{"id":5290,"date":"2019-08-22T07:59:49","date_gmt":"2019-08-22T07:59:49","guid":{"rendered":"https:\/\/www.dispatchbox.net\/?p=5290"},"modified":"2019-08-22T08:29:15","modified_gmt":"2019-08-22T08:29:15","slug":"carole-king-tapestry-une-tapisserie-pop","status":"publish","type":"post","link":"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/22\/carole-king-tapestry-une-tapisserie-pop\/","title":{"rendered":"Carole King&nbsp;: Tapestry, une tapisserie pop"},"content":{"rendered":"\n<figure id=\"attachment_5292\" aria-describedby=\"caption-attachment-5292\" style=\"width: 500px\" class=\"wp-caption alignnone\"><img fetchpriority=\"high\" decoding=\"async\" data-attachment-id=\"5292\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/22\/carole-king-tapestry-une-tapisserie-pop\/51ixjwj08kl\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/51iXjWj08KL.jpg\" data-orig-size=\"500,454\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Tapestry\" data-image-description data-image-caption=\"<p>Tapestry, album de Carole King, 1971.<\/p>\n\" data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/51iXjWj08KL.jpg\" class=\" wp-image-5292\" src=\"https:\/\/www.dispatchbox.net\/wp-content\/51iXjWj08KL.jpg\" alt width=\"500\" height=\"454\" srcset=\"https:\/\/www.dispatchbox.net\/wp-content\/51iXjWj08KL.jpg 500w, https:\/\/www.dispatchbox.net\/wp-content\/51iXjWj08KL-300x272.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\"><figcaption id=\"caption-attachment-5292\" class=\"wp-caption-text\"><em>Tapes\u00adtry<\/em>, album de Carole King,&nbsp;1971.<\/figcaption><\/figure>\n<p>Jus\u00adqu\u2019\u00e0 cette p\u00e9riode o\u00f9 elle com\u00admen\u00ad\u00e7a r\u00e9el\u00adle\u00adment sa car\u00adri\u00e8re solo d\u2019in\u00adter\u00adpr\u00e8te, Carole King r\u00e9ser\u00advait ses com\u00adpo\u00adsi\u00adtions \u00e0 quatre mains (avec son ex Ger\u00adry Gof\u00adfin) pour d\u2019autres, \u00e0 l\u2019ins\u00adtar des tan\u00addems Ash\u00adford &amp; Simp\u00adson (Motown) ou Lei\u00adber &amp; Stol\u00adler (Sun, Atlan\u00adtic, A&amp;M\u2026).<\/p>\n<p><em>Tapes\u00adtry<\/em>, donc, figure comme le chef d\u2019<span data-dobid=\"hdw\">\u0153uvre<\/span> de Carole King&nbsp;: un jeu de mots entre tapes\u00adtry (tapis\u00adse\u00adrie) qui \u00e9voque un mat\u00e9\u00adriau sous forme de fresque, que l\u2019on d\u00e9roule, et le terme tape, qui ren\u00advoie \u00e0 la musique enre\u00adgis\u00adtr\u00e9e sur bandes magn\u00e9\u00adtiques. C\u2019est en 1971 que para\u00eet l\u2019al\u00adbum sur le label Ode Records, sous la hou\u00adlette de Lou&nbsp;Adler.<\/p>\n<figure id=\"attachment_5293\" aria-describedby=\"caption-attachment-5293\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img decoding=\"async\" data-attachment-id=\"5293\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/22\/carole-king-tapestry-une-tapisserie-pop\/mezzanine_906\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/mezzanine_906.jpg\" data-orig-size=\"1280,720\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Carole King en Studio\" data-image-description data-image-caption=\"<p>Au travail en studio avec Danny Kortchmar, Charles Larkey, Russ Kunkel, Ralph Schuckett<\/p>\n\" data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/mezzanine_906-1024x576.jpg\" class=\"size-large