{"id":573,"date":"2009-07-26T22:18:03","date_gmt":"2009-07-26T20:18:03","guid":{"rendered":"http:\/\/www.dispatchbox.net\/?p=573"},"modified":"2009-07-30T14:07:42","modified_gmt":"2009-07-30T12:07:42","slug":"gil-scott-heron-une-volonte-libre","status":"publish","type":"post","link":"https:\/\/www.dispatchbox.net\/index.php\/2009\/07\/26\/gil-scott-heron-une-volonte-libre\/","title":{"rendered":"Gil Scott-Heron&nbsp;: une volont\u00e9 libre"},"content":{"rendered":"<figure id=\"attachment_577\" aria-describedby=\"caption-attachment-577\" style=\"width: 252px\" class=\"wp-caption aligncenter\"><a rel=\"attachment wp-att-577\" href=\"http:\/\/www.dispatchbox.org\/index.php\/2009\/07\/26\/gil-scott-heron-une-volonte-libre\/attachment\/425378\/\"><img fetchpriority=\"high\" decoding=\"async\" data-attachment-id=\"577\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2009\/07\/26\/gil-scott-heron-une-volonte-libre\/attachment\/425378\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/425378.jpg\" data-orig-size=\"252,294\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"425378\" data-image-description data-image-caption=\"<p>Gil Scott-Heron et Brian Jackson \u00a9 Droits r\u00e9serv\u00e9s<\/p>\n\" data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/425378.jpg\" class=\"size-full wp-image-577\" title=\"425378\" src=\"http:\/\/www.dispatchbox.net\/wp-content\/425378.jpg\" alt=\"Gil Scott-Heron et Brian Jackson \u00a9 Droits r\u00e9serv\u00e9s\" width=\"252\" height=\"294\"><\/a><figcaption id=\"caption-attachment-577\" class=\"wp-caption-text\">Gil Scott-Heron et Brian Jack\u00adson \u00a9 Droits r\u00e9serv\u00e9s<\/figcaption><\/figure>\n<p>Le grand po\u00e8te et musi\u00adcien soul-jazz Gil Scott-Heron, qui vient de f\u00eater ses 60 ans, sera sur les planches du New Mor\u00adning ce 28 juillet 2009. Ne vous ruez pas pour ache\u00adter votre place&nbsp;: <span style=\"text-decoration: line-through;\">c\u2019est d\u00e9j\u00e0 com\u00adplet&nbsp;!<\/span> <strong>[rec\u00adti\u00adfi\u00adca\u00adtion&nbsp;: la date pari\u00adsienne a \u00e9t\u00e9 sim\u00adple\u00adment annu\u00adl\u00e9e pour des rai\u00adsons que j\u2019ignore]<\/strong><\/p>\n<p>Fils d\u2019une biblio\u00adth\u00e9\u00adcaire et d\u2019un foot\u00adbal\u00adleur jama\u00ef\u00adcain, petit-fils d\u2019une grand-m\u00e8re qui mili\u00adta pour le Mou\u00adve\u00adment des droits civiques, Gil Scott-Heron a com\u00admen\u00adc\u00e9 par scan\u00adder ses \u201cSmall talks\u201d en 1970 (on lui attri\u00adbue par cons\u00e9\u00adquent, et peut-\u00eatre un peu abu\u00adsi\u00adve\u00adment, l\u2019\u00e9\u00adpi\u00adth\u00e8te d\u2019 \u201cins\u00adti\u00adga\u00adteur du rap\u201d), sur fond de soul-jazz (dif\u00adfi\u00adcile \u00e0 d\u00e9fi\u00adnir, mais ce m\u00e9lange per\u00adcus\u00adsif de pia\u00adno, basse, Fen\u00adder Rhodes, per\u00adcus\u00adsions, cuivres pr\u00e9\u00adfi\u00adgure pro\u00adba\u00adble\u00adment l\u2019a\u00adcid&nbsp;jazz).<\/p>\n<p>Ses cr\u00e9a\u00adtions ont une por\u00adt\u00e9e poli\u00adtique (pour\u00adsuite de la lutte pour les droits des noirs, refus du conser\u00adva\u00adtisme de Nixon, Rea\u00adgan et consorts \u2013 ou plu\u00adt\u00f4t gou\u00adgna\u00adfiers \u2013, d\u00e9non\u00adcia\u00adtion pr\u00e9\u00adcoce du contr\u00f4le des pen\u00ads\u00e9es par la t\u00e9l\u00e9\u00advi\u00adsion, deve\u00adnue \u201cobjet pen\u00adsant\u201d de la d\u00e9mocratie).