{"id":652,"date":"2009-08-16T19:23:43","date_gmt":"2009-08-16T17:23:43","guid":{"rendered":"http:\/\/www.dispatchbox.net\/?p=652"},"modified":"2009-08-16T21:46:52","modified_gmt":"2009-08-16T19:46:52","slug":"marvin-gaye-vu-par-michael-eric-dyson","status":"publish","type":"post","link":"https:\/\/www.dispatchbox.net\/index.php\/2009\/08\/16\/marvin-gaye-vu-par-michael-eric-dyson\/","title":{"rendered":"Marvin Gaye vu par Michael Eric&nbsp;Dyson"},"content":{"rendered":"<p>L\u2019ou\u00advrage <em>Mar\u00advin Gaye, L\u2019ange de la soul <\/em>a paru en 2006 chez Na\u00efve, Hoa Nguyen en a assu\u00adr\u00e9 la traduction.<br>\nCe livre me laisse un peu miti\u00adg\u00e9 mal\u00adgr\u00e9 la teneur des t\u00e9moi\u00adgnages et la richesse du mat\u00e9\u00adriau&nbsp;oral.<\/p>\n<p>\u00c0 ma sur\u00adprise, Dys\u00adon, par ailleurs pas\u00adteur bap\u00adtiste, semble avoir \u00e9car\u00adt\u00e9 le filtre d\u2019une her\u00adm\u00e9\u00adneu\u00adtique pseu\u00addo-\u00e9van\u00adg\u00e9\u00adliste pour nous livrer un por\u00adtrait sans fard de Mar\u00advin, n\u2019h\u00e9\u00adsi\u00adtant pas \u00e0 \u00e9vo\u00adquer les ques\u00adtions de la luxure, des drogues, du trouble psy\u00adchique &nbsp;(entre autres). Il trace notam\u00adment le por\u00adtrait d\u00e9com\u00adplex\u00e9 d\u2019un homme sexiste et volon\u00adtiers ouver\u00adte\u00adment homophobe.<\/p>\n<p>L\u2019au\u00adteur est all\u00e9 trou\u00adver les \u00e9l\u00e9\u00adments qui per\u00admettent de recons\u00adtruire la trame des affects qui ont fa\u00e7on\u00adn\u00e9 l\u2019\u0153uvre sonore de Mar\u00advin Gaye, en sou\u00adli\u00adgnant sa vir\u00adtuo\u00adsi\u00adt\u00e9 peu connue \u00e0 la bat\u00adte\u00adrie et aux cla\u00adviers. Un fort \u00e9clai\u00adrage sur sa rela\u00adtion avec Tam\u00admi Ter\u00adrell, sa par\u00adte\u00adnaire de chant injus\u00adte\u00adment empor\u00adt\u00e9e par une tumeur au cer\u00adveau \u00e0 l\u2019\u00e2ge de 24 ans, per\u00admet de mieux sai\u00adsir les cir\u00adcons\u00adtances d\u2019\u00e9\u00adcri\u00adture et l\u2019\u00e9\u00adtat de Mar\u00advin quand il revint \u00e0 la sc\u00e8ne en&nbsp;1973.<\/p>\n<p>Le texte aborde selon, disons, trois grandes pers\u00adpec\u00adtives \u2013 esth\u00e9\u00adtique (style, fon\u00adda\u00adtions soul, back\u00adground social), sexua\u00adli\u00adt\u00e9 et \u00e9ro\u00adtisme et spi\u00adri\u00adtua\u00adli\u00adt\u00e9 \u2013 la vie et l\u2019\u0153uvre de l\u2019 \u201cange de la soul\u201d. Le der\u00adnier cha\u00adpitre tente de poser le concept d\u2019<em>afr\u0153\u00addi\u00adpia\u00adnisme<\/em> pour \u00e9clai\u00adrer la chute et le meurtre de Mar\u00advin par son r\u00e9v\u00e9\u00adrend de P\u00e8re (oui, qui est le <em>Father, Father <\/em>? Celui qui \u00f4te la vie telle qu\u2019il l\u2019a don\u00adn\u00e9e n\u2019est pas ici for\u00adc\u00e9\u00adment l\u2019\u00c9ternel).