wp-image-5293\" src=\"https:\/\/www.dispatchbox.net\/wp-content\/mezzanine_906-1024x576.jpg\" alt=\"Carole King en studio\" width=\"1024\" height=\"576\" srcset=\"https:\/\/www.dispatchbox.net\/wp-content\/mezzanine_906-1024x576.jpg 1024w, https:\/\/www.dispatchbox.net\/wp-content\/mezzanine_906-300x169.jpg 300w, https:\/\/www.dispatchbox.net\/wp-content\/mezzanine_906-768x432.jpg 768w, https:\/\/www.dispatchbox.net\/wp-content\/mezzanine_906.jpg 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\"><figcaption id=\"caption-attachment-5293\" class=\"wp-caption-text\">Au tra\u00advail en stu\u00addio avec Dan\u00adny Kortch\u00admar, Charles Lar\u00adkey, Russ Kun\u00adkel, Ralph Schuckett<\/figcaption><\/figure>\n<p>Pour r\u00e9a\u00adli\u00adser cet opus, Carole King s\u2019en\u00adtoure de ses musi\u00adciens fid\u00e8les, Dan\u00adny Kortch\u00admar \u00e0 la gui\u00adtare, Russ Kun\u00adkel \u00e0 la bat\u00adte\u00adrie et son com\u00adpa\u00adgnon de l\u2019\u00e9\u00adpoque \u00e0 la basse \u00e9lec\u00adtrique et \u00e0 la contre\u00adbasse, Charles Lar\u00adkey. Ce der\u00adnier par\u00adti\u00adcipe d\u2019ailleurs aux arran\u00adge\u00adments de cordes frot\u00adt\u00e9es \u00e0 l\u2019ar\u00adchet. Par\u00admi les convives, on retrouve \u00e9ga\u00adle\u00adment Mer\u00adry Clay\u00adton, la cho\u00adriste soul au don d\u2019u\u00adbi\u00adqui\u00adt\u00e9 et dont la voix d\u00e9railla sur le <em>Gimme Shel\u00adter<\/em> des Rol\u00adling Stones.<\/p>\n<p>La splen\u00addide pho\u00adto\u00adgra\u00adphie, o\u00f9 Carole King pose pr\u00e8s d\u2019une fen\u00eatre, tenant non\u00adcha\u00adlam\u00adment une bro\u00adde\u00adrie, pen\u00addant que le f\u00e9lin minaude, illustre \u00e0 mer\u00adveille le carac\u00adt\u00e8re in\u00e9vi\u00adta\u00adble\u00adment intros\u00adpec\u00adtif et intem\u00adpo\u00adrel du disque.<\/p>\n<p>La pr\u00e9\u00adsence lumi\u00adneuse des amis Joni Mit\u00adchell et James Tay\u00adlor conf\u00e8re \u00e0 ce disque une aura par\u00adti\u00adcu\u00adli\u00e8re, o\u00f9 l\u2019a\u00admi\u00adti\u00e9 et l\u2019a\u00admour ont toute leur place, comme en t\u00e9moignent les titres phares <em>You\u2019ve Got a Friend<\/em> (repris dans l\u2019an\u00adn\u00e9e m\u00eame par Don\u00adny Hatha\u00adway sur son l\u00e9gen\u00addaire <em>Live<\/em> au Trou\u00adba\u00addour) et <em>Will You Love Me Tomor\u00adrow<\/em>, d\u2019a\u00adbord offert au trio f\u00e9mi\u00adnin The Shi\u00adrelles en 1960. On retrouve \u00e9ga\u00adle\u00adment le titre c\u00e9d\u00e9 \u00e0 Are\u00adtha Frank\u00adlin <em>(You Make Me Feel Like) A Natu\u00adral Woman,<\/em> deve\u00adnu depuis son hymne m\u00eame ou encore <em>Sma\u00adck\u00adwa\u00adter Jack<\/em>, hono\u00adr\u00e9 par Quin\u00adcy Jones qui le reprend lui-m\u00eame et en fait le titre de son disque paru dans le cou\u00adrant cette m\u00eame ann\u00e9e 1971<em>.<\/em><\/p>\n<figure id=\"attachment_5295\" aria-describedby=\"caption-attachment-5295\" style=\"width: 560px\" class=\"wp-caption alignnone\"><img decoding=\"async\" data-attachment-id=\"5295\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/22\/carole-king-tapestry-une-tapisserie-pop\/smackwaterjack\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/smackwaterjack.jpg\" data-orig-size=\"560,560\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"smackwaterjack\" data-image-description data-image-caption=\"<p>Pochette