{"id":8039,"date":"2021-02-18T06:17:03","date_gmt":"2021-02-18T06:17:03","guid":{"rendered":"https:\/\/www.dispatchbox.net\/?p=8039"},"modified":"2021-09-10T04:28:13","modified_gmt":"2021-09-10T04:28:13","slug":"chaka-khan-1981-heure-de-gloire","status":"publish","type":"post","link":"https:\/\/www.dispatchbox.net\/index.php\/2021\/02\/18\/chaka-khan-1981-heure-de-gloire\/","title":{"rendered":"Chaka Khan&nbsp;: 1981, heure de gloire"},"content":{"rendered":"\n<figure id=\"attachment_8040\" aria-describedby=\"caption-attachment-8040\" style=\"width: 500px\" class=\"wp-caption alignnone\"><img fetchpriority=\"high\" decoding=\"async\" data-attachment-id=\"8040\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2021\/02\/18\/chaka-khan-1981-heure-de-gloire\/whatchagonnadoforme\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/WhatChaGonnaDoForMe.jpg\" data-orig-size=\"500,500\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"WhatChaGonnaDoForMe\" data-image-description data-image-caption=\"<p>Le troisi\u00e8me album solo de Chaka Khan, What Cha' Gonna Do For Me<\/p>\n\" data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/WhatChaGonnaDoForMe.jpg\" class=\"size-full wp-image-8040\" src=\"https:\/\/www.dispatchbox.net\/wp-content\/WhatChaGonnaDoForMe.jpg\" alt width=\"500\" height=\"500\" srcset=\"https:\/\/www.dispatchbox.net\/wp-content\/WhatChaGonnaDoForMe.jpg 500w, https:\/\/www.dispatchbox.net\/wp-content\/WhatChaGonnaDoForMe-300x300.jpg 300w, https:\/\/www.dispatchbox.net\/wp-content\/WhatChaGonnaDoForMe-150x150.jpg 150w\" sizes=\"(max-width: 500px) 100vw, 500px\"><figcaption id=\"caption-attachment-8040\" class=\"wp-caption-text\">Le troi\u00adsi\u00e8me album solo de Cha\u00adka Khan, What Cha\u2019 Gon\u00adna Do For&nbsp;Me<\/figcaption><\/figure>\n<h3>De Rufus au succ\u00e8s solo<\/h3>\n<p>Cha\u00adka Khan aura \u00e9t\u00e9 la meneuse cha\u00adris\u00adma\u00adtique du groupe de R&amp;B fun\u00adky Rufus, dop\u00e9 par leur suc\u00adc\u00e8s (une com\u00adpo\u00adsi\u00adtion offerte par le g\u00e9nie Ste\u00advie Won\u00adder) <em>Tell Me Some\u00adthing Good<\/em>. La divine Yvette Ste\u00advens (\u00e0 l\u2019\u00e9\u00adtat civil), n\u2019est pas tout \u00e0 fait s\u00e9pa\u00adr\u00e9e de Rufus mais elle op\u00e8re d\u00e9j\u00e0 en solo. Et pour ce faire, en 1981, elle s\u2019en\u00adtoure pour ce troi\u00adsi\u00e8me opus de la cr\u00e8me des musi\u00adciens dont la sp\u00e9\u00adcia\u00adli\u00adt\u00e9 est un R&amp;B qui conjugue sophis\u00adti\u00adca\u00adtion et for\u00admat radio, autre\u00adment dit une qua\u00adli\u00adt\u00e9 <em>mains\u00adtream<\/em>.<\/p>\n<h3>Un casting parfait<\/h3>\n<p>On y retrouve l\u2019\u00e9\u00adcos\u00adsais fun\u00adky Hamish Stuart, co-lea\u00adder avec Alan Gor\u00adrie du fameux Ave\u00adrage White Band, mais aus\u00adsi la patte de Ned Dohe\u00adny (son <em>Hard Can\u00addy<\/em> contient la recette d\u2019un R&amp;B \u00e0 savou\u00adrer au bord de la pis\u00adcine, que d\u2019au\u00adcuns asso\u00adcient, avec rai\u00adson, \u00e0 l\u2019ap\u00adpel\u00adla\u00adtion \u201cAOR\u201d), la basse du ma\u00eetre Antho\u00adny Jack\u00adson, David Williams \u00e0 la gui\u00adtare, Lar\u00adry Williams aux fl\u00fbtes et saxo\u00adphones, ain\u00adsi que Steve Fer\u00adrone, lui aus\u00adsi issu d\u2019AWB \u00e0 la batterie.