<\/p>\n<p>Tr\u00e8s t\u00f4t asso\u00adci\u00e9 au cla\u00advi\u00e9\u00adriste-fl\u00fb\u00adtiste (celle que l\u2019on entend sur <em>The Revo\u00adlu\u00adtion Will Not Be Tele\u00advi\u00adsed <\/em>et<em> The Bot\u00adtle<\/em>, entre autres) \u2013 pro\u00adduc\u00adteur Brian Jack\u00adson, il va sculp\u00adter un son soul tr\u00e8s fun\u00adky qui le place dans la m\u00eame sph\u00e8re musi\u00adcale que les Head Hun\u00adters et Her\u00adbie Han\u00adcock, Roy Ayers, Kool &amp; the Gang \u201cpre\u00admi\u00e8re mani\u00e8re\u201d, Sly Stone&nbsp;; tout en int\u00e9\u00adgrant une variable jazz qui rend l\u2019im\u00adpro\u00advi\u00adsa\u00adtion indis\u00adpen\u00adsable du <em>hap\u00adpe\u00adning<\/em> \u201cpo\u00e9\u00adti\u00adco-musi\u00adcal\u201d. Pour votre gou\u00adverne et parce que je regarde (ou plu\u00adt\u00f4t, j\u2019\u00e9\u00adcoute !) &nbsp;l\u00e0 o\u00f9 sont les basses fr\u00e9\u00adquences, c\u2019est le grand Ron Car\u00adter qui tient la basse et la contre\u00adbasse sur l\u2019al\u00adbum <em>Pieces of a Man<\/em> (1971).<\/p>\n<p>Gil Scott-Heron a par ailleurs publi\u00e9 un roman (<em>Le Vau\u00adtour<\/em>, en 1969, qu\u2019O\u00adli\u00advier Cohen a eu la bonne id\u00e9e d\u2019\u00e9\u00addi\u00adter, confiant la tra\u00adduc\u00adtion fran\u00ad\u00e7aise \u00e0 Jean-Pierre M\u00e9nard) et des recueils de po\u00e8mes (<em>The Nig\u00adger Fac\u00adto\u00adry<\/em>, 1972&nbsp;;&nbsp;<em>Now and Then&nbsp;: The Poems of Gil Scott-Heron<\/em>, 2001&nbsp;; &nbsp;et&nbsp;<em>So Far<\/em><em>, So Good<\/em>, 1990).<\/p>\n<p>La dis\u00adco\u00adgra\u00adphie de Gil Scott-Heron \u00e9tant par\u00adti\u00adcu\u00adli\u00e8\u00adre\u00adment copieuse et refl\u00e9\u00adtant la constance du tra\u00advail de cet artiste, je ne la repro\u00adduis pas ici en int\u00e9\u00adgra\u00adli\u00adt\u00e9, <a href=\"http:\/\/fr.wikipedia.org\/wiki\/Gil_Scott_Heron\">Wiki\u00adp\u00e9\u00addia<\/a> en pro\u00adpose une suf\u00adfi\u00adsam\u00adment d\u00e9taill\u00e9e.<\/p>\n<p>En revanche, je ne peux que recom\u00adman\u00adder l\u2019\u00e9\u00adcoute des trois pre\u00admiers albums&nbsp;: <em>Small Talk at 125th &amp; Lenox <\/em>(1970)<em>, Pieces of a man <\/em>(1972)<em>, et Free Will <\/em>(1973)<em>.<br>\n<\/em><\/p>\n<p>Enfin, le site fran\u00ad\u00e7ais <a href=\"http:\/\/gilscottheron.free.fr\">http:\/\/gilscottheron.free.fr<\/a> est incon\u00adtour\u00adnable en la mati\u00e8re et don\u00adne\u00adra au plus grand nombre l\u2019en\u00advie d\u2019al\u00adler d\u00e9cou\u00advrir son \u0153uvre sonore et \u00e9crite. Un article du site <a href=\"http:\/\/www.newforms.net\/fr\/gil-scott-heron\/biographie.shtml\">News\u00adForm<\/a> par Flo\u00adrian aborde cette richesse de l\u2019\u0153uvre de Gil Scott-Heron.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le grand po\u00e8te et musi\u00adcien soul-jazz Gil Scott-Heron, qui vient de f\u00eater ses 60 ans, sera sur les planches du New Mor\u00adning ce 28 juillet 2009. Ne vous ruez pas pour ache\u00adter votre place&nbsp;: c\u2019est d\u00e9j\u00e0 com\u00adplet&nbsp;! [rec\u00adti\u00adfi\u00adca\u00adtion&nbsp;: la date pari\u00adsienne a \u00e9t\u00e9 sim\u00adple\u00adment annu\u00adl\u00e9e pour des rai\u00adsons que j\u2019ignore] Fils d\u2019une biblio\u00adth\u00e9\u00adcaire et d\u2019un foot\u00adbal\u00adleur jama\u00ef\u00adcain, petit-fils d\u2019une grand-m\u00e8re qui mili\u00adta pour le Mou\u00adve\u00adment des droits civiques, Gil Scott-Heron a com\u00admen\u00adc\u00e9 par scan\u00adder ses \u201cSmall talks\u201d en 1970 (on lui attri\u00adbue par cons\u00e9\u00adquent, et peut-\u00eatre un peu abu\u00adsi\u00adve\u00adment, l\u2019\u00e9\u00adpi\u00adth\u00e8te d\u2019 \u201cins\u00adti\u00adga\u00adteur du rap\u201d), sur fond de soul-jazz (dif\u00adfi\u00adcile \u00e0 d\u00e9fi\u00adnir, mais ce m\u00e9lange per\u00adcus\u00adsif de pia\u00adno, basse, Fen\u00adder Rhodes, per\u00adcus\u00adsions, cuivres pr\u00e9\u00adfi\u00adgure pro\u00adba\u00adble\u00adment l\u2019a\u00adcid&nbsp;jazz). Ses cr\u00e9a\u00adtions ont une por\u00adt\u00e9e poli\u00adtique (pour\u00adsuite de la lutte pour