de l'album Smackwater Jack, de Quincy Jones, 1971<\/p>\n\" data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/smackwaterjack.jpg\" class=\"size-full wp-image-5295\" src=\"https:\/\/www.dispatchbox.net\/wp-content\/smackwaterjack.jpg\" alt=\"Smackwater Jack, de Quincy Jones\" width=\"560\" height=\"560\" srcset=\"https:\/\/www.dispatchbox.net\/wp-content\/smackwaterjack.jpg 560w, https:\/\/www.dispatchbox.net\/wp-content\/smackwaterjack-150x150.jpg 150w, https:\/\/www.dispatchbox.net\/wp-content\/smackwaterjack-300x300.jpg 300w\" sizes=\"(max-width: 560px) 100vw, 560px\"><figcaption id=\"caption-attachment-5295\" class=\"wp-caption-text\">Pochette de l\u2019al\u00adbum <em>Sma\u00adck\u00adwa\u00adter Jack<\/em>, de Quin\u00adcy Jones, 1971<\/figcaption><\/figure>\n<p>Je re\u00e7ois avec beau\u00adcoup de per\u00adplexi\u00adt\u00e9 les com\u00admen\u00adtaires \u00e9mis sur ses capa\u00adci\u00adt\u00e9s vocales. A l\u2019in\u00adverse, sa voix \u00e9raill\u00e9e, impar\u00adfaite, authen\u00adtique mais pleine d\u2019\u00e2me rehausse cet album inti\u00admiste, magni\u00adfi\u00e9 par la beau\u00adt\u00e9 sim\u00adplis\u00adsime de sa voix et son pia\u00adno. En t\u00e9moigne son inter\u00adpr\u00e9\u00adta\u00adtion pour la BBC en 1971 de son \u00e9mou\u00advant <em>Will You Still Love Me Tomor\u00adrow<\/em>.<\/p>\n<p><iframe src=\"\/\/www.youtube.com\/embed\/0iaAMTPRCvY\" width=\"560\" height=\"314\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n\n\n","protected":false},"excerpt":{"rendered":"<p>Jus\u00adqu\u2019\u00e0 cette p\u00e9riode o\u00f9 elle com\u00admen\u00ad\u00e7a r\u00e9el\u00adle\u00adment sa car\u00adri\u00e8re solo d\u2019in\u00adter\u00adpr\u00e8te, Carole King r\u00e9ser\u00advait ses com\u00adpo\u00adsi\u00adtions \u00e0 quatre mains (avec son ex Ger\u00adry Gof\u00adfin) pour d\u2019autres, \u00e0 l\u2019ins\u00adtar des tan\u00addems Ash\u00adford &amp; Simp\u00adson (Motown) ou Lei\u00adber &amp; Stol\u00adler (Sun, Atlan\u00adtic, A&amp;M\u2026). Tapes\u00adtry, donc, figure comme le chef d\u2019\u0153uvre de Carole King&nbsp;: un jeu de mots entre tapes\u00adtry (tapis\u00adse\u00adrie) qui \u00e9voque un mat\u00e9\u00adriau sous forme de fresque, que l\u2019on d\u00e9roule, et le terme tape, qui ren\u00advoie \u00e0 la musique enre\u00adgis\u00adtr\u00e9e sur bandes magn\u00e9\u00adtiques. C\u2019est en 1971 que para\u00eet l\u2019al\u00adbum sur le label Ode Records, sous la hou\u00adlette de Lou&nbsp;Adler. Pour r\u00e9a\u00adli\u00adser cet opus, Carole King s\u2019en\u00adtoure de ses musi\u00adciens fid\u00e8les, Dan\u00adny Kortch\u00admar \u00e0 la gui\u00adtare, Russ Kun\u00adkel \u00e0 la bat\u00adte\u00adrie et son com\u00adpa\u00adgnon de l\u2019\u00e9\u00adpoque \u00e0 la basse \u00e9lec\u00adtrique et \u00e0 la contre\u00adbasse, Charles Lar\u00adkey. Ce der\u00adnier par\u00adti\u00adcipe d\u2019ailleurs aux arran\u00adge\u00adments de cordes frot\u00adt\u00e9es \u00e0 l\u2019ar\u00adchet. Par\u00admi les convives, on retrouve \u00e9ga\u00adle\u00adment Mer\u00adry Clay\u00adton, la cho\u00adriste soul au don d\u2019u\u00adbi\u00adqui\u00adt\u00e9 et dont la voix d\u00e9railla sur le Gimme Shel\u00adter des Rol\u00adling Stones. La splen\u00addide pho\u00adto\u00adgra\u00adphie, o\u00f9 Carole King pose pr\u00e8s d\u2019une fen\u00eatre, tenant