<\/p>\n<p>Quant \u00e0 la post\u00adface, autant dire de suite qu\u2019elle m\u2019est tom\u00adb\u00e9e des mains&nbsp;: elle invite de fa\u00e7on peu adroite au syl\u00adlo\u00adgisme entre Mar\u00advin Gaye et (hor\u00adreur) R. Kel\u00adly, sur la base d\u2019une affi\u00adni\u00adt\u00e9 sen\u00adsue\u00adlo-reli\u00adgieuse. La trans\u00adla\u00adtion manque cruel\u00adle\u00adment d\u2019ar\u00adgu\u00adment, on se prend les pieds dans un tapis de miel po\u00e9\u00adti\u00adco-reli\u00adgieux, de r\u00e9demp\u00adtion facile, si facile qu\u2019elle en \u00e9voque direc\u00adte\u00adment le tout aus\u00adsi mi\u00e8vre et d\u00e9pi\u00adtant <em>\u201cI believe I can fly, I believe I can touch the sky\u201d<\/em>.<\/p>\n<p>Du reste, l\u2019ou\u00advrage tient quelques pro\u00admesses sur les dimen\u00adsions esth\u00e9\u00adtiques et d\u00e9ve\u00adloppe les pr\u00e9\u00admices d\u2019une th\u00e9o\u00adrie de l\u2019<em>afr\u0153\u00addi\u00adpia\u00adnisme<\/em> (double puni\u00adtion de l\u2019en\u00adfant par le P\u00e8re, r\u00e9p\u00e9\u00adtant le geste de puni\u00adtion et d\u2019hu\u00admi\u00adlia\u00adtion escla\u00adva\u00adgiste sur l\u2019en\u00adfant&nbsp;noir)&nbsp;.<\/p>\n<p>Il est loin d\u2019\u00eatre par\u00adfait, mais lisez-le quand&nbsp;m\u00eame&nbsp;!<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone\" title=\"Marvin Gaye, lange de la soul\" src=\"http:\/\/ecx.images-amazon.com\/images\/I\/51TA1AC8XWL._SL500_AA240_.jpg\" alt width=\"240\" height=\"240\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>L\u2019ou\u00advrage Mar\u00advin Gaye, L\u2019ange de la soul a paru en 2006 chez Na\u00efve, Hoa Nguyen en a assu\u00adr\u00e9 la tra\u00adduc\u00adtion. Ce livre me laisse un peu miti\u00adg\u00e9 mal\u00adgr\u00e9 la teneur des t\u00e9moi\u00adgnages et la richesse du mat\u00e9\u00adriau&nbsp;oral. \u00c0 ma sur\u00adprise, Dys\u00adon, par ailleurs pas\u00adteur bap\u00adtiste, semble avoir \u00e9car\u00adt\u00e9 le filtre d\u2019une her\u00adm\u00e9\u00adneu\u00adtique pseu\u00ad\u00addo-\u00e9van\u00ad\u00adg\u00e9\u00ad\u00adliste pour nous livrer un por\u00adtrait sans fard de Mar\u00advin, n\u2019h\u00e9\u00adsi\u00adtant pas \u00e0 \u00e9vo\u00adquer les ques\u00adtions de la luxure, des drogues, du trouble psy\u00adchique &nbsp;(entre autres). Il trace notam\u00adment le por\u00adtrait d\u00e9com\u00adplex\u00e9 d\u2019un homme sexiste et volon\u00adtiers ouver\u00adte\u00adment homo\u00adphobe. L\u2019au\u00adteur est all\u00e9 trou\u00adver les \u00e9l\u00e9\u00adments qui per\u00admettent de recons\u00adtruire la trame des affects qui ont fa\u00e7on\u00adn\u00e9 l\u2019\u0153uvre sonore de Mar\u00advin Gaye, en sou\u00adli\u00adgnant sa vir\u00adtuo\u00adsi\u00adt\u00e9 peu connue \u00e0 la bat\u00adte\u00adrie et aux cla\u00adviers. Un fort \u00e9clai\u00adrage sur sa rela\u00adtion avec Tam\u00admi Ter\u00adrell, sa par\u00adte\u00adnaire de