{"id":5412,"date":"2019-10-04T06:22:56","date_gmt":"2019-10-04T06:22:56","guid":{"rendered":"https:\/\/www.dispatchbox.net\/?p=5412"},"modified":"2019-10-07T05:38:22","modified_gmt":"2019-10-07T05:38:22","slug":"patrice-rushen-dont-forget-her-notes","status":"publish","type":"post","link":"https:\/\/www.dispatchbox.net\/index.php\/2019\/10\/04\/patrice-rushen-dont-forget-her-notes\/","title":{"rendered":"Patrice Rushen&nbsp;: don\u2019t forget her not(e)s"},"content":{"rendered":"\n<p>C\u2019est \u00e0 seule\u00adment 19 ans que Patrice Louise Rushen publie son pre\u00admier album de jazz <em>groo\u00advy<\/em>, inti\u00adtu\u00adl\u00e9 <em>Pre\u00adlu\u00adsion<\/em>, en 1974 chez Pres\u00adtige Records.<\/p>\n<figure id=\"attachment_5413\" aria-describedby=\"caption-attachment-5413\" style=\"width: 640px\" class=\"wp-caption alignnone\"><img fetchpriority=\"high\" decoding=\"async\" data-attachment-id=\"5413\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2019\/10\/04\/patrice-rushen-dont-forget-her-notes\/attachment\/725543296016\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/725543296016.jpg\" data-orig-size=\"640,640\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Prelusion\" data-image-description=\"<p>Pochette de l'album Prelusion de Patrice Rushen, 1974.<\/p>\n\" data-image-caption=\"<p>Pochette de l'album Prelusion de Patrice Rushen, 1974.<\/p>\n\" data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/725543296016.jpg\" class=\"size-full wp-image-5413\" src=\"https:\/\/www.dispatchbox.net\/wp-content\/725543296016.jpg\" alt width=\"640\" height=\"640\" srcset=\"https:\/\/www.dispatchbox.net\/wp-content\/725543296016.jpg 640w, https:\/\/www.dispatchbox.net\/wp-content\/725543296016-150x150.jpg 150w, https:\/\/www.dispatchbox.net\/wp-content\/725543296016-300x300.jpg 300w\" sizes=\"(max-width: 640px) 100vw, 640px\"><figcaption id=\"caption-attachment-5413\" class=\"wp-caption-text\">Pochette de l\u2019al\u00adbum <em>Pre\u00adlu\u00adsion<\/em> de Patrice Rushen, 1974.<\/figcaption><\/figure>\n<h2>Des d\u00e9buts jazz pr\u00e9coces<\/h2>\n<p>Un album enti\u00e8\u00adre\u00adment ins\u00adtru\u00admen\u00adtal, qui reprend la figure de l\u2019o\u00addys\u00ads\u00e9e <em>groo\u00advy<\/em>, comme ont pu le faire quelques ann\u00e9es aupa\u00adra\u00advant l\u2019or\u00adga\u00adniste Jim\u00admy Smith (pen\u00adsons au m\u00e9mo\u00adrable <em>Roots Down<\/em>) ou Grant Green sur son groo\u00advy <em>Live at the Ligh\u00adthouse,<\/em> voire m\u00eame le <em>Kool Jazz<\/em> de Kool and The&nbsp;Gang.<\/p>\n<p>Pour ce qui est des musi\u00adciens pr\u00e9\u00adsents sur l\u2019al\u00adbum, tenez-vous bien, le cas\u00adting est de qualit\u00e9&nbsp;:<\/p>\n<ul>\n<li>Patrice Rushen \u2013 voix, pia\u00adno, pia\u00adno \u00e9lec\u00adtrique Rhodes, syn\u00adth\u00e9\u00adti\u00adseur ARP, clavinet<\/li>\n<li>Tony Dumas \u2013 basse \u00e9lec\u00adtrique, contrebasse<\/li>\n<li>Leon \u201cNdu\u00adgu\u201d Chan\u00adcler \u2013 bat\u00adte\u00adrie, arran\u00adge\u00adments rythmiques<\/li>\n<li>Ken\u00adneth Nash \u2013 percussion<\/li>\n<li>Joe Hen\u00adder\u00adson \u2013 saxo\u00adphone&nbsp;tenor<\/li>\n<li>Had\u00adley Cali\u00adman \u2013 flute, fl\u00fbte alto, saxo\u00adphone soprano<\/li>\n<li>Oscar Bra\u00adshear \u2013 trom\u00adpette, bugle<\/li>\n<li>George Boha\u00adnon \u2013 trombone<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_5415\" aria-describedby=\"caption-attachment-5415\" style=\"width: 560px\" class=\"wp-caption alignnone\"><img decoding=\"async\" data-attachment-id=\"5415\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2019\/10\/04\/patrice-rushen-dont-forget-her-notes\/cs268486-01b-big\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/CS268486-01B-BIG.jpg\" data-orig-size=\"700,715\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Prelusion, dos de la pochette de l'album\" data-image-description data-image-caption=\"<p>Prelusion, dos de la pochette de l'album.<br \/>\nCr\u00e9dits des musiciens.