non\u00adcha\u00adlam\u00adment une bro\u00adde\u00adrie, pen\u00addant que le f\u00e9lin minaude, illustre \u00e0 mer\u00adveille le carac\u00adt\u00e8re in\u00e9vi\u00adta\u00adble\u00adment intros\u00adpec\u00adtif et intem\u00adpo\u00adrel du disque. La pr\u00e9\u00adsence lumi\u00adneuse des amis Joni Mit\u00adchell et James Tay\u00adlor conf\u00e8re \u00e0 ce disque une aura par\u00adti\u00adcu\u00adli\u00e8re, o\u00f9 l\u2019a\u00admi\u00adti\u00e9 et l\u2019a\u00admour ont toute leur place, comme en t\u00e9moignent les titres phares You\u2019ve Got a Friend (repris dans l\u2019an\u00adn\u00e9e m\u00eame par Don\u00adny Hatha\u00adway sur son l\u00e9gen\u00addaire Live au Trou\u00adba\u00addour) et Will You Love Me Tomor\u00adrow, d\u2019a\u00adbord offert au trio f\u00e9mi\u00adnin The Shi\u00adrelles en 1960. On retrouve \u00e9ga\u00adle\u00adment le titre c\u00e9d\u00e9 \u00e0 Are\u00adtha Frank\u00adlin (You Make Me Feel Like) A Natu\u00adral Woman, deve\u00adnu depuis son hymne m\u00eame ou encore Sma\u00adck\u00adwa\u00adter Jack, hono\u00adr\u00e9 par Quin\u00adcy Jones qui le reprend lui-m\u00eame et en fait le titre de son disque paru dans le cou\u00adrant cette m\u00eame ann\u00e9e 1971. Je re\u00e7ois avec beau\u00adcoup de per\u00adplexi\u00adt\u00e9 les com\u00admen\u00adtaires \u00e9mis sur ses capa\u00adci\u00adt\u00e9s vocales. A l\u2019in\u00adverse, sa voix \u00e9raill\u00e9e, impar\u00adfaite, authen\u00adtique mais pleine d\u2019\u00e2me rehausse cet album inti\u00admiste, magni\u00adfi\u00e9 par la beau\u00adt\u00e9 sim\u00adplis\u00adsime de sa voix et son pia\u00adno. En t\u00e9moigne son inter\u00adpr\u00e9\u00adta\u00adtion pour la BBC en 1971 de son \u00e9mou\u00advant Will You Still Love Me Tomorrow.&nbsp;<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_s2mail":"yes","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[50,498,145,25,3,32,613,19],"tags":[639,638,640,637],"class_list":["post-5290","post","type-post","status-publish","format-standard","hentry","category-disques","category-donny-hathaway","category-folk","category-motown","category-musique","category-pianiste","category-production-musicale","category-rock","tag-goffin","tag-king","tag-shirelles","tag-tapestry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Carole King : Tapestry, une tapisserie pop - Dispatch\/Box<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/22\/carole-king-tapestry-une-tapisserie-pop\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Carole King : Tapestry, une tapisserie pop - Dispatch\/Box\" \/>\n<meta property=\"og:description\" content=\"Jus\u00adqu\u2019\u00e0 cette p\u00e9riode o\u00f9 elle com\u00admen\u00ad\u00e7a r\u00e9el\u00adle\u00adment sa car\u00adri\u00e8re solo d\u2019in\u00adter\u00adpr\u00e8te, Carole King r\u00e9ser\u00advait ses com\u00adpo\u00adsi\u00adtions \u00e0 quatre mains (avec son ex Ger\u00adry Gof\u00adfin) pour d\u2019autres, \u00e0 l\u2019ins\u00adtar des tan\u00addems Ash\u00adford &amp; Simp\u00adson (Motown) ou Lei\u00adber &amp; Stol\u00adler (Sun, Atlan\u00adtic, A&amp;M\u2026). Tapes\u00adtry, donc, figure comme le chef d\u2019\u0153uvre de Carole King&nbsp;: un jeu de mots entre tapes\u00adtry (tapis\u00adse\u00adrie) qui \u00e9voque un mat\u00e9\u00adriau sous forme de fresque, que l\u2019on d\u00e9roule, et le terme tape, qui ren\u00advoie \u00e0 la musique