<\/p>\n<p><img decoding=\"async\" data-attachment-id=\"8041\" data-permalink=\"https:\/\/www.dispatchbox.net\/index.php\/2021\/02\/18\/chaka-khan-1981-heure-de-gloire\/chaka_khan\/\" data-orig-file=\"https:\/\/www.dispatchbox.net\/wp-content\/chaka_khan.jpg\" data-orig-size=\"520,640\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"chaka_khan\" data-image-description data-image-caption data-large-file=\"https:\/\/www.dispatchbox.net\/wp-content\/chaka_khan.jpg\" class=\"alignnone size-full wp-image-8041\" src=\"https:\/\/www.dispatchbox.net\/wp-content\/chaka_khan.jpg\" alt width=\"520\" height=\"640\" srcset=\"https:\/\/www.dispatchbox.net\/wp-content\/chaka_khan.jpg 520w, https:\/\/www.dispatchbox.net\/wp-content\/chaka_khan-244x300.jpg 244w\" sizes=\"(max-width: 520px) 100vw, 520px\"><\/p>\n<h3>Les ann\u00e9es Warner<\/h3>\n<p>Sym\u00adbo\u00adlique d\u2019une \u00e8re \u201cAOR\u201d\/soft rock d\u00e9ve\u00adlop\u00adp\u00e9e tous azi\u00admuts par War\u00adner Music sous l\u2019im\u00adpul\u00adsion d\u2019A\u00adrif Mar\u00addin (on trouve par\u00admi leurs \u00e9ten\u00addards&nbsp;: The Doo\u00adbie Bro\u00adthers, Al Jar\u00adreau, Michael Franks\u2026), la p\u00e9riode char\u00adni\u00e8re 1978\/1983 laisse des joyaux dis\u00adco\u00adgra\u00adphiques remar\u00adquable, dont <em>What Cha Gon\u00adna Do For Me&nbsp;? <\/em>La for\u00admule de cet opus est somme toute assez typique&nbsp;: quelques reprises, une vari\u00e9\u00adt\u00e9 d\u2019au\u00adteurs-com\u00adpo\u00adsi\u00adteurs qui laisse trans\u00adpa\u00adra\u00eetre non pas une fai\u00adblesse de pro\u00adjet mais plu\u00adt\u00f4t un choix judi\u00adcieux et atten\u00adtif. Le disques s\u2019ouvre donc sur le tr\u00e8s enthou\u00adsiaste <em>We Can Work it Out<\/em> de Lennon\/McCartney, pro\u00admesse d\u2019une belle esca\u00adpade musicale.<\/p>\n<h3>Un ancrage R&amp;B et&nbsp;Jazz<\/h3>\n<p>Outre le titre \u00e9po\u00adnyme, de tr\u00e8s belle fac\u00adture (co-\u00e9crit par Hamish Stuart et Ned Dohe\u00adny, qui avaient d\u00e9j\u00e0 r\u00e9a\u00adli\u00ads\u00e9 ensemble le titre inter\u00adpr\u00e9\u00adt\u00e9 par Ned Dohe\u00adny lui-m\u00eame et conco\u00admi\u00adtam\u00adment par Ave\u00adrage White Band la m\u00eame ann\u00e9e de 1976, <em>A Love of Your Own<\/em>), cet album offre par ailleurs une ver\u00adsion vocale du stan\u00addard jazz de Diz\u00adzy Gil\u00adles\u00adpie, <em>A Night in Tuni\u00adsia<\/em>, tout \u00e0 fait au go\u00fbt des recherches sonores du d\u00e9but des ann\u00e9es 1980.<\/p>\n<p><iframe src=\"\/\/www.youtube.com\/embed\/CRrOQR1y6Ss\" allowfullscreen=\"allowfullscreen\" width=\"560\" height=\"314\"><\/iframe><\/p>\n<p>Un disque qui brasse des musi\u00adciens de grand talent (les fr\u00e8res Bre\u00adcker, Diz\u00adzy Gil\u00adles\u00adpie en per\u00adsonne sur son stan\u00addard, rebap\u00adtise pour l\u2019oc\u00adca\u00adsion <em>And the Melo\u00addy Still Lin\u00adgers On (Night in Tuni\u00adsia)<\/em>, Her\u00adbie Han\u00adcock, Mike Sem\u00adbelle, Pau\u00adlin\u00adho Da Cos\u00adta\u2026)<em> .<\/em><\/p>\n<p>De quoi r\u00e9con\u00adci\u00adlier les \u00e9ter\u00adnels d\u00e9trac\u00adteurs de la p\u00e9riode. A bon entendeur&nbsp;!