<\/p>\n\" data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/CS268486-01B-BIG.jpg\" class=\" wp-image-5415\" src=\"https:\/\/www.dispatchbox.net\/wp-content\/CS268486-01B-BIG.jpg\" alt width=\"560\" height=\"572\" srcset=\"https:\/\/www.dispatchbox.net\/wp-content\/CS268486-01B-BIG.jpg 700w, https:\/\/www.dispatchbox.net\/wp-content\/CS268486-01B-BIG-294x300.jpg 294w\" sizes=\"(max-width: 560px) 100vw, 560px\"><figcaption id=\"caption-attachment-5415\" class=\"wp-caption-text\"><strong><em>Pre\u00adlu\u00adsion<\/em>, dos de la pochette de l\u2019al\u00adbum<\/strong>.<br><br><\/figcaption><\/figure>\n<h2>Vers le <em>smooth jazz<\/em><\/h2>\n<p>Smooth jazz s\u2019en\u00adtend ici au sens am\u00e9\u00adri\u00adcain, c\u2019est-\u00e0-dire sans le sens p\u00e9jo\u00adra\u00adtif fran\u00ad\u00e7ais de \u201cjazz sopo\u00adri\u00adfique d\u2019as\u00adcen\u00adseur\u201d : un jazz dan\u00adsant, emprun\u00adtant si n\u00e9ces\u00adsaire \u00e0 l\u2019\u00e9lec\u00adtro\u00adnique, r\u00e9el cha\u00ee\u00adnon entre le R&amp;B et la musique \u00e9lec\u00adtro\u00adnique. Encha\u00ee\u00adnant plu\u00adsieurs albums ani\u00adm\u00e9s par l\u2019\u00e8re funk-jazz (les Head Hun\u00adters de Her\u00adbie Han\u00adcock, George Duke, Wea\u00adther Report\u2026), Patrice Rushen se voit b\u00e9n\u00e9\u00adfi\u00adcier de moyens par le label Elek\u00adtra \/ Asy\u00adlum. Elle a toute lati\u00adtude pour mener \u00e0 bien un pro\u00adjet de musique au for\u00admat R&amp;B plus popu\u00adlaire et dan\u00adsant. C\u2019est le d\u00e9but de la tr\u00e8s fruc\u00adtueuse col\u00adla\u00adbo\u00adra\u00adtion de Patrice Rushen avec le bas\u00adsiste de stu\u00addio et com\u00adpo\u00adsi\u00adteur Fred\u00addie \u201cRea\u00addy\u201d Washing\u00adton. Mal\u00adadroi\u00adte\u00adment qua\u00adli\u00adfi\u00e9e de musique \u201cdis\u00adco\u201d, cette musique est un R&amp;B typique du tour\u00adnant ann\u00e9es 1971\u200a\u2013\u200a1980&nbsp;: ryth\u00admiques cha\u00adlou\u00adp\u00e9es, dan\u00adsantes, basse slap\u00adp\u00e9e, pia\u00adnos et sec\u00adtions cuivres sur\u00advol\u00adt\u00e9es, le tout dans des arran\u00adge\u00adments d\u2019une grande intelligence.<\/p>\n<h2>Le tandem Rushen\/Washington<\/h2>\n<p>Par ailleurs, tout au long de ces cinq albums au for\u00admat volon\u00adtai\u00adre\u00adment plus com\u00admer\u00adcial (<em>Patrice<\/em>, <em>Piz\u00adzazz<\/em>, <em>Posh<\/em>, <em>Straight from the Heart<\/em>, <em>Now<\/em>), donc com\u00adpa\u00adtible avec la pro\u00adgram\u00adma\u00adtion des radios, Patrice Rushen fait ses d\u00e9buts de chan\u00adteuse. Influen\u00adc\u00e9e par Quin\u00adcy Jones, Ste\u00advie Won\u00adder et Michael Jack\u00adson, Patrice Rushen gar\u00adde\u00adra les aspects ins\u00adtru\u00admen\u00adtaux et \u00e9piques, comme le prouve le titre \u201cdyna\u00admite\u201d <em>Hang it up<\/em>. Ces for\u00admules ryth\u00admiques explo\u00adsives, o\u00f9 la voix et les cla\u00adviers de Patrice Rushen trouvent natu\u00adrel\u00adle\u00adment leur place (Fen\u00adder Rhodes et pia\u00adnos), figurent par\u00admi les plus c\u00e9l\u00e8bres extraits \u00e9chan\u00adtillon\u00adn\u00e9s dans le hip-hop et ses d\u00e9riv\u00e9s.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe class=\"youtube-player\" width=\"960\" height=\"540\" src=\"https:\/\/www.youtube.com\/embed\/2nNTcBVDi78?version=3&amp;rel=1&amp;showsearch=0&amp;showinfo=1&amp;iv_load_policy=1&amp;fs=1&amp;hl=fr-FR&amp;autohide=2&amp;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>&nbsp;<\/p>\n<h2><strong>La r\u00e9\u00e9dition de 2019 des ann\u00e9es Elektra<\/strong><\/h2>\n<p>R\u00e9jouis\u00adsons-nous. Alors que les r\u00e9\u00e9di\u00adtions cd \u00e9ma\u00adnaient prin\u00adci\u00adpa\u00adle\u00adment du Japon (les japo\u00adnais sont de grands ama\u00adteurs des \u00e9poques et des ten\u00addances pas\u00ads\u00e9es que nous n\u00e9gli\u00adgeons, un fait cultu\u00adrel et social qui m\u00e9ri\u00adte\u00adrait peut-\u00eatre plu\u00adsieurs \u00e9tudes s\u00e9rieuses), le label cali\u00adfor\u00adnien Strut Records r\u00e9\u00e9dite cette p\u00e9riode fun\u00adky de Patrice Rushen sous le titre <strong><em>Remind Me&nbsp;: The Clas\u00adsic Elek\u00adtra Recor\u00addings 1978\u200a\u2013\u200a1984. <\/em><\/strong>Ce cof\u00adfret com\u00adprend les albums ori\u00adgi\u00adnaux remas\u00adt\u00e9\u00adri\u00ads\u00e9s \u00e0 par\u00adtir des bandes ori\u00adgi\u00adnales, des singles au for\u00admat 12\u2033, une inter\u00adview et des pho\u00adto\u00adgra\u00adphies in\u00e9dites.