enre\u00adgis\u00adtr\u00e9e sur bandes magn\u00e9\u00adtiques. C\u2019est en 1971 que para\u00eet l\u2019al\u00adbum sur le label Ode Records, sous la hou\u00adlette de Lou&nbsp;Adler. Pour r\u00e9a\u00adli\u00adser cet opus, Carole King s\u2019en\u00adtoure de ses musi\u00adciens fid\u00e8les, Dan\u00adny Kortch\u00admar \u00e0 la gui\u00adtare, Russ Kun\u00adkel \u00e0 la bat\u00adte\u00adrie et son com\u00adpa\u00adgnon de l\u2019\u00e9\u00adpoque \u00e0 la basse \u00e9lec\u00adtrique et \u00e0 la contre\u00adbasse, Charles Lar\u00adkey. Ce der\u00adnier par\u00adti\u00adcipe d\u2019ailleurs aux arran\u00adge\u00adments de cordes frot\u00adt\u00e9es \u00e0 l\u2019ar\u00adchet. Par\u00admi les convives, on retrouve \u00e9ga\u00adle\u00adment Mer\u00adry Clay\u00adton, la cho\u00adriste soul au don d\u2019u\u00adbi\u00adqui\u00adt\u00e9 et dont la voix d\u00e9railla sur le Gimme Shel\u00adter des Rol\u00adling Stones. La splen\u00addide pho\u00adto\u00adgra\u00adphie, o\u00f9 Carole King pose pr\u00e8s d\u2019une fen\u00eatre, tenant non\u00adcha\u00adlam\u00adment une bro\u00adde\u00adrie, pen\u00addant que le f\u00e9lin minaude, illustre \u00e0 mer\u00adveille le carac\u00adt\u00e8re in\u00e9vi\u00adta\u00adble\u00adment intros\u00adpec\u00adtif et intem\u00adpo\u00adrel du disque. La pr\u00e9\u00adsence lumi\u00adneuse des amis Joni Mit\u00adchell et James Tay\u00adlor conf\u00e8re \u00e0 ce disque une aura par\u00adti\u00adcu\u00adli\u00e8re, o\u00f9 l\u2019a\u00admi\u00adti\u00e9 et l\u2019a\u00admour ont toute leur place, comme en t\u00e9moignent les titres phares You\u2019ve Got a Friend (repris dans l\u2019an\u00adn\u00e9e m\u00eame par Don\u00adny Hatha\u00adway sur son l\u00e9gen\u00addaire Live au Trou\u00adba\u00addour) et Will You Love Me Tomor\u00adrow, d\u2019a\u00adbord offert au trio f\u00e9mi\u00adnin The Shi\u00adrelles en 1960. On retrouve \u00e9ga\u00adle\u00adment le titre c\u00e9d\u00e9 \u00e0 Are\u00adtha Frank\u00adlin (You Make Me Feel Like) A Natu\u00adral Woman, deve\u00adnu depuis son hymne m\u00eame ou encore Sma\u00adck\u00adwa\u00adter Jack, hono\u00adr\u00e9 par Quin\u00adcy Jones qui le reprend lui-m\u00eame et en fait le titre de son disque paru dans le cou\u00adrant cette m\u00eame ann\u00e9e 1971. Je re\u00e7ois avec beau\u00adcoup de per\u00adplexi\u00adt\u00e9 les com\u00admen\u00adtaires \u00e9mis sur ses capa\u00adci\u00adt\u00e9s vocales. A l\u2019in\u00adverse, sa voix \u00e9raill\u00e9e, impar\u00adfaite, authen\u00adtique mais pleine d\u2019\u00e2me rehausse cet album inti\u00admiste, magni\u00adfi\u00e9 par la beau\u00adt\u00e9 sim\u00adplis\u00adsime de sa voix et son pia\u00adno. 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Tapes\u00adtry, donc, figure comme le chef d\u2019\u0153uvre de Carole King&nbsp;: un jeu de mots entre tapes\u00adtry (tapis\u00adse\u00adrie) qui \u00e9voque un mat\u00e9\u00adriau sous forme de fresque, que l\u2019on d\u00e9roule, et le terme tape, qui ren\u00advoie \u00e0 la musique enre\u00adgis\u00adtr\u00e9e sur bandes magn\u00e9\u00adtiques. C\u2019est en 1971 que para\u00eet l\u2019al\u00adbum sur le label Ode Records, sous la hou\u00adlette de Lou&nbsp;Adler. Pour r\u00e9a\u00adli\u00adser cet opus, Carole King s\u2019en\u00adtoure de ses musi\u00adciens fid\u00e8les, Dan\u00adny Kortch\u00admar \u00e0 la gui\u00adtare, Russ Kun\u00adkel \u00e0 la bat\u00adte\u00adrie et son com\u00adpa\u00adgnon de l\u2019\u00e9\u00adpoque \u00e0 la basse \u00e9lec\u00adtrique et \u00e0 la contre\u00adbasse, Charles Lar\u00adkey. Ce der\u00adnier par\u00adti\u00adcipe d\u2019ailleurs aux arran\u00adge\u00adments de cordes frot\u00adt\u00e9es \u00e0 l\u2019ar\u00adchet. Par\u00admi les convives, on retrouve \u00e9ga\u00adle\u00adment Mer\u00adry Clay\u00adton, la cho\u00adriste soul au don d\u2019u\u00adbi\u00adqui\u00adt\u00e9 et dont la voix d\u00e9railla sur le Gimme Shel\u00adter des Rol\u00adling Stones. La splen\u00addide pho\u00adto\u00adgra\u00adphie, o\u00f9 Carole King pose pr\u00e8s d\u2019une fen\u00eatre, tenant non\u00adcha\u00adlam\u00adment une bro\u00adde\u00adrie, pen\u00addant que le f\u00e9lin minaude, illustre \u00e0 mer\u00adveille le carac\u00adt\u00e8re in\u00e9vi\u00adta\u00adble\u00adment intros\u00adpec\u00adtif et intem\u00adpo\u00adrel du disque. La pr\u00e9\u00adsence lumi\u00adneuse des amis Joni Mit\u00adchell et James Tay\u00adlor conf\u00e8re \u00e0 ce disque une aura par\u00adti\u00adcu\u00adli\u00e8re, o\u00f9 l\u2019a\u00admi\u00adti\u00e9 et l\u2019a\u00admour ont toute leur place, comme en t\u00e9moignent les titres phares You\u2019ve Got a Friend (repris dans l\u2019an\u00adn\u00e9e m\u00eame par Don\u00adny Hatha\u00adway sur son l\u00e9gen\u00addaire Live au Trou\u00adba\u00addour) et Will You Love Me Tomor\u00adrow, d\u2019a\u00adbord offert au trio f\u00e9mi\u00adnin The Shi\u00adrelles en 1960. On retrouve \u00e9ga\u00adle\u00adment le titre c\u00e9d\u00e9 \u00e0 Are\u00adtha Frank\u00adlin (You Make Me Feel Like) A Natu\u00adral Woman, deve\u00adnu depuis son hymne m\u00eame ou encore Sma\u00adck\u00adwa\u00adter Jack, hono\u00adr\u00e9 par Quin\u00adcy Jones qui le reprend lui-m\u00eame et en fait le titre de son disque paru dans le cou\u00adrant cette m\u00eame ann\u00e9e 1971. Je re\u00e7ois avec beau\u00adcoup de per\u00adplexi\u00adt\u00e9 les com\u00admen\u00adtaires \u00e9mis sur ses capa\u00adci\u00adt\u00e9s vocales. A l\u2019in\u00adverse, sa voix \u00e9raill\u00e9e, impar\u00adfaite, authen\u00adtique mais pleine d\u2019\u00e2me rehausse cet album inti\u00admiste, magni\u00adfi\u00e9 par la beau\u00adt\u00e9 sim\u00adplis\u00adsime de sa voix et son pia\u00adno. En t\u00e9moigne son inter\u00adpr\u00e9\u00adta\u00adtion pour la BBC en 1971 de son \u00e9mou\u00advant Will You Still Love Me Tomor\u00adrow. &nbsp;","og_url":"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/22\/carole-king-tapestry-une-tapisserie-pop\/","og_site_name":"Dispatch\/Box","article_published_time":"2019-08-22T07:59:49+00:00","article_modified_time":"2019-08-22T08:29:15+00:00","og_image":[{"url":"https:\/\/www.dispatchbox.net\/wp-content\/51iXjWj08KL.jpg","type":"","width":"","height":""}],"author":"Jeremy Jeanguenin","twitter_card":"summary_large_image","twitter_creator":"@dispatch_box","twitter_site":"@dispatch_box","twitter_misc":{"\u00c9crit par":"Jeremy Jeanguenin","Dur\u00e9e de lecture estim\u00e9e":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/22\/carole-king-tapestry-une-tapisserie-pop\/#article","isPartOf":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/22\/carole-king-tapestry-une-tapisserie-pop\/"},"author":{"name":"Jeremy Jeanguenin","@id":"https:\/\/www.dispatchbox.net\/#\/schema\/person\/9db7c9c41e0594fa08428d8b7007e253"},"headline":"Carole