnes appa\u00adrais\u00adsant en pochette de disques incluent, entre autres&nbsp;: Donald Byrd and 125th Street, NYC sur l\u2019al\u00adbum \u00e9po\u00adnyme (1979). Late Night DJ sur l\u2019al\u00adbum de Cur\u00adtis May\u00adfield Some\u00adthing to Believe In (1980). The Maes\u00adtro sur l\u2019al\u00adbum de The Cru\u00adsa\u00adders Ghet\u00adto Blas\u00adter (1984). Head Over Heels de The Cru\u00adsa\u00adders sur l\u2019al\u00adbum The Good and Bad Times (1986). Site de l\u2019ar\u00adtiste (Ernie Barnes Fami\u00adly Trust) : https:\/\/www.erniebarnes.com\/","og_url":"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/19\/ernie-barnes\/","og_site_name":"Dispatch\/Box","article_published_time":"2019-08-19T05:37:56+00:00","article_modified_time":"2019-08-22T12:50:24+00:00","og_image":[{"url":"https:\/\/www.dispatchbox.net\/wp-content\/Marvin-Gaye-I-Want-You-Album-Cover-web-optimised-820.jpg","type":"","width":"","height":""}],"author":"Jeremy Jeanguenin","twitter_card":"summary_large_image","twitter_creator":"@dispatch_box","twitter_site":"@dispatch_box","twitter_misc":{"\u00c9crit par":"Jeremy Jeanguenin","Dur\u00e9e de lecture estim\u00e9e":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/19\/ernie-barnes\/#article","isPartOf":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/19\/ernie-barnes\/"},"author":{"name":"Jeremy Jeanguenin","@id":"https:\/\/www.dispatchbox.net\/#\/schema\/person\/9db7c9c41e0594fa08428d8b7007e253"},"headline":"Ernie Barnes","datePublished":"2019-08-19T05:37:56+00:00","dateModified":"2019-08-22T12:50:24+00:00","mainEntityOfPage":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/19\/ernie-barnes\/"},"wordCount":630,"image":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/19\/ernie-barnes\/#primaryimage"},"thumbnailUrl":"https:\/\/www.dispatchbox.net\/wp-content\/Marvin-Gaye-I-Want-You-Album-Cover-web-optimised-820.jpg","keywords":["peinture","Sports"],"articleSection":["Art","Danse","Disques","Figures De La Soul","Graphisme","Marvin Gaye","Motown","Musique","Musique populaire","Soul Music"],"inLanguage":"fr-FR"},{"@type":"WebPage","@id":"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/19\/ernie-barnes\/","url":"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/19\/ernie-barnes\/","name":"Ernie Barnes - Dispatch\/Box","isPartOf":{"@id":"https:\/\/www.dispatchbox.net\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/19\/ernie-barnes\/#primaryimage"},"image":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/19\/ernie-barnes\/#primaryimage"},"thumbnailUrl":"https:\/\/www.dispatchbox.net\/wp-content\/Marvin-Gaye-I-Want-You-Album-Cover-web-optimised-820.jpg","datePublished":"2019-08-19T05:37:56+00:00","dateModified":"2019-08-22T12:50:24+00:00","author":{"@id":"https:\/\/www.dispatchbox.net\/#\/schema\/person\/9db7c9c41e0594fa08428d8b7007e253"},"breadcrumb":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/19\/ernie-barnes\/#breadcrumb"},"inLanguage":"fr-FR","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/19\/ernie-barnes\/"]}]},{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/19\/ernie-barnes\/#primaryimage","url":"https:\/\/www.dispatchbox.net\/wp-content\/Marvin-Gaye-I-Want-You-Album-Cover-web-optimised-820.jpg","contentUrl":"https:\/\/www.dispatchbox.net\/wp-content\/Marvin-Gaye-I-Want-You-Album-Cover-web-optimised-820.jpg","width":820,"height":820,"caption":"Pochette de l'album, 1976. Tamla Motown."},{"@type":"BreadcrumbList","@id":"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/19\/ernie-barnes\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.dispatchbox.net\/"},{"@type":"ListItem","position":2,"name":"Ernie Barnes"}]},{"@type":"WebSite","@id":"https:\/\/www.dispatchbox.net\/#website","url":"https:\/\/www.dispatchbox.net\/","name":"Dispatch\/Box","description":"Fr\u00e9quences, traces","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.dispatchbox.net\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"fr-FR"},{"@type":"Person","@id":"https:\/\/www.dispatchbox.net\/#\/schema\/person\/9db7c9c41e0594fa08428d8b7007e253","name":"Jeremy Jeanguenin","image":{"@type":"ImageObject","inLanguage":"fr-FR","@id":"https:\/\/secure.gravatar.com\/avatar\/98e01d167bac107d0cfb72961cbd217cb5ed9cb0ae7af475c17cb6b1a005d01f?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/98e01d167bac107d0cfb72961cbd217cb5ed9cb0ae7af475c17cb6b1a005d01f?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/98e01d167bac107d0cfb72961cbd217cb5ed9cb0ae7af475c17cb6b1a005d01f?s=96&d=mm&r=g","caption":"Jeremy Jeanguenin"},"sameAs":["http:\/\/www.dispatchbox.net"],"url":"https:\/\/www.dispatchbox.net\/index.php\/author\/admin-2\/"}]}},"jetpack_featured_media_url":"","acf":[],"jetpack_shortlink":"https:\/\/wp.me\/pyfbn-1kd","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1026,"url":"https:\/\/www.dispatchbox.net\/index.php\/2009\/09\/17\/marvin-et-ostende\/","url_meta":{"origin":5097,"position":0},"title":"Marvin et Ostende","author":"Jeremy Jeanguenin","date":"17\/09\/2009","format":false,"excerpt":"1980. L'horizon est sombre. Marvin fume des joints devant le vieux camion de boulanger am\u00e9nag\u00e9 pour qu'il y (sur)vive avec son fils, sur la plage. Il lui arrive aussi de commencer le petit-d\u00e9jeuner au bourbon et \u00e0 la coca\u00efne. Des ennuis fiscaux le poussent \u00e0 s'\u00e9vader sur cette plage d'Hawaii.