<\/p>\n<figure id=\"attachment_5414\" aria-describedby=\"caption-attachment-5414\" style=\"width: 559px\" class=\"wp-caption alignnone\"><img decoding=\"async\" data-attachment-id=\"5414\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2019\/10\/04\/patrice-rushen-dont-forget-her-notes\/patrice-rushen\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/patrice-rushen.jpg\" data-orig-size=\"1000,1000\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Patrice Rushen\" data-image-description data-image-caption=\"<p>Elektra years, les ann\u00e9es funky de Patrice Rushen<\/p>\n\" data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/patrice-rushen.jpg\" class=\"wp-image-5414\" src=\"https:\/\/www.dispatchbox.net\/wp-content\/patrice-rushen.jpg\" alt width=\"559\" height=\"559\" srcset=\"https:\/\/www.dispatchbox.net\/wp-content\/patrice-rushen.jpg 1000w, https:\/\/www.dispatchbox.net\/wp-content\/patrice-rushen-150x150.jpg 150w, https:\/\/www.dispatchbox.net\/wp-content\/patrice-rushen-300x300.jpg 300w, https:\/\/www.dispatchbox.net\/wp-content\/patrice-rushen-768x768.jpg 768w\" sizes=\"(max-width: 559px) 100vw, 559px\"><figcaption id=\"caption-attachment-5414\" class=\"wp-caption-text\">Les \u201cElek\u00adtra years\u201d, les ann\u00e9es R&amp;B classes de Patrice Rushen<\/figcaption><\/figure>\n<p>C\u2019est cer\u00adtain, nous ne l\u2019ou\u00adblie\u00adrons&nbsp;pas&nbsp;!<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>C\u2019est \u00e0 seule\u00adment 19 ans que Patrice Louise Rushen publie son pre\u00admier album de jazz groo\u00advy, inti\u00adtu\u00adl\u00e9 Pre\u00adlu\u00adsion, en 1974 chez Pres\u00adtige Records. Des d\u00e9buts jazz pr\u00e9\u00adcoces Un album enti\u00e8\u00adre\u00adment ins\u00adtru\u00admen\u00adtal, qui reprend la figure de l\u2019o\u00addys\u00ads\u00e9e groo\u00advy, comme ont pu le faire quelques ann\u00e9es aupa\u00adra\u00advant l\u2019or\u00adga\u00adniste Jim\u00admy Smith (pen\u00adsons au m\u00e9mo\u00adrable Roots Down) ou Grant Green sur son groo\u00advy Live at the Ligh\u00adthouse, voire m\u00eame le Kool Jazz de Kool and The&nbsp;Gang. Pour ce qui est des musi\u00adciens pr\u00e9\u00adsents sur l\u2019al\u00adbum, tenez-vous bien, le cas\u00adting est de qua\u00adli\u00adt\u00e9&nbsp;: Patrice Rushen \u2013 voix, pia\u00adno, pia\u00adno \u00e9lec\u00adtrique Rhodes, syn\u00adth\u00e9\u00adti\u00adseur ARP, cla\u00advi\u00adnet Tony Dumas \u2013 basse \u00e9lec\u00adtrique, contre\u00adbasse Leon \u201cNdu\u00adgu\u201d Chan\u00adcler \u2013 bat\u00adte\u00adrie, arran\u00adge\u00adments ryth\u00admiques Ken\u00adneth Nash \u2013 per\u00adcus\u00adsion Joe Hen\u00adder\u00adson \u2013 saxo\u00adphone&nbsp;tenor Had\u00adley Cali\u00adman \u2013 flute, fl\u00fbte alto, saxo\u00adphone sopra\u00adno Oscar Bra\u00adshear \u2013 trom\u00adpette, bugle George Boha\u00adnon \u2013 trom\u00adbone &nbsp; Vers le smooth jazz Smooth jazz s\u2019en\u00adtend ici au sens am\u00e9\u00adri\u00adcain, c\u2019est-\u00e0-dire sans le sens p\u00e9jo\u00adra\u00adtif fran\u00ad\u00e7ais de \u201cjazz sopo\u00adri\u00adfique d\u2019as\u00adcen\u00adseur\u201d : un jazz dan\u00adsant, emprun\u00adtant si n\u00e9ces\u00adsaire \u00e0 l\u2019\u00e9lec\u00adtro\u00adnique, r\u00e9el cha\u00ee\u00adnon entre le R&amp;B et la musique \u00e9lec\u00adtro\u00adnique. Encha\u00ee\u00adnant plu\u00adsieurs albums ani\u00adm\u00e9s par l\u2019\u00e8re funk-jazz (les Head Hun\u00adters de Her\u00adbie Han\u00adcock, George Duke, Wea\u00adther Report\u2026), Patrice Rushen se voit b\u00e9n\u00e9\u00adfi\u00adcier de moyens par le label Elek\u00adtra \/ Asy\u00adlum. Elle a toute lati\u00adtude pour mener \u00e0 bien un pro\u00adjet de musique au for\u00admat R&amp;B plus popu\u00adlaire et dan\u00adsant. C\u2019est le d\u00e9but de la tr\u00e8s fruc\u00adtueuse col\u00adla\u00adbo\u00adra\u00adtion de Patrice Rushen avec le bas\u00adsiste de stu\u00addio et com\u00adpo\u00adsi\u00adteur Fred\u00addie \u201cRea\u00addy\u201d