<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>De Rufus au suc\u00adc\u00e8s solo Cha\u00adka Khan aura \u00e9t\u00e9 la meneuse cha\u00adris\u00adma\u00adtique du groupe de R&amp;B fun\u00adky Rufus, dop\u00e9 par leur suc\u00adc\u00e8s (une com\u00adpo\u00adsi\u00adtion offerte par le g\u00e9nie Ste\u00advie Won\u00adder) Tell Me Some\u00adthing Good. La divine Yvette Ste\u00advens (\u00e0 l\u2019\u00e9\u00adtat civil), n\u2019est pas tout \u00e0 fait s\u00e9pa\u00adr\u00e9e de Rufus mais elle op\u00e8re d\u00e9j\u00e0 en solo. Et pour ce faire, en 1981, elle s\u2019en\u00adtoure pour ce troi\u00adsi\u00e8me opus de la cr\u00e8me des musi\u00adciens dont la sp\u00e9\u00adcia\u00adli\u00adt\u00e9 est un R&amp;B qui conjugue sophis\u00adti\u00adca\u00adtion et for\u00admat radio, autre\u00adment dit une qua\u00adli\u00adt\u00e9 mains\u00adtream. Un cas\u00adting par\u00adfait On y retrouve l\u2019\u00e9\u00adcos\u00adsais fun\u00adky Hamish Stuart, co-lea\u00ad\u00adder avec Alan Gor\u00adrie du fameux Ave\u00adrage White Band, mais aus\u00adsi la patte de Ned Dohe\u00adny (son Hard Can\u00addy contient la recette d\u2019un R&amp;B \u00e0 savou\u00adrer au bord de la pis\u00adcine, que d\u2019au\u00adcuns asso\u00adcient, avec rai\u00adson, \u00e0 l\u2019ap\u00adpel\u00adla\u00adtion \u201cAOR\u201d), la basse du ma\u00eetre Antho\u00adny Jack\u00adson, David Williams \u00e0 la gui\u00adtare, Lar\u00adry Williams aux fl\u00fbtes et saxo\u00adphones, ain\u00adsi que Steve Fer\u00adrone, lui aus\u00adsi issu d\u2019AWB \u00e0 la bat\u00adte\u00adrie. Les ann\u00e9es War\u00adner Sym\u00adbo\u00adlique d\u2019une \u00e8re \u201cAOR\u201d\/soft rock d\u00e9ve\u00adlop\u00adp\u00e9e tous azi\u00admuts par War\u00adner Music sous l\u2019im\u00adpul\u00adsion d\u2019A\u00adrif Mar\u00addin (on trouve par\u00admi leurs \u00e9ten\u00addards&nbsp;: The Doo\u00adbie Bro\u00adthers, Al Jar\u00adreau, Michael Franks\u2026), la p\u00e9riode char\u00adni\u00e8re 1978\/1983 laisse des joyaux dis\u00adco\u00adgra\u00adphiques remar\u00adquable, dont What Cha Gon\u00adna Do For Me&nbsp;? La for\u00admule de cet opus est somme toute assez typique&nbsp;: quelques reprises, une vari\u00e9\u00adt\u00e9 d\u2019au\u00adteurs-com\u00adpo\u00adsi\u00adteurs qui laisse trans\u00adpa\u00adra\u00eetre non pas une fai\u00adblesse de pro\u00adjet mais plu\u00adt\u00f4t un choix judi\u00adcieux et atten\u00adtif. Le disques s\u2019ouvre donc sur le tr\u00e8s enthou\u00adsiaste We Can Work it Out de Lennon\/McCartney, pro\u00admesse d\u2019une belle esca\u00adpade musi\u00adcale. Un ancrage R&amp;B et&nbsp;Jazz Outre le titre \u00e9po\u00adnyme, de tr\u00e8s belle fac\u00adture (co-\u00e9crit par Hamish Stuart et Ned Dohe\u00adny, qui avaient d\u00e9j\u00e0 r\u00e9a\u00adli\u00ads\u00e9 ensemble le titre inter\u00adpr\u00e9\u00adt\u00e9 par Ned Dohe\u00adny lui-m\u00eame et conco\u00admi\u00adtam\u00adment par Ave\u00adrage White Band la m\u00eame ann\u00e9e de 1976, A Love of Your Own), cet album offre par ailleurs une ver\u00adsion vocale du stan\u00addard jazz de Diz\u00adzy Gil\u00adles\u00adpie, A Night in Tuni\u00adsia, tout \u00e0 fait au go\u00fbt des recherches sonores du d\u00e9but des ann\u00e9es 1980. Un disque qui brasse des musi\u00adciens de grand talent (les fr\u00e8res Bre\u00adcker, Diz\u00adzy Gil\u00adles\u00adpie en per\u00adsonne sur son stan\u00addard, rebap\u00adtise pour l\u2019oc\u00adca\u00adsion And the Melo\u00addy Still Lin\u00adgers On (Night in Tuni\u00adsia), Her\u00adbie Han\u00adcock, Mike Sem\u00adbelle, Pau\u00adlin\u00adho Da Cos\u00adta\u2026) . De quoi r\u00e9con\u00adci\u00adlier les \u00e9ter\u00adnels d\u00e9trac\u00adteurs de la p\u00e9riode. A bon entendeur&nbsp;!