chant injus\u00adte\u00adment empor\u00adt\u00e9e par une tumeur au cer\u00adveau \u00e0 l\u2019\u00e2ge de 24 ans, per\u00admet de mieux sai\u00adsir les cir\u00adcons\u00adtances d\u2019\u00e9\u00adcri\u00adture et l\u2019\u00e9\u00adtat de Mar\u00advin quand il revint \u00e0 la sc\u00e8ne en&nbsp;1973. Le texte aborde selon, disons, trois grandes pers\u00adpec\u00adtives \u2013 esth\u00e9\u00adtique (style, fon\u00adda\u00adtions soul, back\u00adground social), sexua\u00adli\u00adt\u00e9 et \u00e9ro\u00adtisme et spi\u00adri\u00adtua\u00adli\u00adt\u00e9 \u2013 la vie et l\u2019\u0153uvre de l\u2019 \u201cange de la soul\u201d. Le der\u00adnier cha\u00adpitre tente de poser le concept d\u2019afr\u0153\u00addi\u00adpia\u00adnisme pour \u00e9clai\u00adrer la chute et le meurtre de Mar\u00advin par son r\u00e9v\u00e9\u00adrend de P\u00e8re (oui, qui est le Father, Father&nbsp;? Celui qui \u00f4te la vie telle qu\u2019il l\u2019a don\u00adn\u00e9e n\u2019est pas ici for\u00adc\u00e9\u00adment l\u2019\u00c9ternel). Quant \u00e0 la post\u00adface, autant dire de suite qu\u2019elle m\u2019est tom\u00adb\u00e9e des mains&nbsp;: elle invite de fa\u00e7on peu adroite au syl\u00adlo\u00adgisme entre Mar\u00advin Gaye et (hor\u00adreur) R. Kel\u00adly, sur la base d\u2019une affi\u00adni\u00adt\u00e9 sen\u00ad\u00adsue\u00ad\u00adlo-reli\u00ad\u00adgieuse. La trans\u00adla\u00adtion manque cruel\u00adle\u00adment d\u2019ar\u00adgu\u00adment, on se prend les pieds dans un tapis de miel po\u00e9\u00ad\u00adti\u00ad\u00adco-reli\u00ad\u00adgieux, de r\u00e9demp\u00adtion facile, si facile qu\u2019elle en \u00e9voque direc\u00adte\u00adment le tout aus\u00adsi mi\u00e8vre et d\u00e9pi\u00adtant \u201cI believe I can fly, I believe I can touch the sky\u201d. Du reste, l\u2019ou\u00advrage tient quelques pro\u00admesses sur les dimen\u00adsions esth\u00e9\u00adtiques et d\u00e9ve\u00adloppe les pr\u00e9\u00admices d\u2019une th\u00e9o\u00adrie de l\u2019afr\u0153\u00addi\u00adpia\u00adnisme (double puni\u00adtion de l\u2019en\u00adfant par le P\u00e8re, r\u00e9p\u00e9\u00adtant le geste de puni\u00adtion et d\u2019hu\u00admi\u00adlia\u00adtion escla\u00adva\u00adgiste sur l\u2019en\u00adfant&nbsp;noir)&nbsp;. Il est loin d\u2019\u00eatre par\u00adfait, mais lisez-le quand&nbsp;m\u00eame&nbsp;!<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_s2mail":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[39,50,9,14,35,43,88,15,98,25,3,80,32],"tags":[],"class_list":["post-652","post","type-post","status-publish","format-standard","hentry","category-batteur","category-disques","category-funk","category-jazz","category-lecture","category-librairie","category-litterature","category-livres","category-marvin-gaye","category-motown","category-musique","category-p-funk","category-pianiste"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Marvin Gaye vu par Michael Eric Dyson  - Dispatch\/Box<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.dispatchbox.net\/index.php\/2009\/08\/16\/marvin-gaye-vu-par-michael-eric-dyson\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Marvin Gaye vu par Michael Eric Dyson  - Dispatch\/Box\" \/>\n<meta property=\"og:description\" content=\"L\u2019ou\u00advrage Mar\u00advin Gaye, L\u2019ange de la soul a paru en 2006 chez Na\u00efve, Hoa Nguyen en a assu\u00adr\u00e9 la traduction. Ce livre me laisse un peu miti\u00adg\u00e9 mal\u00adgr\u00e9 la teneur des t\u00e9moi\u00adgnages et la richesse du mat\u00e9\u00adriau&nbsp;oral. \u00c0 ma sur\u00adprise, Dys\u00adon, par ailleurs pas\u00adteur bap\u00adtiste, semble avoir \u00e9car\u00adt\u00e9 le filtre d\u2019une her\u00adm\u00e9\u00adneu\u00adtique pseu\u00addo-\u00e9van\u00adg\u00e9\u00adliste pour nous livrer un por\u00adtrait sans fard de Mar\u00advin, n\u2019h\u00e9\u00adsi\u00adtant pas \u00e0 \u00e9vo\u00adquer les ques\u00adtions de la luxure, des drogues, du trouble psy\u00adchique &nbsp;(entre autres). Il trace notam\u00adment le por\u00adtrait d\u00e9com\u00adplex\u00e9 d\u2019un homme sexiste et volon\u00adtiers ouver\u00adte\u00adment homophobe. L\u2019au\u00adteur est all\u00e9 trou\u00adver les \u00e9l\u00e9\u00adments qui per\u00admettent de recons\u00adtruire la trame des affects qui ont fa\u00e7on\u00adn\u00e9 l\u2019\u0153uvre sonore de Mar\u00advin Gaye, en sou\u00adli\u00adgnant sa vir\u00adtuo\u00adsi\u00adt\u00e9 peu connue \u00e0 la bat\u00adte\u00adrie et aux cla\u00adviers. Un fort \u00e9clai\u00adrage sur sa rela\u00adtion avec Tam\u00admi Ter\u00adrell, sa par\u00adte\u00adnaire de chant injus\u00adte\u00adment empor\u00adt\u00e9e par une tumeur au cer\u00adveau \u00e0 l\u2019\u00e2ge de 24 ans, per\u00admet de mieux sai\u00adsir les cir\u00adcons\u00adtances d\u2019\u00e9\u00adcri\u00adture et l\u2019\u00e9\u00adtat de Mar\u00advin quand il revint \u00e0 la sc\u00e8ne en&nbsp;1973. Le texte aborde selon, disons, trois grandes pers\u00adpec\u00adtives \u2013 esth\u00e9\u00adtique (style, fon\u00adda\u00adtions soul, back\u00adground social), sexua\u00adli\u00adt\u00e9 et \u00e9ro\u00adtisme et spi\u00adri\u00adtua\u00adli\u00adt\u00e9 \u2013 la vie et l\u2019\u0153uvre de l\u2019 \u201cange de la soul\u201d. Le der\u00adnier cha\u00adpitre tente de poser le concept d\u2019afr\u0153\u00addi\u00adpia\u00adnisme pour \u00e9clai\u00adrer la chute et le meurtre de Mar\u00advin par son r\u00e9v\u00e9\u00adrend de P\u00e8re (oui, qui est le Father, Father ? Celui qui \u00f4te la vie telle qu\u2019il l\u2019a don\u00adn\u00e9e n\u2019est pas ici for\u00adc\u00e9\u00adment l\u2019\u00c9ternel). Quant \u00e0 la post\u00adface, autant dire de suite qu\u2019elle m\u2019est tom\u00adb\u00e9e des mains&nbsp;: elle invite de fa\u00e7on peu adroite au syl\u00adlo\u00adgisme entre Mar\u00advin Gaye et (hor\u00adreur) R. Kel\u00adly, sur la base d\u2019une