Washing\u00adton. Mal\u00adadroi\u00adte\u00adment qua\u00adli\u00adfi\u00e9e de musique \u201cdis\u00adco\u201d, cette musique est un R&amp;B typique du tour\u00adnant ann\u00e9es 1971 \u2013 1980&nbsp;: ryth\u00admiques cha\u00adlou\u00adp\u00e9es, dan\u00adsantes, basse slap\u00adp\u00e9e, pia\u00adnos et sec\u00adtions cuivres sur\u00advol\u00adt\u00e9es, le tout dans des arran\u00adge\u00adments d\u2019une grande intel\u00adli\u00adgence. Le tan\u00addem Rushen\/Washington Par ailleurs, tout au long de ces cinq albums au for\u00admat volon\u00adtai\u00adre\u00adment plus com\u00admer\u00adcial (Patrice, Piz\u00adzazz, Posh, Straight from the Heart, Now), donc com\u00adpa\u00adtible avec la pro\u00adgram\u00adma\u00adtion des radios, Patrice Rushen fait ses d\u00e9buts de chan\u00adteuse. Influen\u00adc\u00e9e par Quin\u00adcy Jones, Ste\u00advie Won\u00adder et Michael Jack\u00adson, Patrice Rushen gar\u00adde\u00adra les aspects ins\u00adtru\u00admen\u00adtaux et \u00e9piques, comme le prouve le titre \u201cdyna\u00admite\u201d Hang it up. Ces for\u00admules ryth\u00admiques explo\u00adsives, o\u00f9 la voix et les cla\u00adviers de Patrice Rushen trouvent natu\u00adrel\u00adle\u00adment leur place (Fen\u00adder Rhodes et pia\u00adnos), figurent par\u00admi les plus c\u00e9l\u00e8bres extraits \u00e9chan\u00adtillon\u00adn\u00e9s dans le hip-hop et ses d\u00e9ri\u00adv\u00e9s. &nbsp; La r\u00e9\u00e9di\u00adtion de 2019 des ann\u00e9es Elek\u00adtra R\u00e9jouis\u00ad\u00adsons-nous. Alors que les r\u00e9\u00e9di\u00adtions cd \u00e9ma\u00adnaient prin\u00adci\u00adpa\u00adle\u00adment du Japon (les japo\u00adnais sont de grands ama\u00adteurs des \u00e9poques et des ten\u00addances pas\u00ads\u00e9es que nous n\u00e9gli\u00adgeons, un fait cultu\u00adrel et social qui m\u00e9ri\u00adte\u00adrait peut-\u00eatre plu\u00adsieurs \u00e9tudes s\u00e9rieuses), le label cali\u00adfor\u00adnien Strut Records r\u00e9\u00e9dite cette p\u00e9riode fun\u00adky de Patrice Rushen sous le titre Remind Me&nbsp;: The Clas\u00adsic Elek\u00adtra Recor\u00addings 1978 \u2013 1984. Ce cof\u00adfret com\u00adprend les albums ori\u00adgi\u00adnaux remas\u00adt\u00e9\u00adri\u00ads\u00e9s \u00e0 par\u00adtir des bandes ori\u00adgi\u00adnales, des singles au for\u00admat 12\u2033, une inter\u00adview et des pho\u00adto\u00adgra\u00adphies in\u00e9dites. C\u2019est cer\u00adtain, nous ne l\u2019ou\u00adblie\u00adrons&nbsp;pas&nbsp;!&nbsp;<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_s2mail":"yes","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4,554,2,9,345,612,14,3,614,32,613,604],"tags":[652,651],"class_list":["post-5412","post","type-post","status-publish","format-standard","hentry","category-basse","category-clavier","category-figures-de-la-soul","category-funk","category-hip-hop","category-industrie-musicale","category-jazz","category-musique","category-musique-populaire","category-pianiste","category-production-musicale","category-soul-music","tag-patrice","tag-patrice-rushen"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Patrice Rushen : don&#039;t forget her not(e)s - Dispatch\/Box<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.dispatchbox.net\/index.php\/2019\/10\/04\/patrice-rushen-dont-forget-her-notes\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Patrice Rushen : don&#039;t forget her not(e)s - Dispatch\/Box\" \/>\n<meta property=\"og:description\" content=\"C\u2019est \u00e0 seule\u00adment 19 ans que Patrice Louise Rushen publie son pre\u00admier album de jazz groo\u00advy, inti\u00adtu\u00adl\u00e9 Pre\u00adlu\u00adsion, en 1974 chez Pres\u00adtige Records. Des d\u00e9buts jazz pr\u00e9coces Un album enti\u00e8\u00adre\u00adment ins\u00adtru\u00admen\u00adtal, qui reprend la figure de l\u2019o\u00addys\u00ads\u00e9e groo\u00advy, comme ont pu le faire quelques ann\u00e9es aupa\u00adra\u00advant l\u2019or\u00adga\u00adniste Jim\u00admy Smith (pen\u00adsons au m\u00e9mo\u00adrable Roots Down) ou Grant Green sur son groo\u00advy Live at the Ligh\u00adthouse, voire m\u00eame le Kool Jazz de Kool and The&nbsp;Gang. Pour ce qui est des musi\u00adciens pr\u00e9\u00adsents sur l\u2019al\u00adbum, tenez-vous bien, le cas\u00adting est de