les droits des noirs, refus du conser\u00adva\u00adtisme de Nixon, Rea\u00adgan et consorts \u2013 ou plu\u00adt\u00f4t gou\u00adgna\u00adfiers \u2013, d\u00e9non\u00adcia\u00adtion pr\u00e9\u00adcoce du contr\u00f4le des pen\u00ads\u00e9es par la t\u00e9l\u00e9\u00advi\u00adsion, deve\u00adnue \u201cobjet pen\u00adsant\u201d de la d\u00e9mo\u00adcra\u00adtie). Tr\u00e8s t\u00f4t asso\u00adci\u00e9 au cla\u00ad\u00advi\u00e9\u00ad\u00adriste-fl\u00fb\u00ad\u00adtiste (celle que l\u2019on entend sur The Revo\u00adlu\u00adtion Will Not Be Tele\u00advi\u00adsed et The Bot\u00adtle, entre autres) \u2013 pro\u00adduc\u00adteur Brian Jack\u00adson, il va sculp\u00adter un son soul tr\u00e8s fun\u00adky qui le place dans la m\u00eame sph\u00e8re musi\u00adcale que les Head Hun\u00adters et Her\u00adbie Han\u00adcock, Roy Ayers, Kool &amp; the Gang \u201cpre\u00admi\u00e8re mani\u00e8re\u201d, Sly Stone&nbsp;; tout en int\u00e9\u00adgrant une variable jazz qui rend l\u2019im\u00adpro\u00advi\u00adsa\u00adtion indis\u00adpen\u00adsable du hap\u00adpe\u00adning \u201cpo\u00e9\u00ad\u00adti\u00ad\u00adco-musi\u00ad\u00adcal\u201d. Pour votre gou\u00adverne et parce que je regarde (ou plu\u00adt\u00f4t, j\u2019\u00e9\u00adcoute !) &nbsp;l\u00e0 o\u00f9 sont les basses fr\u00e9\u00adquences, c\u2019est le grand Ron Car\u00adter qui tient la basse et la contre\u00adbasse sur l\u2019al\u00adbum Pieces of a Man (1971). Gil Scott-Heron a par ailleurs publi\u00e9 un roman (Le Vau\u00adtour, en 1969, qu\u2019O\u00adli\u00advier Cohen a eu la bonne id\u00e9e d\u2019\u00e9\u00addi\u00adter, confiant la tra\u00adduc\u00adtion fran\u00ad\u00e7aise \u00e0 Jean-Pierre M\u00e9nard) et des recueils de po\u00e8mes (The Nig\u00adger Fac\u00adto\u00adry, 1972&nbsp;;&nbsp;Now and Then&nbsp;: The Poems of Gil Scott-Heron, 2001&nbsp;; &nbsp;et&nbsp;So Far, So Good, 1990). La dis\u00adco\u00adgra\u00adphie de Gil Scott-Heron \u00e9tant par\u00adti\u00adcu\u00adli\u00e8\u00adre\u00adment copieuse et refl\u00e9\u00adtant la constance du tra\u00advail de cet artiste, je ne la repro\u00adduis pas ici en int\u00e9\u00adgra\u00adli\u00adt\u00e9, Wiki\u00adp\u00e9\u00addia en pro\u00adpose une suf\u00adfi\u00adsam\u00adment d\u00e9taill\u00e9e. En revanche, je ne peux que recom\u00adman\u00adder l\u2019\u00e9\u00adcoute des trois pre\u00admiers albums&nbsp;: Small Talk at 125th &amp; Lenox (1970), Pieces of a man (1972), et Free Will (1973). Enfin, le site fran\u00ad\u00e7ais http:\/\/gilscottheron.free.fr est incon\u00adtour\u00adnable en la mati\u00e8re et don\u00adne\u00adra au plus grand nombre l\u2019en\u00advie d\u2019al\u00adler d\u00e9cou\u00advrir son \u0153uvre sonore et \u00e9crite. Un article du site News\u00adForm par Flo\u00adrian aborde cette richesse de l\u2019\u0153uvre de Gil Scott-Heron.<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_s2mail":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[53,4,39,7,34,66,24,13,50,69,9,86,64,14,15,3,67,32,68,83],"tags":[],"class_list":["post-573","post","type-post","status-publish","format-standard","hentry","category-avant-garde","category-basse","category-batteur","category-bibliotheques","category-contrebasse","category-critique","category-culture-de-lecrit","category-culture-us-underground","category-disques","category-ecrire","category-funk","category-gil-scott-heron","category-herbie-hancock","category-jazz","category-livres","category-musique","category-philosophie","category-pianiste","category-politique","category-roy-ayers"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Gil Scott-Heron : une volont\u00e9 libre - Dispatch\/Box<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.dispatchbox.net\/index.php\/2009\/07\/26\/gil-scott-heron-une-volonte-libre\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gil