&nbsp;<\/p>\n","protected":false},"author":9,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_s2mail":"yes","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[2,612,14,3,614,604],"tags":[370],"class_list":["post-8039","post","type-post","status-publish","format-standard","hentry","category-figures-de-la-soul","category-industrie-musicale","category-jazz","category-musique","category-musique-populaire","category-soul-music","tag-rhythm-and-blues"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Chaka Khan : 1981, heure de gloire - Dispatch\/Box<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.dispatchbox.net\/index.php\/2021\/02\/18\/chaka-khan-1981-heure-de-gloire\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Chaka Khan : 1981, heure de gloire - Dispatch\/Box\" \/>\n<meta property=\"og:description\" content=\"De Rufus au succ\u00e8s solo Cha\u00adka Khan aura \u00e9t\u00e9 la meneuse cha\u00adris\u00adma\u00adtique du groupe de R&amp;B fun\u00adky Rufus, dop\u00e9 par leur suc\u00adc\u00e8s (une com\u00adpo\u00adsi\u00adtion offerte par le g\u00e9nie Ste\u00advie Won\u00adder) Tell Me Some\u00adthing Good. La divine Yvette Ste\u00advens (\u00e0 l\u2019\u00e9\u00adtat civil), n\u2019est pas tout \u00e0 fait s\u00e9pa\u00adr\u00e9e de Rufus mais elle op\u00e8re d\u00e9j\u00e0 en solo. Et pour ce faire, en 1981, elle s\u2019en\u00adtoure pour ce troi\u00adsi\u00e8me opus de la cr\u00e8me des musi\u00adciens dont la sp\u00e9\u00adcia\u00adli\u00adt\u00e9 est un R&amp;B qui conjugue sophis\u00adti\u00adca\u00adtion et for\u00admat radio, autre\u00adment dit une qua\u00adli\u00adt\u00e9 mains\u00adtream. Un casting parfait On y retrouve l\u2019\u00e9\u00adcos\u00adsais fun\u00adky Hamish Stuart, co-lea\u00adder avec Alan Gor\u00adrie du fameux Ave\u00adrage White Band, mais aus\u00adsi la patte de Ned Dohe\u00adny (son Hard Can\u00addy contient la recette d\u2019un R&amp;B \u00e0 savou\u00adrer au bord de la pis\u00adcine, que d\u2019au\u00adcuns asso\u00adcient, avec rai\u00adson, \u00e0 l\u2019ap\u00adpel\u00adla\u00adtion \u201cAOR\u201d), la basse du ma\u00eetre Antho\u00adny Jack\u00adson, David Williams \u00e0 la gui\u00adtare, Lar\u00adry Williams aux fl\u00fbtes et saxo\u00adphones, ain\u00adsi que Steve Fer\u00adrone, lui aus\u00adsi issu d\u2019AWB \u00e0 la batterie. Les ann\u00e9es Warner Sym\u00adbo\u00adlique d\u2019une \u00e8re \u201cAOR\u201d\/soft rock d\u00e9ve\u00adlop\u00adp\u00e9e tous azi\u00admuts par War\u00adner Music sous l\u2019im\u00adpul\u00adsion d\u2019A\u00adrif Mar\u00addin (on trouve par\u00admi leurs \u00e9ten\u00addards&nbsp;: The Doo\u00adbie Bro\u00adthers, Al Jar\u00adreau, Michael Franks\u2026), la p\u00e9riode char\u00adni\u00e8re 1978\/1983 laisse des joyaux dis\u00adco\u00adgra\u00adphiques remar\u00adquable, dont What Cha Gon\u00adna Do For Me&nbsp;? La for\u00admule de cet opus est somme toute assez typique&nbsp;: quelques reprises, une vari\u00e9\u00adt\u00e9 d\u2019au\u00adteurs-com\u00adpo\u00adsi\u00adteurs qui laisse trans\u00adpa\u00adra\u00eetre non pas une fai\u00adblesse de pro\u00adjet mais plu\u00adt\u00f4t un choix judi\u00adcieux et atten\u00adtif. Le disques s\u2019ouvre donc sur le tr\u00e8s enthou\u00adsiaste We Can Work it Out de Lennon\/McCartney, pro\u00admesse d\u2019une belle esca\u00adpade musicale. Un ancrage R&amp;B et&nbsp;Jazz Outre le titre \u00e9po\u00adnyme, de tr\u00e8s belle fac\u00adture (co-\u00e9crit par Hamish Stuart et Ned Dohe\u00adny, qui avaient d\u00e9j\u00e0 r\u00e9a\u00adli\u00ads\u00e9 ensemble le titre inter\u00adpr\u00e9\u00adt\u00e9 par Ned Dohe\u00adny lui-m\u00eame et conco\u00admi\u00adtam\u00adment par Ave\u00adrage White Band la m\u00eame ann\u00e9e de 1976, A Love of Your Own), cet album offre par ailleurs une ver\u00adsion vocale du stan\u00addard jazz de