affi\u00adni\u00adt\u00e9 sen\u00adsue\u00adlo-reli\u00adgieuse. La trans\u00adla\u00adtion manque cruel\u00adle\u00adment d\u2019ar\u00adgu\u00adment, on se prend les pieds dans un tapis de miel po\u00e9\u00adti\u00adco-reli\u00adgieux, de r\u00e9demp\u00adtion facile, si facile qu\u2019elle en \u00e9voque direc\u00adte\u00adment le tout aus\u00adsi mi\u00e8vre et d\u00e9pi\u00adtant \u201cI believe I can fly, I believe I can touch the sky\u201d. Du reste, l\u2019ou\u00advrage tient quelques pro\u00admesses sur les dimen\u00adsions esth\u00e9\u00adtiques et d\u00e9ve\u00adloppe les pr\u00e9\u00admices d\u2019une th\u00e9o\u00adrie de l\u2019afr\u0153\u00addi\u00adpia\u00adnisme (double puni\u00adtion de l\u2019en\u00adfant par le P\u00e8re, r\u00e9p\u00e9\u00adtant le geste de puni\u00adtion et d\u2019hu\u00admi\u00adlia\u00adtion escla\u00adva\u00adgiste sur l\u2019en\u00adfant&nbsp;noir)&nbsp;. Il est loin d\u2019\u00eatre par\u00adfait, mais lisez-le quand&nbsp;m\u00eame&nbsp;!\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.dispatchbox.net\/index.php\/2009\/08\/16\/marvin-gaye-vu-par-michael-eric-dyson\/\" \/>\n<meta property=\"og:site_name\" content=\"Dispatch\/Box\" \/>\n<meta property=\"article:published_time\" content=\"2009-08-16T17:23:43+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2009-08-16T19:46:52+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/ecx.images-amazon.com\/images\/I\/51TA1AC8XWL._SL500_AA240_.jpg\" \/>\n<meta name=\"author\" content=\"Jeremy Jeanguenin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:site\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jeremy Jeanguenin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2009\\\/08\\\/16\\\/marvin-gaye-vu-par-michael-eric-dyson\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2009\\\/08\\\/16\\\/marvin-gaye-vu-par-michael-eric-dyson\\\/\"},\"author\":{\"name\":\"Jeremy Jeanguenin\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/#\\\/schema\\\/person\\\/9db7c9c41e0594fa08428d8b7007e253\"},\"headline\":\"Marvin Gaye vu par Michael Eric&nbsp;Dyson\",\"datePublished\":\"2009-08-16T17:23:43+00:00\",\"dateModified\":\"2009-08-16T19:46:52+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2009\\\/08\\\/16\\\/marvin-gaye-vu-par-michael-eric-dyson\\\/\"},\"wordCount\":424,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2009\\\/08\\\/16\\\/marvin-gaye-vu-par-michael-eric-dyson\\\/#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/ecx.images-amazon.com\\\/images\\\/I\\\/51TA1AC8XWL._SL500_AA240_.jpg\",\"articleSection\":[\"Batteur\",\"Disques\",\"Funk\",\"Jazz\",\"Lecture\",\"Librairie\",\"Litt\u00e9rature\",\"Livres\",\"Marvin Gaye\",\"Motown\",\"Musique\",\"P-Funk\",\"Pianiste\"],\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2009\\\/08\\\/16\\\/marvin-gaye-vu-par-michael-eric-dyson\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2009\\\/08\\\/16\\\/marvin-gaye-vu-par-michael-eric-dyson\\\/\",\"url\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2009\\\/08\\\/16\\\/marvin-gaye-vu-par-michael-eric-dyson\\\/\",\"name\":\"Marvin