Scott-Heron : une volont\u00e9 libre - Dispatch\/Box\" \/>\n<meta property=\"og:description\" content=\"Le grand po\u00e8te et musi\u00adcien soul-jazz Gil Scott-Heron, qui vient de f\u00eater ses 60 ans, sera sur les planches du New Mor\u00adning ce 28 juillet 2009. Ne vous ruez pas pour ache\u00adter votre place&nbsp;: c\u2019est d\u00e9j\u00e0 com\u00adplet&nbsp;! [rec\u00adti\u00adfi\u00adca\u00adtion&nbsp;: la date pari\u00adsienne a \u00e9t\u00e9 sim\u00adple\u00adment annu\u00adl\u00e9e pour des rai\u00adsons que j\u2019ignore] Fils d\u2019une biblio\u00adth\u00e9\u00adcaire et d\u2019un foot\u00adbal\u00adleur jama\u00ef\u00adcain, petit-fils d\u2019une grand-m\u00e8re qui mili\u00adta pour le Mou\u00adve\u00adment des droits civiques, Gil Scott-Heron a com\u00admen\u00adc\u00e9 par scan\u00adder ses \u201cSmall talks\u201d en 1970 (on lui attri\u00adbue par cons\u00e9\u00adquent, et peut-\u00eatre un peu abu\u00adsi\u00adve\u00adment, l\u2019\u00e9\u00adpi\u00adth\u00e8te d\u2019 \u201cins\u00adti\u00adga\u00adteur du rap\u201d), sur fond de soul-jazz (dif\u00adfi\u00adcile \u00e0 d\u00e9fi\u00adnir, mais ce m\u00e9lange per\u00adcus\u00adsif de pia\u00adno, basse, Fen\u00adder Rhodes, per\u00adcus\u00adsions, cuivres pr\u00e9\u00adfi\u00adgure pro\u00adba\u00adble\u00adment l\u2019a\u00adcid&nbsp;jazz). Ses cr\u00e9a\u00adtions ont une por\u00adt\u00e9e poli\u00adtique (pour\u00adsuite de la lutte pour les droits des noirs, refus du conser\u00adva\u00adtisme de Nixon, Rea\u00adgan et consorts \u2013 ou plu\u00adt\u00f4t gou\u00adgna\u00adfiers \u2013, d\u00e9non\u00adcia\u00adtion pr\u00e9\u00adcoce du contr\u00f4le des pen\u00ads\u00e9es par la t\u00e9l\u00e9\u00advi\u00adsion, deve\u00adnue \u201cobjet pen\u00adsant\u201d de la d\u00e9mocratie). Tr\u00e8s t\u00f4t asso\u00adci\u00e9 au cla\u00advi\u00e9\u00adriste-fl\u00fb\u00adtiste (celle que l\u2019on entend sur The Revo\u00adlu\u00adtion Will Not Be Tele\u00advi\u00adsed et The Bot\u00adtle, entre autres) \u2013 pro\u00adduc\u00adteur Brian Jack\u00adson, il va sculp\u00adter un son soul tr\u00e8s fun\u00adky qui le place dans la m\u00eame sph\u00e8re musi\u00adcale que les Head Hun\u00adters et Her\u00adbie Han\u00adcock, Roy Ayers, Kool &amp; the Gang \u201cpre\u00admi\u00e8re mani\u00e8re\u201d, Sly Stone&nbsp;; tout en int\u00e9\u00adgrant une variable jazz qui rend l\u2019im\u00adpro\u00advi\u00adsa\u00adtion indis\u00adpen\u00adsable du hap\u00adpe\u00adning \u201cpo\u00e9\u00adti\u00adco-musi\u00adcal\u201d. Pour votre gou\u00adverne et parce que je regarde (ou plu\u00adt\u00f4t, j\u2019\u00e9\u00adcoute !) &nbsp;l\u00e0 o\u00f9 sont les basses fr\u00e9\u00adquences, c\u2019est le grand Ron Car\u00adter qui tient la basse et la contre\u00adbasse sur l\u2019al\u00adbum Pieces of a Man (1971). Gil Scott-Heron a par ailleurs publi\u00e9 un roman (Le Vau\u00adtour, en 1969, qu\u2019O\u00adli\u00advier Cohen a eu la bonne id\u00e9e d\u2019\u00e9\u00addi\u00adter, confiant la tra\u00adduc\u00adtion fran\u00ad\u00e7aise \u00e0 Jean-Pierre M\u00e9nard) et des recueils de po\u00e8mes (The Nig\u00adger Fac\u00adto\u00adry, 1972&nbsp;;&nbsp;Now and Then&nbsp;: The Poems of Gil Scott-Heron, 2001&nbsp;; &nbsp;et&nbsp;So Far, So Good, 1990). La dis\u00adco\u00adgra\u00adphie de Gil Scott-Heron \u00e9tant par\u00adti\u00adcu\u00adli\u00e8\u00adre\u00adment copieuse et refl\u00e9\u00adtant la constance du tra\u00advail de cet artiste, je ne la repro\u00adduis pas ici en int\u00e9\u00adgra\u00adli\u00adt\u00e9, Wiki\u00adp\u00e9\u00addia en pro\u00adpose une suf\u00adfi\u00adsam\u00adment d\u00e9taill\u00e9e. En revanche, je ne peux que recom\u00adman\u00adder l\u2019\u00e9\u00adcoute des trois pre\u00admiers albums&nbsp;: Small Talk at 125th &amp; Lenox (1970), Pieces of a man (1972), et Free Will (1973). Enfin, le site fran\u00ad\u00e7ais http:\/\/gilscottheron.free.fr est incon\u00adtour\u00adnable en la mati\u00e8re et don\u00adne\u00adra au plus grand nombre l\u2019en\u00advie d\u2019al\u00adler d\u00e9cou\u00advrir son \u0153uvre sonore et \u00e9crite. Un article du site News\u00adForm par Flo\u00adrian aborde cette richesse de l\u2019\u0153uvre de Gil Scott-Heron.