Diz\u00adzy Gil\u00adles\u00adpie, A Night in Tuni\u00adsia, tout \u00e0 fait au go\u00fbt des recherches sonores du d\u00e9but des ann\u00e9es 1980. Un disque qui brasse des musi\u00adciens de grand talent (les fr\u00e8res Bre\u00adcker, Diz\u00adzy Gil\u00adles\u00adpie en per\u00adsonne sur son stan\u00addard, rebap\u00adtise pour l\u2019oc\u00adca\u00adsion And the Melo\u00addy Still Lin\u00adgers On (Night in Tuni\u00adsia), Her\u00adbie Han\u00adcock, Mike Sem\u00adbelle, Pau\u00adlin\u00adho Da Cos\u00adta\u2026) . De quoi r\u00e9con\u00adci\u00adlier les \u00e9ter\u00adnels d\u00e9trac\u00adteurs de la p\u00e9riode. A bon entendeur&nbsp;! &nbsp;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.dispatchbox.net\/index.php\/2021\/02\/18\/chaka-khan-1981-heure-de-gloire\/\" \/>\n<meta property=\"og:site_name\" content=\"Dispatch\/Box\" \/>\n<meta property=\"article:published_time\" content=\"2021-02-18T06:17:03+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-09-10T04:28:13+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.dispatchbox.net\/wp-content\/WhatChaGonnaDoForMe.jpg\" \/>\n<meta name=\"author\" content=\"Jeremy Jeanguenin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:site\" content=\"@dispatch_box\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"Jeremy Jeanguenin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2021\\\/02\\\/18\\\/chaka-khan-1981-heure-de-gloire\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2021\\\/02\\\/18\\\/chaka-khan-1981-heure-de-gloire\\\/\"},\"author\":{\"name\":\"Jeremy Jeanguenin\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/#\\\/schema\\\/person\\\/9db7c9c41e0594fa08428d8b7007e253\"},\"headline\":\"Chaka Khan&nbsp;: 1981, heure de gloire\",\"datePublished\":\"2021-02-18T06:17:03+00:00\",\"dateModified\":\"2021-09-10T04:28:13+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2021\\\/02\\\/18\\\/chaka-khan-1981-heure-de-gloire\\\/\"},\"wordCount\":469,\"image\":{\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2021\\\/02\\\/18\\\/chaka-khan-1981-heure-de-gloire\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.dispatchbox.net\\\/wp-content\\\/WhatChaGonnaDoForMe.jpg\",\"keywords\":[\"Rhythm and Blues\"],\"articleSection\":[\"Figures De La Soul\",\"Industrie musicale\",\"Jazz\",\"Musique\",\"Musique populaire\",\"Soul Music\"],\"inLanguage\":\"fr-FR\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2021\\\/02\\\/18\\\/chaka-khan-1981-heure-de-gloire\\\/\",\"url\":\"https:\\\/\\\/www.dispatchbox.net\\\/index.php\\\/2021\\\/02\\\/18\\\/chaka-khan-1981-heure-de-gloire\\\/\",\"name\":\"Chaka Khan : 1981, heure de gloire - 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Dispatch\/Box","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.dispatchbox.net\/index.php\/2021\/02\/18\/chaka-khan-1981-heure-de-gloire\/","og_locale":"fr_FR","og_type":"article","og_title":"Chaka Khan : 1981, heure de gloire - Dispatch\/Box","og_description":"De Rufus au succ\u00e8s solo Cha\u00adka Khan aura \u00e9t\u00e9 la meneuse cha\u00adris\u00adma\u00adtique du groupe de R&amp;B fun\u00adky Rufus, dop\u00e9 par leur suc\u00adc\u00e8s (une com\u00adpo\u00adsi\u00adtion offerte par le g\u00e9nie Ste\u00advie Won\u00adder) Tell Me Some\u00adthing Good. La divine Yvette Ste\u00advens (\u00e0 l\u2019\u00e9\u00adtat civil), n\u2019est pas tout \u00e0 fait s\u00e9pa\u00adr\u00e9e de Rufus mais elle op\u00e8re d\u00e9j\u00e0 en solo. Et pour ce faire, en 1981, elle s\u2019en\u00adtoure pour ce troi\u00adsi\u00e8me