Gaye vu par Michael Eric Dyson - 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Dispatch\/Box","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.dispatchbox.net\/index.php\/2009\/08\/16\/marvin-gaye-vu-par-michael-eric-dyson\/","og_locale":"fr_FR","og_type":"article","og_title":"Marvin Gaye vu par Michael Eric Dyson  - Dispatch\/Box","og_description":"L\u2019ou\u00advrage Mar\u00advin Gaye, L\u2019ange de la soul a paru en 2006 chez Na\u00efve, Hoa Nguyen en a assu\u00adr\u00e9 la traduction. Ce livre me laisse un peu miti\u00adg\u00e9 mal\u00adgr\u00e9 la teneur des t\u00e9moi\u00adgnages et la richesse du mat\u00e9\u00adriau&nbsp;oral. \u00c0 ma sur\u00adprise, Dys\u00adon, par ailleurs pas\u00adteur bap\u00adtiste, semble avoir \u00e9car\u00adt\u00e9 le filtre d\u2019une her\u00adm\u00e9\u00adneu\u00adtique pseu\u00addo-\u00e9van\u00adg\u00e9\u00adliste pour nous livrer un por\u00adtrait sans fard de Mar\u00advin, n\u2019h\u00e9\u00adsi\u00adtant pas \u00e0 \u00e9vo\u00adquer les ques\u00adtions de la luxure, des drogues, du trouble psy\u00adchique &nbsp;(entre autres). Il trace notam\u00adment le por\u00adtrait d\u00e9com\u00adplex\u00e9 d\u2019un homme sexiste et volon\u00adtiers ouver\u00adte\u00adment homophobe. L\u2019au\u00adteur est all\u00e9 trou\u00adver les \u00e9l\u00e9\u00adments qui per\u00admettent de recons\u00adtruire la trame des affects qui ont fa\u00e7on\u00adn\u00e9 l\u2019\u0153uvre sonore de Mar\u00advin Gaye, en sou\u00adli\u00adgnant sa vir\u00adtuo\u00adsi\u00adt\u00e9 peu connue \u00e0 la bat\u00adte\u00adrie et aux cla\u00adviers. Un fort \u00e9clai\u00adrage sur sa rela\u00adtion avec Tam\u00admi Ter\u00adrell, sa par\u00adte\u00adnaire de chant injus\u00adte\u00adment empor\u00adt\u00e9e par une tumeur au cer\u00adveau \u00e0 l\u2019\u00e2ge de 24 ans, per\u00admet de mieux sai\u00adsir les cir\u00adcons\u00adtances d\u2019\u00e9\u00adcri\u00adture et l\u2019\u00e9\u00adtat de Mar\u00advin quand il revint \u00e0 la sc\u00e8ne en&nbsp;1973. Le texte aborde selon, disons, trois grandes pers\u00adpec\u00adtives \u2013 esth\u00e9\u00adtique (style, fon\u00adda\u00adtions soul, back\u00adground social), sexua\u00adli\u00adt\u00e9 et \u00e9ro\u00adtisme et spi\u00adri\u00adtua\u00adli\u00adt\u00e9 \u2013 la vie et l\u2019\u0153uvre de l\u2019 \u201cange de la soul\u201d. Le der\u00adnier cha\u00adpitre tente de poser le concept d\u2019afr\u0153\u00addi\u00adpia\u00adnisme pour \u00e9clai\u00adrer la chute et le meurtre de Mar\u00advin par son r\u00e9v\u00e9\u00adrend de P\u00e8re (oui, qui est le Father, Father ? Celui qui \u00f4te la vie telle qu\u2019il l\u2019a don\u00adn\u00e9e n\u2019est pas ici for\u00adc\u00e9\u00adment l\u2019\u00c9ternel). Quant \u00e0 la