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.dispatchbox.net\/index.php\/2009\/07\/26\/gil-scott-heron-une-volonte-libre\/\" \/>\n<meta property=\"og:site_name\" content=\"Dispatch\/Box\" \/>\n<meta property=\"article:published_time\" content=\"2009-07-26T20:18:03+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2009-07-30T12:07:42+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/www.dispatchbox.net\/wp-content\/425378.jpg\" \/>\n<meta name=\"author\" content=\"Jeremy Jeanguenin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:site\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jeremy Jeanguenin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2009\\\/07\\\/26\\\/gil-scott-heron-une-volonte-libre\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2009\\\/07\\\/26\\\/gil-scott-heron-une-volonte-libre\\\/\"},\"author\":{\"name\":\"Jeremy Jeanguenin\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/#\\\/schema\\\/person\\\/9db7c9c41e0594fa08428d8b7007e253\"},\"headline\":\"Gil Scott-Heron&nbsp;: une volont\u00e9 libre\",\"datePublished\":\"2009-07-26T20:18:03+00:00\",\"dateModified\":\"2009-07-30T12:07:42+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2009\\\/07\\\/26\\\/gil-scott-heron-une-volonte-libre\\\/\"},\"wordCount\":491,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2009\\\/07\\\/26\\\/gil-scott-heron-une-volonte-libre\\\/#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/www.dispatchbox.net\\\/wp-content\\\/425378.jpg\",\"articleSection\":[\"Avant-garde\",\"Basse\",\"Batteur\",\"Biblioth\u00e8ques\",\"Contrebasse\",\"Critique\",\"Culture de l'\u00e9crit\",\"Culture US underground\",\"Disques\",\"\u00c9crire\",\"Funk\",\"Gil Scott-Heron\",\"Herbie Hancock\",\"Jazz\",\"Livres\",\"Musique\",\"Philosophie\",\"Pianiste\",\"Politique\",\"Roy Ayers\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2009\\\/07\\\/26\\\/gil-scott-heron-une-volonte-libre\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2009\\\/07\\\/26\\\/gil-scott-heron-une-volonte-libre\\\/\",\"url\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2009\\\/07\\\/26\\\/gil-scott-heron-une-volonte-libre\\\/\",\"name\":\"Gil Scott-Heron : une volont\u00e9 libre - 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Dispatch\/Box","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.dispatchbox.net\/index.php\/2009\/07\/26\/gil-scott-heron-une-volonte-libre\/","og_locale":"fr_FR","og_type":"article","og_title":"Gil Scott-Heron : une volont\u00e9 libre - Dispatch\/Box","og_description":"Le grand po\u00e8te et musi\u00adcien soul-jazz Gil Scott-Heron, qui vient de f\u00eater ses 60 ans, sera sur les planches du New Mor\u00adning ce 28 juillet 2009. Ne vous ruez pas pour ache\u00adter votre place&nbsp;: c\u2019est d\u00e9j\u00e0 com\u00adplet&nbsp;! [rec\u00adti\u00adfi\u00adca\u00adtion&nbsp;: la date pari\u00adsienne a \u00e9t\u00e9 sim\u00adple\u00adment annu\u00adl\u00e9e pour des rai\u00adsons que j\u2019ignore] Fils d\u2019une biblio\u00adth\u00e9\u00adcaire et d\u2019un foot\u00adbal\u00adleur jama\u00ef\u00adcain, petit-fils d\u2019une grand-m\u00e8re qui mili\u00adta pour le Mou\u00adve\u00adment des droits civiques, Gil Scott-Heron a com\u00admen\u00adc\u00e9 par scan\u00adder ses \u201cSmall talks\u201d en 1970 (on lui attri\u00adbue par cons\u00e9\u00adquent, et peut-\u00eatre un peu abu\u00adsi\u00adve\u00adment, l\u2019\u00e9\u00adpi\u00adth\u00e8te