\u2026","rel":"","context":"Dans &quot;Basse&quot;","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":220,"url":"https:\/\/www.dispatchbox.net\/index.php\/2009\/04\/04\/lart-du-mashup-musical-the-beatlesmarvin-gaye\/","url_meta":{"origin":5097,"position":1},"title":"L\u2019art du \u201cmashup\u201d musical&nbsp;: The Beatles meet Marvin Gaye","author":"Jeremy Jeanguenin","date":"04\/04\/2009","format":false,"excerpt":"Luciano Albo, songwriter et producteur br\u00e9silien, a r\u00e9alis\u00e9 un \u00e9tonnant\/d\u00e9tonnant mashup entre les Beatles et le roi de la soul nord-am\u00e9ricaine Marvin Gaye. Pour qui l'ignore, un mashup musical est la r\u00e9union en un m\u00eame morceau de deux compositions distinctes, sur le principe de la recherche d'un \"point d'hybridation\", accroche\u2026","rel":"","context":"Dans &quot;Avant-garde&quot;","block_context":{"text":"Avant-garde","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/avant-garde\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/164269-gaye.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2391,"url":"https:\/\/www.dispatchbox.net\/index.php\/2012\/11\/28\/le-massage-musical-de-leon-ware\/","url_meta":{"origin":5097,"position":2},"title":"Le massage musical de Leon&nbsp;Ware","author":"Jeremy Jeanguenin","date":"28\/11\/2012","format":false,"excerpt":"\u00a0 Leon Ware n'appara\u00eet pas comme un nom familier pour qui n'est\u00a0 pas aussi monomaniaque que moi. Il n'en reste pas moins un remarquable compositeur, puisqu'il est l'orf\u00e8vre d'un de mes titres pr\u00e9f\u00e9r\u00e9s interpr\u00e9t\u00e9s par Marvin Gaye, I Want You. Ware,\u00a0 natif de Detroit (\"Motor City\") employ\u00e9 par Berry Gordy\u2026","rel":"","context":"Dans &quot;Basse&quot;","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":652,"url":"https:\/\/www.dispatchbox.net\/index.php\/2009\/08\/16\/marvin-gaye-vu-par-michael-eric-dyson\/","url_meta":{"origin":5097,"position":3},"title":"Marvin Gaye vu par Michael Eric&nbsp;Dyson","author":"Jeremy Jeanguenin","date":"16\/08\/2009","format":false,"excerpt":"L'ouvrage Marvin Gaye, L'ange de la soul a paru en 2006 chez Na\u00efve, Hoa Nguyen en a assur\u00e9 la traduction. Ce livre me laisse un peu mitig\u00e9 malgr\u00e9 la teneur des t\u00e9moignages et la richesse du mat\u00e9riau oral. \u00c0 ma surprise, Dyson, par ailleurs pasteur baptiste, semble avoir \u00e9cart\u00e9 le\u2026","rel":"","context":"Dans &quot;Batteur&quot;","block_context":{"text":"Batteur","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/batteur\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/ecx.images-amazon.com\/images\/I\/51TA1AC8XWL._SL500_AA240_.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2313,"url":"https:\/\/www.dispatchbox.net\/index.php\/2012\/09\/16\/tony-newton-et-la-motown-revue\/","url_meta":{"origin":5097,"position":4},"title":"Tony Newton et la Motown Revue","author":"Jeremy Jeanguenin","date":"16\/09\/2012","format":false,"excerpt":"Les ann\u00e9es passent et, s'il on a fait sortir il y a une vingtaine d'ann\u00e9es James Jamerson de l'ombre, ainsi que Bob Babbitt, les autres bassistes - leur r\u00f4le est central dans le \"son\" du snakepit - demeurent n\u00e9glig\u00e9s, sinon oubli\u00e9s. Certes, Wilton Felder est avant toute chose consid\u00e9r\u00e9 pour\u2026","rel":"","context":"Dans &quot;Basse&quot;","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/gear-2-pBass63.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1977,"url":"https:\/\/www.dispatchbox.net\/index.php\/2011\/07\/04\/bob-babbitt\/","url_meta":{"origin":5097,"position":5},"title":"Bob Babbitt","author":"Jeremy Jeanguenin","date":"04\/07\/2011","format":false,"excerpt":"Il est n\u00e9 Robert Kreinar \u00e0 Pittsburgh (Pennsylvanie), on dit de lui qu'il f\u00fbt un ancien catcheur. \u00a0Apr\u00e8s une adolescence pass\u00e9e \u00e0 \u00e9tudier la musique classique, Bob Babbitt apprend la contrebasse du haut de ses 15 ans (il est d\u00e9j\u00e0, \u00e0 cette \u00e9poque, d'une corpulence impressionnante) et joue dans l'orchestre\u2026","rel":"","context":"Dans &quot;Basse&quot;","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/BobBabbitt64.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts\/5097","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/comments?post=5097"}],"version-history":[{"count":0,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts\/5097\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/media?parent=5097"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/categories?post=5097"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/tags?post=5097"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}