opus de la cr\u00e8me des musi\u00adciens dont la sp\u00e9\u00adcia\u00adli\u00adt\u00e9 est un R&amp;B qui conjugue sophis\u00adti\u00adca\u00adtion et for\u00admat radio, autre\u00adment dit une qua\u00adli\u00adt\u00e9 mains\u00adtream. Un casting parfait On y retrouve l\u2019\u00e9\u00adcos\u00adsais fun\u00adky Hamish Stuart, co-lea\u00adder avec Alan Gor\u00adrie du fameux Ave\u00adrage White Band, mais aus\u00adsi la patte de Ned Dohe\u00adny (son Hard Can\u00addy contient la recette d\u2019un R&amp;B \u00e0 savou\u00adrer au bord de la pis\u00adcine, que d\u2019au\u00adcuns asso\u00adcient, avec rai\u00adson, \u00e0 l\u2019ap\u00adpel\u00adla\u00adtion \u201cAOR\u201d), la basse du ma\u00eetre Antho\u00adny Jack\u00adson, David Williams \u00e0 la gui\u00adtare, Lar\u00adry Williams aux fl\u00fbtes et saxo\u00adphones, ain\u00adsi que Steve Fer\u00adrone, lui aus\u00adsi issu d\u2019AWB \u00e0 la batterie. Les ann\u00e9es Warner Sym\u00adbo\u00adlique d\u2019une \u00e8re \u201cAOR\u201d\/soft rock d\u00e9ve\u00adlop\u00adp\u00e9e tous azi\u00admuts par War\u00adner Music sous l\u2019im\u00adpul\u00adsion d\u2019A\u00adrif Mar\u00addin (on trouve par\u00admi leurs \u00e9ten\u00addards&nbsp;: The Doo\u00adbie Bro\u00adthers, Al Jar\u00adreau, Michael Franks\u2026), la p\u00e9riode char\u00adni\u00e8re 1978\/1983 laisse des joyaux dis\u00adco\u00adgra\u00adphiques remar\u00adquable, dont What Cha Gon\u00adna Do For Me&nbsp;? La for\u00admule de cet opus est somme toute assez typique&nbsp;: quelques reprises, une vari\u00e9\u00adt\u00e9 d\u2019au\u00adteurs-com\u00adpo\u00adsi\u00adteurs qui laisse trans\u00adpa\u00adra\u00eetre non pas une fai\u00adblesse de pro\u00adjet mais plu\u00adt\u00f4t un choix judi\u00adcieux et atten\u00adtif. Le disques s\u2019ouvre donc sur le tr\u00e8s enthou\u00adsiaste We Can Work it Out de Lennon\/McCartney, pro\u00admesse d\u2019une belle esca\u00adpade musicale. Un ancrage R&amp;B et&nbsp;Jazz Outre le titre \u00e9po\u00adnyme, de tr\u00e8s belle fac\u00adture (co-\u00e9crit par Hamish Stuart et Ned Dohe\u00adny, qui avaient d\u00e9j\u00e0 r\u00e9a\u00adli\u00ads\u00e9 ensemble le titre inter\u00adpr\u00e9\u00adt\u00e9 par Ned Dohe\u00adny lui-m\u00eame et conco\u00admi\u00adtam\u00adment par Ave\u00adrage White Band la m\u00eame ann\u00e9e de 1976, A Love of Your Own), cet album offre par ailleurs une ver\u00adsion vocale du stan\u00addard jazz de Diz\u00adzy Gil\u00adles\u00adpie, A Night in Tuni\u00adsia, tout \u00e0 fait au go\u00fbt des recherches sonores du d\u00e9but des ann\u00e9es 1980. Un disque qui brasse des musi\u00adciens de grand talent (les fr\u00e8res Bre\u00adcker, Diz\u00adzy Gil\u00adles\u00adpie en per\u00adsonne sur son stan\u00addard, rebap\u00adtise pour l\u2019oc\u00adca\u00adsion And the Melo\u00addy Still Lin\u00adgers On (Night in Tuni\u00adsia), Her\u00adbie Han\u00adcock, Mike Sem\u00adbelle, Pau\u00adlin\u00adho Da Cos\u00adta\u2026) . De quoi r\u00e9con\u00adci\u00adlier les \u00e9ter\u00adnels d\u00e9trac\u00adteurs de la p\u00e9riode. A bon entendeur&nbsp;! &nbsp;","og_url":"https:\/\/www.dispatchbox.net\/index.php\/2021\/02\/18\/chaka-khan-1981-heure-de-gloire\/","og_site_name":"Dispatch\/Box","article_published_time":"2021-02-18T06:17:03+00:00","article_modified_time":"2021-09-10T04:28:13+00:00","og_image":[{"url":"https:\/\/www.dispatchbox.net\/wp-content\/WhatChaGonnaDoForMe.jpg","type":"","width":"","height":""}],"author":"Jeremy