d\u2019 \u201cins\u00adti\u00adga\u00adteur du rap\u201d), sur fond de soul-jazz (dif\u00adfi\u00adcile \u00e0 d\u00e9fi\u00adnir, mais ce m\u00e9lange per\u00adcus\u00adsif de pia\u00adno, basse, Fen\u00adder Rhodes, per\u00adcus\u00adsions, cuivres pr\u00e9\u00adfi\u00adgure pro\u00adba\u00adble\u00adment l\u2019a\u00adcid&nbsp;jazz). Ses cr\u00e9a\u00adtions ont une por\u00adt\u00e9e poli\u00adtique (pour\u00adsuite de la lutte pour les droits des noirs, refus du conser\u00adva\u00adtisme de Nixon, Rea\u00adgan et consorts \u2013 ou plu\u00adt\u00f4t gou\u00adgna\u00adfiers \u2013, d\u00e9non\u00adcia\u00adtion pr\u00e9\u00adcoce du contr\u00f4le des pen\u00ads\u00e9es par la t\u00e9l\u00e9\u00advi\u00adsion, deve\u00adnue \u201cobjet pen\u00adsant\u201d de la d\u00e9mocratie). Tr\u00e8s t\u00f4t asso\u00adci\u00e9 au cla\u00advi\u00e9\u00adriste-fl\u00fb\u00adtiste (celle que l\u2019on entend sur The Revo\u00adlu\u00adtion Will Not Be Tele\u00advi\u00adsed et The Bot\u00adtle, entre autres) \u2013 pro\u00adduc\u00adteur Brian Jack\u00adson, il va sculp\u00adter un son soul tr\u00e8s fun\u00adky qui le place dans la m\u00eame sph\u00e8re musi\u00adcale que les Head Hun\u00adters et Her\u00adbie Han\u00adcock, Roy Ayers, Kool &amp; the Gang \u201cpre\u00admi\u00e8re mani\u00e8re\u201d, Sly Stone&nbsp;; tout en int\u00e9\u00adgrant une variable jazz qui rend l\u2019im\u00adpro\u00advi\u00adsa\u00adtion indis\u00adpen\u00adsable du hap\u00adpe\u00adning \u201cpo\u00e9\u00adti\u00adco-musi\u00adcal\u201d. Pour votre gou\u00adverne et parce que je regarde (ou plu\u00adt\u00f4t, j\u2019\u00e9\u00adcoute !) &nbsp;l\u00e0 o\u00f9 sont les basses fr\u00e9\u00adquences, c\u2019est le grand Ron Car\u00adter qui tient la basse et la contre\u00adbasse sur l\u2019al\u00adbum Pieces of a Man (1971). Gil Scott-Heron a par ailleurs publi\u00e9 un roman (Le Vau\u00adtour, en 1969, qu\u2019O\u00adli\u00advier Cohen a eu la bonne id\u00e9e d\u2019\u00e9\u00addi\u00adter, confiant la tra\u00adduc\u00adtion fran\u00ad\u00e7aise \u00e0 Jean-Pierre M\u00e9nard) et des recueils de po\u00e8mes (The Nig\u00adger Fac\u00adto\u00adry, 1972&nbsp;;&nbsp;Now and Then&nbsp;: The Poems of Gil Scott-Heron, 2001&nbsp;; &nbsp;et&nbsp;So Far, So Good, 1990). La dis\u00adco\u00adgra\u00adphie de Gil Scott-Heron \u00e9tant par\u00adti\u00adcu\u00adli\u00e8\u00adre\u00adment copieuse et refl\u00e9\u00adtant la constance du tra\u00advail de cet artiste, je ne la repro\u00adduis pas ici en int\u00e9\u00adgra\u00adli\u00adt\u00e9, Wiki\u00adp\u00e9\u00addia en pro\u00adpose une suf\u00adfi\u00adsam\u00adment d\u00e9taill\u00e9e. En revanche, je ne peux que recom\u00adman\u00adder l\u2019\u00e9\u00adcoute des trois pre\u00admiers albums&nbsp;: Small Talk at 125th &amp; Lenox (1970), Pieces of a man (1972), et Free Will (1973). Enfin, le site fran\u00ad\u00e7ais http:\/\/gilscottheron.free.fr est incon\u00adtour\u00adnable en la mati\u00e8re et don\u00adne\u00adra au plus grand nombre l\u2019en\u00advie d\u2019al\u00adler d\u00e9cou\u00advrir son \u0153uvre sonore et \u00e9crite. Un article du site News\u00adForm par Flo\u00adrian aborde cette richesse de l\u2019\u0153uvre de Gil Scott-Heron.","og_url":"https:\/\/www.dispatchbox.net\/index.php\/2009\/07\/26\/gil-scott-heron-une-volonte-libre\/","og_site_name":"Dispatch\/Box","article_published_time":"2009-07-26T20:18:03+00:00","article_modified_time":"2009-07-30T12:07:42+00:00","og_image":[{"url":"http:\/\/www.dispatchbox.net\/wp-content\/425378.jpg","type":"","width":"","height":""}],"author":"Jeremy Jeanguenin","twitter_card":"summary_large_image","twitter_creator":"@dispatch_box","twitter_site":"@dispatch_box","twitter_misc":{"\u00c9crit par":"Jeremy Jeanguenin","Dur\u00e9e de lecture estim\u00e9e":"2 