King&nbsp;: Tapestry, une tapisserie pop","datePublished":"2019-08-22T07:59:49+00:00","dateModified":"2019-08-22T08:29:15+00:00","mainEntityOfPage":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/22\/carole-king-tapestry-une-tapisserie-pop\/"},"wordCount":470,"image":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/22\/carole-king-tapestry-une-tapisserie-pop\/#primaryimage"},"thumbnailUrl":"https:\/\/www.dispatchbox.net\/wp-content\/51iXjWj08KL.jpg","keywords":["Goffin","King","Shirelles","Tapestry"],"articleSection":["Disques","Donny Hathaway","Folk","Motown","Musique","Pianiste","Production musicale","Rock"],"inLanguage":"fr-FR"},{"@type":"WebPage","@id":"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/22\/carole-king-tapestry-une-tapisserie-pop\/","url":"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/22\/carole-king-tapestry-une-tapisserie-pop\/","name":"Carole King : Tapestry, une tapisserie pop - 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L'auteur de ce qui reste probablement le glissando de contrebasse le plus fameux de la musique populaire qui ait \u00e9t\u00e9 grav\u00e9 dans le vinyle au XXe si\u00e8cle. Allez, je vous laisse avec lui, une histoire de bottes qui ne font rien de plus\u2026","rel":"","context":"Dans &quot;Basse&quot;","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/DB_AVT_3_27_7-005-2.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/DB_AVT_3_27_7-005-2.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/DB_AVT_3_27_7-005-2.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":8509,"url":"https:\/\/www.dispatchbox.net\/index.php\/2021\/12\/17\/lhumeur-dike-bring-back-that-lovin-feeling\/","url_meta":{"origin":5290,"position":1},"title":"L\u2019humeur d\u2019Ike&nbsp;: Bring Back That Lovin\u2019 Feelin\u2019","author":"Jeremy Jeanguenin","date":"17\/12\/2021","format":false,"excerpt":"L'album ...To Be Continued est le quatri\u00e8me opus solo du compositeur et arrangeur Isaac Hayes, paru en 1970. Il inaugure une suite logique de chansons mi-parl\u00e9es, mi-chant\u00e9es, les fameux Ike's Raps. Du point de vue des compositions, rien de tr\u00e8s particulier \u00e0 noter, puisque comme dans Hot Buttered Soul et\u2026","rel":"","context":"Dans &quot;Musique&quot;","block_context":{"text":"Musique","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/musique\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/resize.php_.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":958,"url":"https:\/\/www.dispatchbox.net\/index.php\/2009\/09\/13\/lart-de-klaus-voormann-cinquieme-beatle\/","url_meta":{"origin":5290,"position":2},"title":"L\u2019art de Klaus Voormann, cinqui\u00e8me Beatle","author":"Jeremy Jeanguenin","date":"13\/09\/2009","format":false,"excerpt":"Au milieu d'autres pr\u00e9tendants contractuels (parmi lesquels ceux de la pr\u00e9histoire des Fab, Stuart Sutcliffe, Pete Best, mais aussi Billy Preston qui n'\u00e9tait pas cr\u00e9dit\u00e9 sur Get Back et qui eut un r\u00f4le important dans les deux derniers albums), Klaus Voormann fait figure de talent touche-\u00e0-tout dont l'ombre magique et\u2026","rel":"","context":"Dans &quot;Affiche&quot;","block_context":{"text":"Affiche","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/art\/affiche\/"},"img":{"alt_text":"beatles_revolver_1_169","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/beatles_revolver_1_169-300x300.