qualit\u00e9&nbsp;: Patrice Rushen \u2013 voix, pia\u00adno, pia\u00adno \u00e9lec\u00adtrique Rhodes, syn\u00adth\u00e9\u00adti\u00adseur ARP, clavinet Tony Dumas \u2013 basse \u00e9lec\u00adtrique, contrebasse Leon \u201cNdu\u00adgu\u201d Chan\u00adcler \u2013 bat\u00adte\u00adrie, arran\u00adge\u00adments rythmiques Ken\u00adneth Nash \u2013 percussion Joe Hen\u00adder\u00adson \u2013 saxo\u00adphone&nbsp;tenor Had\u00adley Cali\u00adman \u2013 flute, fl\u00fbte alto, saxo\u00adphone soprano Oscar Bra\u00adshear \u2013 trom\u00adpette, bugle George Boha\u00adnon \u2013 trombone &nbsp; Vers le smooth jazz Smooth jazz s\u2019en\u00adtend ici au sens am\u00e9\u00adri\u00adcain, c\u2019est-\u00e0-dire sans le sens p\u00e9jo\u00adra\u00adtif fran\u00ad\u00e7ais de \u201cjazz sopo\u00adri\u00adfique d\u2019as\u00adcen\u00adseur\u201d : un jazz dan\u00adsant, emprun\u00adtant si n\u00e9ces\u00adsaire \u00e0 l\u2019\u00e9lec\u00adtro\u00adnique, r\u00e9el cha\u00ee\u00adnon entre le R&amp;B et la musique \u00e9lec\u00adtro\u00adnique. Encha\u00ee\u00adnant plu\u00adsieurs albums ani\u00adm\u00e9s par l\u2019\u00e8re funk-jazz (les Head Hun\u00adters de Her\u00adbie Han\u00adcock, George Duke, Wea\u00adther Report\u2026), Patrice Rushen se voit b\u00e9n\u00e9\u00adfi\u00adcier de moyens par le label Elek\u00adtra \/ Asy\u00adlum. Elle a toute lati\u00adtude pour mener \u00e0 bien un pro\u00adjet de musique au for\u00admat R&amp;B plus popu\u00adlaire et dan\u00adsant. C\u2019est le d\u00e9but de la tr\u00e8s fruc\u00adtueuse col\u00adla\u00adbo\u00adra\u00adtion de Patrice Rushen avec le bas\u00adsiste de stu\u00addio et com\u00adpo\u00adsi\u00adteur Fred\u00addie \u201cRea\u00addy\u201d Washing\u00adton. Mal\u00adadroi\u00adte\u00adment qua\u00adli\u00adfi\u00e9e de musique \u201cdis\u00adco\u201d, cette musique est un R&amp;B typique du tour\u00adnant ann\u00e9es 1971\u200a\u2013\u200a1980&nbsp;: ryth\u00admiques cha\u00adlou\u00adp\u00e9es, dan\u00adsantes, basse slap\u00adp\u00e9e, pia\u00adnos et sec\u00adtions cuivres sur\u00advol\u00adt\u00e9es, le tout dans des arran\u00adge\u00adments d\u2019une grande intelligence. Le tandem Rushen\/Washington Par ailleurs, tout au long de ces cinq albums au for\u00admat volon\u00adtai\u00adre\u00adment plus com\u00admer\u00adcial (Patrice, Piz\u00adzazz, Posh, Straight from the Heart, Now), donc com\u00adpa\u00adtible avec la pro\u00adgram\u00adma\u00adtion des radios, Patrice Rushen fait ses d\u00e9buts de chan\u00adteuse. Influen\u00adc\u00e9e par Quin\u00adcy Jones, Ste\u00advie Won\u00adder et Michael Jack\u00adson, Patrice Rushen gar\u00adde\u00adra les aspects ins\u00adtru\u00admen\u00adtaux et \u00e9piques, comme le prouve le titre \u201cdyna\u00admite\u201d Hang it up. Ces for\u00admules ryth\u00admiques explo\u00adsives, o\u00f9 la voix et les cla\u00adviers de Patrice Rushen trouvent natu\u00adrel\u00adle\u00adment leur place (Fen\u00adder Rhodes et pia\u00adnos), figurent par\u00admi les plus c\u00e9l\u00e8bres extraits \u00e9chan\u00adtillon\u00adn\u00e9s dans le hip-hop et ses d\u00e9riv\u00e9s. &nbsp; La r\u00e9\u00e9dition de 2019 des ann\u00e9es Elektra R\u00e9jouis\u00adsons-nous. Alors que les r\u00e9\u00e9di\u00adtions cd \u00e9ma\u00adnaient prin\u00adci\u00adpa\u00adle\u00adment du Japon (les japo\u00adnais sont de grands ama\u00adteurs des \u00e9poques et des ten\u00addances pas\u00ads\u00e9es que nous n\u00e9gli\u00adgeons, un fait cultu\u00adrel et social qui m\u00e9ri\u00adte\u00adrait peut-\u00eatre plu\u00adsieurs \u00e9tudes s\u00e9rieuses), le label cali\u00adfor\u00adnien Strut Records r\u00e9\u00e9dite cette p\u00e9riode fun\u00adky de Patrice Rushen sous le titre Remind Me&nbsp;: The Clas\u00adsic Elek\u00adtra Recor\u00addings 1978\u200a\u2013\u200a1984. Ce cof\u00adfret com\u00adprend les albums ori\u00adgi\u00adnaux remas\u00adt\u00e9\u00adri\u00ads\u00e9s \u00e0 par\u00adtir des bandes ori\u00adgi\u00adnales, des singles au for\u00admat 12\u2033, une inter\u00adview et des pho\u00adto\u00adgra\u00adphies in\u00e9dites. C\u2019est cer\u00adtain, nous ne l\u2019ou\u00adblie\u00adrons&nbsp;pas&nbsp;! &nbsp;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.dispatchbox.net\/index.php\/2019\/10\/04\/patrice-rushen-dont-forget-her-notes\/\" \/>\n<meta