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.dispatchbox.net\/index.php\/2009\/07\/26\/gil-scott-heron-une-volonte-libre\/#article","isPartOf":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2009\/07\/26\/gil-scott-heron-une-volonte-libre\/"},"author":{"name":"Jeremy Jeanguenin","@id":"https:\/\/www.dispatchbox.net\/#\/schema\/person\/9db7c9c41e0594fa08428d8b7007e253"},"headline":"Gil Scott-Heron&nbsp;: une volont\u00e9 libre","datePublished":"2009-07-26T20:18:03+00:00","dateModified":"2009-07-30T12:07:42+00:00","mainEntityOfPage":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2009\/07\/26\/gil-scott-heron-une-volonte-libre\/"},"wordCount":491,"commentCount":0,"image":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2009\/07\/26\/gil-scott-heron-une-volonte-libre\/#primaryimage"},"thumbnailUrl":"http:\/\/www.dispatchbox.net\/wp-content\/425378.jpg","articleSection":["Avant-garde","Basse","Batteur","Biblioth\u00e8ques","Contrebasse","Critique","Culture de l'\u00e9crit","Culture US underground","Disques","\u00c9crire","Funk","Gil Scott-Heron","Herbie Hancock","Jazz","Livres","Musique","Philosophie","Pianiste","Politique","Roy Ayers"],"inLanguage":"fr-FR","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.dispatchbox.net\/index.php\/2009\/07\/26\/gil-scott-heron-une-volonte-libre\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.dispatchbox.net\/index.php\/2009\/07\/26\/gil-scott-heron-une-volonte-libre\/","url":"https:\/\/www.dispatchbox.net\/index.php\/2009\/07\/26\/gil-scott-heron-une-volonte-libre\/","name":"Gil Scott-Heron : une volont\u00e9 libre - 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C'est \u00e0 Saul Williams que revenait la t\u00e2che \u2013 p\u00e9rilleuse \u2013 d'ouvrir pour cet homme de paroles qui se veut \"nouveau ici\", Gil Scott-Heron. L'artiste, dans une polyphonie slamm\u00e9e\/d\u00e9clam\u00e9e\/harangu\u00e9e\/chant\u00e9e, s'inscrit clairement dans la\u2026","rel":"","context":"Dans &quot;Afro-Beat&quot;","block_context":{"text":"Afro-Beat","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/jazz\/afro-beat\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/4t.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1727,"url":"https:\/\/www.dispatchbox.net\/index.php\/2010\/07\/22\/jazz-la-villette-edition-2010\/","url_meta":{"origin":573,"position":1},"title":"Jazz @ la Villette \u00e9dition 2010","author":"Jeremy Jeanguenin","date":"22\/07\/2010","format":false,"excerpt":"Cette magnifique programmation se passe de commentaire !! Pour ma part, j'ai d'ores et d\u00e9j\u00e0 ma place pour voir jouer Gil Scott Heron. Mais j'en ai la possibilit\u00e9, je ravirais aussi mes oreilles vaec Fred Wesley, Miroslav Vitous ou encore les l\u00e9gendaires fondateurs du rap The Last Poets.","rel":"","context":"Dans &quot;Afro-Beat&quot;","block_context":{"text":"Afro-Beat","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/jazz\/afro-beat\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/flyer_20101.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/flyer_20101.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/flyer_20101.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":2667,"url":"https:\/\/www.dispatchbox.net\/index.php\/2015\/01\/04\/joseph-lucky-scott\/","url_meta":{"origin":573,"position":2},"title":"Joseph \u201cLucky\u201d Scott","author":"Jeremy Jeanguenin","date":"04\/01\/2015","format":false,"excerpt":"Joseph \"Lucky\" Scott est un \u00e9l\u00e9ment fondamental du son de Curtis Mayfield. Mais comme la plupart des sidemen, il n'int\u00e9resse que peu le public. Pourtant, une vid\u00e9o sur youtube se pr\u00eatant au risible jeu des \"25 meilleurs bassistes du monde\" le liste comme l'un d'eux. Joseph Lucky Scott a fait\u2026","rel":"","context":"Dans &quot;Basse&quot;","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"Joseph Lucky Scott sur sc\u00e8ne avec Curtis Mayfield [s.d.]","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/lucky_scott.