Jeanguenin","twitter_card":"summary_large_image","twitter_creator":"@dispatch_box","twitter_site":"@dispatch_box","twitter_misc":{"\u00c9crit par":"Jeremy Jeanguenin","Dur\u00e9e de lecture estim\u00e9e":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.dispatchbox.net\/index.php\/2021\/02\/18\/chaka-khan-1981-heure-de-gloire\/#article","isPartOf":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2021\/02\/18\/chaka-khan-1981-heure-de-gloire\/"},"author":{"name":"Jeremy Jeanguenin","@id":"https:\/\/www.dispatchbox.net\/#\/schema\/person\/9db7c9c41e0594fa08428d8b7007e253"},"headline":"Chaka Khan&nbsp;: 1981, heure de gloire","datePublished":"2021-02-18T06:17:03+00:00","dateModified":"2021-09-10T04:28:13+00:00","mainEntityOfPage":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2021\/02\/18\/chaka-khan-1981-heure-de-gloire\/"},"wordCount":469,"image":{"@id":"https:\/\/www.dispatchbox.net\/index.php\/2021\/02\/18\/chaka-khan-1981-heure-de-gloire\/#primaryimage"},"thumbnailUrl":"https:\/\/www.dispatchbox.net\/wp-content\/WhatChaGonnaDoForMe.jpg","keywords":["Rhythm and Blues"],"articleSection":["Figures De La Soul","Industrie musicale","Jazz","Musique","Musique populaire","Soul Music"],"inLanguage":"fr-FR"},{"@type":"WebPage","@id":"https:\/\/www.dispatchbox.net\/index.php\/2021\/02\/18\/chaka-khan-1981-heure-de-gloire\/","url":"https:\/\/www.dispatchbox.net\/index.php\/2021\/02\/18\/chaka-khan-1981-heure-de-gloire\/","name":"Chaka Khan : 1981, heure de gloire - 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Des d\u00e9buts jazz pr\u00e9coces Un album enti\u00e8rement instrumental, qui reprend la figure de l'odyss\u00e9e groovy, comme ont pu le faire quelques ann\u00e9es auparavant l'organiste Jimmy Smith (pensons\u2026","rel":"","context":"Dans &quot;Basse&quot;","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/CS268486-01B-BIG.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/CS268486-01B-BIG.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/CS268486-01B-BIG.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/CS268486-01B-BIG.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":874,"url":"https:\/\/www.dispatchbox.net\/index.php\/2009\/09\/03\/chic-nest-pas-disco\/","url_meta":{"origin":8039,"position":1},"title":"Chic n\u2019est pas&nbsp;disco&nbsp;!","author":"Jeremy Jeanguenin","date":"03\/09\/2009","format":false,"excerpt":"Non, Chic est tout sauf disco. Chic, syncr\u00e9tisme de ce que devrait toujours \u00eatre la musique de danse : int\u00e9gralement jou\u00e9e par des musiciens au style forg\u00e9 par la connaissance des racines de la musique noire, instinctive. Ce ne sont pas non plus les saccades fadasses d\u2019un Giorgio Moroder, qui\u2026","rel":"","context":"Dans &quot;Basse&quot;","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"Chic (1977)","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/chic_chic_101b.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2610,"url":"https:\/\/www.dispatchbox.net\/index.php\/2014\/09\/14\/clavinet-le-clavier-funky\/","url_meta":{"origin":8039,"position":2},"title":"Clavinet, le clavier funky","author":"Jeremy Jeanguenin","date":"14\/09\/2014","format":false,"excerpt":"\u00a0 C'est le clavier le plus \"funky\" (disons, un des plus adapt\u00e9s aux rythmes dansants) de la musique \u00e9lectronique moderne. Con\u00e7u par la firme germanique Hohner (\u00e0 ne pas confondre avec H\u00f6fner), autrement connue pour ses harmonicas (dont le basique et classique \"Marine Band\"), il a \u00e9t\u00e9 invent\u00e9 par Ernst\u2026","rel":"","context":"Dans &quot;Clavier&quot;","block_context":{"text":"Clavier","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/musique\/clavier\/"},"img":{"alt_text":"\"Hohner Clavinet D6\" by Original uploader was Docrobbie at en.wikipedia - Originally from en.wikipedia; description page is\/was here (Photographed in my home.). Licensed under Creative Commons Attribution-Share Alike 3.0 via Wikimedia Commons - http:\/\/commons.wikimedia.org\/wiki\/File:Hohner_Clavinet_D6.jpg#mediaviewer\/File:Hohner_Clavinet_D6.jpg","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/Hohner_Clavinet_D6.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1921,"url":"https:\/\/www.dispatchbox.net\/index.php\/2011\/03\/04\/sir-joe-quarterman-a-paris\/","url_meta":{"origin":8039,"position":3},"title":"Sir Joe Quarterman \u00e0&nbsp;Paris","author":"Jeremy Jeanguenin","date":"04\/03\/2011","format":false,"excerpt":"Le v\u00e9t\u00e9ran du funk pionnier \u00e9tait de passage en r\u00e9gion parisienne (Bobigny le 17\/02\/2011 puis Ivry le 18\/02\/2011), fait assez extraordinaire pour \u00eatre signal\u00e9 quand on sait que l'homme, Sir Joe Quarterman, s'est retir\u00e9 de l'industrie musicale apr\u00e8s un LP mythique sorti chez GSF Records en 1973 (avant qu'il ne\u2026","rel":"","context":"Dans &quot;Basse&quot;","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/iris8954256367178257652.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":5373,"url":"https:\/\/www.dispatchbox.net\/index.php\/2019\/09\/19\/aaron-dodd-1948-2010\/","url_meta":{"origin":8039,"position":4},"title":"Aaron Dodd (1948\u200a\u2013\u200a2010)","author":"Jeremy Jeanguenin","date":"19\/09\/2019","format":false,"excerpt":"L'industrie de la musique est sans piti\u00e9. M\u00eame pour ce v\u00e9t\u00e9ran du tuba d\u00e9c\u00e9d\u00e9 maintenant il y a presque dix ann\u00e9es. Aaron Dodd (1948-2010) a grav\u00e9 sur l'ac\u00e9tate de vinyle, entre autres prouesses m\u00e9morables, la c\u00e9l\u00e8bre ligne de tuba qui ornemente la reprise du I Believe to My Soul de\u2026","rel":"","context":"Dans &quot;Basse&quot;","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/500x500.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1870,"url":"https:\/\/www.dispatchbox.net\/index.php\/2010\/12\/25\/glasgow-1969\/","url_meta":{"origin":8039,"position":5},"title":"Glasgow, 1969","author":"Jeremy Jeanguenin","date":"25\/12\/2010","format":false,"excerpt":"Il y a quelque chose chez les musiciens \u00e9cossais, de m\u00e9taphysique, qui les fait surgir \u00e7\u00e0 et l\u00e0 dans l'histoire du rhythm and blues, de la soul, et par extension du rock. Nous avions les surprenants Average White Band \u00e0 la fin des ann\u00e9es 1970, sous la houlette de Hamish\u2026","rel":"","context":"Dans &quot;Basse&quot;","block_context":{"text":"Basse","link":"https:\/\/www.dispatchbox.net\/index.php\/category\/basse\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.dispatchbox.net\/wp-content\/stonethecrows-300x85.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts\/8039","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/comments?post=8039"}],"version-history":[{"count":0,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/posts\/8039\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/media?parent=8039"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/categories?post=8039"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.dispatchbox.net\/index.php\/wp-json\/wp\/v2\/tags?post=8039"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}