property=\"og:site_name\" content=\"Dispatch\/Box\" \/>\n<meta property=\"article:published_time\" content=\"2019-10-04T06:22:56+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-10-07T05:38:22+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.dispatchbox.net\/wp-content\/725543296016.jpg\" \/>\n<meta name=\"author\" content=\"Jeremy Jeanguenin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:site\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jeremy Jeanguenin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2019\\\/10\\\/04\\\/patrice-rushen-dont-forget-her-notes\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2019\\\/10\\\/04\\\/patrice-rushen-dont-forget-her-notes\\\/\"},\"author\":{\"name\":\"Jeremy Jeanguenin\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/#\\\/schema\\\/person\\\/9db7c9c41e0594fa08428d8b7007e253\"},\"headline\":\"Patrice Rushen&nbsp;: don\u2019t forget her not(e)s\",\"datePublished\":\"2019-10-04T06:22:56+00:00\",\"dateModified\":\"2019-10-07T05:38:22+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2019\\\/10\\\/04\\\/patrice-rushen-dont-forget-her-notes\\\/\"},\"wordCount\":594,\"image\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2019\\\/10\\\/04\\\/patrice-rushen-dont-forget-her-notes\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.dispatchbox.net\\\/wp-content\\\/725543296016.jpg\",\"keywords\":[\"Patrice\",\"Patrice Rushen\"],\"articleSection\":[\"Basse\",\"Clavier\",\"Figures De La Soul\",\"Funk\",\"Hip Hop\",\"Industrie musicale\",\"Jazz\",\"Musique\",\"Musique populaire\",\"Pianiste\",\"Production musicale\",\"Soul Music\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2019\\\/10\\\/04\\\/patrice-rushen-dont-forget-her-notes\\\/\",\"url\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2019\\\/10\\\/04\\\/patrice-rushen-dont-forget-her-notes\\\/\",\"name\":\"Patrice Rushen : don't forget her not(e)s - 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Des d\u00e9buts jazz pr\u00e9coces Un album enti\u00e8\u00adre\u00adment ins\u00adtru\u00admen\u00adtal, qui reprend la figure de l\u2019o\u00addys\u00ads\u00e9e groo\u00advy, comme ont pu le faire quelques ann\u00e9es aupa\u00adra\u00advant l\u2019or\u00adga\u00adniste Jim\u00admy Smith (pen\u00adsons au m\u00e9mo\u00adrable Roots Down) ou Grant Green sur son groo\u00advy Live at the Ligh\u00adthouse, voire m\u00eame le Kool Jazz de Kool and The&nbsp;Gang. Pour ce qui est des musi\u00adciens pr\u00e9\u00adsents sur l\u2019al\u00adbum, tenez-vous bien, le cas\u00adting est de qualit\u00e9&nbsp;: Patrice Rushen \u2013 voix, pia\u00adno, pia\u00adno \u00e9lec\u00adtrique Rhodes, syn\u00adth\u00e9\u00adti\u00adseur ARP, clavinet Tony Dumas \u2013 basse \u00e9lec\u00adtrique, contrebasse Leon \u201cNdu\u00adgu\u201d Chan\u00adcler \u2013 bat\u00adte\u00adrie, arran\u00adge\u00adments rythmiques Ken\u00adneth Nash \u2013 percussion Joe Hen\u00adder\u00adson \u2013 saxo\u00adphone&nbsp;tenor Had\u00adley Cali\u00adman \u2013 flute, fl\u00fbte alto, saxo\u00adphone soprano Oscar Bra\u00adshear \u2013 trom\u00adpette, bugle George Boha\u00adnon \u2013 trombone &nbsp; Vers le smooth jazz Smooth jazz s\u2019en\u00adtend ici au sens am\u00e9\u00adri\u00adcain, c\u2019est-\u00e0-dire sans le sens p\u00e9jo\u00adra\u00adtif fran\u00ad\u00e7ais de \u201cjazz sopo\u00adri\u00adfique d\u2019as\u00adcen\u00adseur\u201d : un jazz dan\u00adsant, emprun\u00adtant si n\u00e9ces\u00adsaire \u00e0 l\u2019\u00e9lec\u00adtro\u00adnique, r\u00e9el cha\u00ee\u00adnon entre le R&amp;B et la musique \u00e9lec\u00adtro\u00adnique. Encha\u00ee\u00adnant plu\u00adsieurs albums ani\u00adm\u00e9s par l\u2019\u00e8re funk-jazz (les Head Hun\u00adters de Her\u00adbie Han\u00adcock, George Duke, Wea\u00adther Report\u2026), Patrice Rushen se voit b\u00e9n\u00e9\u00adfi\u00adcier de moyens par le label Elek\u00adtra \/ Asy\u00adlum. Elle a toute lati\u00adtude pour mener \u00e0 bien un pro\u00adjet de musique au for\u00admat R&amp;B plus popu\u00adlaire et dan\u00adsant. C\u2019est le d\u00e9but de la tr\u00e8s fruc\u00adtueuse col\u00adla\u00adbo\u00adra\u00adtion de Patrice Rushen