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1828,"url":"https:\/\/www.dispatchbox.net\/index.php\/2010\/11\/01\/michael-henderson-dans-jazz-hot-1973\/","url_meta":{"origin":5290,"position":3},"title":"Michael Henderson dans Jazz Hot (1973)","author":"Jeremy Jeanguenin","date":"01\/11\/2010","format":false,"excerpt":"Je continue de recenser quelques noms des piliers de la basse chez Motown, \u00e0 la suite de James Jamerson, Bob Babbitt (une allusion seulement, j'y reviens bient\u00f4t), Wilton Felder. Nous continuerons d'\u00e9voquer d'autres bassistes dont l'influence aura \u00e9t\u00e9 d\u00e9terminante sur la musique populaire telle que nous la connaissons. Parmi les\u2026","rel":"","context":"Dans &quot;Afro-Beat&quot;","block_context":{"text":"Afro-Beat","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/jazz\/afro-beat\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/l_66890474cfe4239b6315c6c37591c91b.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/l_66890474cfe4239b6315c6c37591c91b.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/l_66890474cfe4239b6315c6c37591c91b.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":1430,"url":"https:\/\/www.dispatchbox.net\/index.php\/2010\/01\/12\/monk-montgomery-pionnier-du-groove-electrique\/","url_meta":{"origin":5290,"position":4},"title":"Monk Montgomery, pionnier du groove \u00e9lectrique","author":"Jeremy Jeanguenin","date":"12\/01\/2010","format":false,"excerpt":"Voil\u00e0 un Montgomery qui n'a pas eu la reconnaissance de son propre fr\u00e8re, l'illustre guitariste de jazz Wes Montgomery. Le troisi\u00e8me fr\u00e8re, le benjamin, Buddy Montgomery, vibraphoniste (\u00e0 noter qu'on le trouve au piano sur des sessions tardives des ann\u00e9es 1990, alors que Roy Ayers tient les mailloches !), a\u2026","rel":"","context":"Dans &quot;Bar-Kays&quot;","block_context":{"text":"Bar-Kays","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/figures-de-la-soul\/bar-kays\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/monk.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2313,"url":"https:\/\/www.dispatchbox.net\/index.php\/2012\/09\/16\/tony-newton-et-la-motown-revue\/","url_meta":{"origin":5290,"position":5},"title":"Tony Newton et la Motown Revue","author":"Jeremy Jeanguenin","date":"16\/09\/2012","format":false,"excerpt":"Les ann\u00e9es passent et, s'il on a fait sortir il y a une vingtaine d'ann\u00e9es James Jamerson de l'ombre, ainsi que Bob Babbitt, les autres bassistes - leur r\u00f4le est central dans le \"son\" du snakepit - demeurent n\u00e9glig\u00e9s, sinon oubli\u00e9s. Certes, Wilton Felder est avant toute chose consid\u00e9r\u00e9 pour\u2026","rel":"","context":"Dans &quot;Basse&quot;","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/gear-2-pBass63.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts\/5290","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/comments?post=5290"}],"version-history":[{"count":0,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts\/5290\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/media?parent=5290"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/categories?post=5290"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/tags?post=5290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}