post\u00adface, autant dire de suite qu\u2019elle m\u2019est tom\u00adb\u00e9e des mains&nbsp;: elle invite de fa\u00e7on peu adroite au syl\u00adlo\u00adgisme entre Mar\u00advin Gaye et (hor\u00adreur) R. Kel\u00adly, sur la base d\u2019une affi\u00adni\u00adt\u00e9 sen\u00adsue\u00adlo-reli\u00adgieuse. La trans\u00adla\u00adtion manque cruel\u00adle\u00adment d\u2019ar\u00adgu\u00adment, on se prend les pieds dans un tapis de miel po\u00e9\u00adti\u00adco-reli\u00adgieux, de r\u00e9demp\u00adtion facile, si facile qu\u2019elle en \u00e9voque direc\u00adte\u00adment le tout aus\u00adsi mi\u00e8vre et d\u00e9pi\u00adtant \u201cI believe I can fly, I believe I can touch the sky\u201d. Du reste, l\u2019ou\u00advrage tient quelques pro\u00admesses sur les dimen\u00adsions esth\u00e9\u00adtiques et d\u00e9ve\u00adloppe les pr\u00e9\u00admices d\u2019une th\u00e9o\u00adrie de l\u2019afr\u0153\u00addi\u00adpia\u00adnisme (double puni\u00adtion de l\u2019en\u00adfant par le P\u00e8re, r\u00e9p\u00e9\u00adtant le geste de puni\u00adtion et d\u2019hu\u00admi\u00adlia\u00adtion escla\u00adva\u00adgiste sur l\u2019en\u00adfant&nbsp;noir)&nbsp;. 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Pour qui l'ignore, un mashup musical est la r\u00e9union en un m\u00eame morceau de deux compositions distinctes, sur le principe de la recherche d'un \"point d'hybridation\", accroche\u2026","rel":"","context":"Dans &quot;Avant-garde&quot;","block_context":{"text":"Avant-garde","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/avant-garde\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/164269-gaye.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2391,"url":"https:\/\/www.dispatchbox.net\/index.php\/2012\/11\/28\/le-massage-musical-de-leon-ware\/","url_meta":{"origin":652,"position":2},"title":"Le massage musical de Leon&nbsp;Ware","author":"Jeremy Jeanguenin","date":"28\/11\/2012","format":false,"excerpt":"\u00a0 Leon Ware n'appara\u00eet pas comme un nom familier pour qui n'est\u00a0 pas aussi monomaniaque que moi. Il n'en reste pas moins un remarquable compositeur, puisqu'il est l'orf\u00e8vre d'un de mes titres pr\u00e9f\u00e9r\u00e9s interpr\u00e9t\u00e9s par Marvin Gaye, I Want You. Ware,\u00a0 natif de Detroit (\"Motor City\") employ\u00e9 par Berry Gordy\u2026","rel":"","context":"Dans &quot;Basse&quot;","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":5097,"url":"https:\/\/www.dispatchbox.net\/index.php\/2019\/08\/19\/ernie-barnes\/","url_meta":{"origin":652,"position":3},"title":"Ernie Barnes","author":"Jeremy Jeanguenin","date":"19\/08\/2019","format":false,"excerpt":"Le peintre Ernie Barnes (1938 - 2009) a illustr\u00e9 plusieurs albums embl\u00e9matiques des ann\u00e9es 1970. Ainsi, son Sugar Shack a marqu\u00e9 les esprits, en devenant l'illustration de pochette de l'album I Want You de Marvin Gaye, en 1976. 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