avec le bas\u00adsiste de stu\u00addio et com\u00adpo\u00adsi\u00adteur Fred\u00addie \u201cRea\u00addy\u201d Washing\u00adton. Mal\u00adadroi\u00adte\u00adment qua\u00adli\u00adfi\u00e9e de musique \u201cdis\u00adco\u201d, cette musique est un R&amp;B typique du tour\u00adnant ann\u00e9es 1971\u200a\u2013\u200a1980&nbsp;: ryth\u00admiques cha\u00adlou\u00adp\u00e9es, dan\u00adsantes, basse slap\u00adp\u00e9e, pia\u00adnos et sec\u00adtions cuivres sur\u00advol\u00adt\u00e9es, le tout dans des arran\u00adge\u00adments d\u2019une grande intelligence. Le tandem Rushen\/Washington Par ailleurs, tout au long de ces cinq albums au for\u00admat volon\u00adtai\u00adre\u00adment plus com\u00admer\u00adcial (Patrice, Piz\u00adzazz, Posh, Straight from the Heart, Now), donc com\u00adpa\u00adtible avec la pro\u00adgram\u00adma\u00adtion des radios, Patrice Rushen fait ses d\u00e9buts de chan\u00adteuse. Influen\u00adc\u00e9e par Quin\u00adcy Jones, Ste\u00advie Won\u00adder et Michael Jack\u00adson, Patrice Rushen gar\u00adde\u00adra les aspects ins\u00adtru\u00admen\u00adtaux et \u00e9piques, comme le prouve le titre \u201cdyna\u00admite\u201d Hang it up. Ces for\u00admules ryth\u00admiques explo\u00adsives, o\u00f9 la voix et les cla\u00adviers de Patrice Rushen trouvent natu\u00adrel\u00adle\u00adment leur place (Fen\u00adder Rhodes et pia\u00adnos), figurent par\u00admi les plus c\u00e9l\u00e8bres extraits \u00e9chan\u00adtillon\u00adn\u00e9s dans le hip-hop et ses d\u00e9riv\u00e9s. &nbsp; La r\u00e9\u00e9dition de 2019 des ann\u00e9es Elektra R\u00e9jouis\u00adsons-nous. Alors que les r\u00e9\u00e9di\u00adtions cd \u00e9ma\u00adnaient prin\u00adci\u00adpa\u00adle\u00adment du Japon (les japo\u00adnais sont de grands ama\u00adteurs des \u00e9poques et des ten\u00addances pas\u00ads\u00e9es que nous n\u00e9gli\u00adgeons, un fait cultu\u00adrel et social qui m\u00e9ri\u00adte\u00adrait peut-\u00eatre plu\u00adsieurs \u00e9tudes s\u00e9rieuses), le label cali\u00adfor\u00adnien Strut Records r\u00e9\u00e9dite cette p\u00e9riode fun\u00adky de Patrice Rushen sous le titre Remind Me&nbsp;: The Clas\u00adsic Elek\u00adtra Recor\u00addings 1978\u200a\u2013\u200a1984. Ce cof\u00adfret com\u00adprend les albums ori\u00adgi\u00adnaux remas\u00adt\u00e9\u00adri\u00ads\u00e9s \u00e0 par\u00adtir des bandes ori\u00adgi\u00adnales, des singles au for\u00admat 12\u2033, une inter\u00adview et des pho\u00adto\u00adgra\u00adphies in\u00e9dites. C\u2019est cer\u00adtain, nous ne l\u2019ou\u00adblie\u00adrons&nbsp;pas&nbsp;! &nbsp;","og_url":"https:\/\/www.dispatchbox.net\/index.php\/2019\/10\/04\/patrice-rushen-dont-forget-her-notes\/","og_site_name":"Dispatch\/Box","article_published_time":"2019-10-04T06:22:56+00:00","article_modified_time":"2019-10-07T05:38:22+00:00","og_image":[{"url":"https:\/\/www.dispatchbox.net\/wp-content\/725543296016.jpg","type":"","width":"","height":""}],"author":"Jeremy Jeanguenin","twitter_card":"summary_large_image","twitter_creator":"@dispatch_box","twitter_site":"@dispatch_box","twitter_misc":{"\u00c9crit par":"Jeremy Jeanguenin","Dur\u00e9e de lecture estim\u00e9e":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.dispatchbox.net\/index.php\/2019\/10\/04\/patrice-rushen-dont-forget-her-notes\/#article","isPartOf":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2019\/10\/04\/patrice-rushen-dont-forget-her-notes\/"},"author":{"name":"Jeremy Jeanguenin","@id":"https:\/\/www.dispatchbox.net\/#\/schema\/person\/9db7c9c41e0594fa08428d8b7007e253"},"headline":"Patrice Rushen&nbsp;: don\u2019t forget her not(e)s","datePublished":"2019-10-04T06:22:56+00:00","dateModified":"2019-10-07T05:38:22+00:00","mainEntityOfPage":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2019\/10\/04\/patrice-rushen-dont-forget-her-notes\/"},"wordCount":594,"image":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2019\/10\/04\/patrice-rushen-dont-forget-her-notes\/#primaryimage"},"thumbnailUrl":"https:\/\/www.dispatchbox.net\/wp-content\/725543296016.jpg","keywords":["Patrice","Patrice Rushen"],"articleSection":["Basse","Clavier","Figures De La Soul","Funk","Hip Hop","Industrie musicale","Jazz","Musique","Musique populaire","Pianiste","Production