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/lucky_scott.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/lucky_scott.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":525,"url":"https:\/\/www.dispatchbox.net\/index.php\/2009\/07\/23\/roy-ayers-de-new-york-et-surtout-dailleurs\/","url_meta":{"origin":573,"position":3},"title":"Roy Ayers, de Brooklyn et (surtout) d\u2019ailleurs","author":"Jeremy Jeanguenin","date":"23\/07\/2009","format":false,"excerpt":"D\u00e9\u00e7u de ne pas avoir pu retenir de place pour le concert de Gil Scott-Heron mardi 28 juillet au New Morning (Liess, veinard !), j'ai saut\u00e9 sur l'occasion de pouvoir assister mercredi 22 juillet au concert de Roy Ayers, dans l'intimit\u00e9 du Cabaret Sauvage, \u00e0 la Villette. Ignorant qu'il jouerait\u2026","rel":"","context":"Dans &quot;Basse&quot;","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"DSC02316","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/DSC02316-300x225.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":7525,"url":"https:\/\/www.dispatchbox.net\/index.php\/2020\/08\/04\/stuff-montreux-1978\/","url_meta":{"origin":573,"position":4},"title":"Stuff, Montreux 1978","author":"Jeremy Jeanguenin","date":"04\/08\/2020","format":false,"excerpt":"Stuff, c\u2019est l\u2019histoire d\u2019un groupe instrumental mont\u00e9 sous la houlette du bassiste Gordon Edwards (\u00e0 ne pas confondre avec Scott Edwards, autre \u00e9minent bassiste). Il r\u00e9unit les flamboyants session men Cornell Dupree (Donny Hathaway, Aretha Franklin, Curtis King Jr...), le guitariste de jazz Eric Gale, l\u2019irrempla\u00e7able Steve Gadd \u00e0 la\u2026","rel":"","context":"Dans &quot;Musique&quot;","block_context":{"text":"Musique","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/musique\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/8DAC644A-3AA3-43F3-8EEA-E4BA49239BB5.jpeg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":3157,"url":"https:\/\/www.dispatchbox.net\/index.php\/2017\/11\/16\/alain-peters-temps-prend-dessus\/","url_meta":{"origin":573,"position":5},"title":"Alain P\u00e9ters&nbsp;: le temps prend pas dessus","author":"Jeremy Jeanguenin","date":"16\/11\/2017","format":false,"excerpt":"Alain P\u00e9ters, le musicien aux semelles de vent (Gilbert Pounia, meneur de Ziskakan, se pla\u00eet \u00e0 le comparer \u00e0 Rimbaud), n'a jamais \u00e9t\u00e9 aussi connu et lou\u00e9 qu'aujourd'hui. De son vivant, son \u0153uvre n'exc\u00e9dait pas les fronti\u00e8res physiques du littoral r\u00e9unionnais : il \u00e9tait pour ainsi dire, inconnu du grand\u2026","rel":"","context":"Dans &quot;Musique&quot;","block_context":{"text":"Musique","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/musique\/"},"img":{"alt_text":"Chante Albany","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/capture_d_e_cran_2017-10-21_a_11.28.18_resultat-36152.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/capture_d_e_cran_2017-10-21_a_11.28.18_resultat-36152.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/capture_d_e_cran_2017-10-21_a_11.28.18_resultat-36152.jpg?resize=525%2C300 1.5x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts\/573","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/comments?post=573"}],"version-history":[{"count":0,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts\/573\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/media?parent=573"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/categories?post=573"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/tags?post=573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}