musicale","Soul Music"],"inLanguage":"fr-FR"},{"@type":"WebPage","@id":"https:\/\/www.dispatchbox.net\/index.php\/2019\/10\/04\/patrice-rushen-dont-forget-her-notes\/","url":"https:\/\/www.dispatchbox.net\/index.php\/2019\/10\/04\/patrice-rushen-dont-forget-her-notes\/","name":"Patrice Rushen : don't forget her not(e)s - 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Ne vous ruez pas pour acheter votre place : c'est d\u00e9j\u00e0 complet ! [rectification : la date parisienne a \u00e9t\u00e9 simplement annul\u00e9e pour des\u2026","rel":"","context":"Dans &quot;Avant-garde&quot;","block_context":{"text":"Avant-garde","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/avant-garde\/"},"img":{"alt_text":"Gil Scott-Heron et Brian Jackson \u00a9 Droits r\u00e9serv\u00e9s","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/425378.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1828,"url":"https:\/\/www.dispatchbox.net\/index.php\/2010\/11\/01\/michael-henderson-dans-jazz-hot-1973\/","url_meta":{"origin":5412,"position":1},"title":"Michael Henderson dans Jazz Hot (1973)","author":"Jeremy Jeanguenin","date":"01\/11\/2010","format":false,"excerpt":"Je continue de recenser quelques noms des piliers de la basse chez Motown, \u00e0 la suite de James Jamerson, Bob Babbitt (une allusion seulement, j'y reviens bient\u00f4t), Wilton Felder. Nous continuerons d'\u00e9voquer d'autres bassistes dont l'influence aura \u00e9t\u00e9 d\u00e9terminante sur la musique populaire telle que nous la connaissons. 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Inventaire scrupuleux des sources \u00e9chantillonn\u00e9es en une trentaine d'ann\u00e9es de hip-hop par le DJ Bronx et Danny Dann the Beat Mann. En\u2026","rel":"","context":"Dans &quot;Afro-Beat&quot;","block_context":{"text":"Afro-Beat","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/jazz\/afro-beat\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/zzdustyfingersvolu_10_101b.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1921,"url":"https:\/\/www.dispatchbox.net\/index.php\/2011\/03\/04\/sir-joe-quarterman-a-paris\/","url_meta":{"origin":5412,"position":3},"title":"Sir Joe Quarterman \u00e0&nbsp;Paris","author":"Jeremy Jeanguenin","date":"04\/03\/2011","format":false,"excerpt":"Le v\u00e9t\u00e9ran du funk pionnier \u00e9tait de passage en r\u00e9gion parisienne (Bobigny le 17\/02\/2011 puis Ivry le 18\/02\/2011), fait assez extraordinaire pour \u00eatre signal\u00e9 quand on sait que l'homme, Sir Joe Quarterman, s'est retir\u00e9 de l'industrie musicale apr\u00e8s un LP mythique sorti chez GSF Records en 1973 (avant qu'il ne\u2026","rel":"","context":"Dans &quot;Basse&quot;","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/iris8954256367178257652.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":7191,"url":"https:\/\/www.dispatchbox.net\/index.php\/2020\/05\/27\/george-duke-le-baton-du-duc\/","url_meta":{"origin":5412,"position":4},"title":"George Duke&nbsp;: le b\u00e2ton du&nbsp;duc","author":"Jeremy Jeanguenin","date":"27\/05\/2020","format":false,"excerpt":"Il est l'homme au sourire \u00e9ternel. 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En 1983, star incontest\u00e9e\u2026","rel":"","context":"Dans &quot;Clavier&quot;","block_context":{"text":"Clavier","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/musique\/clavier\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/duke-dontletgojpg.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":9677,"url":"https:\/\/www.dispatchbox.net\/index.php\/2023\/11\/13\/dangelo-leternel-retour-du-vaudou\/","url_meta":{"origin":5412,"position":5},"title":"D\u2019Angelo&nbsp;: l\u2019\u00e9ternel retour du vaudou","author":"Jeremy Jeanguenin","date":"13\/11\/2023","format":false,"excerpt":"Entre sacr\u00e9 et profane Michael Eugene Archer, D'Angelo de son nom d'artiste (prononcer Dee-en-gelo) a marqu\u00e9 la musique populaire am\u00e9ricaine du tournant des ann\u00e9es 2000, distillant une Soul Music recherch\u00e9e, qui rappelle \u00e0 la fois les exp\u00e9riences psych\u00e9d\u00e9liques du Funkadelic de George Clinton et du kid de Minneapolis, Prince. 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